Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21190). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p055 RIGHT — 36 lignes

L#	Texte OCR	Role auto
1	93	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	(Anu. 75)	annotation_inline parent ligne 4 via heuristic_height
4	Where, having 'stayed' (stopped) for a long time at one svara in the form of	main via surya_layout
5	șadja and the like, having touched the octave36 (tara) of that like fire and	main via surya_layout
6	having stayed there for one (short) time-unit<sup>37</sup> (kalā), suddenly the 'low' (svara)	main via surya_layout
7	is reached, that is bindu. As - sā sa - sā. Thus is (ends) bindu.	main via surya_layout
8	<b>(6)</b>	annotation_inline parent ligne 7 via heuristic_height
9	(Anu. 76)	annotation_inline parent ligne 7 via heuristic_height
10	Having touched (a svara) for the interval of one kalā (time-unit), on	main via surya_layout
11	account of the pronunciation of (svaras) in the reverse order of bindu, (the	main via surya_layout
12	alankāra) named nivīttapravītta (comes into being). As - sā sā sā. thus ends	main via surya_layout
13	<b>(7)</b>	annotation_inline parent ligne 12 via heuristic_height
14	nivṛttapravṛtta.	annotation_inline parent ligne 12 via heuristic_height
15	(Anu. 77)	annotation_inline parent ligne 12 via heuristic_height
16	Veņu is with seven kalās 40 (phrases) in the order of ascent and descent, like	main via surya_layout
17	ākrīḍita 11 (playful way?). sarigamapadhani nidhapamagarisa. Thus is (ends) veņu.	main via surya_layout
18	(8)	annotation_inline parent ligne 17 via heuristic_height
19	(Anu 78)	annotation_inline parent ligne 17 via heuristic_height
20	On account of the shake of (svara having) three srutis in the lower heptad,	main via surya_layout
21	kampita (is formed), that is composed of three kalās (time-units). As -	main via surya_layout
22	<b>(9)</b>	annotation_inline parent ligne 21 via heuristic_height
23	sarigamapadhanisa,42 thus is (ends) kampita.	main via surya_layout
24	(Anu. 79)	annotation_inline parent ligne 23 via heuristic_height
25	On account of the shake of (svara having) three śrutis 43 in the middle	main via surya_layout
26	heptad kuharita (is formed), that is composed of three kalās. As -	main via surya_layout
27	(10)	annotation_inline parent ligne 26 via heuristic_height
28	sarigamapadhanisa.44 Thus is (ends) kuharita.	main via surya_layout
29	(Anu. 80)	annotation_inline parent ligne 28 via heuristic_height
30	On account of the shake of (svara having) three śrutis in the higher	main via surya_layout
31	heptad, recita (is formed), that is composed of three kalās. As -	main via surya_layout
32	(11)	annotation_inline parent ligne 31 via heuristic_height
33	sarigamapadhanisa 45 Thus is (ends) recita.	main via surya_layout
34	(Anu. 81)	annotation_inline parent ligne 33 via heuristic_short
35	Prenkholita is with fourteen kalās 16 (phrases) on account of 'going' (ascent)	main via surya_layout
36	and 'coming' (descent) of (groups of) two or more svaras, in equal temporal	main via surya_layout

