Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21230). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p116 RIGHT — 23 lignes

page vol_II_p116 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 215 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 [15. Hayalīlā] section_header
via surya_layout
4 Where the (first) half is sung with svaras, in turagalīla (tāla), (and the main
via surya_layout
5 latter) half is sung with birudas, that is known as hayalīlā. main
via surya_layout
6 (397) main
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7 [16. <i>Gajalīlā</i>] section_header
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8 That which is completely composed according to gajalīlā but where the tāla main
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9 is gajalīla, that should be known by the name gajalīlā. main
via surya_layout
10 (398) main
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11 [17. Simhalīlā] section_header
via surya_layout
12 Composed in simhalilā metre, combined with svara and tena, that which is main
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13 sung with birudas is sinihalīlaka. main
via surya_layout
14 (399) main
via surya_layout
15 [18. Śarabhalila] section_header
via surya_layout
16 Where eight feet are composed with svaras and pāṭas, that is held to be main
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17 śarabhalīla, having eight rāgas and tālas. main
via surya_layout
18 (400) main
via surya_layout
19 [19. Śukacańcu] section_header
via surya_layout
20 In the beginning there is <math>r\bar{s}ga^{20}</math> with <math>gamaka</math>, that which is endowed with main
via surya_layout
21 <math>t\bar{a}la</math>, is sung with svaras and <math>p\bar{a}t</math>as (and) is sung in the languages of various main
via surya_layout
22 regions, is named śukacańcu, that is dear to the people. main
via surya_layout
23 (401) main
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vol_I_p054 RIGHT — 38 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 91 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 Udghaisita (rubbed, pressed or shaken upwards) (26) Ākṣiptaka (thrown down) main
via surya_layout
4 (27) Sampradāna (the act of giving or bestowing), (28) Hasita (laughter), (29) main
via surya_layout
5 Hunkāra (the 'hum' sound) (30) Sandhipracchādana (covering the joint or main
via surya_layout
6 juncture) (31) Vidhuta (shaken off) (32) Udgita (sung, celebrated) (33) main
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7 Gātravarṇa (the colour of the body). main
via surya_layout
8 (Anu. 70) annotation_inline
parent ligne 7
via heuristic_height
9 Now the definition of these alankāras is being given (said). That is thus—the main
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10 gradual ascent beginning from 'low' upto the starting point of 'high' is (known main
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11 as) prasannādi.27 By the word mandra28 is denoted the low sound. As - sā nī gā main
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12 mā pā dhā nī sā.29 annotation_inline
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13 (1) annotation_inline
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14 Thus is (ends) prasannādi. annotation_inline
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15 (Anu. 71) annotation_inline
parent ligne 11
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16 Beginning from tara 30 (high) and (reaching) upto mandra (low) is main
via surya_layout
17 prasannānta. As - sā<sup>31</sup> nī dhā pā mā gā nī sā. Thus is (ends) prasannānta. main
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18 (2) annotation_inline
parent ligne 17
via heuristic_height
19 (Anu. 72) annotation_inline
parent ligne 17
via heuristic_height
20 Where there is 'low' in the beginning and end and 'high' in the middle, main
via surya_layout
21 that is prasannādyanta. As - sā rī gā mā pā dhā nī sā, 52 sā nī dhā pā mā gā rī main
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22 (3) annotation_inline
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via heuristic_height
23 sā. Thus is (ends) prasannādyanta. main
via surya_layout
24 (Anu. 73) annotation_inline
parent ligne 23
via heuristic_height
25 Where there is 'low' in the middle and 'high' in the beginning and end, main
via surya_layout
26 that is prasannamadhya. As - sā 33 ní dhā pā mā gā rī sā, sā rī gā mā pā dhā ni main
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27 (4) annotation_inline
parent ligne 26
via heuristic_height
28 sā.34 Thus is (ends) prasannamadhya. main
via surya_layout
29 (Anu. 74) annotation_inline
parent ligne 28
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30 The pronunciation (sounding) of the seven svaras with a similar sound in main
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31 the three registers is sama. This is being said. (A svara) should be made main
via surya_layout
32 (sounded) in the three registers with the same number of śrutis 35 as it is main
via surya_layout
33 composed of (originally). As - sa ri ga ma pa dha ni - thus (it is). Or, sama main
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34 (comes into being) on account of the pronunciation of pairs of samvādin main
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35 (consonant) svaras. That is as - sama sapa ridha gani (thus). When the grāma main
via surya_layout
36 changes (to madhyamagrāma, then) sama, ripa, gani - thus is the special main
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37 <b>(5)</b> annotation_inline
parent ligne 36
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38 (structure of pairs). Thus is (ends) sama. main
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vol_II_p123 RIGHT — 34 lignes

