Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21206). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p108 LEFT — 17 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	198	page_number via heuristic_pagenum
3	उदाहरणम् - .....शुद्धा । [१४]	page_header via surya_layout
4	[.....]<sub>&o</sub>	page_header via surya_layout
5	उदाहरणम् – धापा निनिसा निधानिगामा पापारिपापा धानिनि । धानीगारी गासागासा सा -	page_header via surya_layout
6	सासापा पामापापा । गमसानिगागमसा गासाधामागामामा । मध्यमा [१५]	page_header via surya_layout
7	पञ्चमांशा पार्वती[स्याद्]धैवतान्ता च देशजा ।	editorial_bracket parent ligne 9 via heuristic_brackets
8	तु पार्धत्या	annotation_inline parent ligne 9 via heuristic_height
9	४१क्षत्रपरिषदि गीता पूर्णा षड्जसमुद्भवा ॥३३॥	main via surya_layout
10	हृष्टा क्षत्रपरिषदि गीयते पूर्ण क्सु (?)	main via surya_layout
11	उदाहरणम् - पापापागा मारिरिनिरिमधा पापापा सारिमा । पागारिरिसनि धापापाधा । पार्वती । [१६]	editorial_bracket parent ligne 10 via heuristic_brackets
12	॥ इति शार्दूलमते [भित्रषड्जस्य] भाषा: षोडश समाप्ता: ॥	editorial_bracket parent ligne 10 via heuristic_brackets
13	लक्ष्यलक्षणसंयुक्ताः प्रस्तारेण समन्विताः ।	main via surya_layout
14	उक्ता भाषा: समीचीना विभाषाभिर्विभूषिता: ॥३४॥	main via surya_layout
15	•(पि? भि)॰	annotation_inline parent ligne 14 via heuristic_markers
16	॥ इति भाषालक्षणं समाप्तम् ॥	editorial_bracket parent ligne 14 via heuristic_brackets
17	[॥ इति चतुर्थोऽध्याय:॥]	editorial_bracket parent ligne 14 via heuristic_brackets

vol_II_p164 RIGHT — 41 lignes

L#	Texte OCR	Role auto
1	311	page_number via heuristic_pagenum
2	VIMARŠA	page_header via surya_layout
3	22,23. Nāga and kinnara are names of ethnic groups. Our text is the	list_item via surya_layout
4	first one to mention ethnic names in the context of music.	list_item via surya_layout
5	24. Paurāla is not a known geographical name. One approximate	list_item via surya_layout
6	name is paurava, "a country on the eastern bank of the jhelam including the	list_item via surya_layout
7	Gujrat district, the original seat of the Purus, the kingdom of Porus who	list_item via surya_layout
8	fought with Alexander " (Nando Lal De). Purālī was an ancient name of	list_item via surya_layout
9	Travancore (ibid).	list_item via surya_layout
10	25. Harşapūra is not known as a geographical name.	list_item via surya_layout
11	26. <math>\bar{A}bh\bar{i}ra</math> is both a geographical and ethnic name. It is identified as	list_item via surya_layout
12	"the south-eastern portion of Gujrat about the mouths of the Narmada"	list_item via surya_layout
13	(Nando Lal De).	list_item via surya_layout
14	27. 'Samyoga' is another expression for sancara or sangati.	list_item via surya_layout
15	28. Kāmboja is identified as Afghanistan (Nando Lal De).	list_item via surya_layout
16	29. Sātavāhana or Sātavāha is "the name of a king fabled to have been	list_item via surya_layout
17	discovered, when a child, riding a Gandharva called Sāta, who, according to	list_item via surya_layout
18	one legend, was changed into a lion" (Monier Williams). Also known as	list_item via surya_layout
19	Sālivāhana, the Śaka ruler who founded the Śaka era i.e samvat.	list_item via surya_layout
20	30. Gāndhāra and niṣāda are implied.	list_item via surya_layout
21	31. Chāyā is used while describing the resemblance of one rāga with	list_item via surya_layout
22	another at a given point.	list_item via surya_layout
23	32. Kākalī is prescribed to be always sparse in the grāma system. The	list_item via surya_layout
24	prescription here of kākalī being frequent is a notable departure.	list_item via surya_layout
25	33. Again the ethnic name kinnara appears here. See notes 22,23.	list_item via surya_layout
26	34. The basic name is hindola or hindolaka meaning a swing; its	list_item via surya_layout
27	synonym is sometimes used to meet the exigency of metre.	list_item via surya_layout
28	35. See note 26.	list_item via surya_layout
29	36. Gāndharva is a rigorously guarded tradition. The inclusion of	list_item via surya_layout
30	bhāṣā in this corpus is incongruous, unless gāndharva is taken to stand for	list_item via surya_layout
31	music in general.	list_item via surya_layout
32	37. "Mangala - called also Mangali or Mangalapura, the capital of	list_item via surya_layout
33	Udyāna, identified by Wilford with Mangora or Manglora. Cunningham	list_item via surya_layout
34	thought it could be identified with Minglaur (Mangalore) " (Nando Lal	list_item via surya_layout
35	De).	list_item via surya_layout
36	38. The word samvāda has been used here again for sancara or sangati.	list_item via surya_layout
37	39. The origin of this vibhāṣā is traced directly to pañcama rāga, where	list_item via surya_layout
38	as it should really be related to a bhāṣā of that rāga. It is treated as a bhāṣā	list_item via surya_layout
39	in SR and S Rāj.	list_item via surya_layout
40	40. Gändhärapañcama has been mentioned here under pañcama.	list_item via surya_layout
41	41. "Dākṣiṇātya is identified with Deccan; that part of India that lies	list_item via surya_layout

