Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21219). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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1 BRHADDEŚĪ page_header
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2 178 page_number
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3 [११. अथ टककैशिके] section_header
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4 धैवताद्यन्तसंयुक्ता ज्ञेया <sup>१२२</sup>मालवपञ्चमी । main
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5 <sup>१२३</sup>षड्जर्षभसंवाद: स्यात् <sup>१२४</sup>षड्जधैवतयोस्तथा ॥ main
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6 बहुधैव तयोस्तथा annotation_inline
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7 <sup>१२५</sup>सम्पूर्णा सुस्वरा ह्येषा देशभाषा मनोहरा ॥ १३३॥ main
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8 उदाहरणम्-धैवत धापाधैवत धाधाधारिमामाधा । पामधाधापामागरिमाधापाधा। मालवा [१] editorial_bracket
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9 षड्जांशा धैवतन्यासा विज्ञेया <sup>१२६</sup>भित्रवालिका । main
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10 भित्रलालिका annotation_inline
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11 धैवतनिषादबाहुल्यं दृश्यते च परस्परम् ॥ १३४॥ main
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12 •बाहु<del>ल्</del>या annotation_inline
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13 क्वचिद् दृष्टं न दृष्टं च भित्रपञ्चमसंज्ञिता[?]। editorial_bracket
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14 किशिद् प्रष्टं annotation_inline
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15 एषा तु कथिता लोके भाषा सङ्कीर्णशोभना ॥ १३५॥ main
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16 उदाहरणम् - सासासागासाधा नीसासाधानीमधा निधाधाधा निधामाधा निमधापाधाधाधा main
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17 भित्रवालिका।[२] editorial_bracket
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18 भित्रलालिता annotation_inline
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19 <sup>१२७</sup>गान्धारांशा धैवतान्ता द्राविडी सम्प्रकीर्तिता । main
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20 द्विश्रुतीनां च गमनं षड्जधैवतयोस्तथा ॥ main
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21 द्राविडविषये होषा देशाख्या सुमनोहरा<sup>१२८</sup> ॥ १३६॥ main
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22 उदाहरणम्-[गा]धानिमधानिधाधाधानिधामधापाधाधा पामाधाधागामाधाधा सागासानि- editorial_bracket
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23 धाधा पामागाममनि[धा] । द्राविडी । [३] editorial_bracket
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24 ॥ एताष्ट्रक्ककैशिकभाषास्तिस्र: ॥ main
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25 [१२. अथ वेसरपाडवे ] editorial_bracket
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26 मध्यमाद्यन्तसंयुक्ता विज्ञेया बाह्यषाडवा । main
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27 ॰पाडवं annotation_inline
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28 १२९द्विश्रुत्यो: स्याच्च संवादो मध्यमर्पभयोस्तथा ॥ १३७॥ main
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29 वि? द्वित्र्तिभ्यां च annotation_inline
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1 San Carlotte Comment annotation_inline
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2 BRHADDEŚĨ page_header
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3 280 page_number
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4 13. P.t. reads - main
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5 गान्धारांशा तु षड्जान्ता पूर्णा द्राविडदेशजा । main
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6 गीयते नित्यमेवैषा विभाषा (विजरा ? पिञ्जरी) शुभा ॥ main
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7 Thus the second and third feet are repeated from the description of drāviḍī main
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8 from verse 11 and have hence been omitted by us. main
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9 14. The reading 'paurālī' is suggested by the ed. main
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10 वनेषु कामिनीसङ्गे नियोज्या ऋषिकैनरै: । main
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11 15. cf. annotation_inline
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12 S Rāj II.2.1.1084 cd. main
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13 Kalā (appendix) on SR II, p. 142 treats it as a <i>vibhāṣā</i>. main
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14 16. P.t. contains repeated portion here as follows - main
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15 उदाहरणम् -सासासासा धासासासा सारीमामा सानीधासा सानीधापा सामामापाधा । सासा । धागारिसारिसा निधानि । सासा । main
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16 धागारिसारिसा निधानि । सासा । अलघ्वी । टक्करागे शार्दूलमते भाषा: समाप्ता: । भित्रवलितिका रविचन्द्रा भित्रपौराली द्राविडी main
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17 पार्वती चैव हिन्दोलके ? main
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18 The ed. notes that the lakṣaṇa of paurālī and illustration of vibhāvinī is not main
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19 available in the MSS, because the illustration that follows the repeated main