page vol_II_p123 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 229 page_number
via heuristic_pagenum
3 [2. Kāmalekhā] section_header
via surya_layout
4 Kāmalekhā is that where there are twenty-two<sup>60</sup> (dviguņita-rudra) mātrās in the main
via surya_layout
5 first (foot) and in the foot bearing an even number (second) the same (number main
via surya_layout
6 of mātrās) obtains, in the foot of odd number (third) there are twenty (mātrās). main
via surya_layout
7 (445) main
via surya_layout
8 [3. Bāṇalekhā] section_header
via surya_layout
9 If in all the three feet, in a uniform manner there are double the number main
via surya_layout
10 of mātrās (obtaining in kāmalekhā) (and) where they are composed in main
via surya_layout
11 bāṇagaṇas,61 that is bāṇalekhā. main
via surya_layout
12 (446) main
via surya_layout
13 [4. Candralekhā] section_header
via surya_layout
14 Where there are three above forty (forty-three) mātrās in a couple of feet main
via surya_layout
15 i.e. the first two feet (and where) the number of mātrās is less by one (forty- main
via surya_layout
16 two) in the foot bearing an odd number (third foot), that is candralekhā. main
via surya_layout
17 (447) main
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18 Thus ends the fourfold mātrailā. section_header
via surya_layout
19 [C. The varieties of <i>Varnailā</i>] section_header
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20 There is no regulation of <i>tāla</i> here, none of <i>msa</i> and none of <i>rāga</i>; there is only main
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21 the regulation of syllables <math>^{62}</math> (in their number); hence it is called <i>varyailā</i>. main
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22 (448) annotation_inline
parent ligne 21
via heuristic_short
23 Madanavatī, śaśilekhā, prabhāvatī, mālatī, similarly lalitā, hemavatī, (and) main
via surya_layout
24 kusumavatī, these seven are the elās regulated on the basis of varņa (syllable). main
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25 (449) annotation_inline
parent ligne 24
via heuristic_short
26 Beginning with eleven syllables and ending with seventeen (syllables in main
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27 each foot), these seven are sung in sequence, by the gandharvas with main
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28 beautiful padas (textual units) (and) good sounds. main
via surya_layout
29 (450) main
via surya_layout
30 [1. Madanavatī 2. Šašilekhā 3. Prabhāvatī] section_header
via surya_layout
31 That madanavatī is composed of non-short (alaghu) gaṇas 63 i.e., has all main
via surya_layout
32 long (guru) syllables, śaśilekhā is with short (laghu) gaṇas, prabhāvatī is always main
via surya_layout
33 profuse with long (guni) gaṇas (and) mālatī and lalitā (will be described now). main
via surya_layout
34 (451) main
via surya_layout

vol_I_p064 LEFT — 45 lignes

page vol_I_p064 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚI page_header
via surya_layout
2 110 page_number
via heuristic_pagenum
3 समनन्तरौ स्वरौ द्वौ विचरत्युद्वाहितो द्विकल एव । main
via surya_layout
4 आरोहत्येककलां पुनरेककलां प्रसादयति। ।१४८॥ main
via surya_layout
5 50otto annotation_inline
parent ligne 4
via heuristic_short
6 ++++ annotation_inline
parent ligne 4
via heuristic_height
7 उद्वाहित एव स्यादुपलोलकसंज्ञको द्विरभ्यस्तः । main
via surya_layout
8 एकं द्वौ त्रीन् गच्छन् स्वरान् क्रमेण [ स ] क्रमो ज्ञेयः ॥१४९॥ editorial_bracket
parent ligne 7
via heuristic_brackets
9 51सह् annotation_inline
parent ligne 7
via heuristic_height
10 (डो १डे) त्रीणि main
via surya_layout
11 ۰₹۵ annotation_inline
parent ligne 10
via heuristic_height
12 एकान्तरमारुह्य प्रत्येकान्तरं स्वरं यस्तु । main
via surya_layout
13 ्र भी (?) annotation_inline
parent ligne 12
via heuristic_short
14 निष्कृजितसंज्ञकोऽसौ ज्ञेयः सूरिभिरलङ्कारः ॥१५०॥ main
via surya_layout
15 क्रमयोगेनानेन तु सञ्चार्येकान्तरस्वरो द्विकलः । main
via surya_layout
16 <i>दे</i> (३)। annotation_inline
parent ligne 15
via heuristic_short
17 ्नासी ज्ञेयः main
via surya_layout
18 द्वचवरः षट्पर एवं ह्यारोही हादमानः स्यात् ॥१५१॥ main
via surya_layout
19 ď annotation_inline
parent ligne 18
via heuristic_height
20 त्रिकलत्वपरषड्जमेवमारोहि (?) main
via surya_layout
21 अथ रिक्षतस्तु समनन्तरस्वरे द्वे कले पुनः स्थित्वा । main
via surya_layout
22 अर्धकलामारोही पुनरेव तथावरोही स्यात्52 ॥१५२॥ main
via surya_layout
23 ।हि oतत् oचापको हि annotation_inline
parent ligne 22
via heuristic_short
24 <b>.</b>4. main
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25 आवर्तकश्चतुर्षु स्वरेषु समनन्तरेषु सम्भवति । main
via surya_layout
26 आरोहणावरोहणविधिना चैकान्तरेष्विप वा ॥१५३॥ main
via surya_layout
27 ज्ञेयो निरन्तरकृतस्त्वष्टकलः सान्तरस्तथा कार्यः । main
via surya_layout
28 ,रुध्वंष्ट. unknown
via fallback
29 तज्ज्ञैः कलाश्चतसस्त्वावृत्त्या [ ऽऽ ] वर्तको भवति ॥१५४॥ editorial_bracket
parent ligne 27
via heuristic_brackets
30 प्राज्ञेः main
via surya_layout
31 अधिरुह्य च स्वरांस्त्रीन् स्वरान्तरं लङ्घयति च निवृत्तौ । main
via surya_layout
32 53से annotation_inline
parent ligne 31
via heuristic_height
33 पुनरपि च परावृत्त्या परीवर्तकोऽष्टकलो ज्ञेयः ॥१५५॥ main
via surya_layout
34 •र्तेषु 54कलो annotation_inline
parent ligne 33
via heuristic_short
35 यस्य स्वरावतीतौ तथा परं ह्यन्तरस्वरो भवति । main
via surya_layout
36 <b>.</b>पतितौ annotation_inline
parent ligne 35
via heuristic_short
37 परस्त्व, annotation_inline
parent ligne 35
via heuristic_height
38 य: annotation_inline
parent ligne 35
via heuristic_height
39 एककलश्च तथा भवेत् तदुद्घट्टितो नित्यम् ॥१५६॥ main
via surya_layout
40 •द्वाहितो <sup>55</sup>,त्या main
via surya_layout
41 भव annotation_inline
parent ligne 40
via heuristic_height
42 आक्षिप्तकस्त्रिस्वरजः कर्तव्यः षड्विधः कलामानः । main
via surya_layout
43 <b>०रारज प्रथगेककलात्रयकृतश्च (?)</b> main
via surya_layout
44 मा. annotation_inline
parent ligne 43
via heuristic_height
45 एककलस्त्वधरः स्यात् षट्कलिको वापरो ज्ञेयः ॥१५७॥ main
via surya_layout

