Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21185). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p125 LEFT — 28 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 L annotation_inline
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2 · - 1 1 1 annotation_inline
parent ligne 5
via heuristic_height
3 232 page_number
via heuristic_pagenum
4 BRHADDESĪ page_header
via surya_layout
5 [घ. पुनर्वर्णेला-सप्तकम्] section_header
via surya_layout
6 रमणी चन्द्रिका लक्ष्मी: पद्मिनी रञ्जिनी तथा। main
via surya_layout
7 मालती मोहिनी चेति वर्णेलासप्तकं तथा ॥ ४५९॥ main
via surya_layout
8 [१. रमणी] section_header
via surya_layout
9 समा यत्र यति: पादे प्रथमे च द्वितीयके । main
via surya_layout
10 द्विगिद्वितीयके(?) annotation_inline
parent ligne 9
via heuristic_height
11 पादे पादे च नादाढ्या षट्पदी रमणीति सा ॥४६०॥ main
via surya_layout
12 ॰द्यो॰ annotation_inline
parent ligne 11
via heuristic_markers
13 [२.चन्द्रिका] section_header
via surya_layout
14 स्रोतोगता समा चैव यत्र पादद्वये भवेत्। main
via surya_layout
15 बिन्दुभिर्गमकैर्युक्ता चन्द्रिणीति प्रकीर्तिता ॥४६१॥ main
via surya_layout
16 [३.लक्ष्मी] section_header
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17 गोपुच्छा च समा स्रोता यत्र पादत्रयेऽपि च । main
via surya_layout
18 मूर्छना नादसहिता सैला लक्ष्मीरिति स्मृता ॥४६२॥ main
via surya_layout
19 [४.पद्मिनी] section_header
via surya_layout
20 आद्ये पादे द्वितीये च तृतीये च चतुर्थके । main
via surya_layout
21 वर्णध्वनिसमायुक्ता पद्मिन्येला निगद्यते ॥ ४६३॥ main
via surya_layout
22 [५.रञ्जिनी] section_header
via surya_layout
23 प्रथमे च समा प्रोक्ता द्वितीये च तृतीयके । main
via surya_layout
24 स्रोता annotation_inline
parent ligne 23
via heuristic_height
25 गोपुच्छा गमकाढ्या च रञ्जिनी नाम सा भवेत् ॥४६४॥ main
via surya_layout
26 [६. मालती] section_header
via surya_layout
27 लघुभिर्गुरुभिर्वर्णैयां तु प्रासैर्विनिर्मिता । main
via surya_layout
28 यथेष्टका चतुष्पादा सा चैला मालती मता ॥ ४६५॥ main
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vol_I_p006 RIGHT — 36 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 xiii page_header
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2 INTRODUCTION page_header
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3 A word about the translation. It has been my attempt to bring the original to main
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4 the reader with its flavour and nuances; if in this attempt the idiom of the main
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5 English language has been violated, I owe an apology. My only submission main
via surya_layout
6 would be that this is not a transcreation of creative literature, this is a main
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7 presentation of 'scientific' literature in a different language. Hence the criteria main
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8 of judgement should be different from those applied to translation of creative main
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9 literature. annotation_inline
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10 Technical terms have not been translated because that is virtually impossible; main
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11 rough equivalents have generally been given in paranthesis and if an equivalent main
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12 has been found adequate, the original word has been given in paranthesis in main
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13 order to help the reader in indentifying the equivalence. main
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14 The indebtedness to Dr. Anil Bihari Beohar, Lecturer in Musicology, Indira main
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15 KalaSangitaVishwavidyalaya,Khairagarh(M.P.,) has been acknolwedged in the main
via surya_layout
16 title page. Once again, I acknowledge with affection his labour and patience main
via surya_layout
17 with the onerous task undertaken by him. To Dr. Kapila Vatsyayan, I owe a main
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18 deep debt of gratitude for her constant inspiration and encouragement. My main
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19 sincere apologies are due to her for the delay in completing this work, caused main
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20 by both personal and professional reasons. To Dr. Bettina Bäumer, Hony. main
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21 Co-ordinator, Kalākoša office of I.G.N.C.A. in Varanasi, goes my heartfelt main
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22 gratitude for her constant support, both moral and material. My younger sister main
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23 Dr. Urmila Sharma has provided valuable assistance in reading the proofs; I main
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24 express my loving gratitude to her. My affectionate thanks go to Dr. N. main
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25 Ramanathan, Reader, Department of Music, Madras University, my former main
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26 student, for going through the first half of the press-copy (upto the section on main
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27 grāma-mūrchanā) in 1988, while I was at Khairagarh. main
via surya_layout
28 I thank Dr. C.B. Pandey, Editor, and Dr. (Smt.) Advaitavadini Kaul, Asstt. main