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20 portion reproduced above bears the name paurālī. But we have taken it to main
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21 be the illustration of vibhāvinī as it matches the description of this bhāṣā. main
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22 Thus both the description and illustration of paurālī are taken to be lost. main
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23 S Rāj II.2.1.1086 describes paurālī as - main
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24 पञ्चमांशग्रहन्यासा गाल्पा मालवपञ्चमे । main
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25 सावरोहिप्रसन्त्रान्ता भाषा पौरालिका रसे ॥ main
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26 बीभत्से मुनिना प्रोक्ता मतङ्गेन भयाकुले ॥ main
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27 करुणे दैन्यभूयिष्ठे आहुर्वेदवर्ती बुधा: । main
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28 17. cf. annotation_inline
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29 Citation from Kaśyapa in Abhi Bhā on NŚ XXIX, p. 76. main
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30 सग्रहान्ता वेगवती धांशा मालवपञ्चमे । main
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31 18. cf.(i) annotation_inline
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32 सप्तस्वरा विभाषेयमञ्जनासून्सम्मता ॥ main
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33 Kalā (appendix) on SR II. p. 142. main
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34 (ii) annotation_inline
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35 पूर्णा वेदवती भाषा सान्ता मालवपञ्चमे । main
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36 पञ्चमांशग्रहा योज्या रसे सा करुणे बुधै: ॥ main
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37 S Rāj II.2.1.1088. annotation_inline
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38 .....गर्वे त्वान्ध्रॉ प्रचक्षते । main
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39 19. cf.(i) annotation_inline
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40 Citation from Kaśyapa in Abhi Bhā on NŚ XXIX.p.76. main
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41 (ii) annotation_inline
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42 .....सर्वभावनियोगभाक् । main
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43 S Rāj 11.2.1.1090 d. main
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44 Our reconstruction is in close proximity of p.t. 'Vyādhau daṣṭeṣu' could be main
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45 another possibility; the meaning would be - 'in the context of disease and of main
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46 those bitten (by poisonous creatures)* main
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47 20. cf. annotation_inline
parent ligne 46
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48 औप्र्वे क्रोधे च गान्धारी .....ा main
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49 Citation from Kasyapa in Abhi Bhā on NŚ XXIX., p. 76. main
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1 BRHADDESI page_header
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2 92 page_number
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3 [अनुः १६९] editorial_bracket
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4 अस्यार्थ: - शुद्धकैशिको नाम[रागो] मध्यमग्रामसम्बन्धः, कैशिकोकार्मारवीजातिभ्यां editorial_bracket
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5 समुत्पन्नत्वात्। तारषड्जोऽस्य ग्रहोंऽशश्च। पञ्चमो न्यासः। निषादीऽत्र काकली। पूर्णस्वरश्चायम् , main
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6 ग्रह: अंश(स्व?ध) annotation_inline
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7 चित्रस्याष्ट्रादशाङ्गस्य [?]निर्वहणे विनियोगः। वीररौद्रादिको रसः।षङ्जादिमूर्छना। आरोही वर्णः। editorial_bracket
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8 <sup>४६</sup>प्रसन्नादिरलङ्कार:। दक्षिणे कला,वृत्तौ कला,चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल:। main
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9 [शुद्धरागाणां ग्रामविभागः] section_header
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10 [अनु॰ १७०] editorial_bracket
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11 ननु एते ग्रामविशेषसम्बन्धाः, कुतोऽयं विशेषलाभः ? उच्यते, भरतवचनादेवासौ विशेषो main
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12 कु(तो ऽ)यं annotation_inline
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13 लभ्यते । तथा चाह भरतमुनि: - ''जातिसम्भूतत्वाद् ग्रामरागाणाम्''४० इति , ''यत्किञ्चिद् main
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14 गीयते लोके तत्सर्वं जातिषु स्थितम् ' '४८ इति वचनात् । तथा काश्यपेनाप्युक्तम् - main
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15 तत्सर्व annotation_inline
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16 ''षाडवो मध्यमग्रामे पञ्चम: कैशिकस्तथा । main
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17 पाडवे ककुभ् annotation_inline
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18 षड्जे साधारितश्चैव तथा कैशिकमध्यम:॥'' main
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19 [शुद्धरागाणां विनियोगः] section_header
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20 [अनु॰ १७१] editorial_bracket
