Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21256). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p108 RIGHT — 21 lignes

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1 199 page_number
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2 TRANSLATION page_header
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3 Illustration-.....Śuddhā[xiv] table
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4 [.....] table
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5 Illustration - Dhāpā ninisā nidhānigāmā pāpāripāpā dhānini. main
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6 Dhānīgārīgāsāgāsāsāsāsāpāpāmāpāpā. Gamasānigāgamasāgāsādhāmāgāmāmā. main
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7 Madhyamā [xv] editorial_bracket
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8 Pārvatī (bhāṣā) has paṇcama as amśa (and) dhaivata as the concluding note main
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9 and is born of a region<sup>31</sup>; it is sung in the assembly of kşatrīyas, is complete main
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10 and born of bhinna (şadja). main
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11 (33) annotation_inline
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12 Illustration - Pāpāpāgā māririnirimā dhāpāpāpā sārimā. Pāgāririsani main
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13 dhāpāpādhā. Pārvatī [xvi] editorial_bracket
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14 Thus end the sixteen bhāṣās of bhinnaṣaḍja according to main
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15 the opinion of Śardūla. main
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16 The proper bhāṣās adorned with vibhāṣās have been spoken of in main
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17 combination with practice and theory (and) blended with prastāra (lit. main
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18 elaboration, here notational illustration). main
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19 (34) annotation_inline
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20 Thus ends the description of bhāṣās. main
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21 [Thus ends the fourth chapter.] editorial_bracket
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vol_II_p117 LEFT — 26 lignes

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1 1 page_number
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2 216 page_number
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3 BRHADDEŚĪ page_header
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4 [२०.विचित्र:] section_header
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5 अनेकदेशभाषाभि: पाटैर्बिरुदतेनकै:। main
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6 पादै॰ annotation_inline
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7 चित्रित: स्वरतालैश्च विचित्र इति कीर्तित: ॥४०२॥ main
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8 [२१. त्रिभङ्गिः] section_header
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9 ٠ page_number
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10 पदै: स्वरैस्तथा पाटैर्वृत्तत्रयपदेन च । main
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11 पार्दै॰ annotation_inline
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12 तालत्रयविमिश्रेण त्रिभङ्गिरभिधीयते<sup>२१</sup> ॥४०३॥ main
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13 ٠ page_number
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14 [२२. चतुरङ्गः] section_header
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15 रागतालचतुष्केण यत्र भाषाचतुष्टयम् । main
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16 गीयते गीतचतुरैश्चतुरङ्गः स उच्यते ॥४०४॥ main
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17 [२३. जयवर्धन:] section_header
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18 जयमालापदैर्युक्तो यत्र स्याद् विजयो जय:। main
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19 क · म्तु<br>जयार्थं गीयते यस्तु ज्ञेयोऽसौ जयवर्धन: ॥ ४०५॥ main
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20 यत्र annotation_inline
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21 [२४. अङ्कचारिणी] editorial_bracket
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22 [.....] editorial_bracket
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23 [२५. सिंहविक्रान्त:] section_header
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24 आदितालेन संयुक्तं यत्र खण्डचतुष्टयम् । main
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25 खण्ड( भ्र?च) annotation_inline
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26 पदपादाष्टकं स स्यात् सिंहविक्रान्तसंज्ञकः २२॥४०६॥ main
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vol_I_p072 RIGHT — 34 lignes

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1 127 page_number
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2 <b>TRANSLATION</b> page_header
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3 mā mā sā sā annotation_inline
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4 de - vam - annotation_inline
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5 mā sā sā mā annotation_inline
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6 de vam sa rvam annotation_inline
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7 sasa masa mama nn annotation_inline
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8 devam sarvam vande annotation_inline
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9 (Anu. 112) annotation_inline
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10 Māgadhī is (known as such) because of its origin in the magadha deśa (south main
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11 Bihar). Others read māgadhī to be 'twice returned' (or 'twice repeated'). main
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12 Ardhamāgadhi is (called so) because of there being the state of half 'pada',56 main
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13 thus the 'ardha,' (half, forming part of the name ardhamāgadhī) is related to main
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14 'pada'. In the repetition of half a pada the verbal meaning should not be main
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15 construed as the determining factor (hetu) in 'moving forward' (pravṛtti),or main
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16 acceptance, and 'returning' (niviti) or rejection; because in Sāmaveda that is main
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17 predominantly musical, the verbal meaning is not cared for in the repetitions. It main
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18 has been said - the word jātavedasam (fire) that is repetitive, here (in the main
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19 context of this word), sambhāvitā (gītī) ends at the word veda, 57 the pṛthulā gītī, main
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20 on the other hand, is based on the predominance of laghu (short syllables); main
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21 on account of the profusion of the grouping (grāma) of padas (syllabic units) it main
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22 is called pṛthulā (lit. broad or large). main
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23 (Anu. 113) annotation_inline
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24 In the three margas in the prescription about gitis, the use of laya should be main
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25 seen to be ninefold. annotation_inline
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26 He (the author) shows the use of laya as - daksina marga, vartika marga and main
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27 citra mārga, thus are the three layas in the 'operation'58 (pravṛtti) of dakṣina main
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28 mārga. Vārtika mārga, citra mārga and dhruva mārga, thus are the three layas main
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29 in the operation of vrttimārga. Citra mārga, dhruvamārga and śūnyamārga, thus main
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30 are the three layas in the operation of citra-marga. Thus has been propounded main
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31 in the chapter on gitis. As - in the daksina marga there are four gurus (long main
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32 units) two gurus and one guru. In vārtika mārga there are two gurus, one guru main
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33 and one laghu. In citra (mārga) there is one guru, one laghu and one druta (half main
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34 - mātrā unit). annotation_inline
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vol_II_p025 RIGHT — 34 lignes