via surya_layout
29 Editor, for seeing the book through the Press. main
via surya_layout
30 Prem Lata Sharma. annotation_inline
parent ligne 29
via heuristic_height
31 Vasanta Pañcami annotation_inline
parent ligne 29
via heuristic_height
32 'Āmnāya', Karaundi, annotation_inline
parent ligne 29
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33 Magha Sukla 5, V.S. 2048 annotation_inline
parent ligne 29
via heuristic_height
34 Varanasi-221 005 annotation_inline
parent ligne 29
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35 <b>Feburary 8, 1992</b> annotation_inline
parent ligne 29
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36 The second of the second of the second of the second of the second of the second of the second of the second of the seco annotation_inline
parent ligne 29
via heuristic_height

vol_II_p057 RIGHT — 37 lignes

page vol_II_p057 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 97 page_number
via heuristic_pagenum
2 TRANSLATION page_header
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3 [1.Bhinna-şadja] section_header
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4 Bhinna-ṣadja is known by the wise to have dhaivata as its amśa, madhyama as its main
via surya_layout
5 conclusion, to be devoid of pañcama and ṛṣabha and having been born of main
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6 ṣadjodicyavati (jāti). main
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7 (306) main
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8 [Anu. 175] section_header
via surya_layout
9 This means – bhinna – şadja is related to şadjagrāma on account of being born main
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10 of ṣadjodicyavatī jāti. Dhaivata is the graha and aniśa, madhyama is the nyāsa; it is main
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11 pentatonic with the omission of <i>ṛṣabha</i> and <i>pañcama. Niṣāda</i> and <i>gāndhāra</i> are main
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12 kākalī and antara. Its application is prescribed in prāvešikī (dhruvās) related to the main
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13 entry of the hero in a situation where he is inclined towards the use of all main
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14 implements or tools (upakaraṇa), has an aversion to fighting which does not main
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15 match his disposition (vijātīya) and proceeds for hunting. main
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16 Bībhatsaand bhayānakaare the rasas. The mūrchanā beginning with dhaivata main
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17 obtains. Sañcārin is the varņa. Prasannādi is the alankāra. The kalā is formed in main
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18 the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā prevails in main
via surya_layout
19 the citra (mārga). A tāla like caccatpuṭa obtains in the songs comprised of svara main
via surya_layout
20 and <i>pada</i>. main
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21 [2.Bhinna-pañcama] section_header
via surya_layout
22 [Anu. 176] section_header
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23 ......This bhinna-pañcama is said to be svarabhinna. Its description is thus- main
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24 The knowledgeable ones in svara have spoken of bhinna-pañcama being main
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25 similar48 to śuddha-pañcama. It has dhaivata as its ainśa, pañcama as its main
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26 concluding note and is (applied) in the entry of the sūtradhāra. main
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27 (307) main
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28 [Anu. 177] section_header
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29 This means-bhinna-pañcama is related to madhyamagrāma on account of main
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30 being born of madhyamā and pañcamī jātis. Dhaivata is the graha and amśa, main
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31 pañcama is the <i>nyāsa</i>, <i>niṣāda</i> is <i>kākalī</i> here. Sometimes <i>niṣāda</i><sup>49</sup> is also used main
via surya_layout
32 and this (rāga) is complete. It is applied in the entry of the sūtradhāra. main
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33 Bībhatsaand bhayānakaare the rasas. The mūrchanā beginning with dhaivata main
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34 obtains. Sañcārīn is the varņa. Prasannādi is the alankāra. The kalā is formed main
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35 in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā main
via surya_layout
36 prevails in the citra (mārga). A tāla like caccatpuța obtains in the songs main
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37 comprised of svara and pada. main
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vol_II_p045 LEFT — 51 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 72 page_number
via heuristic_pagenum
3 नी नी नी नी री री री री table
via surya_layout
4 (११) table
via surya_layout
5 री री मा नी सा सा नी नी table
via surya_layout
6 (१२) table
via surya_layout
7 पा पा मा गरि गा गा गा गा table
via surya_layout
8 (१३) table
via surya_layout
9 री री गा सम मा मा पा पा table
via surya_layout
10 (१४) table
