Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21217). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p129 LEFT — 28 lignes

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1 BRHADDEŚĪ page_header
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2 240 page_number
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3 [४३. वर्णस्वर:] section_header
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4 निबद्धो हस्तपाटैर्य: संयुतस्तेनकै: पुन:५१। main
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5 संयुतैस्तैर्नकै: annotation_inline
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6 स्वरै: पदैश्च पाटैश्च तेनकैश्च समन्वित: ॥ main
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7 तेन्त्र॰ annotation_inline
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8 गीयते तालयुक्तो य: स वर्णस्वरक: स्मृत: ॥ ४८६॥ main
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9 वर्णासरक: annotation_inline
parent ligne 8
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10 [४४. मुक्तावली] section_header
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11 देशिकारपदै रम्यै: सानुप्रासै: प्रगीयते । main
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12 नामानुवर्णनीयस्य सा मुक्तावलिसंज्ञिता ॥ ४८७॥ main
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13 [४५. प्रतापवर्धन:] section_header
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14 उत्साहजननै: पाटै: स्वरैश्चापि सुसंयुत: । main
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15 ॰कै: पार्द: स्वरैध + annotation_inline
parent ligne 14
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16 तेनकैर्बिरुदैर्यत्र वर्णनीयस्य गीयते ॥ main
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17 तेन्तकै॰ annotation_inline
parent ligne 16
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18 प्रतापवर्धनो नाम प्रबन्धः परिकीर्तितः ॥ ४८८॥ main
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19 (तो?नो) annotation_inline
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20 अष्टाभिरधिका रम्याश्चत्वारिंशदिति स्फुटम् ॥ ४८९॥ main
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21 [गीतदोषाः] section_header
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22 लोकदुष्टं शास्त्रदुष्टं पुनरुक्तं च वर्जयेत्। main
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23 ॰शास्त्र +++ पञ्च annotation_inline
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24 छन्दोदुष्टं[?] तथा ग्राम्यं गतक्रममपार्थकम् ॥ editorial_bracket
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25 + गोदुष्टं main
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26 पदं चार्थं तु सन्दिग्धं कलाबाह्यं विभक्तकम् <sup>५२</sup>॥ ४९०॥ main
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27 काप्यमसन्दिग्धं annotation_inline
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28 चाभ्यशि ॰ annotation_inline
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vol_II_p071 LEFT — 32 lignes

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1 BRHADDEŚĨ page_header
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2 124 page_number
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3 [अनु॰ २१०] section_header
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4 अस्यार्थ: - पञ्चमषाडव: १०७षड्जग्रामसम्बन्ध: । ऋषभोऽस्य ग्रहोंऽशश्च । मध्यमो main
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5 ॰( ঘ:) annotation_inline
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6 न्यास: । १०८ प्रयोक्त्रपेक्षया क्वचिदंशोऽपि[।] निषादोऽत्र काकली । पूर्णश्चायम् । उद्भटचारिमण्डलाजौ editorial_bracket
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7 ॰(जी?दी) annotation_inline
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8 (स्र?कृ)॰ annotation_inline
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9 विनियोगः। वीरादिरसः। ऋषभादिमूर्छना। प्रसन्नाद्यन्तोऽलङ्कारः। दक्षिणे कला, वार्तिके कला, main
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10 चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । main
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11 [९.रेवगुप्त:]<sup>१०९</sup> section_header
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12 ऋषभांशो मध्यमान्तः सम्पूर्णस्वरकस्तथा । main
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13 (₹) annotation_inline
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14 आर्षभीमध्यमाजात्यो रेवगुप्त: प्रकीर्तित: ॥३४०॥ main
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15 [अन्॰ २११] section_header
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16 अस्यार्थः - रेवगुप्तः षड्जग्रामसम्बन्धः । आर्षभीमध्यमाजात्योरुत्पत्रोऽपि main
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17 षड्जग्रामसम्बन्ध एव पञ्चमस्य चतुःश्रुतिकत्वात् । ऋषभोऽस्य ग्रहोंऽशश्च । न्यासो मध्यम एव main
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18 च । निषादोऽत्र काक'ली । पूर्णस्वरश्चायम् । उद्भटचारिमण्लाजौ विनियोग: । main
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19 वीरादिरस:। annotation_inline
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20 ॰(जी?दी) annotation_inline
parent ligne 18
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21 ऋषभादिमूर्छना । आरोही वर्ण: प्रसन्नान्तोऽलङ्कार:। दक्षिणे कला, वार्तिके कला, चित्रे कला । main
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22 चच्चत्पुटादिताल:। ११० main
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23 [१०. टक्सैन्धवः] section_header
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24 स्यात् षाड्जीधैवतीजात्योष्टकसगस्तु सैन्धव:। main
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25 षड्जांशन्याससंयुक्तः पञ्चमेन तु दुर्बलः ॥३४१॥ main
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26 [अनु २१२] section_header
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27 [अस्यार्थ:]- टक्कसैन्धवराग: षड्जग्रामसम्बन्ध:, षाड्जीधैवतीसमुत्पत्रत्वात् । षड्जोऽस्य editorial_bracket
parent ligne 26
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28 ि निषादगान्धारौ चात्र काकल्यन्तरौ । पञ्चमस्याल्पत्वम् । पूर्णस्वरश्चायम् । main
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29 ग्रहोंऽशो न्यासश्च । main
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30 ॰(रेष ? चै) annotation_inline
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31 (चित्रे ? चात्र) annotation_inline
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32 210 page_number
