Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21251). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p136 RIGHT — 53 lignes

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1 PĂŢĦAVIMARŚA page_header
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2 255 page_number
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3 170. Ibid.adds asyāḥ before ‘prastāraḥ’. list_item
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4 171. Reading in SR I. 7. 94. list_item
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5 172. SR I. 7. p. 242 adds 'raktagāndhāryām 'after 'asyām'. list_item
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6 173. Ibid.adds 'asyāḥ 'before 'prastāraḥ'. list_item
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7 174. SR I. 7. p. 245 adds ‘gāndhārapañcamyāṁ ’ after ‘ asyāṁ ’. list_item
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8 175. Ibid.adds ‘asyāḥ ’before ‘ prastāraḥ’. list_item
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9 176. SR. I. 7. p. 253 adds 'madhyamodīcyavāyām' after 'asyām'. list_item
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10 177. Ibid.adds ' asyāḥ ' before ' prastāraḥ '. list_item
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11 178. SR 1. 7. p. 253 adds ‘ kārmāravyāṁ ’ after ‘ asyāṁ ’. list_item
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12 179. Ibid.adds ‘ asyāḥ ’ before ‘ prastāraḥ ’. list_item
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13 180. SR1. 7.104 reads ‘sūribhiḥ’ but SRĀ I.7.103 reads ‘sū (bhū) ribhiḥ’. list_item
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14 181. SR 1.7. p.257 adds ‘gāndhārapañcamyām’ after ‘asyām’. list_item
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15 182. Ibid.adds ‘ asyāḥ ’ before ‘prastāraḥ ’. list_item
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16 183. Reading in SR I. 7. 105. list_item
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17 184. Reading in SR I.7.106. list_item
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18 185. Reading in SR 1.7.106; SRĀ 1.7.106 and Sudhā on the same, p. list_item
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19 260 read 'tāla' which fits the context. list_item
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20 186. SR I. 7, p.261 adds 'āndhryam' after 'asyām'. list_item
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21 187. Ibid.adds ' asyāḥ ' before ' prastāraḥ '. list_item
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22 188. Reading in SR I. 7.109. list_item
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23 189. SR I. 7, p. 264 adds ‘ nandayantyām’ after ‘ asyām’. list_item
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24 190. Ibid.adds asyāḥ before prastāraḥ. list_item
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25 191. P.t. adds 'sa' or 'ma' after each jātiprastāra in this interpolated list_item
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26 portion; the significance is not clear. list_item
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27 192. The jātis described in this interpolated portion do not complete list_item
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28 the number eighteen because of two repetitions as follows- list_item
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29 Jätis left out table
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30 Jātis described in the table
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31 Jātis described table
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32 interpolated portion table
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33 in the prose portion table
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34 1. Madhyamā table
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35 1.Şadjamadhyamā table
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36 1. Şādjī table
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37 2. Pañcami table
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38 2. Gändhärodicyavā table
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39 2. Arşabhī table
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40 3. Raktagāndhārī table
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41 3. Dhaivatī table
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42 4. Kaišikī table
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43 4. Naisādī table
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44 5. Madhyamodicyavā table
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45 5. Şadjakaisikī table
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46 6. Kārmāravī table
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47 6. Şadjodicyavā table
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48 7. Gändhärapañcamī table
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49 7.Şadjamadlıyrunā table
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50 8. Āndhrī table
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51 8. Gändhäri table
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52 9. Nandayanti table
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53 9. Raktagāndhārī table
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vol_II_p031 RIGHT — 32 lignes

