Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21234). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p039 RIGHT — 35 lignes

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1 61 page_number
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2 <b>TRANSLATION</b> page_header
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3 Audūvita is with five svaras; its lakṣaṇa (description) is fivefold, it is main
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4 numbered thirty-five,33 as explained by the ācāryas (teachers). main
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5 (101) annotation_inline
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6 (Anu. 42) annotation_inline
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7 With (the omission of) șadja, rșabha, pañcama and nișāda the șādava main
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8 (mūrchanās) of ṣadja-grāma (come into being). Those devoid of ṣadja, ṛṣabha and main
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9 gandhara are şadavas in madhyama-grama. main
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10 (Anu. 43) annotation_inline
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11 The state of auduvita (comes into being) on account of the omission of main
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12 (two) samvadins,34 because of this statement the general rule is that the state of main
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13 auduvita is attained through two samvadin svaras. Sometimes the state of main
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14 auduvita comes into being with (the omission of) two55 anuvādin svaras, this is main
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15 also a general rule. Sometimes the state of anuvadin does come into existence main
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16 with (the omission) of pañcama-ṛṣabha in ṣadja-grāma (and) that of dhaivata- main
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17 rşabha in madhyama-grāma. main
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18 The auduvitas in şadja-grāma are devoid of pañcama-şadja, two (svaras) that main
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19 are comprised of two śrutis (each) (viz. gandhāra and niṣāda) and pañcama- main
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20 (102) annotation_inline
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21 rşabha. main
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22 The pentatonic tānas in madhyama-grāma are verily devoid of dhaivata-ṛṣabha main
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23 and two (svaras) comprised of two śrutis (each) (viz. niṣāda and gāndhāra). main
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24 (103) annotation_inline
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25 (Anu. 44) main
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26 Now he (the author) demonstrates this very (description) with prastara.36 main
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27 That is thus in sadja-grāma— main
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28 X ri ga ma pa dha ni main
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29 ni X ri ga ma pa dha main
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30 dha ni X ri ga ma pa main
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31 pa dha ni X ri ga ma main
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32 ma pa dha ni X ri ga main
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33 ga ma pa dha ni X ri main
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34 ri ga ma pa dha ni X main
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35 (Tānas) devoid of şadja. main
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1 203 page_number
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2 TRANSLATION page_header
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3 [2. Māngālī] section_header
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4 Having gāndhāra as graha and nyāsa, şadja as amśa, devoid of tāra, sa (şadja) main
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5 being mandra (low), it is always devoid of pa-ri (pañcama-ṛṣabha). main
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6 (354) annotation_inline
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7 Having şadja as amsa, dha (dhaivata) as graha (and) nyāsa, having dha main
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8 (dhaivata) as low (mandra), leaning towards high (tāra), formed with even main
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9 svaras and being complete, <math>m\bar{a}ng\bar{a}\bar{u}^{12}</math> is sung by the people. main
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10 (355) annotation_inline
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11 [3. Bhammānikā] section_header
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12 Bhammānikā 13 should be known by the wise to have pañcama as amsa, graha main
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13 and nyāsa, low ga (gāndhāra) (and) high şadja, being devoid of ri (ṛṣabha) and main
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14 with sparse dha-ga (dhaivata- gāndhāra). main
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15 (356) annotation_inline
parent ligne 14
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16 [4. Pulindikā] section_header
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17 Pulindikā14 has dhaivata as nyāsa, is devoid of ga-pa (gāndhāra-pañcama) main
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18 (and) there is concert between sadja-dhaivata and similarly between dhaivata- main
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19 rşabha. annotation_inline
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20 (357) main
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21 [5. Gāndhārasindhu] section_header
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22 Gāndhārasindhu<sup>15</sup> ..... table
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23 (358) main
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24 [6. Kārņāţī] section_header
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25 Having sadja as nyāsa and graha, dha (dhaivata) as amsa, high ga main
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26 (gāndhāra) and low madhyama, with even svaras and complete, is (the bhāṣā) main
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27 karnāļi<sup>16</sup> by name. main
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28 (359) main
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29 ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, annotation_inline