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vol_I_p096 RIGHT — 61 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 VIMARŚA main
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2 175 page_number
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3 61. Like Suśruta, Bh Prak VII, 27 also mentions tvak (skin) as the first dhātu, main
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4 instead of rasa (chyle) of our text. Monier Williams also enumerates seven main
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5 dhātus as chyle ( rasa ), blood, flush, fat, bone, marrow, semen; replacing tuak main
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6 with rasa. main
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7 62. The seven minerals are not clear. list_item
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8 63. The number of cakras (psychophysical centres in the human body list_item
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9 visualised as circles, cakras or lotuses, padmas) is generally accepted as six, eight list_item
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10 or ten (as in SRI, 2. 120-145 ab). ByD has talked of seven sthanas elsewhere list_item
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11 ( in the confused reading in the section on Varṇālankāra towards the end of list_item
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12 Anu. 84, see textual note no. 20 in that section ); viz. ādhāra, svādhişṭhāna, list_item
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13 anāhata, maņipūra, višuddhi, ājñā and brahmarandhra. Out of these, the last list_item
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14 one viz. brahma-randhra (cerebral aperture) is not the name of a cakra, rather it list_item
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15 is the location of the sahasrāra cakra. These seven names do form part of the list_item
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16 ten cakras spoken of in SR in the following locations - list_item
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17 Name of Cakra table
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18 Location table
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19 1. Ādhāra table
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20 In-between the anus and the genitals table
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21 2. Svādhişthāna table
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22 Root of the genitals table
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23 Around the navel table
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24 3. Manipūra table
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25 4. Anāhata table
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26 Heart table
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27 5. Visuddhi table
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28 Throat table
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29 6. Ājāā table
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30 In-between the two eye-brows table
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31 7. Sahasrāra table
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32 Cerebral aperture table
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33 It is notable that SR associates the production of musical notes with the main
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34 anāhata, višuddhi and lalanā-( situated in the back of the neck ) cakras alone main
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35 and not with all the seven listed above. The treatment of cakras in BrD could main
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36 not be assessed from this stray reference. It is only the number seven that main
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37 corresponds with the connection of seven cakras with the svaras that the author main
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38 is trying to establish here. In note 59 above, we have said that the connection of main
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39 dhaivata with the forehead is not clear. If the seven svaras are connected with main
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40 the seven sthanas listed above, one by one, then dhaivata being the sixth one main
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41 could be connected with the viśuddhi cakra located in-between the eye brows. main
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42 But the location of seven svaras in the seven cakras is not corroborated by any main
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43 other known text. annotation_inline
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44 64. S R I, 3.55 cd, 56 ab speaks of the origin of svaras in the seven islands as main
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45 follows- main
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46 Name of Svara table
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47 Name of Duipa table
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48 Sadja table
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49 Jambū table
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50 Rsabha table
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51 Šāka table
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52 Gändhära table
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53 Kuśa table
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54 Madhyama table
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55 Krauñca table
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56 Sālmalī table
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57 Pañcama table
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58 Dhaivata table
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59 Sveta table
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60 Nisāda table
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61 Puşkara table
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vol_II_p030 RIGHT — 31 lignes

