Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21201). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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L#Texte OCRRole autoCorriger si incorrect
1 ॥ श्री: ॥ annotation_inline
parent ligne 2
via heuristic_height
2 श्रीमतङ्गमुनिप्रणीता section_header
via surya_layout
3 बृहद्देशी section_header
via surya_layout
4 [द्वितीयोऽध्यायः] editorial_bracket
parent ligne 3
via heuristic_brackets
5 [ जातयः] editorial_bracket
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6 [१. तासां सङ्ख्या, उद्देश:, भेदाश्च] editorial_bracket
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7 [तत्र सङ्ख्या उद्देशश्च] editorial_bracket
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8 [अनु ॰ ११४] editorial_bracket
parent ligne 3
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9 इदानीमवसरप्राप्तानां जातीनामुद्देशमाह-तत्र जातयोऽष्टादशैव। एता: सर्वांशभेदेन main
via surya_layout
10 (:) समांश्र annotation_inline
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11 शतं चत्वारिशदधिकं सङ्ख्यया भवन्ति। main
via surya_layout
12 <sup>१</sup> तत्र स्वरे annotation_inline
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13 र[ जातयोऽष्टादशेत्येवं ब्रह्मणाभिहितं पुरा। editorial_bracket
parent ligne 11
via heuristic_brackets
14 तास्त्वहं वर्तयिष्यामि ग्रहांशादिविभागत: ॥१८५॥ main
via surya_layout
15 [षड्जग्रामाश्रिता जातय:] section_header
via surya_layout
16 षाड्जी चैवार्षभी चैव धैवत्यथ निषादिनी। main
via surya_layout
17 षड्जोदीच्यवती चैव तथा वै षड्जकैशिकी ॥१८६॥ main
via surya_layout
18 षड्जमध्या तथा चैव षड्जग्रामसमाश्रया: ॥१८७॥ main
via surya_layout
19 ॥ इति सप्त षड्जग्रामाश्रयाः॥ editorial_bracket
parent ligne 18
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20 [मध्यमग्रामाश्रिता जातय:] section_header
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21 अत ऊर्ध्वं प्रवक्ष्यामि मध्यमग्रामसंश्रिता: ॥ १८८॥] editorial_bracket
parent ligne 20
via heuristic_brackets
22 गान्धारी मध्यमा चैव पञ्चमी च तथैव हि । main
via surya_layout
23 गान्धारोदीच्यवा चैव तथा गान्धारपञ्चमी ॥ १८९॥ main
via surya_layout
24 ततश्च रक्तगान्धारी मध्यमोदीच्यवा तथा। main
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25 ॰ दच्यि • annotation_inline
parent ligne 24
via heuristic_markers

vol_II_p101 LEFT — 38 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 -- 1 annotation_inline
parent ligne 4
via heuristic_height
2 History of the State of the State of the State of the State of the State of the State of the State of the State of the S annotation_inline
parent ligne 4
via heuristic_height
3 184 page_number
via heuristic_pagenum
4 BRHADDEŚĪ section_header
via surya_layout
5 [१. अथ टके] section_header
via surya_layout
6 पञ्चमांशा तु षड्जान्ता रभाषा टक्के प्रयोजयेत्। main
via surya_layout
7 ..(ता? न्ता) annotation_inline
parent ligne 6
via heuristic_height
8 भाषे annotation_inline
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via heuristic_height
9 <sup>३</sup>देवालवर्धनी पूर्णा भाषा चासामनुक्रमात् ॥ १॥ main
via surya_layout
10 चैषा ॰ annotation_inline
parent ligne 9
via heuristic_markers
11 उदाहरणम् - पापानीसासा । नीसारीरीघापापामामा मामाधासासासनिसरिरिरि रीनिधमागापा main
via surya_layout
12 धासासानीधानीधा[सा सा]। देवालवर्धनी । [१] editorial_bracket
parent ligne 11
via heuristic_brackets
13 मध्यमांशा तु षड्जान्ता पौराली देशसम्भवा । main
via surya_layout
14 सम्पूर्णा गीयते नित्यं भाषा वै टक्करागजा ॥ २॥ main
via surya_layout
15 उदाहरणम् - मामामामा गारीरीरी सारिमारि गागारिगरिग सासा निधामा धामामाधा धनि- main
via surya_layout
16 सानिगागागागानिधानिसा सामानी गमापधानी निधापधानि धापाममामा मामागामागारिरिगा- main
via surya_layout
17 सानिसा। पौराली । [२] editorial_bracket
parent ligne 16
via heuristic_brackets
18 धैवतांशा तु षड्जान्ता पञ्चमर्षभवर्जिता । main
via surya_layout
19 (वैध ? धैव) annotation_inline
parent ligne 18
via heuristic_height
20 टक्कभाषा त्वौडुविता त्रावणी कामिनीषु च ॥ ३॥ main
via surya_layout
21 शकभाषा annotation_inline
parent ligne 20
via heuristic_height
22 उदाहरणम् – धामगाधा मागमामाग धानिसासा । गागामधामागसासा । मागा सागा । गामा- main
via surya_layout
23 माधमागसासासा । त्रावणी । [३] editorial_bracket
parent ligne 22
via heuristic_brackets
24 मध्यमांशा तु षड्जान्ता तानवलितिकाऽपि वा । main
via surya_layout
