Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21223). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p114 LEFT — 33 lignes

page vol_II_p114 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 • • annotation_inline
parent ligne 4
via heuristic_height
2 BRHADDEŚĪ page_header
via surya_layout
3 210 page_number
via heuristic_pagenum
4 [३. गद्य:] section_header
via surya_layout
5 ५प्रान्ते यस्य भवेत्तालो वर्णनीयस्य संज्ञया । main
via surya_layout
6 म्रातो annotation_inline
parent ligne 5
via heuristic_height
7 गीयते यत् तदत्राहुर्गद्यं गीतविशारदा: ॥३८५॥ main
via surya_layout
8 [४.दण्डक:] section_header
via surya_layout
9 तालयुक्तं स्वरोपेतं मध्ये- ६पाटविराजितम् । main
via surya_layout
10 पुन: पदसमायुक्तं गानं तद् दण्डकं विदु: ॥३८६॥ main
via surya_layout
11 दण्डको बुधैः main
via surya_layout
12 [५. वर्णः] section_header
via surya_layout
13 विभूतित्यागसौभाग्यबिरुदै: समलङ्कृत: । main
via surya_layout
14 ॰(तम् ? तः) annotation_inline
parent ligne 13
via heuristic_markers
15 •विस्तै: main
via surya_layout
16 विभृत्याग + annotation_inline
parent ligne 15
via heuristic_height
17 तालेनापि च युक्त: स्याद् वर्ण: कर्णाटभाषया ॥३८७॥ main
via surya_layout
18 ٦٧ page_number
via heuristic_pagenum
19 [६.पद्धडी] section_header
via surya_layout
20 स्वरपाटसमायुक्ता तालेन च समन्विता । main
via surya_layout
21 <sup>८</sup>कयापि भाषया युक्ता बिरुदै: सा तु पद्धडी ॥३८८॥ main
via surya_layout
22 पाटली annotation_inline
parent ligne 21
via heuristic_height
23 <i>्</i>विभाषया annotation_inline
parent ligne 21
via heuristic_height
24 [७. अडिला] section_header
via surya_layout
25 यत्र स्यात् स्वरिवन्यासः प्रतिपादान्तमुज्ज्वलः । main
via surya_layout
26 ॰पादा (द्ध?मु)॰ annotation_inline
parent ligne 25
via heuristic_markers
27 तालेन च समायुक्त: <sup>९</sup>अडिला नामतो भवेत् ॥३८९॥ main
via surya_layout
28 अधिला नामशो (?) main
via surya_layout
29 [८.चतुष्पदी] section_header
via surya_layout
30 यत्र प्रतिपदार्थं तु गीतं तालयुतं भवेत्। main
via surya_layout
31 परूप्रतिः annotation_inline
parent ligne 30
via heuristic_short
32 <sup>१</sup>॰स्वरतेनकसंयुक्तैः सा चतुष्पदिका भवेत् ॥३९०॥ annotation_inline
parent ligne 30
via heuristic_markers
33 तातेन्तकैस्वासंयुक्तैः स्वाचतुष्पीटिका भवेत् (?) main
via surya_layout