vol_II_p161 RIGHT — 46 lignes

L#	Texte OCR	Role auto
1	٠	page_number via heuristic_pagenum
2	<b>VIMARŚA</b>	page_header via surya_layout
3	305	page_number via heuristic_pagenum
4	central part of present Madhya Pradesh. The special preference for Mālavā	main via surya_layout
5	requires further investigation.	annotation_inline parent ligne 4 via heuristic_height
6	29. The word gamaka is used here in the sense of vocal embellishments	list_item via surya_layout
7	including shakes; it is not restricted to shake.	list_item via surya_layout
8	30. See note 22.	list_item via surya_layout
9	31. Each grāmarāga is said to be born of one or more jātis.	list_item via surya_layout
10	32. Pūrvaranga has been described in NS IV and V; it embodies	list_item via surya_layout
11	instrumental rendering, song, dance, dialogue etc. presented as a preliminary	list_item via surya_layout
12	to drama. It has both ritualistic and psychological value as it ensures the	list_item via surya_layout
13	success of drama by propitiating the gods and prepares the audience for	list_item via surya_layout
14	being receptive to drama.	list_item via surya_layout
15	33. Kākalī and antara are always prescribed to be sparse, but here only	list_item via surya_layout
16	the sparseness of gandhara is prescribed, although both antara and kakali are	list_item via surya_layout
17	present. It could be construed that gandhara stands for the original	list_item via surya_layout
18	gāndhāra and not antara. See note 91.	list_item via surya_layout
19	•	annotation_inline parent ligne 18 via heuristic_height
20	34,35. The prescription of a specific varņa and alankāra in a rāga is	list_item via surya_layout
21	not easy to comprehend. It could only be surmised that the peculiar form	list_item via surya_layout
22	of a raga in some cases becomes manifest in ascent, in other cases in descent	list_item via surya_layout
23	and similarly a specific alankāra could be assigned to a rāga on account of	list_item via surya_layout
24	having a special role in establishing the same.	list_item via surya_layout
25	36. Mārga literally means path; it stands for the span of a tāla. NŠ	list_item via surya_layout
26	describes three mārgas of each tāla, citra being the shortest, vārtika or vṛtti	list_item via surya_layout
27	being its double and dakṣiṇa again being its double. Our text describes two	list_item via surya_layout
28	additional mārgas viz. dhruva being half of the length of citra and śūnya	list_item via surya_layout
29	being half of dhruva. (See Vol.I. Anu.113)	list_item via surya_layout
30	37. Kalā has many meanings; the main ones are-firstly, the time-unit	list_item via surya_layout
31	that is equal to a guru i.e. two mātrās of tāla, secondly, the 'action' (kriyā) in	list_item via surya_layout
32	tāla, sounded or unsounded and thirdly, the unsounded action. Here the	list_item via surya_layout
33	first meaning is relevant because the length of kalā depends on the mārga in	list_item via surya_layout
34	use at a given time.	list_item via surya_layout
35	38. Caccatpuța is the first among the five tālas described in NŠ XXXI.	list_item via surya_layout
36	This is the only caturasra (lit. square) tala, being composed of four kalas or	list_item via surya_layout
37	eight mātrās.	list_item via surya_layout
38	39. Garbha-sandhi is the third among the five sandhis or junctures in	list_item via surya_layout
39	drama described in NŚ XIX; the first two being mukha and pratimukha and	list_item via surya_layout
40	the last two being vimarsa and nirvahana. Garbha literally means 'womb',	list_item via surya_layout
41	the inside or interior of something. In drama garbha-sandhi stands for that	list_item via surya_layout
42	juncture where the 'sprouting' of the 'seed' has taken place, but the fruit	list_item via surya_layout
43	is still enshrouded in the 'garbha'.	list_item via surya_layout
44	40. Our text does not uphold the relationship of any raga to both the	list_item via surya_layout
45	grāmas; the decision always rests with the interval of pañcama, if it is	list_item via surya_layout
46	composed of four śrutis, then relationship with ṣadjagrāma is confirmed and	list_item via surya_layout

vol_II_p028 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	(vide)	annotation_inline parent ligne 4 via heuristic_height
2	39	page_number via heuristic_pagenum
3	TRANSLATION	page_header via surya_layout
4	applied without any svara forming an exception. Out of sixty-three (anisas),	main via surya_layout
5	nine amsas that pertain to the four jātis which are always complete, should	main via surya_layout
6	be subtracted. That is thus-pa-sa-ga-pa-ri-pa-dha-ni-pa. When these nine are	main via surya_layout
7	subtracted, fifty-four amsas remain. Out of them (again) the seven amsas of	main via surya_layout
8	six jātis viz. ṣadjamadhyamā, ṣadjodīcyavā, kaišikī, gāndhārī, raktagāndhārī	main via surya_layout
9	(and) ṣādjī, should be subtracted. When seven ainsas are subtracted, there	main via surya_layout
10	are forty-seven anisas. That is thus -	main via surya_layout
11	Madhyamodicyavā (becomes non-ṣāḍava) with pa, similarly gāndhārapañcamī	main via surya_layout
12	(and) kārmāravī (become non-ṣāḍava) with ri-pa-ni-dha (and ) ṣaḍjakaiśiki	main via surya_layout
13	(becomes so) with sa - ga - pa.	annotation_inline parent ligne 12 via heuristic_height
14	(257)	annotation_inline parent ligne 12 via heuristic_height
15	[ Anu. 140]	editorial_bracket parent ligne 12 via heuristic_brackets
16	This means .....in the forty-seven anisas, the formation of ṣāḍava should	main via surya_layout
17	be carried out with the said svaras.	annotation_inline parent ligne 16 via heuristic_height
18	Now he (the author) shows the svaras that are not exceptional <math>^{53}</math> in the	main via surya_layout
19	formation of auduvita -	annotation_inline parent ligne 18 via heuristic_height
20	In the same way, those that are free from being exceptional are thirty	main via surya_layout
21	(amśa svaras that form) auduvita.	main via surya_layout
22	(258)	annotation_inline parent ligne 21 via heuristic_height
23	[Anu. 141]	editorial_bracket parent ligne 21 via heuristic_brackets
24	This means - in that way, those devoid of exception should be known to	main via surya_layout
25	be of thirty kinds. That is thus - out of sixty-three, nine anisas belonging to	main via surya_layout
26	the four jātis that are always complete (in which omission is not prescribed)	main via surya_layout
27	should be subtracted. After their subtraction, fifty-four amsas remain there.	main via surya_layout
28	There also out of fifty-four, twelve amsas of the four jātis that are always	main via surya_layout
29	complete and ṣāḍava, should be subtracted. After their subtraction, out of	main via surya_layout
30	forty-two (being the remainder), twelve anisas that do not form auduvita in	main via surya_layout
31	five jātis, viz. gāndhārī, raktagāndhārī, ṣaḍjamadhyamā, kaiśikī and pañcamī,	main via surya_layout
32	should be subtracted. After their subtraction, the formation of auduvita	main via surya_layout
33	takes place with thirty amśa svaras that have been spoken of. Similarly has	main via surya_layout
34	said Bharata-	annotation_inline parent ligne 33 via heuristic_height

