Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21210). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p148 LEFT — 42 lignes

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1 <b>Ç≛</b> 20040 - 15 unknown
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2 278 page_number
via heuristic_pagenum
3 BRHADDEŚĪ page_header
via surya_layout
4 which is said to be omitted, is profusely used therein: main
via surya_layout
5 पासागममाधाधा पामाससानिसानि सानिमगमामापाधामपामारीसानि धापामहमामाधानीरिरिरिसागारि ऋपभारिरिपका । main
via surya_layout
6 133. P.t. omits the description of gāndhārī. Other texts describe it list_item
via surya_layout
7 as follows- list_item
via surya_layout
8 गान्धारपञ्चमे भाषा गान्धारी सगभूषिता । list_item
via surya_layout
9 (i) list_item
via surya_layout
10 धाद्यना सर्वलोकस्य हद्या स्त्रीणां विशेषत:॥ list_item
via surya_layout
11 Kalā (appendix) on SR II, p.139 main
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12 (ii) annotation_inline
parent ligne 11
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13 गान्धारपञ्चमे रागे गान्धारी भाषिकैकिका । main
via surya_layout
14 धैवतांशग्रहन्यासा पङ्जमध्यमभूयसी ॥ main
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15 गान्धारबहुला वाऽपि षड्जग्रामनिवासिनी ॥ main
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16 S Rāj II.2.1.1006. annotation_inline
parent ligne 15
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17 134. Kalli has described a bhāṣā named śakā, pertaining to revagupta; main
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18 that description is different from the one of our text. main
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19 सन्यासा रेवगुप्तस्य भाषा मांशा शकाह्या । main
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20 गपाभ्यां बहुला पूर्णा रिधाभ्यामपि भूयसी ॥ main
via surya_layout
21 Kalā (appendix) on SR II. p.142. main
via surya_layout
22 S Rāj II.2.1.1100 describes śakabhāṣā as pertaining to pañcamaṣāḍava, falling main
via surya_layout
23 in line with our text, as follows - main
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24 ऋषभांशा मध्यमान्ता सम्पूर्णा गपभूयसी । main
via surya_layout
25 रिधयो: सङ्गता प्रोक्ता रागे पञ्चमषाडवे ॥ main
via surya_layout
26 शकभाषाद्वया ....। annotation_inline
parent ligne 25
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27 Kalli describes a bhāṣā named potā under revagupta; the same seems to find main
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28 place in S Rāj under the name revaguptā; the two descriptions are very main
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29 similar. annotation_inline
parent ligne 28
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30 पोता - main
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31 ्रऋषभांशग्रहन्यासा धहीना निसभूयसी । main
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32 पोता प्रोक्ता मतङ्गेन भाषा पञ्चमषाङ्ये ॥ main
via surya_layout
33 Kalā (appendix) on SR II. p. 142. main
via surya_layout
34 रेवगुप्ता –   ऋषभांशग्रहन्यासा निभूयिष्ठा धदुर्बला । main
via surya_layout
35 रेवगुप्ता स्मृता भाषा रागे पञ्चमषाडवे ॥ main
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36 S Rāj 11.2.1.1102. annotation_inline
parent ligne 35
via heuristic_short
37 It may be noted that potā has been enumerated under pañcamaṣāḍava main
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38 in S Rāj II.2.1.100 cd, but it has not been described in that text. main
via surya_layout
39 [B. Bhāṣālakṣaṇa according to Śārdula] section_header
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40 1. We are treating the matter falling under this heading as forming main
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41 part of the chapter entitled bhāṣālakṣaṇa, but the verses have been numbered main
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42 ٠ page_number
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vol_II_p051 RIGHT — 29 lignes

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1 <b>g</b>., annotation_inline
parent ligne 4
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2 85 page_number
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3 TRANSLATION page_header
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4 with minute<sup>26</sup> kākus.<sup>27</sup> Thus sādhāraņī should be known to be the abode of main
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5 all gitis. annotation_inline
parent ligne 4
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6 <math>(284 - 285)</math> main
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7 [6. Bhāṣā gīti] section_header
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8 This bhāṣā gīti is described by the experts in gīti as consisting of prayogas main
via surya_layout
9 (melodic phrases?) that are rendered by the body (voice), are smooth, main
via surya_layout
10 colourful with kākus, well composed, shaken, soft, brilliant, combined with main
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11 mālavīkāku<sup>28</sup> attractive, and graceful. It is performed in the manner that main
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12 delights the people. main
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13 <math>(286 - 287)</math> main
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14 [7. Vibhāṣā gīti] section_header
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15 Vibhāṣā gīti should be composed with gamakas<sup>29</sup> that are attractive, main
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16 numerous, brilliant, shaken, pertaining to the chest region, even, high and main
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17 very high, smooth, in which madhyama shines forth in between, that are main
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18 delightful to the ear and are attractive. This process of composition should main
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19 be spontaneous and should take the course that delights the people. main
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20 (288-289) annotation_inline
parent ligne 19
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21 [ Thus ends the description of gitis.] editorial_bracket
parent ligne 19
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22 [ The number and nomenclature of ragas ] section_header
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23 The lakṣaṇa (description) of gītis has been spoken of; now the number of main
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24 rāgas is being stated. Five cokṣa (śuddha, pure rāgas) have been spoken of, the main
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25 bhinna ones are of the same number. Gauda (rāgas) have been said to be main
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26 three and rāgas (pertaining to rāga-gīti) have been said to be eight. Seven- main
via surya_layout
27 sādhāraņa (rāgas) have been spoken of and here bhāṣās are sixteen. Vibhāṣās main
via surya_layout
28 are only twelve and (now) know their names. main
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29 <math>(290 - 292)</math> main
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vol_I_p068 RIGHT — 39 lignes