vol_I_p047 RIGHT — 37 lignes

page vol_I_p047 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 1 page_number
via heuristic_pagenum
2 77 page_number
via heuristic_pagenum
3 <b>TRANSLATION</b> page_header
via surya_layout
4 (Anu. 51) annotation_inline
parent ligne 5
via heuristic_height
5 But if the indication of murchanas is done with the middle heptad, then why main
via surya_layout
6 has it been said to be (done) with madhyama svara? Truly has this been said. main
via surya_layout
7 The use of singular number is in relation with the jāti (species) of svara. The main
via surya_layout
8 purport is that the 'murchana' should be made in the kanthya svara (the tonal main
via surya_layout
9 range of the voice). The inclusion of the adjective vaina 46 (pertaining to viņā) main
via surya_layout
10 (for svara) is in order to encompass the sthana (register or range) that could main
via surya_layout
11 not be described in the body (human voice). main
via surya_layout
12 (Anu. 52) annotation_inline
parent ligne 11
via heuristic_height
13 But when the (process of) sādavita and auduvita is being undertaken, then main
via surya_layout
14 does the recognition of the (original) murchana exist or does it not exist? The main
via surya_layout
15 recognition of the (original) mūrchanā is certainly there. Similarly has said main
via surya_layout
16 Dattila - annotation_inline
parent ligne 15
via heuristic_height
17 "When the tana is made in this manner (by omission of the prescribed main
via surya_layout
18 svaras), the knowledgeable one should ascertain, by counting the perishable main
via surya_layout
19 (omitted) (svara), that this murchana is this-manieth." main
via surya_layout
20 [ Dattilam 37 ] editorial_bracket
parent ligne 19
via heuristic_brackets
21 (Anu. 53) annotation_inline
parent ligne 19
via heuristic_height
22 But when şadja is omitted in the first and seventh mūrchanā, both take an main
via surya_layout
23 identical form viz. ri-ga-ma-pa-dha-ni, there the distinction (between the two) is main
via surya_layout
24 not evident. True, there is no difference. If the components are counted, there main
via surya_layout
25 surely is a difference; the difference is created by mandra and tara.47 main
via surya_layout
26 (Anu. 54) annotation_inline
parent ligne 25
via heuristic_height
27 This distinction of murchana and tana has been spoken of merely for the main
via surya_layout
28 sake of the convenience of the performer and the listener.48 The objective of main
via surya_layout
29 tāna has also been said to be for the sake of the attainment of the three main
via surya_layout
30 registers. annotation_inline
parent ligne 29
via heuristic_height
31 (Anu. 55) annotation_inline
parent ligne 29
via heuristic_height
32 But mūrchanās are useful in jātis and rāgas, hence their treatment is justified, main
via surya_layout
33 where are the tanas to be used? It is being answered. The tanas are useful for main
via surya_layout
34 the sake of bringing out the difference between jatis and ragas of both the main
via surya_layout
35 grāmas (i.e. between those of one grāma and the other).49 Or, the use of tānas is main
via surya_layout
36 for the sake of the demonstration of the number of nașța (lit. lost) and uddișța main
via surya_layout
37 (lit. enumerated) (varieties of tānas).50 annotation_inline
parent ligne 36
via heuristic_height

vol_II_p168 RIGHT — 42 lignes

page vol_II_p168 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 VIMARŠA page_header
via surya_layout
2 319 page_number
via heuristic_pagenum
3 57. Ratigana is fourfold and is composed of two syllables each – SS, IS, list_item
via surya_layout
4 SI, II. list_item
via surya_layout
5 58, 59. Dhātu-mātu stand for tonal-cum-rhythmic and verbal structure list_item
via surya_layout
6 of a composition respectively. list_item
via surya_layout
7 60. Twice Rudra would mean <math>11 \times 2 = 22</math>. list_item
via surya_layout
8 61. Bāṇagaṇa is of 16 kinds, each one composed of four syllables. list_item
via surya_layout
9 62. Here only the number of syllables is regulated and not their long list_item
via surya_layout
10 and short order. list_item
via surya_layout
11 63. Alaghu - that which is not laghu or short. list_item
via surya_layout
12 64. No regulation of the order of long and short syllables is list_item
via surya_layout
13 prescribed. list_item
via surya_layout
14 65. See notes 46, 52. list_item
via surya_layout
15 66. 'Yati' is a word that stands for splitting or pause in metre. In tāla, list_item
via surya_layout
16 yati means the order or sequence of layas. Here the first meaning seems to list_item
via surya_layout
17 be relevant. list_item
via surya_layout
18 67. This is again a reference to Matanga within the text. See note 3. list_item
via surya_layout
19 68. Samā yati is that where one and the same laya is sustained from list_item
via surya_layout
20 the beginning to the end. list_item
via surya_layout
21 69. Şaţpadī means 'one having six feet '. Śaṅkarācārya's şaţpadī list_item
via surya_layout
22 beginning with 'avinayamapanaya viṣṇo' is well - known. list_item
via surya_layout
23 70. Srotogatā yati is that where there is slow laya in the beginning list_item
via surya_layout
24 followed by fast, like the source of a river that gradually gains speed in its list_item
via surya_layout
25 current. Samā has been explained in note 68. list_item
via surya_layout
26 71. Gopucchā yati is the opposite of srotogatā; it is fast in the list_item
via surya_layout
27 beginning and gradually becomes slow, like the end of the cow's tail which list_item
via surya_layout
28 is first thin and then ends up with a thick bunch of hair. list_item
via surya_layout
29 72. See note 46. list_item
via surya_layout
30 73. 'Varṇadhvani' would literally mean 'the sound of syllables'; list_item
via surya_layout
31 perhaps the contrast of a cluster of syllables in song, followed by a text-free list_item
via surya_layout
32 tonal rendering is implied. list_item
via surya_layout
33 74. Mūrchanā is not known as a kind of gamaka. The combination of list_item
via surya_layout
34 'mūrchanā' with gamaka requires further investigation. list_item
via surya_layout
35 75- 79. Lāţa (approximately present Gujarat), Karṇāta (roughly list_item
via surya_layout
36 present Karnataka), Gauda (roughly present Bengal), Andhra (roughly list_item
via surya_layout
37 present Andhra Pradesh) and Dravida (roughly present Tamilnadu) are the list_item
via surya_layout
38 regions selected for description of types of elā prabandha. Important list_item
via surya_layout
39 omissions are <i>Pāṇcāla, Avantī</i> or <i>Mālavā, Vidarbha</i> etc. SR also mentions only list_item
via surya_layout
40 the above five regions in this context. list_item
via surya_layout
41 80,81. The description of the regional specialities in the use of rhyme list_item
via surya_layout
42 and alliteration is interesting indeed. list_item
via surya_layout