vol_I_p027 LEFT — 28 lignes

L#	Texte OCR	Role auto
1	<b>BRHADDEŚ</b>I	page_header via surya_layout
2	36	page_number via heuristic_pagenum
3	[ अनु. २३ ]	section_header via surya_layout
4	अनुवादित्वं च पुनरेकश्रुत्यन्तरहीनत्वेन स्यात्। ननु किं तदनुवादित्वम्?	main via surya_layout
5	<sup>20</sup>श्रुतिहीनत्वेन	main via surya_layout
6	21त्ववनु	annotation_inline parent ligne 5 via heuristic_short
7	यत् संवादिना रागस्य रागत्वं सम्पादितं तत्प्रतिपादकत्वं नामानुवादित्वम्।	main via surya_layout
8	22,द वादिना	annotation_inline parent ligne 7 via heuristic_short
9	₀दक	annotation_inline parent ligne 7 via heuristic_markers
10	अनुवादिमण्डलं यथा-	main via surya_layout
11	स	annotation_inline parent ligne 10 via heuristic_height
12	नि	unknown via surya_layout
13	रि	unknown via surya_layout
14	घ	annotation_inline parent ligne 10 via heuristic_height
15	म	annotation_inline parent ligne 10 via heuristic_height
16	4	page_number via heuristic_pagenum
17	॥ इति षड्जग्रामे ] अनुवादिमण्डलम्॥	caption via surya_layout
18	[ अनु. २४ ]	section_header via surya_layout
19	अनुवादिप्रयोगो यथा—षड्जस्थाने ऋषभ ऋषभस्थाने	main via surya_layout
20	षड्जः	annotation_inline parent ligne 19 via heuristic_short
21	प्रयुज्यमानः स्वरूपं भजन् जातिरागहा न भवति । पञ्चमस्य स्थाने	main via surya_layout
22	॰धैवतः प्रयुज्यमानो धैवतस्य स्थाने पञ्चमः प्रयुज्यमानो २३[ जाति- ]	editorial_bracket parent ligne 21 via heuristic_brackets
23	रागहा न भवेत् । षड्जस्थाने धैवतः प्रयुज्यमानो धैवतस्थाने षड्जः	main via surya_layout
24	प्रयुज्यमानो जातिरागविनाशकरो न भवति। पञ्चमस्थान ऋषभः	main via surya_layout
25	प्रयुज्यमान ऋषभस्थाने पञ्चमः प्रयुज्यमानो जातिरागहा न भवेत् ।	main via surya_layout
26	24 मध्यमस्थान ऋषभ ऋषभस्थाने च मध्यमस्तथा धैवतस्थाने	main via surya_layout
27	मध्यमो मध्यमस्थाने च धैवतः प्रयुज्यमानो जातिरागनाशको न	main via surya_layout
28	भवति।	main via surya_layout