vol_I_p033 RIGHT — 41 lignes

L#	Texte OCR	Role auto
1	49	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Pañcama is kṛṣṇa (black), dhaivata is yellow-coloured, this niṣāda is multi-	main via surya_layout
4	coloured, (thus) should be known the colours of svaras.	main via surya_layout
5	(74)	annotation_inline parent ligne 4 via heuristic_height
6	(iii) Devatās.	main via surya_layout
7	The daivata 83 (presiding deity) of şadja is Brahmā, ṛṣabha is with the daivata	main via surya_layout
8	vahni (fire), gandhara has Bharati as its deva, madhyama is with Hara as daivata.	main via surya_layout
9	(75)	annotation_inline parent ligne 8 via heuristic_height
10	Pañcama is with Satayajña (Indra is its daivata), dhaivata is with Gaṇa-nāyaka	main via surya_layout
11	(as its daivata), niṣāda, on the other hand, has Bhānu (Sun) as its deva; thus are	main via surya_layout
12	(76)	annotation_inline parent ligne 11 via heuristic_height
13	the devatā84 of svaras.	annotation_inline parent ligne 11 via heuristic_height
14	(iv) Singers (seers).	annotation_inline parent ligne 11 via heuristic_height
15	The svara şadja is sung ('seen')85 by Agni (fire), ṛṣabha is revealed by	main via surya_layout
16	Brahmā, gāndhāra is sung by Soma (moon), madhyama svara (is revealed) by	main via surya_layout
17	Vișnu.	annotation_inline parent ligne 16 via heuristic_height
18	(77)	main via surya_layout
19	On the other hand, the svara pancama is sung by the mahatman (great-	main via surya_layout
20	souled) Nārada, the svaras dhaivata and niṣāda are 'sung' by Tumburu.	main via surya_layout
21	(78)	annotation_inline parent ligne 20 via heuristic_short
22	(v) Rasas	annotation_inline parent ligne 20 via heuristic_height
23	The two svaras madhyama and pañcama should be 'made'86 (used) in the two	main via surya_layout
24	(rasas) hāsya and śṛṅgāra, the two (svaras) şadja and ṛṣabha should be known in	main via surya_layout
25	(79)	annotation_inline parent ligne 24 via heuristic_height
26	vira, raudra and adbhuta rasas.	main via surya_layout
27	Gāndhāra and niṣāda should be 'done' in karuņa rasa. Dhaivata should also	main via surya_layout
28	(80)	annotation_inline parent ligne 27 via heuristic_height
29	be 'done' (used) in bibhatsa and bhayānaka.	main via surya_layout
30	(vi) Sthānas	annotation_inline parent ligne 29 via heuristic_height
31	Ṣadja arises from the throat, 67 rṣabha is known (to arise) from the cerebrum,	main via surya_layout
32	gāndhāra from the nose, madhyama svara from the chest.	main via surya_layout
33	(81)	annotation_inline parent ligne 32 via heuristic_height
34	Pañcama svara is arisen from the throat, O glorious onel dhaivata, on the	main via surya_layout
35	other hand, is born of the palate-region (tālu-deśa). Niṣāda, on the other hand,	main via surya_layout
36	should be known to be born of all the joints (sandhis).	main via surya_layout
37	(82)	annotation_inline parent ligne 36 via heuristic_height
38	Thus one should know the svaras born in the ocean of gita (melody, music),	main via surya_layout
39	arisen out of the mouth of Mahadeva and placed in the 'path' of desi.68	main via surya_layout
40	(83)	annotation_inline parent ligne 39 via heuristic_height
41	[ Thus ends the section on svara ]	editorial_bracket parent ligne 39 via heuristic_brackets