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1 33 page_number
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2 TRANSLATION page_header
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3 Kaiśikī is (the only one) with six aniśa svaras - sa, ga, ma, pa, dha, ni. main
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4 Ṣaḍja - madhyamā is (the only one) with seven amśa svaras - sa, ri, ga, ma, main
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5 pa, dha, ni. main
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6 1 page_number
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7 Thus sixty-three amsas have been explained. main
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8 Madhyamodīcyavā and similarly gāndhārapañcamī and nandayantī, these main
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9 three are known to be with one anisa viz. pancama. main
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10 (241) annotation_inline
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11 Dhaivatī and pañcamī, these two should be known with two amśa (svaras) main
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12 each viz. dhari and ripa. Gāndhārodīcyavā is with two (amśa svaras) viz. main
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13 madhyama and şadja. annotation_inline
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14 (242) main
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15 In ārṣabhī niridha, in naiṣādī the three niriga (and) in ṣaḍjakaiśikī sagapa are main
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16 amsa (svaras); (these) three are said to be with three amsas each. main
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17 (243) annotation_inline
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18 Şadjodīcyavatī is known to be with four amśasviz. samanidha, kārmāravī is main
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19 with ripanidha, andhrī also with garinipa. main
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20 (244) annotation_inline
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21 Ṣāḍjī is with sagamapadha (as amśas), madhyamā is also with five amśas viz. main
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22 sarimapadha, gāndhārī is with sagamanipa and similarly is raktagāndhārī with main
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23 the same five amśas. Kaiśikī is the one (jāti) that is known to have six amśas main
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24 viz. sagamapanidha. annotation_inline
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25 <math>(245-246)</math> main
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26 Ṣadjamadhyā is with seven amsas and thus those amsas are sixty-three (in main
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27 total). main
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28 [7. Prescription regarding the performance of jātis] section_header
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29 Jātis are those that give rise to grāma-rāgas through their amśas.43 main
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30 (247) annotation_inline
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31 During their performance the prescription (regarding temporal main
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32 organisation) is based on yugma<sup>44</sup> (lit.even) and ayugma<sup>45</sup> (lit.odd). They main
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33 are to be performed with three 46 mārgas viz. citra, vārtika and dakṣiṇa. main
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34 (248) main
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vol_II_p087 LEFT — 32 lignes

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1 BRHADDESĨ page_header
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2 156 page_number
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3 पञ्चमांशा तेन बहुला धान्ता मधुकरी शुभा। main
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4 परस्परं तु संवादो गान्धारपञ्चमस्य हि ॥ ७६॥ main
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5 धैवतस्य निषादस्य संयोगो दृश्यते यत:। main
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6 एषा पूर्णा च सङ्कीर्णा भाषा ककुभसम्भवा<sup>६२</sup> ॥ ७७॥ main
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7 उदाहरणम् -[पापा] निनिनिनिपधपा धनिसासनिसनि सपधानिधाधपा धरिसासागरिमगरिस- editorial_bracket
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8 सम । गरिसानिनिधपापासागा । पापामाधा । माधाधामा । नीसासाधाधा । मधुकरी ।[५] editorial_bracket
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9 निषादांशा तु षड्जान्ता[निषादग्रहसंयुता] । editorial_bracket
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10 +++++++ annotation_inline
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11 [भाषा] ऋषभहीना तु विज्ञेया शकमिश्रिता ॥ ७८॥ editorial_bracket
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12 निषादपञ्चमानां तु संवाद: स्यातु धैवते । main
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13 मजुवत्यंशजा[?]छाया छाया शकविमिश्रिता ॥ ७९॥ editorial_bracket
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14 उदाहरणम् - नीसानिगधमागारिरिनि निनिसाधाधानिधागमामामपासा सनिसासाधाधामनी main
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15 धाधामानीधापामाधानीसासासा नीसासासारिगारिसा नीसानीसानिधाधामासानीमागारीरि । main
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16 शकमिश्रिता। ६३ [६] editorial_bracket
parent ligne 15
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17 धैवतांशा धैवतान्ता विज्ञेया भिन्नपञ्चमी। main
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18 मध्यमांशा annotation_inline
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19 निषाद: काकली भूयो धैवतेन विमिश्रित: ॥ ८०॥ main
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20 संयोगो दृश्यते यत्र काकल्या धैवतस्य च। main
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21 काक(ल्योद्यै?ल्या धै) वतस्य च annotation_inline
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22 पञ्चमर्षभसंवादो यत्रैव सम्प्रयोजयेत्॥ main
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23 साधारणकृता ह्येषा पूर्णा ६४ प्राया च काकली ६५ ॥ ८१॥ main
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24 उदाहरणम् - धनिधाधा निधापापामरिपापापपमाधाधा पासामनिसासनिरिरिसारी । धाधा । main
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25 परिमापापा । पमधाधामानीधापापापरीधा पापापाधाधासनिधा । भित्रपञ्चमी । [७] editorial_bracket
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26 एता भाषा: समुद्दिष्टा: [सप्त वै ककुभस्य च ]॥ ८२॥ editorial_bracket
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27 भा(पा) annotation_inline
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28 the state of the state of the state of the state of the state of the state of the state of the state of the state of the annotation_inline
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29 . . . annotation_inline
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30 7.4 annotation_inline
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31 From the substitute of the con- annotation_inline
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32 ____ annotation_inline
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147 lignes a valider — change uniquement les roles incorrects.