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21 ननु अमी विनियोग-विशेषा: कस्माल्लभ्यन्ते ? [मुनि-] वचनादेव लभ्यन्ते। तथा editorial_bracket
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22 अ(यं ?मी) annotation_inline
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23 चाह भरत:- annotation_inline
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24 ‘‘मुखे तु मध्यमग्राम: षड्ज: प्रतिमुखे भवेत् । main
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25 गर्भे साधारितश्चैव <sup>४९</sup>ह्मवमर्शे तु पञ्चम: ॥ main
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26 ...वावमर्शे • तु annotation_inline
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1 1 page_number
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2 123 page_number
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3 <b>TRANSLATION</b> page_header
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4 Out24 of these, dhruvā is the sounded25 one, sarpiņī moves to the left (side main
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5 of the performer), Kṛṣṇā is 'gone' (moved) to the right (side of the main
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6 performer), and vartini is moved downwards, visarjitā is moved outwards main
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7 (farther from the performer), vikşiptā is curved26 or bent, and patākā moves main
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8 (179, 180) annotation_inline
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9 upwards, (and) patită reaches (touches) the ground. main
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10 Dhruvakā and sarpiņī (are used) in citra (mārga), in vārtika (mārga) the next main
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11 two viz. kṛṣṇā and padmini27 are also (used). main
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12 In dakṣiṇa (mārga) (all the) eight mātrās are known (to be used). main
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13 (181) annotation_inline
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14 (Anu. 108) annotation_inline
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15 Daksiņā, vrtti28 and citrā - these three vrttis are understood according to the main
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16 predominance of 'song' (melody, of both 'song' and instrument)29 and of main
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17 instrument, (respectively). Having the predominance of 'song' is dakṣiṇā vṛtti, main
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18 having the predominance of both is vitti vitti, (and) having the predominance main
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19 of instrument is citrā vṛtti. main
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20 (Anu. 109) annotation_inline
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21 Now he (the author) explains the changing<sup>50</sup> predominance (of different main
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22 temporal components in vittis) brought about by pāņi.51 It has been said — main
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23 The predominances of tāla,32 giti, laya,33 yati 34 (and) mārga become main
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24 manifestors35 (rather manifest) according to their own (form) in these (vyttis). main
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25 In citra (mārga) there is samā 36 yati, druta (fast) laya,57 uparipāņi,38 māgadhī giti main
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26 and ogha 59 is the limb (avayava). In vārtika (mārga) there is srotogatā 40 yati, main
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27 madhya laya,41 samapāṇi,42 sambhāvitā gīti and anugata45 is the limb. Similarly, main
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28 in dakṣiṇa (mārga) is gopucchā yati,44 vilambita45 (lit. prolonged, here slow) laya, main
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29 avapāņi,46 pṛthulā gīti and tattya is the limb. main
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30 (Anu. 110) annotation_inline
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31 The vādya (presentation on instruments) should be done with sama, atīta main
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32 and anagata grahas. Out of them, in citra (vytti) there is anagata graha. In vytti main
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33 (vytti) there is sama graha, in daksiņā vytti there is atīta graha. The combination main
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34 110 page_number
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1 <b>ABBREVIATIONS</b> section_header
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2 Abhinava Bhāratī, Abhinavagupta's commentary on Nāṭya- main
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3 Abhi Bhā annotation_inline
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4 Sāstra G.O.S., Baroda edition main
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5 Anuccheda, comparable to paragraph main
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6 Anu. annotation_inline
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7 Anūpa Sangīta Ratnākara of Bhāva Bhaṭṭa main