vol_I_p077 RIGHT — 41 lignes

L#	Texte OCR	Role auto
1	137	page_number via heuristic_pagenum
2	PĂŢHA VIMARŚA	page_header via surya_layout
3	पञ्चमस्य च श्रृङ्गारो बीभत्सो धैवतस्य च ।	main via surya_layout
4	करुणा च निषादस्य सप्तस्थानरसा नव ॥	annotation_inline parent ligne 3 via heuristic_height
5	(Sam Mak II.1.47, 48)	main via surya_layout
6	It is notable that Santa rasa has been included here and bhayanaka has	main via surya_layout
7	been omitted; thus the number of rasas enumerated is only eight and not nine,	main via surya_layout
8	as stated in the last foot.	main via surya_layout
9	46. MS B reading as recorded by the ed.	main via surya_layout
10	Section V ( Grāma-mūrchanā )	section_header via surya_layout
11	ग्रामो नाम विशिष्टश्रुतिकस्वरसमूहो मूर्छनात्मा	main via surya_layout
12	1. cf.	annotation_inline parent ligne 11 via heuristic_height
13	पूर्णापूर्णस्वभावस्वरगतग्रहाशादिविशेषसमूहरूपजातिसमूहश्च ।	main via surya_layout
14	(Abhi Bhā on NŚ XXVIII, p. 42)	main via surya_layout
15	2. C.r. in S R I Sudhā, p. 102.	main via surya_layout
16	3. C.r. in S R I Sudhā, p. 101 has been accepted because 'vyavasthitaḥ' is an	list_item via surya_layout
17	adjectival form which is not matched by a noun that could be qualified by it, but	list_item via surya_layout
18	'vyavasthitih' is an abstract noun that fits the sentence.	list_item via surya_layout
19	4,5. C.r. in S R I Sudhā, p. 103.	main via surya_layout
20	6. This verse is not found in the text of Nā Ši.	list_item via surya_layout
21	7. C.r. in S R I Sudhä, p. 101.	main via surya_layout
22	8. P.t., modified according to C.r. in ibid.	main via surya_layout
23	9. C.r. in S R I Kalā, p. 99 in the name of Muni (Bharata), but this line is	list_item via surya_layout
24	not found in the text of NS. In P.t. this line has not been treated as a citation,	list_item via surya_layout
25	but as a part of the text, because quotation marks are not given.	list_item via surya_layout
26	10. This line forms part of the text of NS (XVIII, 5 ab). Hence it is treated	main via surya_layout
27	by us as a citation.	main via surya_layout
28	11. P.t. includes ' sadbhih' after 'suddhābhih', but that has no relevance to the	list_item via surya_layout
29	context and has, therefore, been omitted by us.	list_item via surya_layout
30	12. C.r. in S R I Sudhā, p. 105 adds the following half-verse, paraphrasing	list_item via surya_layout
31	the prose-portion regarding the etymology of mūrchanā -	list_item via surya_layout
32	मूर्खनामब्दनिष्यतिर्मुखं मोहे समुच्छये ।	main via surya_layout
33	13, 14. C.r. in S R I Sudhā, p. 114.	main via surya_layout
34	15. P.t. adds 'tiryak' after 'svarāḥ', but that is redundant.	list_item via surya_layout
35	16. P.t. adds 'ürdhvā' after 'mā'.	main via surya_layout
36	17. P.t. मध्यमे तिर्यगूर्ध्वगा अपि स्वराः ।	main via surya_layout
37	18. Hariņāśvā is the name found in NŚ, S R etc. 'Hariņāhvayā' is the form of	main via surya_layout
38	'hariṇāhvā' in the instrumental case; but this case is not relevant to the context.	main via surya_layout
39	The P.t. is utterly confused, mutilated and in disorder after this line upto the	main via surya_layout
40	end of Anu. 41; it has been reconstructed according to the context, mainly by	main via surya_layout
41	re-arranging the order.	main via surya_layout