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1 119 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
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3 sarimapapamarisa rigapadhadhapagari gamadhaninidhamaga 143 mapanisasasanipama main
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4 sanipamamapanisa nidhamagagamadhani dhapagaririgapadha pamarisasarimapa, main
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5 (25) annotation_inline
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6 udghattitah annotation_inline
parent ligne 4
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7 sarigā rigamā gamapā mapadhā padhanī dhanisā 144 sanidhā nidhapā dhapamā main
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8 (26) annotation_inline
parent ligne 7
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9 pamagā magarī garisā, āksiptakah main
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10 sagamā marisā rimapā pagarī gapadhā dhamagā madhanī nipamā panisā 145 main
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11 sadhapā dhanisā sadhapā panisā nipamā madhanī dhamagā gapadhā pagarī main
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12 (27) annotation_inline
parent ligne 11
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13 rimapā marisā sagamā garisā, sampradānam main
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14 sagama marisa rimapa pagari..... main
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15 VII [ Section on Pada - giti ] section_header
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16 O! most venerable muni! I have duly spoken of the alankaras. Now I shall main
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17 speak about giti1 which is associated with chandas2 and akṣara3 (syllable). main
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18 (170) annotation_inline
parent ligne 17
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19 The first one should be known as māgadhī, and the second one is main
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20 ardhamāgadhī, the third one is sambhāvitā and the fourth one is known as main
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21 (171) annotation_inline
parent ligne 20
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22 pṛthulā. annotation_inline
parent ligne 20
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23 The giti which is 'returned to'4 (repeated) thrice, that giti is known as main
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24 māgadhī. That (gītī) which is completed5 in half the time (of māgadhī) should be main
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25 (172) annotation_inline
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26 known as ardhamāgadhī (lit. half-māgadhī). main
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27 And sambhāvitā should be known to be composed of guru (lit. heavy, here main
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28 long) syllables. And the one called pṛthulā should be known to be composed of main
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29 (173) annotation_inline
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30 laghu (lit. light, here short) syllables. main
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31 (Anu. 104) annotation_inline
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32 In dakṣiṇa 6 mārga 7 (lit. path) (operates) the pṛthulā gīti, in vārtika 8 mārga main
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33 sambhāvitā (gīti) and in citra 10 mārga māgadhī gīti. There are eight mātrās in main
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34 dakṣiṇa mārga, four mātrās in vārtika mārga and two mātrās in citra mārga in the main
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35 order of the use of kalās.11 main
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36 In the citra mārga and ekakala tāla, māgadhī gīti should be known; in the main
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37 vārtika mārga (and) dvikala tāla sambhāvitā gīti should be known. (174) main
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38 ___ annotation_inline
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39 (vide) annotation_inline
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vol_II_p115 LEFT — 32 lignes

