Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21170). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p128 RIGHT — 29 lignes

page vol_II_p128 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 , annotation_inline
parent ligne 4
via heuristic_height
2 TRANSLATION page_header
via surya_layout
3 239 page_number
via heuristic_pagenum
4 [37. Dhvanikuṭṭanī] section_header
via surya_layout
5 Here there are <i>mātr</i>ās of even number and there is <i>dhvuni</i>, sometimes there is main
via surya_layout
6 a pause after that. If there are two tālas in this, then that is dhvanikuṭṭanī. main
via surya_layout
7 (480) main
via surya_layout
8 [38.<i>Dheńki</i>] section_header
via surya_layout
9 Where <math>n\bar{a}da_{*}^{86}</math> synthesised with syllable is taken up at will without <math>t\bar{a}la</math> and main
via surya_layout
10 then there is tāla, that is said to be <i>dhenkikā</i>. main
via surya_layout
11 (481) main
via surya_layout
12 [39. Ekatālī] section_header
via surya_layout
13 Where there is alliteration without break <math>^{87}</math> (and) where yati is formed in each main
via surya_layout
14 druta<sup>88</sup>(?), that is known to be ekatālikā by those knowledgeable in the essence main
via surya_layout
15 of music. annotation_inline
parent ligne 14
via heuristic_short
16 (482) main
via surya_layout
17 [40. <i>Mātṛkā</i>] section_header
via surya_layout
18 Where the letters of the alphabet are taken up one by one and are sung main
via surya_layout
19 in combination with the desired meaning, that is called mātṛkā.89 main
via surya_layout
20 (483) main
via surya_layout
21 [41. Svarārtha] section_header
via surya_layout
22 Where the song is properly accomplished with the svaras (solfa syllables) main
via surya_layout
23 yielding the desired meaning, that is known as svarārtha among the songs made main
via surya_layout
24 of vastu. annotation_inline
parent ligne 23
via heuristic_short
25 (484) main
via surya_layout
26 [42. <i>Karana</i>] section_header
via surya_layout
27 Where two sections are composed of svaras alone without any break, that has main
via surya_layout
28 been said here to be karaṇa, being (endowed) with the yati named karaṇa (?).91 main
via surya_layout
29 (485) main
via surya_layout

vol_II_p043 LEFT — 50 lignes

page vol_II_p043 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 68 page_number
via heuristic_pagenum
3 रों रों गां सम मा मा पा पा table
via surya_layout
4 (८) table
via surya_layout
5 (8) table
via surya_layout
6 मा पा मा परि गा गा गा गा table
via surya_layout
7 (१०) table
via surya_layout
8 धानी पामा धानी सासा table
via surya_layout
9 (११) table
via surya_layout
10 नी नी नी नी नी नी नी table
via surya_layout
11 (१२) table
via surya_layout
12 मा मा धा नी नी धा पा पा table
via surya_layout
13 (१३) table
via surya_layout
14 मा पा मा परि गा गा गा गा table
via surya_layout
15 (88) table
via surya_layout
16 नी नी पा धनि गा गा गा गा table
via surya_layout
17 सारी गासानी नी नी नी table
via surya_layout
18 (१५) table
via surya_layout
19 (१६) table
via surya_layout
20 नी नी धा पा पा पा पा पा table
via surya_layout
21 ॥ [इति] कार्मारवी ॥ table
via surya_layout
22 1411 page_number
via heuristic_pagenum
23 [७. गान्धारपञ्चमी] section_header
via surya_layout
24 अंशो गान्धारपञ्चम्यां पञ्चमः, सङ्गतिः पुनः । main
via surya_layout
25 (育) annotation_inline
parent ligne 24
via heuristic_short
26 कर्तव्याऽत्रापि गान्धारीपञ्चम्योरिव सूरिभि: ॥१९॥ main
via surya_layout
27 १८००भूरिभि: annotation_inline
parent ligne 26
via heuristic_short
28 चच्चत्पुट: षोडशात्र कला गादिश्च मूर्छना । main
via surya_layout
29 तुर्यप्रेक्षणसम्बन्धि-ध्रुवागाने नियोजनम् ॥२०॥ main
via surya_layout
30 <sup>१८१</sup>अस्यां गान्धारो न्यासः । ऋषभपञ्चमावपन्यासौ । <sup>१८२</sup>प्रस्तारः - unknown
via fallback
31 (१) table
via surya_layout
32 मा मा पम धनि धप मा धा नी table
via surya_layout
33 (२) table
via surya_layout
34 सनि धा पा पा पा पा पा पा table
via surya_layout
35 (3) table
via surya_layout
36 धा नी सा सा मा मा पा पा table
via surya_layout
37 नी नी नी नी नी नी नी table
via surya_layout
38 (8) table
via surya_layout
39 (4) table
via surya_layout
40 नी नी धप मा निध निध पा पा table
via surya_layout
41 <b>(६)</b> table
via surya_layout
42 पा पा री री री री पा पा table
via surya_layout
43 (७) table
via surya_layout
44 मा रिग सा सध नी नी नी नी table
via surya_layout
45 (८) table
via surya_layout
46 नी री सा रिस री री री री table
via surya_layout
47 नी गा सा निग सा नी नी नी table
via surya_layout
48 (९) table
via surya_layout
49 (१०) table
via surya_layout
50 नी मां नी मां पा पा गां गां table
via surya_layout

