Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21175). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p033 RIGHT — 32 lignes

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1 1400 page_number
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2 TRANSLATION page_header
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3 49 page_number
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4 citra (mārga) there is māgadhī (gīti), with the dvikala (tāla) in the vārtika main
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5 (mārga) there is sambhāvitā (gīti), with the catuṣkala (tāla) in the dakṣiṇa main
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6 (mārga) there is pṛthulā (gīti). Vīra, raudra, adbhuta are the rasas. Its main
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7 application (viniyoga) is (prescribed) in the singing of the naiskrāmiki<sup>65</sup> main
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8 (associated with exit) dhruvā in the first scene (or act). main
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9 [3. Dhaivati] section_header
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10 [Anu. 150] section_header
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11 In dhaivati, dhaivata and ṛṣabha are the two grahas and aṁśas. In the śuddhā main
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12 state, dhaivataitself is the apanyāsa and in the vikrtā state, dhaivata, ṛṣabha and main
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13 madhyama are the apanyāsas, dhaivata is the nyāsa. The ṣāḍava formation is main
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14 devoid of pañcama and the auduva formation is devoid of pañcama, șadja. main
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15 The same two svaras, viz. şadja and pañcama should be made weak and should main
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16 sometimes be leapt over. The tara is upto five svaras. The mandra is upto the main
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17 nyāsa<sup>66</sup> or upto the svara next to nyāsa. main
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18 [Anu. 151] section_header
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19 It (dhaivatī) is seven-fold. There are seven amśas. Śuddhā (is one), vikṛtās main
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20 in the complete state are two and ṣāḍava-auḍuva are two each. The mūrchanā main
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21 beginning with ṛṣabha obtains (in it). Pañcapāṇi is the tāla. Ekakala (tāla), main
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22 citra mārga and māgadhī gīti (go together). Dvikala (tāla), vārtika (mārga) and main
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23 sambhāvitā (gīti) (go together). Catuṣkala (tāla), dakṣiṇa (mārga) and pṛthulā main
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24 (gīti) (go together). The kalās are twelve in the citra (mārga), twenty-four in main
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25 the vārtika (mārga) and forty-eight in dakṣiṇa (mārga). Vīra, bībhatsa, main
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26 bhayānaka are the rasas. Its application is (prescribed) in the singing of main
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27 dhruvā in the first scene (or act). main
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28 [4. Naisādī] section_header
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29 [Anu. 152] section_header
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30 In niṣādavatī,67 niṣāda, ṛṣabha and gāndhāra are the grahas and aniśas. main
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31 Niṣāda, gāndhāra and ṛṣabha are apanyāsas. Niṣāda alone is nyāsa. The ṣāḍava main
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32 formation is devoid of pañcama and the auduvita formation is devoid of main
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vol_I_p089 RIGHT — 48 lignes

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1 161 page_number
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2 VIMARŚA page_header
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3 commenting on NS XXVIII, 1. He says there that even if an untrained person main
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4 'hits' a mūrchita (tuned) vīṇā, the sound produced will be musical (in tune) main
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5 i.e. svara will be attained. Since the tuning has to take effect only in one of the main
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6 mūrchanās, the name mūrchanā for tuning is justified. Kālidāsa (Megha. 84) has main
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7 used the word murchana in the same sense when he says for the Yakşi that again main
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8 and again she forgets the mūrchanā made by herself. main
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9 30. This prescription of establishing the two viņās in sadjagrāma immediately main
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10 after the mention of murchana appears to be rather queer, but the apparent main
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11 repetition could be justified if the mention of 'mūrchanā' is taken to refer to main
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12 equality in tuning, pure and simple and the later mention of sadjagrāma is main
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13 accepted as the specification of tuning. The construction of the sentence main
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14 implying that equal tuning is to be done first and then the viņās have to be main
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15 established in sadjagrāma which itself is a tuning, will have to be ignored as the main
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16 initial reference to tuning is a part of the general prescription about perfect main
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17 equality between the two viņās and the second reference relates to special main
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18 tuning. annotation_inline
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19 31,32. The qualification of śruti as şadjagrāmiki and madhyamagrāmiki could main
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20 be interpreted in two ways, viz.- main
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21 (a) 'Sruti' could be taken here as standing for sound in general; accordingly, main
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22 the total tuning of each grāma could be referred to as śruti in singular number. main
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23 (b) The interval of sruti perceived through apakarşa (lowering) of pañcama main
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24 is madhyamagrāmikī śruti and the same interval being perceived through the main
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25 utkarșa (augmentation) of pañcama is called șadjagrāmiki. It is to be noted that main
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26 the utkarşa of pañcama is not actual but only 'resultant' because it comes into main
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27 . annotation_inline
parent ligne 26
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28 being when all the other svaras are lowered in accordance with the lowering of main
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29 pañcama so that the samvada of şadja-pañcama that was disturbed on account of main
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30 the lowering of pañcama is restored. main
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31 33. In the mention of the restoration of sadjagrāma, the process i.e. the main
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32 'utkarşa' (augmentation) of pancama is implicit. In NS (XXVIII, p. 20) it is main
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33 made explicit by the expression pañcamasyotkarşa-vasat i.e. by reason of the main
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34 augmentation of pañcama. annotation_inline
parent ligne 33
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35 34. The idea is that all the svaras on the mobile (cala) viņā are lowered by main
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36 one śruti, but this process does not prove the interval of any svaras in terms of main
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37 śruti since there is no svara in this system, that manifests on consecutive śrutis; main
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38 the gap or interval of one śruti is indispensable. main
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39 35. The word 'tadvat' has raised a big controversy among modern scholars. list_item
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40 It has been generally interpreted to mean "in the same manner" literally, giving list_item
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41 the sense that the second step of this process of demonstration of śrutis has to list_item
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42 begin again with the lowering of pañcama. Three opinions are notable in this list_item
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43 context. list_item
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44 (i) V.N. Bhatkhande (cf. Hindustani Sangita Paddhati, Hindi translation, list_item
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45 Vol. IV, p. 37). He has inferred that since all the four steps start with the list_item
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46 lowering of pañcama, the value (in pitch) of all the four lowerings is identical list_item
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47 and hence all śrutis are identical according to Bharata. list_item
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48 (ii) Omkarnath Thakur (cf. Praņava-Bhāratī, p. 61-86) has accepted that all main
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vol_I_p035 LEFT — 29 lignes