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11 मा मा नी नी सा री गा पा table
via surya_layout
12 (१५) table
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13 (१६) table
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14 रिग मा मा मा मा मा मा मा table
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15 [॥ इत्यान्ध्री॥] section_header
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16 अन्ध्री । म॥ section_header
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17 [९. नन्दयन्ती] section_header
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18 नन्दयन्त्यां पञ्चमोंऽशो गान्धारस्तु ग्रह: स्मृत: । main
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19 कैश्चितु पञ्चम: प्रोक्तो ग्रहोऽस्यां गीतवेदिभि: ॥ २३॥ main
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20 मन्द्रर्षभस्य बाहुल्यं षाडवं षड्जलोपत:। main
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21 (मन्द्र) annotation_inline
parent ligne 20
via heuristic_height
22 हृष्यका मूर्छना ताल: पूर्ववद् द्विगुणा: कला: ॥ २४॥ main
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23 <sup>१८८</sup>पूर्वावद् main
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24 <b>॰</b>ना annotation_inline
parent ligne 23
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25 विनियोगो ध्रुवागाने प्रथमप्रेक्षणे भवेत् ॥ २५॥ main
via surya_layout
26 <sup>१८९</sup>अस्यां गान्धारो न्यास: । मध्यमपञ्चमावपन्यासौ । <sup>१९०</sup>प्रस्तार: - main
via surya_layout
27 गा गा गा पा पा धप मा main
via surya_layout
28 <b>(१)</b> unknown
via fallback
29 धा धा धा धा नी सनि धा table
via surya_layout
30 (२) table
via surya_layout
31 पा पा पा पा पा पा पा table
via surya_layout
32 (3) table
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33 धा नी मा पा गां गां गां गां table
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34 (8) table
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35 मारी गा गा गा गा गा गा table
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36 (4) table
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37 मा पा मा पा धा धनि पा पा table
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38 <b>(६)</b> table
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39 धा नी मा पा गा गा गा गा table
via surya_layout
40 (৩) table
via surya_layout
41 (८) table
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42 गम पा पा पा मा मा गा गा table
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43 धा नी मा पा गा गा गा गा table
via surya_layout
44 (9) table
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45 (१०) table
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46 मा मा मा मा मा मा मा table
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47 री गा मा पा पम पा पा नी table
via surya_layout
48 (११) table
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49 री री री री पा पा मा मा table
via surya_layout
50 (१२) table
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51 The state of the state of the state of the state of the state of the state of the state of the state of the state of the annotation_inline
parent ligne 27
via heuristic_height

vol_II_p061 LEFT — 32 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 . 4 unknown
via fallback
2 2 a - annotation_inline
parent ligne 5
via heuristic_height
3 104 page_number
via heuristic_pagenum
4 BRHADDEŚĪ page_header
via surya_layout
5 [ग. गौडरागाः] section_header
via surya_layout
6 [अनु॰ १८६] editorial_bracket
parent ligne 5
via heuristic_brackets
7 नन् गौडाः कथम् ? उच्यते, गौडगीतिसम्बन्धत्वात् । main
via surya_layout
8 किं लक्षणम् ? उच्यते । तद्यथा - main
via surya_layout
9 ओहाटी मन्द्रजोपात्ता प्रयोगे ध्वनिकम्पितै:। * main
via surya_layout
10 ओहाडी मन्त्रजा(?)+तु प्रयोगै (दूं?र्हू)तकम्पितै:। main
via surya_layout
11 अविश्रामेण त्रिस्थाने गौडी गीतिरुदाहृता ॥३१५॥ main
via surya_layout
12 गौह॰ annotation_inline
parent ligne 11
via heuristic_markers
13 [१.गौडपञ्चम:] section_header
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14 गौडपञ्चमस्य लक्षणम् - main
via surya_layout
15 गौडपञ्चमनिष्पत्तौ धैवतीषड्जमध्यमे । main
via surya_layout
16 धैवतांशो मध्यमान्तो रहित: पञ्चमेन तु ६३॥३१६॥ main
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17 (वि? र)हित: annotation_inline
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via heuristic_height
18 [अन्॰ १८७] editorial_bracket
parent ligne 16
via heuristic_brackets
19 अस्यार्थ: -गौडपञ्चम: षड्जग्रामसम्बन्ध:,धैवतीषड्जमध्यमाजात्यो: समुत्पन्नत्वात्। main
via surya_layout
20 धैवतोंऽशो ग्रहश्च। मध्यमो न्यासः। निषादगान्धारौ काकल्यन्तरौ । पञ्चमरहितोऽयं षट्स्वरः । main
via surya_layout
21 प्र(ह)स annotation_inline
parent ligne 20
via heuristic_height
22 उद्भटनाट्ये विप्रलम्भशृङ्गारे चास्य विनियोग:।बीभत्सभयानकरसौ।धैवतादिमूर्छना।आरोही main
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23 (क)रसो रसः annotation_inline
parent ligne 22
via heuristic_height
24 प्रसन्नमध्योऽलङ्कार: । दक्षिणे कला, वार्तिके कला, चित्रे कला । स्वरपदगीते main
via surya_layout
25 वर्णः। annotation_inline
parent ligne 24
via heuristic_short
26 चच्चत्पुटादिताल:। main
via surya_layout
27 चचत्पुटताल: annotation_inline
parent ligne 26
via heuristic_height
28 [२.गौडकैशिक:] section_header
via surya_layout
29 उत्पन्नः कैशिकीषड्जमध्यमाजातितो मतः। main
via surya_layout
30 षड्जांशः पञ्चमन्यासः सम्प्रोक्तो गौडकैशिकः ॥३१७॥ main
via surya_layout
31 (स:) annotation_inline
parent ligne 30
via heuristic_height
32 (vide) annotation_inline
parent ligne 30
via heuristic_height
184 lignes a valider — change uniquement les roles incorrects.