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8 Anū Saṃ R annotation_inline
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9 Anūpa Sangīta Vilāsa of Bhāva Bhaţţa main
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10 Anū Saṃ Vi annotation_inline
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11 Aşţādhyāyī of Pāņini main
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12 Aşţā annotation_inline
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13 Bharata Kośa of M.R. Kavi main
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14 Bha Ko annotation_inline
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15 Bṛhaddeśī of Matanga Muni main
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16 BŗD annotation_inline
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17 Brhadāranyaka Upanisad main
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18 Brh Up annotation_inline
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19 Caraka Samhitā main
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20 Car Sam annotation_inline
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21 Cited reading main
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22 C.r. annotation_inline
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23 Dhrupad Annual main
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24 DA annotation_inline
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25 Dattilam main
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26 Datti annotation_inline
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27 Pt. K. Sāmbaśiva Śāstrī, editor of Bṛhaddeśi, published in main
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28 Ed. annotation_inline
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29 Anantasayana Sanskrit Granthāvali No. 94 (Trivandrum main
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30 Sanskrit Series) in 1928 main
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31 Gobhila Smrti annotation_inline
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32 Gobh Smr main
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33 Indian Music Journal main
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34 IMI annotation_inline
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35 Kalānidhi commentary of Kallinātha on Sangīta-Ratnākara main
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36 Kalā annotation_inline
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37 Kausitaki Upanisad main
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38 Kauş Up annotation_inline
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39 Literally main
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40 Lit. annotation_inline
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41 Mārkandeya Purāņa main
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42 Mark Pur annotation_inline
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43 Matsya Purāņa main
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44 Mat Pur annotation_inline
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45 Mahābhārata main
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46 <b>MBh</b> annotation_inline
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47 Mīmāṃsā Sūtra main
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48 Mim Sū annotation_inline
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49 Nāradīya-Šikṣā main
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50 Nā Śi annotation_inline
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51 Nātya Śāstra, G.O.S., Baroda edition, unless otherwise main
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52 NŚ annotation_inline
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53 indicated main
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54 Nātya Śāstra, Chaukhambha, Varanasi edition main
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55 NŚ Chau annotation_inline
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56 Nātya Sāstra, Kāvya-Mālā edition. main
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57 NS Kā Mā annotation_inline
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58 Pāṇini-Śikṣā main
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59 Pā śi annotation_inline
parent ligne 58
via heuristic_short
60 Prem Lata Sharma main
via surya_layout
61 P.L.S. annotation_inline
parent ligne 60
via heuristic_short
62 Printed text of Bṛhaddeśī, Trivandrum edition main
via surya_layout
63 P.t. annotation_inline
parent ligne 62
via heuristic_short
64 Rāga Vibodha of Somanātha main
via surya_layout
65 Rā Vi annotation_inline
parent ligne 64
via heuristic_short
66 Sangīta Cūdāmaņi of Jagadekamalla main
via surya_layout
67 Sam Cū annotation_inline
parent ligne 66
via heuristic_short
68 Sangīta-Samaya-Sāra of Pārśvadeva main
via surya_layout
69 Sam S Sā annotation_inline
parent ligne 68
via heuristic_short
70 Sangita-Ratnākara of Śārngadeva (Adyar edition) main
via surya_layout
71 SR annotation_inline
parent ligne 70
via heuristic_short
72 Sangītarāja of Rāņā Kumbhā Vol. 1 main
via surya_layout
73 S. Raj main
via surya_layout
211 lignes a valider — change uniquement les roles incorrects.