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1 BRHADDEŚI page_header
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2 52 page_number
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3 एतदुक्तं भवति— main
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4 "द्वौ ग्रामौ विश्रुतौ लोके षड्जमध्यमसंज्ञितौ।" main
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5 •जकी? annotation_inline
parent ligne 4
via heuristic_height
6 [ अनु. ३३ ] editorial_bracket
parent ligne 4
via heuristic_brackets
7 ननु कथं द्वावेव ग्रामौ ? उच्यते— इह हि द्विस्वरप्रयोगमूलप्रयोगवशाद् main
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8 द्वौ ग्रामावुपन्यस्तौ। main
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9 गण्णातिभः श्रुतिभिष्टचैव स्वरा ग्रामत्वमागताः”। main
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10 [ अनु. ३४ ] editorial_bracket
parent ligne 9
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11 तत्र जातिभिः शुद्धाभिर्विकृताभिष्टच श्रुतिभिष्टच। तस्मात् शुद्धासु जातिषु main
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12 <b>ंभिः श्रुतिभिष्टच</b> नातिकाभिः main
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13 विकृतासु च ये स्वराः सन्ति तेषां स्वराणां श्रुतिवैकल्यात् किञ्च- main
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14 怀 annotation_inline
parent ligne 13
via heuristic_height
15 स्या annotation_inline
parent ligne 13
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16 दुत्कर्षापकर्षाभ्यां संकीर्णत्वेन च स्वरा ग्रामत्वमागताः। तत्र शुद्धाभिः।। main
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17 षड्जो विकृताभिर्मध्यम इति द्वाभ्यां च संकीर्णा जाताः ताभ्यो रागसम्भव main
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18 इति। ग्रामान्यत्वाज्जातिरागान्यत्वम्। main
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19 [ इति ग्रामनिरूपणम् ] editorial_bracket
parent ligne 18
via heuristic_brackets
20 [ मूर्छना-निरूपणम् ] section_header
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21 [ अनु. ३५ ] editorial_bracket
parent ligne 20
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22 इदानीमवसरप्राप्ता मूर्छनाः कथ्यन्ते। ननु मूर्छनाशब्दस्य व्युत्पत्ति [ : ] editorial_bracket
parent ligne 20
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23 ंमिव स्वराः annotation_inline
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24 कीदृशी ? लक्षणं च कीदृशं तस्य ? उच्यते — मूर्छनाव्युत्पत्तिः मूर्छ् main
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25 मूर्खा annotation_inline
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26 मोहसमुच्छ्राययोः।12 main
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27 मूर्छ्यते येन रागो हि मूर्छनेत्यभिसंज्ञिता।।९०॥ main
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28 र्घ (?) annotation_inline
parent ligne 27
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29 (vide) unknown
via fallback