vol_II_p011 LEFT — 30 lignes

page vol_II_p011 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 4 page_number
via heuristic_pagenum
3 आन्ध्री च नन्दयन्ती च कार्मारव्यथ कैशिकी । main
via surya_layout
4 अङ्धी annotation_inline
parent ligne 3
via heuristic_height
5 ₹क annotation_inline
parent ligne 3
via heuristic_height
6 एवमेकादश ज्ञेया मध्यमग्रामसंश्रया: ॥ १९०॥ main
via surya_layout
7 [॥ इत्येकादशमध्यमग्रामाश्रया:॥] editorial_bracket
parent ligne 6
via heuristic_brackets
8 [साधारणकृता जातय:] section_header
via surya_layout
9 साधारणकृतास्तिस्रो विज्ञेया जातयो बुधै: । main
via surya_layout
10 मध्यमा पञ्चमी चैव तथा वै षड्जमध्यमा ॥१९१॥ main
via surya_layout
11 मत्सरी annotation_inline
parent ligne 10
via heuristic_height
12 ॥ इति सङ्ख्या, उद्देशश्च॥ editorial_bracket
parent ligne 10
via heuristic_brackets
13 [२. शुद्धाः, विकृताः, संसर्गजा विकृताश्च] section_header
via surya_layout
14 [ अनु ॰ ११५] section_header
via surya_layout
15 आभ्योऽष्टादशजातिभ्य: सप्तस्वराख्याश्चोक्ता द्विधा शुद्धा विकृताश्चेति । तत्र शुद्धा main
via surya_layout
16 अन्यूनस्वराः*स्वस्वरांशग्रहन्यासापन्यासाश्च । एभ्यो लक्षणेभ्योऽन्यतमेन द्वाभ्यां बहुभिर्वा main
via surya_layout
17 ्रा स्वरस्वरग्रहान्यासाध (?)<br>लक्षणैर्विकृतिमुपगता न्यासवर्ज विकृतसंज्ञा भवन्ति । main
via surya_layout
18 <sup>५</sup>व्यायापि तुष्टा(?) main
via surya_layout
19 <sup>६०</sup>वजा annotation_inline
parent ligne 18
via heuristic_short
20 [अनु०११६] editorial_bracket
parent ligne 18
via heuristic_brackets
21 तंत्रं न्यासविधिमाह-तत्र न्यासविधौ या जातय: शुद्धा:,तासु नामकारी यो न्यास: [स] editorial_bracket
parent ligne 18
via heuristic_brackets
22 ्बलः यवाः विकारित । विकृतासु च नामकारी [न्यास:] तारो वा मन्द्रो वा भवतीत्यनियम:। editorial_bracket
parent ligne 18
via heuristic_brackets
23 <sup>७</sup>कविकारी <b>या मन्द्रो भवतीत्य</b>नियम: । annotation_inline
parent ligne 18
via heuristic_height
24 [ अनु ११७ ] section_header
via surya_layout
25 तत्र शुद्धानां जातीनां शुद्धत्वं विकृतत्वं च रूपद्वयमस्ति । एकादशानां जातीनां विकृतोद्भवत्वादु main
via surya_layout
26 विकृतत्वमेव रूपं भवति न तु शुद्धत्विमिति कुत एतत् ? ता हि परस्परसंसर्गाज्ञायन्ते । तथा main
via surya_layout
27 वृ॰ annotation_inline
parent ligne 26
via heuristic_markers
28 (ते?न्ते) annotation_inline
parent ligne 26
via heuristic_height
29 । ननु annotation_inline
parent ligne 26
via heuristic_height
30 चाह भरत: - main
via surya_layout