25 विपा annotation_inline
parent ligne 24
via heuristic_height
26 मान annotation_inline
parent ligne 24
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27 विभाषा टक्करागस्य गीयते ४मध्यमाश्रिता ॥ ४॥ main
via surya_layout
28 ॰रागस्यैपा annotation_inline
parent ligne 27
via heuristic_markers
29 मूढलालिता annotation_inline
parent ligne 27
via heuristic_height
30 उदाहरणम् – मापाधापामासा पधानीधापापामामागरिसा धामाधाधामाधामाधानीसासा । main
via surya_layout
31 रिरिधारिरिमागामारीसासा । साधाधनिसासा । तानवलितिका । [४] editorial_bracket
parent ligne 30
via heuristic_brackets
32 तानल॰ annotation_inline
parent ligne 30
via heuristic_markers
33 भगान्धारांशा तु षड्जान्ता दोह्या पञ्चस्वरा शृभा । main
via surya_layout
34 साधारणा तु पङ्जांशान्ता main
via surya_layout
35 पञ्चमर्षभहीना तु देशाख्या टक्करागजा ॥ ५॥ main
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36 <b>ल्होनं</b> annotation_inline
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37 স্ত(?) annotation_inline
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38 1 A STATE OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE annotation_inline
parent ligne 35
via heuristic_height

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 107 page_number
via heuristic_pagenum
3 [Anu. 188] editorial_bracket
parent ligne 4
via heuristic_brackets
4 This means-gaudakaiśika rāga is related to madhyamagrāma and is born of main
via surya_layout
5 kaiśikī and şadjamadhyamā. Şadja is its graha and amśa. Pañcama is nyāsa. main
via surya_layout
6 Niṣāda is kākalī here. This (rāga) is complete. Such is its performance. On main
via surya_layout
7 account of pañcama being comprised of three śrutis, dhaivata being comprised main
via surya_layout
8 of four śrutis, this rāga is related to madhyamagrāma alone. Although it is born main
via surya_layout
9 of the jātis of two grāmas, yet its grāma is madhyama, not ṣadja, because it is seen main
via surya_layout
10 as such. Its application is prescribed in karuna (rasa). Vīra<sup>63</sup> and the like is main
via surya_layout
11 the rasa. The mūrchanā beginning with ṣadja obtains. Ārohin is the varņa, main
via surya_layout
12 prasannādi is the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā main
via surya_layout
13 obtains in the vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla main
via surya_layout
14 like caccatputa obtains in the songs comprised of svara and pada. main
via surya_layout
15 [3. Gaudakaisikamadhyama] section_header
via surya_layout
16 Gaudakaisikamadhyama is said to have şadja as its amsa, madhyama as its main
via surya_layout
17 nyāsa and to be formed by ṣaḍjamadhyamā (jāti) and to have complete svaras. main
via surya_layout
18 (318) annotation_inline
parent ligne 17
via heuristic_short
19 [Anu. 189] editorial_bracket
parent ligne 17
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20 This means – gaudakaišikamadhyama is related to şadjagrāma, on account main
via surya_layout
21 of being born of şadjamadhyamā jāti. Şadja is its graha and amśa. Madhyama main
via surya_layout
22 is the nyāsa. Niṣāda is kākalī here and this (rāga) is complete. Its application main
via surya_layout
23 is prescribed in bhayānaka (rasa). Vīra and the like is the rasa. The mūrchanā main
via surya_layout
24 beginning with sadja obtains. Arohin is the varna. Prasannamadhya is the main
via surya_layout
25 alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the main
via surya_layout
26 vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla like caccatpuṭa main
via surya_layout
27 obtains in the songs comprised of svara and pada. main
via surya_layout
28 [The assignment of gaudaragas to gramas] section_header
via surya_layout
29 Now he (the author) has spoken of the assignment of gauda (ragas) to main
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30 grāmas- annotation_inline
parent ligne 29
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31 Gaudapañcama is in ṣadja (grāma) and so is gaudakaiśikamadhyama. main
via surya_layout
32 Gaudakaisika, on the other hand, is based on madhyamagrāma. The three main
via surya_layout
33 gauda (rāgas) have been dealt with. After this, I will speak of rāgas (pertaining main
