Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21246). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p062 RIGHT — 34 lignes

page vol_I_p062 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 107 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 Vidhutam, gātravarņa, udgīta, udvāhita and veņu, all these five alankāras main
via surya_layout
4 (129) annotation_inline
parent ligne 3
via heuristic_short
5 should be known in the avarohin (varna). main
via surya_layout
6 Prasannādi, prasannānta, bindu, kampita, recita, prenkholita, tāramandra,85 main
via surya_layout
7 mandratāra, sama, sannivīttapravītta, upalolaka, veņuka, all these twelve main
via surya_layout
8 (130, 131) annotation_inline
parent ligne 7
via heuristic_short
9 alankāras are said to be based on all the varnas. main
via surya_layout
10 Mandra, madhya and tāra, avalokita itself, the apānga-named, and ūrmi—(these) main
via surya_layout
11 (132) annotation_inline
parent ligne 10
via heuristic_short
12 are said to belong to all the varnas. main
via surya_layout
13 These alankaras should be known by the wise to be subsistent in the seven main
via surya_layout
14 (gītaka)86 forms. All of these are not desirable in the dhruvās,87 because of the main
via surya_layout
15 (133) annotation_inline
parent ligne 14
via heuristic_short
16 excessive 'stretching' of syllables (of the text). main
via surya_layout
17 The stretching of the syllables of dhruvās is not lauded. Syena or bindu or main
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18 whichever others are (involved with stretching and) counter-stretching, they main
via surya_layout
19 should not be used (lit. 'done') in the performance of dhruvās according to main
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20 (134, annotation_inline
parent ligne 19
via heuristic_short
21 their own measure (of extension). main
via surya_layout
22 135ab) annotation_inline
parent ligne 21
via heuristic_short
23 In the performance of dhruvās, ascending svaras should be used. main
via surya_layout
24 (135cd) main
via surya_layout
25 t annotation_inline
parent ligne 24
via heuristic_height
26 Because dhruvā that is formed in accordance with the (desired) meaning, main
via surya_layout
27 has to be made the communicator of meaning, in dhruvās the adequate main
via surya_layout
28 sparseness or thinness of varnas (patterns of melodic movement) should again main
via surya_layout
29 be brought about (lit. made). main
via surya_layout
30 (136) annotation_inline
parent ligne 29
via heuristic_short
31 Those that go into usage here (in dhruvās), understand those varņas (i.e. main
via surya_layout
32 alankāras based on the respective varņas). I shall speak out the definition of main
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33 (137) annotation_inline
parent ligne 32
via heuristic_short
34 these (alankāras based on varņas) excepting the sthāyi-varņa.88 main
via surya_layout

vol_I_p024 RIGHT — 35 lignes

page vol_I_p024 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 31 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 It is being said (answered) - It is one and many, pervasive<sup>6</sup> and eternal.<sup>7</sup> In the main
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4 undifferentiated state there is one svara; in the form of sadja and the like svara is main
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5 many. annotation_inline
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via heuristic_height
6 Similarly also said Kohala - annotation_inline
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7 "Svara is said to be infinite" on account of (its) combination with jāti, bhāṣā main
via surya_layout
8 etc. It is combined with padas 9 (syllabic units, meaningful or non-sensical) and main
via surya_layout
9 is to be combined with alankāra10 and (used in) rasas." 11 main