vol_I_p041 LEFT — 36 lignes

page vol_I_p041 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDESI</b> page_header
via surya_layout
2 64 page_number
via heuristic_pagenum
3 सरि 🗶 म प ध 🗶 main
via surya_layout
4 [ ४ सरि ४ म प ध ] editorial_bracket
parent ligne 3
via heuristic_brackets
5 ध 🗶 स रि 🗶 म प main
via surya_layout
6 पध X स रि X म annotation_inline
parent ligne 5
via heuristic_short
7 मपध X स रि X main
via surya_layout
8 [ хमपध editorial_bracket
parent ligne 7
via heuristic_brackets
9 निगहीनाः। main
via surya_layout
10 रि 🗶 म प ध 🗶 स unknown
via fallback
11 स 🗙 गम 🗶 ध नि main
via surya_layout
12 निस X ग म X ध annotation_inline
parent ligne 11
via heuristic_short
13 धनिस X गम X main
via surya_layout
14 [хधनसхगम]. editorial_bracket
parent ligne 13
via heuristic_brackets
15 म 🗶 ध नि स 🗶 ग main
via surya_layout
16 गम 🗶 ध नि स 🗶 annotation_inline
parent ligne 15
via heuristic_short
17 परिहीनाः। इत्यौडुवाः। योगाः। main
via surya_layout
18 [ 🗶 गम 🗶 ध निस ] editorial_bracket
parent ligne 17
via heuristic_brackets
19 [ अथ ] मध्यमग्रामे-- editorial_bracket
parent ligne 17
via heuristic_brackets
20 ٠ page_number
via heuristic_pagenum
21 मपधनि X रिग main
via surya_layout
22 गमपधनि 🗙 रि annotation_inline
parent ligne 21
via heuristic_short
23 रिगमपधनि X main
via surya_layout
24 [ x रिगमपधनि ] editorial_bracket
parent ligne 23
via heuristic_brackets
25 नि X रिगमपध main
via surya_layout
26 ध नि x रिगम प annotation_inline
parent ligne 25
via heuristic_short
27 षड्जहीनाः। main
via surya_layout
28 प ध नि X रि ग म unknown
via fallback
29 म प ध नि स X ग main
via surya_layout
30 गमपधनिस X annotation_inline
parent ligne 29
via heuristic_short
31 [ Xगमपधनिस] editorial_bracket
parent ligne 29
via heuristic_brackets
32 स X गमप ध नि main
via surya_layout
33 निस X गम प ध annotation_inline
parent ligne 32
via heuristic_short
34 ध निस X गमप main
via surya_layout
35 ारहानाः। annotation_inline
parent ligne 34
via heuristic_short
36 प ध नि स 🗶 ग म main
via surya_layout
176 lignes a valider — change uniquement les roles incorrects.