vol_I_p068 RIGHT — 39 lignes

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1 119 page_number
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2 <b>TRANSLATION</b> page_header
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3 sarimapapamarisa rigapadhadhapagari gamadhaninidhamaga 143 mapanisasasanipama main
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4 sanipamamapanisa nidhamagagamadhani dhapagaririgapadha pamarisasarimapa, main
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5 (25) annotation_inline
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6 udghattitah annotation_inline
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7 sarigā rigamā gamapā mapadhā padhanī dhanisā 144 sanidhā nidhapā dhapamā main
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8 (26) annotation_inline
parent ligne 7
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9 pamagā magarī garisā, āksiptakah main
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10 sagamā marisā rimapā pagarī gapadhā dhamagā madhanī nipamā panisā 145 main
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11 sadhapā dhanisā sadhapā panisā nipamā madhanī dhamagā gapadhā pagarī main
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12 (27) annotation_inline
parent ligne 11
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13 rimapā marisā sagamā garisā, sampradānam main
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14 sagama marisa rimapa pagari..... main
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15 VII [ Section on Pada - giti ] section_header
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16 O! most venerable muni! I have duly spoken of the alankaras. Now I shall main
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17 speak about giti1 which is associated with chandas2 and akṣara3 (syllable). main
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18 (170) annotation_inline
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19 The first one should be known as māgadhī, and the second one is main
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20 ardhamāgadhī, the third one is sambhāvitā and the fourth one is known as main
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21 (171) annotation_inline
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22 pṛthulā. annotation_inline
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23 The giti which is 'returned to'4 (repeated) thrice, that giti is known as main
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24 māgadhī. That (gītī) which is completed5 in half the time (of māgadhī) should be main
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25 (172) annotation_inline
parent ligne 24
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26 known as ardhamāgadhī (lit. half-māgadhī). main
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27 And sambhāvitā should be known to be composed of guru (lit. heavy, here main
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28 long) syllables. And the one called pṛthulā should be known to be composed of main
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29 (173) annotation_inline
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30 laghu (lit. light, here short) syllables. main
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31 (Anu. 104) annotation_inline
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32 In dakṣiṇa 6 mārga 7 (lit. path) (operates) the pṛthulā gīti, in vārtika 8 mārga main
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33 sambhāvitā (gīti) and in citra 10 mārga māgadhī gīti. There are eight mātrās in main
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34 dakṣiṇa mārga, four mātrās in vārtika mārga and two mātrās in citra mārga in the main
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35 order of the use of kalās.11 main
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36 In the citra mārga and ekakala tāla, māgadhī gīti should be known; in the main
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37 vārtika mārga (and) dvikala tāla sambhāvitā gīti should be known. (174) main
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38 ___ annotation_inline
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39 (vide) annotation_inline
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vol_I_p027 LEFT — 28 lignes

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1 <b>BRHADDEŚ</b>I page_header
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2 36 page_number
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3 [ अनु. २३ ] section_header
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4 अनुवादित्वं च पुनरेकश्रुत्यन्तरहीनत्वेन स्यात्। ननु किं तदनुवादित्वम्? main
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5 <sup>20</sup>श्रुतिहीनत्वेन main
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6 21त्ववनु annotation_inline
parent ligne 5
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7 यत् संवादिना रागस्य रागत्वं सम्पादितं तत्प्रतिपादकत्वं नामानुवादित्वम्। main
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8 22,द वादिना annotation_inline
parent ligne 7
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9 ₀दक annotation_inline
parent ligne 7
via heuristic_markers
10 अनुवादिमण्डलं यथा- main
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11 स annotation_inline
parent ligne 10
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12 नि unknown
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13 रि unknown
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14 घ annotation_inline
parent ligne 10
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15 म annotation_inline
parent ligne 10
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16 4 page_number
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17 ॥ इति षड्जग्रामे ] अनुवादिमण्डलम्॥ caption
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18 [ अनु. २४ ] section_header
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19 अनुवादिप्रयोगो यथा—षड्जस्थाने ऋषभ ऋषभस्थाने main
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20 षड्जः annotation_inline
parent ligne 19
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21 प्रयुज्यमानः स्वरूपं भजन् जातिरागहा न भवति । पञ्चमस्य स्थाने main
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22 ॰धैवतः प्रयुज्यमानो धैवतस्य स्थाने पञ्चमः प्रयुज्यमानो २३[ जाति- ] editorial_bracket
parent ligne 21
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23 रागहा न भवेत् । षड्जस्थाने धैवतः प्रयुज्यमानो धैवतस्थाने षड्जः main
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24 प्रयुज्यमानो जातिरागविनाशकरो न भवति। पञ्चमस्थान ऋषभः main
via surya_layout
25 प्रयुज्यमान ऋषभस्थाने पञ्चमः प्रयुज्यमानो जातिरागहा न भवेत् । main
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26 24 मध्यमस्थान ऋषभ ऋषभस्थाने च मध्यमस्तथा धैवतस्थाने main
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27 मध्यमो मध्यमस्थाने च धैवतः प्रयुज्यमानो जातिरागनाशको न main
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28 भवति। main
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176 lignes a valider — change uniquement les roles incorrects.