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30 Thus ends the fifth chapter entitled desi-rāgādhyāya in main
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31 Bṛhaddesī composed by Matanga Muni. main
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1 [Chapter V] section_header
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2 [Desī rāgas] section_header
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3 [Propitiation] section_header
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4 I make obeisance to the Devīl who bears a red hue like that of the bandhūka main
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5 (flower), has three eyes, wears a crest of the kalā (part) of the one having rays main
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6 of ampta (nectar) (crescent moon), wears red clothes, is bent with the weight main
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7 of breasts that are becoming plump and elevated, is conventionally associated main
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8 with the begininning of youth, is adorned with all ornaments, has abode in main
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9 the lotus, whose body bears association with the citron fruit, whose (two) main
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10 hands hold the snare (pāśa) (and) hook (ankuśa) (and the other two) hands main
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11 are held in the abhaya (granting of freedom from fear) and vara (granting main
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12 of boons) gestures and who is the yoni (origin, birth-place) of the universe. main
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13 (345) annotation_inline
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14 [Threefold desi ragās] section_header
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15 After this I shall speak of the group of desī rāgas, which embodies the main
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16 combination of practice (laksya) and theory (laksana) and is threefold4; viz. main
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17 rāgānga, bhāṣānga and kriyānga as the third one. main
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18 (346, 347) annotation_inline
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19 I shall speak of the description of each of them one after another. main
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20 (348) annotation_inline
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21 All rāgāngas are so called by the experts in music because they bear only main
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22 a reflection or shadow (chāyā) of the grāmarāgas that have been spoken of. main
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23 (349) annotation_inline
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24 Bhāṣāṅgas are so called by the singers devoted to the rendering of main
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25 panegyrics because they are based on the reflection or shadow (châyā) of main
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26 bhāṣās<sup>7</sup> and hence become similar to the same (bhāṣās). main
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27 (350) annotation_inline
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28 Kriyāngas are so called because they are born of the kriyā<math>^8</math> (special way of main
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29 rendering), born of karuna (pathos), utsāha 9 (enthusiasm) and the like. main
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30 (351) annotation_inline
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31 The set of regulations prescribed earlier for the mārga-rāgas, could main
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32 sometimes become otherwise in desī-rāgas, bhāṣās and the like. main
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33 (352) annotation_inline
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34 [Bhāṣāṅgarāgas<sup>10</sup>] editorial_bracket
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35 [1. Kacchelli] section_header
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36 Kacchelli 11 is known to have madhyama as amsa, graha (and) nyāsa, main
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37 has low(mandra) ri (rṣabha) (and) has leaning towards high (tāra), is devoid main
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38 of ga-dha (gāndhāra-dhaivata) and should be known to have profuse main
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39 movement of pa-ri (pañcama-ṛṣabha). main
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40 (353) annotation_inline
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41 (vide) annotation_inline
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vol_I_p039 LEFT — 34 lignes

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1 BRHADDESI page_header
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2 60 page_number
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3 पञ्चस्वरमौडुवितं पञ्चधा लक्षणं स्मृतम्। main
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4 पञ्चित्रशच्च संख्यं हि आचार्यैर्यदुदाहृतम्।।१०१।। main
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5 [ अनु. ४२ ] editorial_bracket
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6 षड्जर्षभपञ्चमनिषादैः षड्जग्रामिकाः षाडवाः। षड्जर्षभगान्धारैर्हीना मध्यमग्रामे main
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7 षाडवाः। main
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8 [ अनु. ४३ ] section_header
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9 संवादिलोपादौडुवितत्विमिति वचनात् संवादिस्वराभ्यामौडुवितत्वं main
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10 प्राप्तमिति प्रायिकम्। कदाचिदनुवादिस्वराभ्यामौडुवितत्वं प्राप्तमिति प्रायिकम्। १९ main
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11 कदाचिदनुवादिस्वराभ्यामौड्वितं भवत्येव। यथा पञ्चमर्षभयोः षड्जग्रामे, main
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12 मध्यमग्रामे धैवतर्षभयोरिति। main
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13 पञ्चमषड्जविहीना द्विश्रुतिकाभ्यां तथा विहीनाम्च। main
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14 <del>्षि</del> 20 annotation_inline
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15 ुनो annotation_inline
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16 पञ्चमर्षभविहीनाश्चौडुविता भवन्ति षड्जग्रामे21।।१०२।। main
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17 तो annotation_inline
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18 ुन annotation_inline