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1 43 page_number
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2 TRANSLATION page_header
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3 The omission of all notes is prescribed in all <math>j\bar{a}tis</math>, but the omission of main
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4 madhyama should never be made. The svara madhyama is the chief among main
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5 all the svaras and is indispensable both in the kalpa (practice and precept) main
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6 of gāndharva and also in sāmans." main
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7 (NŚ XXVIII. 58-65) main
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8 [ Anu. 142 ] section_header
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9 Now the prescription of sadava and auduvita as well as the prescription main
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10 according to utsarga<sup>55</sup> (general view) and apavāda<sup>56</sup> (exception) should be main
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11 known only in vikṛtā jātis, not in the śuddhā jātis, because the śuddhās become main
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12 the root of the coming into existence of other jātis. These śuddhās themselves main
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13 become vikṛtās. How- main
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14 [9. A repeated definition of śuddhā jāti] section_header
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15 When a jāti has the same graha, the same apanyāsa and the same aniśa, has main
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16 nyāsa in the mandra (lower register) and is complete, then it is known as main
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17 śuddhā jāti. annotation_inline
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18 (259) annotation_inline
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19 Thus has been said the definition of śuddhā. main
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20 [10. The vikṛtā state of śuddhā jātis] section_header
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21 [Anu. 143] section_header
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22 Out of these characteristics, the jātis become vikṛtā (modified) by (the main
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23 violation of) one, two or many characteristics, excepting the nyāsa. The main
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24 statement 'excepting the nyāsa' means that there is no vikṛtā state that comes main
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25 about by (a change in) the nyāsa. main
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26 [ The illustration of sadji ] section_header
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27 [ Anu. 144 ] section_header
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28 Vikṛtā ṣādjī is two-fold – one that is always complete and the other that is main
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29 ṣāḍavā. Ṣāḍjī is śuddhā with the aṁśa that bestows its name (viz. ṣaḍja). Vikṛtā main
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30 ṣāḍjī is complete when gāndhāra is its aṁśa because of the non-omission of main
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31 ---- annotation_inline
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L#Texte OCRRole autoCorriger si incorrect
1 35 page_number
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2 TRANSLATION page_header
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3 sa annotation_inline
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4 n annotation_inline
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5 ni annotation_inline
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6 ga annotation_inline
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7 dha annotation_inline
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8 ma annotation_inline
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9 pa annotation_inline
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10 Thus ends the Samvādi-mandala. caption
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11 (Anu. 22) annotation_inline
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12 The use of samvadin is thus- main
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13 The sadja that is accepted as amsa (fundamental note) in a gita (melodic main
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14 structure), in the place of that (if) madhyama (is used) it does not destroy the main
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15 rāga (melodic matrix). The location on which madhyama is used in accordance main
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16 with the mūrchanā,40 on the same location (if) şadja is used, it does not destroy main
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17 the jāti or rāga. In the place of şadja and pañcama (if) pañcama-şadja are used, main
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18 they do not destroy the jāti and rāga. Similarly dhaivata-rṣabha being used in the main
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19 place of rabha-dhaivata do not become the destroyers of jāti and rāga. Similarly main
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20 niṣāda-gāndhāra being used in the place of gāndhāra-niṣāda do not bring about a main
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21 loss of jāti and rāga. Kakubha being with dhaivata amśa, and revagupta being with main
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22 ṛṣabha aṃśa and ārṣabhī jāti, the mother of both of them, having taken up ṛṣabha main
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23 as amía, these two (dhaivata and rṣabha) when used as being mutually related, main
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24 do not become the destroyers of jāti or rāga. main
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176 lignes a valider — change uniquement les roles incorrects.