vol_II_p034 LEFT — 30 lignes

page vol_II_p034 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚÏ page_header
via surya_layout
2 50 page_number
via heuristic_pagenum
3 पञ्चस्वरपरा तारगति: । न्यासपरस्तत्परो वा मन्द्र: । main
via surya_layout
4 <b>(</b>Y) annotation_inline
parent ligne 3
via heuristic_height
5 [अनु॰ १५३] editorial_bracket
parent ligne 3
via heuristic_brackets
6 गान्धारादिमूर्छना । तालश्चच्चत्पुट: । दक्षिणे कला द्वात्रिंशत् । [वार्तिके षोडश ।] editorial_bracket
parent ligne 3
via heuristic_brackets
7 चतुष्यष्टिः annotation_inline
parent ligne 3
via heuristic_height
8 चित्रेऽष्टौ । दशविधत्वं चास्या: । दशांशा: - शुद्ध:, त्रयो विकृता: पूर्णा[:, त्रय: षाडवा:, त्रय editorial_bracket
parent ligne 3
via heuristic_brackets
9 शुद्धास्त्रयो annotation_inline
parent ligne 3
via heuristic_height
10 औडुवाश्चेति] । रसश्च करुण: । ध्रुवागाने प्रथमप्रेक्षणके विनियोग: । editorial_bracket
parent ligne 3
via heuristic_brackets
11 [५. षड्जकैशिकी] section_header
via surya_layout
12 [अनु॰ १५४] editorial_bracket
parent ligne 11
via heuristic_brackets
13 षड्जकैशिक्या[:] षड्जगान्धारपञ्चमा ग्रहा अंशाश्च । पञ्चस्वरपरस्तार: । editorial_bracket
parent ligne 11
via heuristic_brackets
14 न्हाः annotation_inline
parent ligne 11
via heuristic_height
15 न्यासपरस्तत्परो वा मन्द्रः, नित्यसम्पूर्णा च । धैवतनिषादमध्यमानामल्पत्वम् । main
via surya_layout
16 - ऋषभस्याल्पतरत्वम्, annotation_inline
parent ligne 15
via heuristic_height
17 थैवतनिषादग्रहा । मध्यमानामल्पत्वम् annotation_inline
parent ligne 15
via heuristic_height
18 शेषाणां बहुत्वम् , न्यासस्तु गान्धार: । षड्जनिषादपञ्चमा अपन्यासाश्च । main
via surya_layout
19 (ना ? न्या)सस्तु गा(मागा ? न्या)रः । main
via surya_layout
20 ्याः अष्टधैव annotation_inline
parent ligne 19
via heuristic_height
21 [अनु॰ १५५] editorial_bracket
parent ligne 19
via heuristic_brackets
22 नास्याः शुद्धत्वम् , अंशकाः पूर्णास्त्रयः। चच्चत्पुटस्तालः । एककले चित्रे मागधी गीतिः, main
via surya_layout
23 अस्याः शुद्धत्वमंशकाः पूर्णाश्चन्यत्पुटस्तालः main
via surya_layout
24 द्विकले वार्तिके सम्भाविता, चतुष्कले दक्षिणे पृथुला । रसश्च करुण: । प्रथमप्रवेशगीते main
via surya_layout
25 द्वितीयप्रेक्षणके विनियोग:। main
via surya_layout
26 [६. षड्जोदीच्यवा] section_header
via surya_layout
27 [अनु॰ १५६] editorial_bracket
parent ligne 26
via heuristic_brackets
28 षङ्जोदीच्यवायाः षङ्जमध्यमधैवतनिषादा ग्रहा अंशाश्च । पञ्चस्वरपरस्तारः । न्यासपरस्तत्परो main
via surya_layout
29 ्य ? च्यू)<br>वा मन्द्र: । ऋषभहीनं षाडवम्, ऋषभपञ्चमहीनमौडुवितम् । main
via surya_layout
30 <sup>१५२</sup>पूर्णावस्थायामृषभ- main
via surya_layout