vol_I_p049 LEFT — 33 lignes

page vol_I_p049 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 80 page_number
via heuristic_pagenum
2 <b>BRHADDEŚ</b>I page_header
via surya_layout
3 व्युत्क्रमाः पञ्च।गरिस गसरि रिगस [ रिसग ] सगरि इति व्युत्क्रमेण editorial_bracket
parent ligne 5
via heuristic_brackets
4 रिगस गसरि annotation_inline
parent ligne 5
via heuristic_height
5 क्टतानाः पञ्च। तदेवं गान्धारस्य षट् तानाः। main
via surya_layout
6 ुञ्चम (?) annotation_inline
parent ligne 5
via heuristic_height
7 एवं मध्यमस्य सरिगमेत्येकः क्रमः। मगरिसेत्येवमादयस्त्रयो- main
via surya_layout
8 ्रयो- - annotation_inline
parent ligne 7
via heuristic_height
9 विंशतिरुत्क्रमाः। तद्यथा—ब्ध्मगरिस, मगसरि, मरिगस, मरिसग, मसगरि, main
via surya_layout
10 मसरिग इति मध्यमपूर्वाः षट् तानाः व्युत्क्रमकृताः। एवं गान्धारर्षभषङ्जानां main
via surya_layout
11 प्रत्येकं षट् ताना भवन्ति मिलित्वा चतुर्विशतिर्भवन्ति। main
via surya_layout
12 एवं पञ्चमस्य सरिगमपेत्येक एव क्रमः। पमगरिसेत्या- main
via surya_layout
13 दिव्युत्क्रमकूटतानानां शतमेकोनविंशतिर्भवन्ति। तद्यथा— सरिगमप, पमगरिस। main
via surya_layout
14 पमगरिसानां प्रत्येकं चतुर्विंशतिर्भवन्ति, मिलित्वा विंशत्यधिकं शतं main
via surya_layout
15 भवति। एवं धैवतस्य सरिगमपधेत्येकः क्रमः। धपमगरिसेति व्युत्क्रमः। main
via surya_layout
16 धपमगरिसानां प्रत्येकं विंशत्यधिकं [ शतं ] भवति, editorial_bracket
parent ligne 15
via heuristic_brackets
17 मिलित्वा annotation_inline
parent ligne 15
via heuristic_height
18 सप्तशतानि विंशत्यधिकानि भवन्ति। एवं निषादस्यापि सरिगमपधनीत्येकः main
via surya_layout
19 क्रमः। निधपमगरिसेति व्युत्क्रमः। निधपमगरिसानां प्रत्येकं सप्तशतानि main
via surya_layout
20 विंशत्यधिकानि भवन्ति, मिलित्वा पञ्चसहस्राणि चत्वारिशच्च भवन्ति। main
via surya_layout
21 . अनु₀ ५९ ो editorial_bracket
parent ligne 20
via heuristic_brackets
22 तदेवमेतेषां स्वराणां तानविधानं षट्षष्टितन्त्र्यां शततन्त्र्यां चोपलभ्यते। main
via surya_layout
23 ुन् annotation_inline
parent ligne 22
via heuristic_height
24 ुना annotation_inline
parent ligne 22
via heuristic_height
25 तयोः स्वमानानि मध्यमादीनि । main
via surya_layout
26 ुभावा ऋ (२म) ना annotation_inline
parent ligne 25
via heuristic_height
27 ( तत्र ) कूटतानभेदप्रदर्शनमिह न कृतमितप्रसङ्गनिवृत्त्यर्थम् । एतेनैव main
via surya_layout
28 क्रमेण बुद्धिमद्भिः स्वयमेव लक्षणीयमिति। main
via surya_layout
29 [ अनु<sub>0</sub> ६० ] editorial_bracket
parent ligne 28
via heuristic_brackets
30 87 तदेषां तानानां प्रयोजनं 88 [ स्थान- ] प्राप्त्यर्थमुक्तम् 89स्थानानि editorial_bracket
parent ligne 28
via heuristic_brackets
31 त्रीण्युक्तानि काकुविधौ, व्यस्तानि षट्षष्टिं विद्या [न्] मन्द्रादिसिद्धये। editorial_bracket
parent ligne 28
via heuristic_brackets
32 ुरुविधो annotation_inline
parent ligne 28
via heuristic_height
33 स्यू annotation_inline
parent ligne 28
via heuristic_height