vol_I_p063 LEFT — 39 lignes

L#	Texte OCR	Role auto
1	<b>BRHADDESI</b>	page_header via surya_layout
2	108	page_number via heuristic_pagenum
3	क्रमशो दीप्यते यस्तु प्रसन्नादिः स कथ्यते।	main via surya_layout
4	व्यस्तोच्चारित एवैष प्रसन्नान्तोऽभिधीयते ॥ १३८ ॥	main via surya_layout
5	(मे?ए)	annotation_inline parent ligne 4 via heuristic_short
6	आद्यन्तयोः प्रसन्नत्वात् प्रसन्नाद्यन्त इष्यते।	main via surya_layout
7	(मि?इ)	annotation_inline parent ligne 6 via heuristic_short
8	प्रसन्नमध्यो मध्ये तु प्रसन्नत्वादुदाहृतः॥१३९॥	main via surya_layout
9	सर्वसाम्यात् समो ज्ञेयः स्थितश्चैकस्वरेऽपि हि।	main via surya_layout
10	,₀मा ७या	annotation_inline parent ligne 9 via heuristic_markers
11	oमाo	annotation_inline parent ligne 9 via heuristic_height
12	बिन्दुरेककलं तारं स्पृष्ट्वा तु पुनरागतः॥१४०॥	main via surya_layout
13	स्याद्रिवृत्तप्रवृत्तश्च मन्द्रं गत्वा समागतः।	main via surya_layout
14	৽ন্ম	annotation_inline parent ligne 13 via heuristic_height
15	₀त्तः	annotation_inline parent ligne 13 via heuristic_markers
16	आक्रीडितलयो यस्तु स च वेणुः प्रकीर्तितः॥१४१॥	main via surya_layout
17	<b>.इनी.</b> (?)	annotation_inline parent ligne 16 via heuristic_short
18	उरोगतः कम्पितः स्यात् कम्पनाच्च कलात्रयम्।	main via surya_layout
19	₀यः	annotation_inline parent ligne 18 via heuristic_markers
20	कण्ठे निरुद्धपवनः कुहरो नाम जायते॥१४२॥	main via surya_layout
21	्दः ₀नो रु	annotation_inline parent ligne 20 via heuristic_markers
22	त्रिकला [त्] कम्पना [त्] तद्वद्रेचिताख्यः शिरोगतः।	editorial_bracket parent ligne 20 via heuristic_brackets
23	( ? ) হৈ ৹বা৹	main via surya_layout
24	गतागतप्रवृत्तो यः स प्रेङ्क्षोलित उच्यते॥१४३॥	main via surya_layout
25	( मु?उ )	annotation_inline parent ligne 24 via heuristic_short
26	48 यस्तु कण्ठस्वरोऽधस्तात् स तु तारः प्रकीर्तितः।	main via surya_layout
27	उरोगतस्तथा मन्द्रो मूर्ध्नि तारतरः स्मृतः॥१४४॥]	editorial_bracket parent ligne 26 via heuristic_brackets
28	क्रमागतस्तु यस्तारश्चतुर्थः पञ्चमोऽपि वा।	main via surya_layout
29	श्चेत् ततः पञ्चतु₀	annotation_inline parent ligne 28 via heuristic_markers
30	तारमन्द्रप्रसन्नस्तु ज्ञेयो मन्द्रगतो बुधैः ॥१४५॥	main via surya_layout
31	৹রা৯	annotation_inline parent ligne 30 via heuristic_height
32	लङ्घयित्वा परान् मन्द्रात् क्रमात् तारगति गतः।	main via surya_layout
33	ॳ (द?द))	annotation_inline parent ligne 32 via heuristic_short
34	मन्द्रतारप्रसन्नस्तु ज्ञेयो ह्यारोहणाद् बुधैः ॥१४६॥	main via surya_layout
35	विज्ञेयारोहणा	annotation_inline parent ligne 34 via heuristic_short
36	एकस्वराधिरूढः क्रमशः प्रस्तारसंज्ञको ज्ञेयः।	main via surya_layout
37	( जि? ज )	annotation_inline parent ligne 36 via heuristic_short
38	49[ प्रस्तारस्तु निवृत्तः शनैः प्रसन्नः प्रसादः स्यात्।।१४७॥]	editorial_bracket parent ligne 36 via heuristic_brackets
39	<b>०स्वा</b>७	annotation_inline parent ligne 36 via heuristic_height

183 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_I_p055 RIGHT — 36 lignes

vol_II_p161 RIGHT — 46 lignes

vol_II_p028 RIGHT — 34 lignes

vol_I_p027 LEFT — 28 lignes

vol_I_p063 LEFT — 39 lignes