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34 to vesarā gīti). annotation_inline
parent ligne 33
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35 (319) main
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36 (vide) annotation_inline
parent ligne 35
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vol_I_p039 RIGHT — 35 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 61 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 Audūvita is with five svaras; its lakṣaṇa (description) is fivefold, it is main
via surya_layout
4 numbered thirty-five,33 as explained by the ācāryas (teachers). main
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5 (101) annotation_inline
parent ligne 4
via heuristic_height
6 (Anu. 42) annotation_inline
parent ligne 4
via heuristic_height
7 With (the omission of) șadja, rșabha, pañcama and nișāda the șādava main
via surya_layout
8 (mūrchanās) of ṣadja-grāma (come into being). Those devoid of ṣadja, ṛṣabha and main
via surya_layout
9 gandhara are şadavas in madhyama-grama. main
via surya_layout
10 (Anu. 43) annotation_inline
parent ligne 9
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11 The state of auduvita (comes into being) on account of the omission of main
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12 (two) samvadins,34 because of this statement the general rule is that the state of main
via surya_layout
13 auduvita is attained through two samvadin svaras. Sometimes the state of main
via surya_layout
14 auduvita comes into being with (the omission of) two55 anuvādin svaras, this is main
via surya_layout
15 also a general rule. Sometimes the state of anuvadin does come into existence main
via surya_layout
16 with (the omission) of pañcama-ṛṣabha in ṣadja-grāma (and) that of dhaivata- main
via surya_layout
17 rşabha in madhyama-grāma. main
via surya_layout
18 The auduvitas in şadja-grāma are devoid of pañcama-şadja, two (svaras) that main
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19 are comprised of two śrutis (each) (viz. gandhāra and niṣāda) and pañcama- main
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20 (102) annotation_inline
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21 rşabha. main
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22 The pentatonic tānas in madhyama-grāma are verily devoid of dhaivata-ṛṣabha main
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23 and two (svaras) comprised of two śrutis (each) (viz. niṣāda and gāndhāra). main
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24 (103) annotation_inline
parent ligne 23
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25 (Anu. 44) main
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26 Now he (the author) demonstrates this very (description) with prastara.36 main
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27 That is thus in sadja-grāma— main
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28 X ri ga ma pa dha ni main
via surya_layout
29 ni X ri ga ma pa dha main
via surya_layout
30 dha ni X ri ga ma pa main
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31 pa dha ni X ri ga ma main
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32 ma pa dha ni X ri ga main
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33 ga ma pa dha ni X ri main
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34 ri ga ma pa dha ni X main
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35 (Tānas) devoid of şadja. main
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L#Texte OCRRole autoCorriger si incorrect
1 Property. annotation_inline
parent ligne 2
via heuristic_height
2 श्रीमतङ्गमुनिप्रणीता main
via surya_layout
3 बृहद्देशी<br>BRHADDEŚĪ main
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4 )F annotation_inline
parent ligne 3
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5 ŚRĪ MATANGA MUNI main
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6 (Volume II) main
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7 • annotation_inline
parent ligne 6
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8 ι, annotation_inline
parent ligne 6
via heuristic_height
142 lignes a valider — change uniquement les roles incorrects.