via surya_layout
10 (It is) eternal i.e. indestructible. 12 (It is) pervasive i.e. sarvagata 13 (contained main
via surya_layout
11 in or permeating everything). annotation_inline
parent ligne 10
via heuristic_height
12 Similarly said Kohala - annotation_inline
parent ligne 10
via heuristic_height
13 "By the effort of the ūrdhvanāḍīs14 on account of rubbing or striking of all main
via surya_layout
14 'walls', the sound that grows upto the cerebrum, is svara, it is vyāpaka main
via surya_layout
15 (pervasive) (and) para (beyond).15 main
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16 (Anu. 17) annotation_inline
parent ligne 15
via heuristic_height
17 But how is the svaratva 16 of (svara-names) şadja and the like, on account of main
via surya_layout
18 their being consonants? If the svaratva of consonants is spoken of, then there main
via surya_layout
19 should be the svaratva of (consonants) beginning with ka? main
via surya_layout
20 Here it is being said (answered) that there is the svaratva of only şadja and main
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21 the like on account of their being asādhāraņa 17 (lit. uncommon, special), not of main
via surya_layout
22 (consonants) beginning with ka. main
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23 But why (or how) is the uncommon or special nature of sadja and the like? main
via surya_layout
24 (Answer) - on account of the upadesa 18 (speaking of) by the aptas (trusted ones) main
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25 the asadharanatva (uncommonness, special nature) of svaras is there. main
via surya_layout
26 So did say Maheśvara<sup>19</sup> in Kohala — main
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27 "The peacock speaks şadja, the cātaka (bird) speaks ṛṣabha, the goat speaks main
via surya_layout
28 gāndhāra, the kraunca (bird) speaks madhyama, in the puspasādhāraņa time main
via surya_layout
29 (common time for flowers i. e. Spring) kokilā speaks pañcama, when the rainy main
via surya_layout
30 season approaches, dardura (the frog) speaks dhaivata. O Devi ! in the same main
via surya_layout
31 way, the elephant always speaks niṣāda." main
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32 Or, only sadja and the like have uncommonness or special nature because of main
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33 their movement in upward sound, or şadja and the like are not svaras, only main
via surya_layout
34 (vowels) beginning with ākāra 20 are svaras. şadja and the like are there for the main
via surya_layout
35 pronunciation of (vowels) beginning with ākāra, so (it is said). main
via surya_layout

vol_I_p052 LEFT — 38 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 86 page_number
via heuristic_pagenum
3 [ अनु₀ ६५ ] editorial_bracket
parent ligne 5
via heuristic_brackets
4 यथा मालवकैशिके - सासा सिन [ प ] पिनिनिप निसा [ सा ] धरीपा पिन editorial_bracket
parent ligne 5
via heuristic_brackets
5 निनीत्येवमादिप्रकारेषु परस्परसंचारात्ः । main
via surya_layout
6 [ अनु₀ ६६ ] editorial_bracket
parent ligne 5
via heuristic_brackets
7 यत्र गेयाः स्वरा आरोहन्ति एकैकशः सान्तरा वा स वर्ण आरोहीत्युच्यते। main
via surya_layout
8 (वं ?) annotation_inline
parent ligne 7
via heuristic_short
9 यथा मालवपञ्चमे -पापस धरी सम रिपम मप मपध मामा पसारि सासम main
via surya_layout
10 गरि पम annotation_inline
parent ligne 9
via heuristic_height
11 मापा रिगा सा धनि पारि मम धनी नीनी पारि मम धनी पाधनि रिरिपा main
via surya_layout
12 इति परस्परैकान्तरद्वचन्तरस्वरारोहणादारोही। main
via surya_layout
13 अवरोहन्ति स्वरा यत्रैकेनैव क्रमेण तु। main
via surya_layout
14 स चावरोही शब्दोत समश्चान्तरगः स्वरः ॥१२०॥ unknown
via fallback
15 ब्दे तु annotation_inline
parent ligne 13
via heuristic_height
16 ुन् annotation_inline
parent ligne 13
via heuristic_height
17 पामा मम गा गग मम मरि रिरि रि पा मा मम पपा पप प मामम main
via surya_layout