vol_I_p062 RIGHT — 34 lignes

page vol_I_p062 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 107 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 Vidhutam, gātravarņa, udgīta, udvāhita and veņu, all these five alankāras main
via surya_layout
4 (129) annotation_inline
parent ligne 3
via heuristic_short
5 should be known in the avarohin (varna). main
via surya_layout
6 Prasannādi, prasannānta, bindu, kampita, recita, prenkholita, tāramandra,85 main
via surya_layout
7 mandratāra, sama, sannivīttapravītta, upalolaka, veņuka, all these twelve main
via surya_layout
8 (130, 131) annotation_inline
parent ligne 7
via heuristic_short
9 alankāras are said to be based on all the varnas. main
via surya_layout
10 Mandra, madhya and tāra, avalokita itself, the apānga-named, and ūrmi—(these) main
via surya_layout
11 (132) annotation_inline
parent ligne 10
via heuristic_short
12 are said to belong to all the varnas. main
via surya_layout
13 These alankaras should be known by the wise to be subsistent in the seven main
via surya_layout
14 (gītaka)86 forms. All of these are not desirable in the dhruvās,87 because of the main
via surya_layout
15 (133) annotation_inline
parent ligne 14
via heuristic_short
16 excessive 'stretching' of syllables (of the text). main
via surya_layout
17 The stretching of the syllables of dhruvās is not lauded. Syena or bindu or main
via surya_layout
18 whichever others are (involved with stretching and) counter-stretching, they main
via surya_layout
19 should not be used (lit. 'done') in the performance of dhruvās according to main
via surya_layout
20 (134, annotation_inline
parent ligne 19
via heuristic_short
21 their own measure (of extension). main
via surya_layout
22 135ab) annotation_inline
parent ligne 21
via heuristic_short
23 In the performance of dhruvās, ascending svaras should be used. main
via surya_layout
24 (135cd) main
via surya_layout
25 t annotation_inline
parent ligne 24
via heuristic_height
26 Because dhruvā that is formed in accordance with the (desired) meaning, main
via surya_layout
27 has to be made the communicator of meaning, in dhruvās the adequate main
via surya_layout
28 sparseness or thinness of varnas (patterns of melodic movement) should again main
via surya_layout
29 be brought about (lit. made). main
via surya_layout
30 (136) annotation_inline
parent ligne 29
via heuristic_short
31 Those that go into usage here (in dhruvās), understand those varņas (i.e. main
via surya_layout
32 alankāras based on the respective varņas). I shall speak out the definition of main
via surya_layout
33 (137) annotation_inline
parent ligne 32
via heuristic_short
34 these (alankāras based on varņas) excepting the sthāyi-varņa.88 main
via surya_layout
176 lignes a valider — change uniquement les roles incorrects.