vol_II_p081 LEFT — 47 lignes

page vol_II_p081 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BŖHADDEŚĪ page_header
via surya_layout
2 144 page_number
via heuristic_pagenum
3 परस्परं तु गमनं यत्र तत् सम्प्रयोजयेत् । main
via surya_layout
4 सा सङ्कीर्णाऽथ विज्ञेया भाषा वै रविचन्द्रिका<sup>३६</sup> ॥ ५३॥ main
via surya_layout
5 ॰र्णादयो जेया annotation_inline
parent ligne 4
via heuristic_markers
6 उदाहरणम् - गागागामा । सासा । मागामामागामासासासा । गागाधानिसा main
via surya_layout
7 सागाधनिसा annotation_inline
parent ligne 6
via heuristic_short
8 मा॰ annotation_inline
parent ligne 6
via heuristic_markers
9 धाधामारीमागारीगसा सासासामा सारीधाधाधाधा धमागरीगागा धारीसासासा । मागामामागा । main
via surya_layout
10 मासा- annotation_inline
parent ligne 9
via heuristic_short
11 ॰धाः annotation_inline
parent ligne 9
via heuristic_markers
12 ्सासामागारीधा धमगरि गमधनी। सासागाधानिसासा। main
via surya_layout
13 धाधाधापरीगमरीगमसा annotation_inline
parent ligne 12
via heuristic_short
14 सामागा main
via surya_layout
15 रविचन्द्रा।[११] editorial_bracket
parent ligne 14
via heuristic_brackets
16 मध्यमांशा तु षड्जान्ता बहुगान्धारधैवता । main
via surya_layout
17 वा॰ annotation_inline
parent ligne 16
via heuristic_markers
18 असम्पूर्णस्वरा नित्यमम्बाहेरी प्रकीर्तिता ॥ main
via surya_layout
19 भाषेयं ३७पोज्झिता नित्यं देश्याख्या सम्प्रकीर्तिता ॥५४॥ main
via surya_layout
20 के + + annotation_inline
parent ligne 19
via heuristic_height
21 उदाहरणम् – मामासा । नीनी । main
via surya_layout
22 निधाधानी धाधानि । annotation_inline
parent ligne 21
via heuristic_short
23 धानिधाधानी । सागागारी । main
via surya_layout
24 सनासनाधा annotation_inline
parent ligne 23
via heuristic_short
25 सासा annotation_inline
parent ligne 23
via heuristic_height
26 तथा annotation_inline
parent ligne 23
via heuristic_height
27 निधानिगागा मागानिसासानि । साधानीगा गानिसासा । सानिनीसनीधा धामानीमा धासनिनी । main
via surya_layout
28 नीसाधानीमाधाधामागासानिसानिधा । माधाधा । साधानीधानीसासा । मामाधासासा main
via surya_layout
29 मामा- annotation_inline
parent ligne 28
via heuristic_short
30 गारीमागासासा । मासामामागारीमागासासा । मसानी निनिमानि धाधानिधामागा । सानीमाधा । main
via surya_layout
31 सासनीधा धनिसाधाधा । धनिधानीसा । अम्बाहेरी ।[१२] editorial_bracket
parent ligne 30
via heuristic_brackets
32 षड्जाद्यन्तसमायुक्ता बहुमध्यमधैवता ॥ main
via surya_layout
33 बाहुलाधमः annotation_inline
parent ligne 32
via heuristic_short
34 द्विश्रुतिभ्यां तु गमनं हीनत्वमृषभेण तु । main
via surya_layout
35 विभ annotation_inline
parent ligne 34
via heuristic_short
36 (भीत?हीन) main
via surya_layout
37 भाषा <sup>३८</sup>षाडविता ह्येषा सङ्कीर्णा ललिता भवेत्<sup>३९</sup> ॥५५॥ main
via surya_layout
38 औडुविता ++ annotation_inline
parent ligne 37
via heuristic_short
39 टकरागजा annotation_inline
parent ligne 37
via heuristic_height
40 उदाहरणम् - सागागाधागामामागा । धमधानीसासा । निधागागा । सासासामापाधानी main
via surya_layout
41 धापा- annotation_inline
parent ligne 40
via heuristic_short
42 मासा साधापाधानीधाधासा नीधागानीगाधनीसससा । लिलता ।[१३] editorial_bracket
parent ligne 40
via heuristic_brackets
43 सरसा annotation_inline
parent ligne 40
via heuristic_height
44 षड्जाद्यन्तसमायुक्ता पञ्चमेन विवर्जिता । main
via surya_layout
45 विरहिता सप्तमेन षड्जे मध्यमसङ्गता ॥ ५६॥ main
via surya_layout
46 विनि annotation_inline
parent ligne 45
via heuristic_short
47 त् annotation_inline
parent ligne 45
via heuristic_height
189 lignes a valider — change uniquement les roles incorrects.