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1 212 page_number
via heuristic_pagenum
2 BRHADDESI page_header
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3 [९. दोधक:] editorial_bracket
parent ligne 4
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4 ररअर्धं गीत्वा परार्धं तु तस्योपरि ततस्वरम् ॥३९१॥ main
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5 परार्थ annotation_inline
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via heuristic_height
6 अर्थ annotation_inline
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7 ततापरि annotation_inline
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8 ॰स्वरा(?) annotation_inline
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9 [१०. तोटक:] editorial_bracket
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10 <sup>1</sup>/<sub>1</sub>[.....] editorial_bracket
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11 [११. वस्तु] editorial_bracket
parent ligne 4
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12 यत्र पाटाश्च तेत्राश्च शेषं भवेत् ततस्वरम् । main
via surya_layout
13 ततो परी annotation_inline
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14 . . . . annotation_inline
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15 देशीगीतेऽपि वस्तु स्यात्राटकेऽपि प्रयुज्यते<sup>१३</sup> ॥३९२॥ main
via surya_layout
16 [१२. क्रौञ्चपद:] section_header
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17 गीतस्तु प्रतितालेन पदस्वरसमायुत:। main
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18 ॰(ना?ता)॰ annotation_inline
parent ligne 17
via heuristic_markers
19 मतः क्रौञ्चपदो नाम स तु गान्धर्ववेदिनाम् १४॥३९३॥ main
via surya_layout
20 [१३.हंसपद:] section_header
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21 संस्कृतं पादमेकं तु द्वितीयं देशसंयुतम्। main
via surya_layout
22 सप्रासं गीयते यत्तद् गीतं हंसपदं विदुः १५॥३९४॥ main
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23 यम annotation_inline
parent ligne 22
via heuristic_height
24 [१४.शुकसारिक:] section_header
via surya_layout
25 यस्तु तालपदोपेत[:] पदपाटविराजित:। editorial_bracket
parent ligne 24
via heuristic_brackets
26 प्रश्नोत्तरसमायुक्तः स तूक्तः शुकसारिकः ॥३९५॥ main
via surya_layout
27 ॰यु(के:?क:) सदोक: annotation_inline
parent ligne 26
via heuristic_markers
28 न्तः annotation_inline
parent ligne 26
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29 [य: स्यात्] कर्णाटभाषायामथवा मिश्रितो यदि । editorial_bracket
parent ligne 26
via heuristic_brackets
30 ٠ page_number
via heuristic_pagenum
31 + annotation_inline
parent ligne 26
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32 संवादकपदोपेत: स भवेच्छुकसारिक: १६॥ ३९६॥ main
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vol_I_p052 LEFT — 38 lignes

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1 BRHADDESI page_header
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2 86 page_number
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3 [ अनु₀ ६५ ] editorial_bracket
parent ligne 5
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4 यथा मालवकैशिके - सासा सिन [ प ] पिनिनिप निसा [ सा ] धरीपा पिन editorial_bracket
parent ligne 5
via heuristic_brackets
5 निनीत्येवमादिप्रकारेषु परस्परसंचारात्ः । main
via surya_layout
6 [ अनु₀ ६६ ] editorial_bracket
parent ligne 5
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7 यत्र गेयाः स्वरा आरोहन्ति एकैकशः सान्तरा वा स वर्ण आरोहीत्युच्यते। main
via surya_layout
8 (वं ?) annotation_inline
parent ligne 7
via heuristic_short
9 यथा मालवपञ्चमे -पापस धरी सम रिपम मप मपध मामा पसारि सासम main
via surya_layout
10 गरि पम annotation_inline
parent ligne 9
via heuristic_height
11 मापा रिगा सा धनि पारि मम धनी नीनी पारि मम धनी पाधनि रिरिपा main
via surya_layout
12 इति परस्परैकान्तरद्वचन्तरस्वरारोहणादारोही। main
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13 अवरोहन्ति स्वरा यत्रैकेनैव क्रमेण तु। main
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14 स चावरोही शब्दोत समश्चान्तरगः स्वरः ॥१२०॥ unknown
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15 ब्दे तु annotation_inline
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via heuristic_height
16 ुन् annotation_inline
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17 पामा मम गा गग मम मरि रिरि रि पा मा मम पपा पप प मामम main
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18 प्र म्मि annotation_inline
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19 मध्यम annotation_inline
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20 निनि धध पप पम गगा रिरि निनिध पापा इति परस्परैकान्तर- main
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21 ध्(?) म्र नाद (?) annotation_inline
parent ligne 20
via heuristic_short
22 द्वचन्तरस्वरावरोहादवरोहीति। अत एवोक्तम्- main
via surya_layout
23 शारीरस्वरसम्भूतास्त्रिस्थानगुणशोभिताः। main
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24 म् annotation_inline
parent ligne 23
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25 ुगु annotation_inline
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26 अमी वर्णास्तु विज्ञेया अलंकारादिसिद्धये ॥5 main
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27 [ ना. शा. २९. १७ ] editorial_bracket
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28 [ अनु₀ ६७ ] editorial_bracket
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29 ननु कथं वर्णनिष्पत्तिः ? उच्यते- यदा हि स्वरा वर्णकर्षमाकर्षयन्ति main
via surya_layout
30 गीतवशात् स्थायित्वेन संचारित्वेन आरोहित्वेन अवरोहित्वेन तदा वर्णस्य main
via surya_layout
31 निष्पत्तिः। यथा षाड्ज्यां स्थायी वर्णः —सासासा। संचारी यथा धैवत्यां धा धनी main
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32 नी annotation_inline
parent ligne 31
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33 ्ता धध annotation_inline
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34 oर्णा ? main
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35 ুজা annotation_inline
parent ligne 34
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36 नीप धा। आरोही नन्दयन्त्यां—गा गा गा गा पा पा धप मा रिरि रिरि main
via surya_layout
37 नी पधा annotation_inline
parent ligne 36
via heuristic_height
38 पनि सधा निनिधा। अवरोही तत्रैव समसान्तरस्वरैः— main
via surya_layout
180 lignes a valider — change uniquement les roles incorrects.