vol_II_p125 LEFT — 28 lignes

L#	Texte OCR	Role auto
1	L	annotation_inline parent ligne 5 via heuristic_height
2	· - 1 1 1	annotation_inline parent ligne 5 via heuristic_height
3	232	page_number via heuristic_pagenum
4	BRHADDESĪ	page_header via surya_layout
5	[घ. पुनर्वर्णेला-सप्तकम्]	section_header via surya_layout
6	रमणी चन्द्रिका लक्ष्मी: पद्मिनी रञ्जिनी तथा।	main via surya_layout
7	मालती मोहिनी चेति वर्णेलासप्तकं तथा ॥ ४५९॥	main via surya_layout
8	[१. रमणी]	section_header via surya_layout
9	समा यत्र यति: पादे प्रथमे च द्वितीयके ।	main via surya_layout
10	द्विगिद्वितीयके(?)	annotation_inline parent ligne 9 via heuristic_height
11	पादे पादे च नादाढ्या षट्पदी रमणीति सा ॥४६०॥	main via surya_layout
12	॰द्यो॰	annotation_inline parent ligne 11 via heuristic_markers
13	[२.चन्द्रिका]	section_header via surya_layout
14	स्रोतोगता समा चैव यत्र पादद्वये भवेत्।	main via surya_layout
15	बिन्दुभिर्गमकैर्युक्ता चन्द्रिणीति प्रकीर्तिता ॥४६१॥	main via surya_layout
16	[३.लक्ष्मी]	section_header via surya_layout
17	गोपुच्छा च समा स्रोता यत्र पादत्रयेऽपि च ।	main via surya_layout
18	मूर्छना नादसहिता सैला लक्ष्मीरिति स्मृता ॥४६२॥	main via surya_layout
19	[४.पद्मिनी]	section_header via surya_layout
20	आद्ये पादे द्वितीये च तृतीये च चतुर्थके ।	main via surya_layout
21	वर्णध्वनिसमायुक्ता पद्मिन्येला निगद्यते ॥ ४६३॥	main via surya_layout
22	[५.रञ्जिनी]	section_header via surya_layout
23	प्रथमे च समा प्रोक्ता द्वितीये च तृतीयके ।	main via surya_layout
24	स्रोता	annotation_inline parent ligne 23 via heuristic_height
25	गोपुच्छा गमकाढ्या च रञ्जिनी नाम सा भवेत् ॥४६४॥	main via surya_layout
26	[६. मालती]	section_header via surya_layout
27	लघुभिर्गुरुभिर्वर्णैयां तु प्रासैर्विनिर्मिता ।	main via surya_layout
28	यथेष्टका चतुष्पादा सा चैला मालती मता ॥ ४६५॥	main via surya_layout

168 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p108 LEFT — 17 lignes

vol_II_p164 RIGHT — 41 lignes

vol_I_p033 RIGHT — 41 lignes

vol_I_p077 RIGHT — 41 lignes

vol_II_p125 LEFT — 28 lignes