18 प्र म्मि annotation_inline
parent ligne 17
via heuristic_height
19 मध्यम annotation_inline
parent ligne 17
via heuristic_height
20 निनि धध पप पम गगा रिरि निनिध पापा इति परस्परैकान्तर- main
via surya_layout
21 ध्(?) म्र नाद (?) annotation_inline
parent ligne 20
via heuristic_short
22 द्वचन्तरस्वरावरोहादवरोहीति। अत एवोक्तम्- main
via surya_layout
23 शारीरस्वरसम्भूतास्त्रिस्थानगुणशोभिताः। main
via surya_layout
24 म् annotation_inline
parent ligne 23
via heuristic_height
25 ुगु annotation_inline
parent ligne 23
via heuristic_height
26 अमी वर्णास्तु विज्ञेया अलंकारादिसिद्धये ॥5 main
via surya_layout
27 [ ना. शा. २९. १७ ] editorial_bracket
parent ligne 26
via heuristic_brackets
28 [ अनु₀ ६७ ] editorial_bracket
parent ligne 26
via heuristic_brackets
29 ननु कथं वर्णनिष्पत्तिः ? उच्यते- यदा हि स्वरा वर्णकर्षमाकर्षयन्ति main
via surya_layout
30 गीतवशात् स्थायित्वेन संचारित्वेन आरोहित्वेन अवरोहित्वेन तदा वर्णस्य main
via surya_layout
31 निष्पत्तिः। यथा षाड्ज्यां स्थायी वर्णः —सासासा। संचारी यथा धैवत्यां धा धनी main
via surya_layout
32 नी annotation_inline
parent ligne 31
via heuristic_height
33 ्ता धध annotation_inline
parent ligne 31
via heuristic_height
34 oर्णा ? main
via surya_layout
35 ুজা annotation_inline
parent ligne 34
via heuristic_height
36 नीप धा। आरोही नन्दयन्त्यां—गा गा गा गा पा पा धप मा रिरि रिरि main
via surya_layout
37 नी पधा annotation_inline
parent ligne 36
via heuristic_height
38 पनि सधा निनिधा। अवरोही तत्रैव समसान्तरस्वरैः— main
via surya_layout

vol_II_p064 LEFT — 27 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 110 page_number
via heuristic_pagenum
2 BRHADDEŚĪ page_header
via surya_layout
3 [अनु॰ १९३] section_header
via surya_layout
4 अस्यार्थः - सौवीरकः षड्जग्रामसम्बन्धः षड्जमध्यमाजातेर्जातत्वात् । षड्जोऽस्य main
via surya_layout
5 ग्रहोंऽशो न्यासश्च । गान्धारनिषादयोरल्पत्वम्<sup>७१</sup> । निषाद: काकली । पूर्णश्चायम् । गृहमेधिनां main
via surya_layout
6 संयमिनां तापसानां च प्रवेशादिके चरिते, शान्तरसे चास्य विनियोग:। वीरादिको रस:। main
via surya_layout
7 वास्य annotation_inline
parent ligne 6
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8 षड्जादिमूर्छना। आरोही वर्ण:<sup>७२</sup>। प्रसन्नादिरलङ्कार: । दक्षिणे कला,वार्तिके कला,चित्रे कला । main
via surya_layout
9 स्वरपदगीते चच्चत्पुटादितालः। main
via surya_layout
10 [३. मालवपञ्चम:] section_header
via surya_layout
11 पञ्चमांशस्तदन्तश्च पञ्चमीमध्यमोद्भव:। main
via surya_layout
12 स्वल्पद्विष्ठतिकश्चैव ज्ञेयो मालवपञ्चमः ॥ ३२२॥ main
via surya_layout
13 [अन्॰ १९४] section_header
via surya_layout
14 अस्यार्थ: - मालवपञ्चमो मध्यमग्रामसम्बन्ध:, मध्यमापञ्चमीसमुत्पन्नत्वात् । पञ्चमीऽशो main
via surya_layout
15 ग्रहो न्यासश्च। निषादगान्धारयोरल्पत्वम् <sup>७३</sup>। निषादोऽत्र काकली पूर्णस्वरश्चायम् । विप्रलम्भशृङ्गारे main
via surya_layout
16 कञ्चकीप्रवेशेऽस्य विनियोगः । पञ्चमादि-मूर्छना<sup>७४</sup>। रसौ शृङ्गारहास्यौ । आरोह्यादिवर्णः । main
via surya_layout
17 प्रसन्नादिरलङ्कार:। दक्षिणे कला, वार्तिके कला, चित्रे कला। स्वरपदगीते चच्चत्पुटादिताल:। main
via surya_layout
18 [४. वेसरपाडव:] section_header
via surya_layout
19 मध्यमांशस्तथा न्यासः कारणं षड्जमध्यमा । main
via surya_layout
20 अद्विश्रुतिभ्यां विहीनस्तु भवेद् वेसरषाडवः ॥ ३२३॥ main
via surya_layout
21 [अनु॰ १९५] section_header
via surya_layout
22 अस्यार्थः - वेसरषाडवः षड्जग्रामसम्बन्धः षड्जमध्यमाजातत्वात् । मध्यमों ऽशो ग्रहो main
via surya_layout
23 न्यासश्च । गान्धारिनषादयोरल्पत्वम् । गान्धारिनषादौ काकल्यन्तरौ । नित्यं पूर्णस्वरश्चायम् । शान्तरसे main
via surya_layout
24 (गान्धारनिपादयोरल्पत्वम्) annotation_inline
parent ligne 23
via heuristic_height
25 चास्य प्रयोग:। शृङ्गारहास्यौ रसौ । मध्यमादि-मूर्छना % । आरोही वर्ण: । प्रसन्नादिरलङ्कार: । main
via surya_layout
26 दक्षिणे कला, वार्तिके कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । main
via surya_layout
27 The state of the state of the state of the state of the state of the state of the state of the state of the state of the annotation_inline