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19 धैवतर्षभविहीना द्विश्रुतिकाभ्यां विहीना [ स् ] ता ज्ञेयाः। editorial_bracket
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20 ्ने annotation_inline
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21 ₀नो annotation_inline
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22 पञ्चस्वरकास्ताना भवन्ति खलु मध्यमग्रामे ॥१०३॥ main
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23 <b>, मस्वरकर्ता स्थाना ( ? )</b> main
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24 [अनु. ४४] section_header
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25 इदानीमेतदेव प्रस्तारेण दर्शयति। तद् यथा- main
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26 [षड्जग्रामे] section_header
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27 X रिगमपध नि<sup>22</sup> main
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28 नि x रिगमपध annotation_inline
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29 धनि x रिगमप main
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30 पधनि X रिगम annotation_inline
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31 म प ध नि 🗶 रि ग main
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32 गमपधनि 🗙 रि annotation_inline
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33 ्रिगमपधनि 🗴 main
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34 षड्जहानाः। main
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vol_II_p149 LEFT — 49 lignes

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1 San Carlotte Comment annotation_inline
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2 BRHADDEŚĨ page_header
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3 280 page_number
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4 13. P.t. reads - main
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5 गान्धारांशा तु षड्जान्ता पूर्णा द्राविडदेशजा । main
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6 गीयते नित्यमेवैषा विभाषा (विजरा ? पिञ्जरी) शुभा ॥ main
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7 Thus the second and third feet are repeated from the description of drāviḍī main
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8 from verse 11 and have hence been omitted by us. main
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9 14. The reading 'paurālī' is suggested by the ed. main
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10 वनेषु कामिनीसङ्गे नियोज्या ऋषिकैनरै: । main
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11 15. cf. annotation_inline
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12 S Rāj II.2.1.1084 cd. main
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13 Kalā (appendix) on SR II, p. 142 treats it as a <i>vibhāṣā</i>. main
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14 16. P.t. contains repeated portion here as follows - main
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15 उदाहरणम् -सासासासा धासासासा सारीमामा सानीधासा सानीधापा सामामापाधा । सासा । धागारिसारिसा निधानि । सासा । main
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16 धागारिसारिसा निधानि । सासा । अलघ्वी । टक्करागे शार्दूलमते भाषा: समाप्ता: । भित्रवलितिका रविचन्द्रा भित्रपौराली द्राविडी main
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17 पार्वती चैव हिन्दोलके ? main
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18 The ed. notes that the lakṣaṇa of paurālī and illustration of vibhāvinī is not main
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19 available in the MSS, because the illustration that follows the repeated main
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20 portion reproduced above bears the name paurālī. But we have taken it to main
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21 be the illustration of vibhāvinī as it matches the description of this bhāṣā. main
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22 Thus both the description and illustration of paurālī are taken to be lost. main
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23 S Rāj II.2.1.1086 describes paurālī as - main
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24 पञ्चमांशग्रहन्यासा गाल्पा मालवपञ्चमे । main
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25 सावरोहिप्रसन्त्रान्ता भाषा पौरालिका रसे ॥ main
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26 बीभत्से मुनिना प्रोक्ता मतङ्गेन भयाकुले ॥ main
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27 करुणे दैन्यभूयिष्ठे आहुर्वेदवर्ती बुधा: । main
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28 17. cf. annotation_inline
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29 Citation from Kaśyapa in Abhi Bhā on NŚ XXIX, p. 76. main
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30 सग्रहान्ता वेगवती धांशा मालवपञ्चमे । main
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31 18. cf.(i) annotation_inline
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32 सप्तस्वरा विभाषेयमञ्जनासून्सम्मता ॥ main
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33 Kalā (appendix) on SR II. p. 142. main
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34 (ii) annotation_inline
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35 पूर्णा वेदवती भाषा सान्ता मालवपञ्चमे । main
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36 पञ्चमांशग्रहा योज्या रसे सा करुणे बुधै: ॥ main
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37 S Rāj II.2.1.1088. annotation_inline
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38 .....गर्वे त्वान्ध्रॉ प्रचक्षते । main
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39 19. cf.(i) annotation_inline
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40 Citation from Kaśyapa in Abhi Bhā on NŚ XXIX.p.76. main
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41 (ii) annotation_inline
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42 .....सर्वभावनियोगभाक् । main
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43 S Rāj 11.2.1.1090 d. main
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44 Our reconstruction is in close proximity of p.t. 'Vyādhau daṣṭeṣu' could be main
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45 another possibility; the meaning would be - 'in the context of disease and of main
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46 those bitten (by poisonous creatures)* main
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47 20. cf. annotation_inline
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48 औप्र्वे क्रोधे च गान्धारी .....ा main
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49 Citation from Kasyapa in Abhi Bhā on NŚ XXIX., p. 76. main
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190 lignes a valider — change uniquement les roles incorrects.