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1 TRANSLATION page_header
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2 45 page_number
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3 the samvādī of the amsa. It becomes ṣāḍavā with niṣāda when (any one of) main
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4 madhyama, pañcama and dhaivata is the amsa. main
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5 [ Anu. 145] section_header
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6 When sadji is sung as suddha then upon sadja being the amsa, there is main
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7 abundance of the remaining svaras. Upon<sup>57</sup> the profusion of sadja and main
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8 pañcama, there are thirty amsas (?). With six, it (?) becomes fourteen-fold. main
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9 Gāndhāra is nineteen-fold (?) and madhyama is fourteen-fold (?) - main
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10 Taken together seven svaras become hundred and twenty-eight (?), main
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11 suffice to say that. main
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12 [11. The particular characteristics of jātis] section_header
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13 [ Anu. 146] section_header
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14 Now out of the ten characteristics he (the author) shows the respective main
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15 ones of each jāti.- main
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16 [1. Şādjī] section_header
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17 Ṣādjī that pertains to ṣadja-grāma has five anisas and grahas. That is thus- main
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18 ṣadja, gāndhāra, madhyama, pañcama, dhaivata are grahas and amsas. Gāndhāra main
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19 and pañcama are the two apanyāsas. It is ṣāḍavā by being devoid of niṣāda. main
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20 Ṣadja is the nyāsa. There is sangati (concert) between ṣadja and gāndhāra as main
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21 well as ṣadja and dhaivata. Gāndhāra is very profuse, in spite of its being main
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22 vivādī. Sangatī<sup>58</sup> means 'reaching out to each other', i.e. to and fro movement main
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23 between the two svaras concerned. main
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24 The movement in tāra (high register) extends up to five svaras. The main
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25 movement in mandra (lower register) extends upto şadja (the lower octave main
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26 of the amsa). The state of auduvita does not obtain at all. It is complete and main
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27 hexatonic. When it is sung in its complete form, then the sparseness of main
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28 ṛṣabha-pañcama and niṣāda-pañcama should be brought about. Why? - main
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29 "( The svara) without which the incomplete state (of a given jāti) comes main
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30 about, that (svara) is sparse in that (jāti, in its complete state)." main
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31 [Datti 61 ab] editorial_bracket
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32 - Because of the above statement. main
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vol_I_p057 RIGHT — 36 lignes

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1 97 page_number
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2 TRANSLATION page_header
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3 sanidhapamagaririgamapadhanisa, sanidhapamagarisasarigamapadhanisa. Or, main
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4 saninisa, nidhadhani, dhapapadha, pamamapa, magagama gaririga risasari. Thus main
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5 (16) annotation_inline
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6 is (ends) prasāda. annotation_inline
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7 (Anu. 86) annotation_inline
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8 (Pairs of) two svaras each moving to and fro in the order of ascent 53 and main
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9 descent and forming units of two kalās (phrases) each (form) udvāhita. As - sari main
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10 riga, gama mapa, padha dhani, nisa sani, 54 nidha dhapa, pama maga, gari, main
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11 (17) annotation_inline
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12 risa. Thus is (ends) udvāhita. annotation_inline
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13 (Anu. 87) annotation_inline
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14 This (udvāhita) itself is (called) upalolaka with (the pairs of svaras) being main
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15 repeated twice. As - sari sari, riga riga, gama gama, mapa mapa, padha padha, main
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16 dhani dhani, nisa nisa, sani sani, nidha nidha, dhapa dhapa, pama pama, main
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17 (18) annotation_inline
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18 maga maga, gari gari, risa risa. Thus is (ends) upalolaka. main
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19 (Anu. 88) annotation_inline
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20 There, krama is that, where having reached the sthayin55 (steady) svara after main
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21 ascending in the svaras in successive order beginning with one, without any gap, main
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22 svaras are pronounced in the order of prastara, increasing one by one (in main
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23 successive phrases). This is not different from prastara, being identical in form.56 main
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24 As - saririsa, sarigagarisa, sarigamamagarisa, sarigamapapamagarisa, main
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25 sarigamapadhadhapamagarisa, sarigamapadhaninidhapamagarisa, main
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26 sarigamapadhanisa 57 sanidhapamagarisa. Or, having ascended to the antara main
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27 (gandhāra) and in the same order having ascended to the kākali (niṣāda) the main
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28 sthāyi-svara (steady note) is reached, that is krama. As- sagani-nigasa. Thus is main
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29 (19) annotation_inline
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30 (ends) krama. annotation_inline
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31 (Anu. 89) annotation_inline
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32 Niṣkūjita is (formed) on having ascended (in the order of) first-third, then main
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33 second-fourth and others also in the same order. In the opinion of Kohala main
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34 niṣkūjita is (formed) by ascent with a gap of one svara (each time). As -saga main
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35 (20) annotation_inline
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36 rima gapa madha pani dhasa. Thus is (ends) nişküjita. main
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vol_I_p056 LEFT — 41 lignes