parent ligne 26
via heuristic_height

vol_II_p026 RIGHT — 38 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 35 page_number
via heuristic_pagenum
3 When pūrvaraiga is performed the organisers of song should use the śuddhā (jātis) in āsārita,<sup>47</sup> pāņikā <sup>4 main
via surya_layout
4 (alteration) of anisas of jātis (should be taken up). main
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5 (249) annotation_inline
parent ligne 4
via heuristic_short
6 Along with the order of <math>\bar{a}s\bar{a}ritas^{49}</math> and because of that of the <math>angah\bar{a}ras^{50}</ma main
via surya_layout
7 the formation or variation of amsas in their svaras i.e. in svaras of jatis should main
via surya_layout
8 be done in the text of vardhamāna<sup>51</sup> main
via surya_layout
9 (250) main
via surya_layout
10 [8. The ṣāḍava and auḍava formation of jātis] section_header
via surya_layout
11 The sixty-three amsas that have thus been spoken of, out of them each one main
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12 is accorded the position of ainsa (at a given time) (and accordingly) the main
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13 ṣāḍava and auḍava formation that is obtained (on account of rule or main
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14 prescription) is sometimes given up. main
via surya_layout
15 (251) main
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16 [ Anu. 134 ] section_header
via surya_layout
17 The sixty-three amsas that have been spoken of, out of them each one has main
via surya_layout
18 to be arranged as anisa (in a given melodic set-up). (In specific situations main
via surya_layout
19 created by the arrangement of different anisas) sometimes the formation of main
via surya_layout
20 ṣāḍavita and auḍuvita that is obtained in the context of a given jāti, is given main
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21 up. He (the author) clarifies this itself. main
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22 Şādja-madhyamā does not become ṣāḍava on niṣāda being amsaand also on main
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23 <math>gandhara</math> (being amsa), because <math>^{52}</math> the omission of a samvadi of the amsa is not main
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24 accepted. annotation_inline
parent ligne 23
via heuristic_short
25 (252) main
via surya_layout
26 [ Anu. 135 ] section_header
via surya_layout
27 This means that on niṣāda being the amśa, the jāti ṣadjamadhyā does not main
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28 become ṣāḍava. Why? In ṣaḍja-grāma, in the prescription about ṣāḍava the main
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29 omission of gandhara is not there. On gandhara being amśa, it should be main
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30 known to be non-ṣāḍava by omission of niṣāda because of the negation of the main
via surya_layout
31 omission of the sanivādī of the aniśa. main
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32 Kaiśikī, raktagāndhārī (and) gāndhāri, (these three jātis do not become main
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33 ṣāḍava) when pañcama is amśa, (by the omission of ṛṣabha on account of the main
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34 negation of the omission of the samvādī of the amśa). Similarly, ṣāḍjī does main
via surya_layout
35 not become ṣāḍava through (the omission of niṣāda) on gāndhāra being the main
via surya_layout
36 amśa and şadjodicyavā should be known not to be şādava (through the main
via surya_layout
37 omission of <i>ṛṣabha</i> ) on <i>dhaivata</i> being the <i>aṁś</i>a. main
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38 (253) main
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172 lignes a valider — change uniquement les roles incorrects.