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1 BRHADDEŚI page_header
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2 94 page_number
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3 ग्रंसरि रिस रिंग गरि गम मंग मंप पम पंध धंप धनि निध निस सनि [ इति ] editorial_bracket
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4 [ १२ ] editorial_bracket
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5 प्रेङ्खोलितः। main
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6 [ अनु。 ८२ ] editorial_bracket
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7 अंशाच्चतुर्थं पञ्चमं वा स्वरं गत्वा यत्र मन्द्रे पुनरागम्यते [ स ] तारमन्द्रप्रसन्नः। editorial_bracket
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8 रिगमपधरि गमपधनिग मपधनिसम। अथवा मन्द्रस्वरात् तारं main
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9 यथा—18सरिगमपस annotation_inline
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10 [ १३ ] editorial_bracket
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11 गत्वा पुनः सहसा मन्द्रवशादागम्यते स तारमन्द्रप्रसन्नः। main
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12 (व) .द्वा. annotation_inline
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13 [ अनु₀ ८३ ] editorial_bracket
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14 मन्द्रात् सहसा तारं प्राप्य मन्द्रत्वेन क्रमेणावरोहान्मन्द्रतारप्रसन्नः । [ यथा - ] editorial_bracket
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15 ₹ः annotation_inline
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16 ⋴रः annotation_inline
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17 19सपमगरिस रिधपमगरि गनिधपमग मसनिधपम। अथवा—मन्द्रस्वरात् main
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18 तारस्वरमुच्चार्य क्रमेणावरुह्य च मन्द्र एवागम्यते [ स ] मन्द्रतारप्रसन्नः। editorial_bracket
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19 १४। annotation_inline
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20 यथा - ससनिध पमगरिस [ इति ] मन्द्रतारप्रसन्नः। editorial_bracket
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21 [ अनु॰ ८४ ] editorial_bracket
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22 द्विरूपश्च प्रस्तारः स्थायिन्यारोहिणि च। तत्र स्थायिन्येकस्वरः स्वस्मात् main
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23 स्य (?) annotation_inline
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24 ्यी त्या, इणी main
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25 विक annotation_inline
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26 क्रमशस्तारमन्द्रा [-रोहा-] वरोहणेन [ आरोहिणि च ] मन्द्रतारारोहणेन[ ावरोहणेन ] editorial_bracket
parent ligne 24
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27 स्वरेण [ ? ] प्रस्तारः । [ यथा ] सरिरिस सरिगगरिस [ सरिगममगरिस ] editorial_bracket
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28 सरिगमपपमगरिस सरिगमपधधपमगरिस सरिगमपधिनिनिधपमगरिस main
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29 सरिगमपधनिससनिधपमगरिस 20अथवा 21सरिरिस रिगगरि गममग मपपम पधधप main
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30 १५ page_number
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31 धनिनिध निससनि [ इति ] प्रस्तारः। editorial_bracket
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32 [ अनु₀ ८५ ] editorial_bracket
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33 प्रस्तार-विपरीतः प्रसादः यथा- main
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34 प्रस्वस्तारः पविपरितः ( ? ) annotation_inline
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35 सनिनिस सनिधधनिस सनि [ ध ] पपधनिस सनिधपममपधिनस editorial_bracket
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36 सा annotation_inline
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37 सा annotation_inline
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38 सा annotation_inline
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39 सनिधपमगगमपधनिस सनिधपमगरिरिगमपधनिस सनिधपमगरिससरिगमपधनिस। main
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40 सा annotation_inline
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41 सा page_footer
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vol_II_p049 RIGHT — 29 lignes

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1 81 page_number
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2 TRANSLATION page_header
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3 [The opinion of Bharata] section_header
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4 "The first one should be known as māgadhī and the second one as main
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5 ardhamāgadhī, sambhāvitā is the third one and the fourth is known as pṛthulā." main
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6 (NŚ Chau. XXIX. 77) main
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7 [Thus ends the opinion of Bharata] section_header
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8 [The opinion of Yāṣṭika] section_header
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9 Bhāṣā and vibhāṣā and similarly antarabhāṣā are the three gītis spoken of by main
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10 the noble Yāstika. annotation_inline
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11 (272) main
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12 Thus ends the opinion of Yāṣṭika. section_header
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13 [ The opinion of Kasyapa and Śārdūla] section_header
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14 Bhāṣāgīti and vibhāṣā have been spoken of even by Kaśyapa. Similarly, main
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15 bhāṣāgīti alone is accepted in the opinion of Śārdūla. main
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16 (273) main
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17 [ The description of gītis] section_header
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18 Now I shall speak of the proper definition of giti. main
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19 (274) main
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20 [1. Šuddhā gīti] section_header
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21 The cokṣa (suddhā) gīti is spoken of as being complete (pūrṇa) with mandra main
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22 (low), amandra (not low, medium), tāra (high)straight, attractive, equal main
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23 svaras and śrutis. annotation_inline
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24 (275) main
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25 [2. Bhinnāgīti] section_header
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26 Bhinnā gīti is said to be with sūkṣma<sup>14</sup> (short in time), mobile, curved, main
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27 ullāsita (made to shine upwards), prasārita (spread out), attractive, high and main
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28 low (svaras). annotation_inline
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29 (276) main
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191 lignes a valider — change uniquement les roles incorrects.