Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21261). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p077 RIGHT — 41 lignes

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1 137 page_number
via heuristic_pagenum
2 PĂŢHA VIMARŚA page_header
via surya_layout
3 पञ्चमस्य च श्रृङ्गारो बीभत्सो धैवतस्य च । main
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4 करुणा च निषादस्य सप्तस्थानरसा नव ॥ annotation_inline
parent ligne 3
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5 (Sam Mak II.1.47, 48) main
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6 It is notable that Santa rasa has been included here and bhayanaka has main
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7 been omitted; thus the number of rasas enumerated is only eight and not nine, main
via surya_layout
8 as stated in the last foot. main
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9 46. MS B reading as recorded by the ed. main
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10 Section V ( Grāma-mūrchanā ) section_header
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11 ग्रामो नाम विशिष्टश्रुतिकस्वरसमूहो मूर्छनात्मा main
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12 1. cf. annotation_inline
parent ligne 11
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13 पूर्णापूर्णस्वभावस्वरगतग्रहाशादिविशेषसमूहरूपजातिसमूहश्च । main
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14 (Abhi Bhā on NŚ XXVIII, p. 42) main
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15 2. C.r. in S R I Sudhā, p. 102. main
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16 3. C.r. in S R I Sudhā, p. 101 has been accepted because 'vyavasthitaḥ' is an list_item
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17 adjectival form which is not matched by a noun that could be qualified by it, but list_item
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18 'vyavasthitih' is an abstract noun that fits the sentence. list_item
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19 4,5. C.r. in S R I Sudhā, p. 103. main
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20 6. This verse is not found in the text of Nā Ši. list_item
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21 7. C.r. in S R I Sudhä, p. 101. main
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22 8. P.t., modified according to C.r. in ibid. main
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23 9. C.r. in S R I Kalā, p. 99 in the name of Muni (Bharata), but this line is list_item
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24 not found in the text of NS. In P.t. this line has not been treated as a citation, list_item
via surya_layout
25 but as a part of the text, because quotation marks are not given. list_item
via surya_layout
26 10. This line forms part of the text of NS (XVIII, 5 ab). Hence it is treated main
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27 by us as a citation. main
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28 11. P.t. includes ' sadbhih' after 'suddhābhih', but that has no relevance to the list_item
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29 context and has, therefore, been omitted by us. list_item
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30 12. C.r. in S R I Sudhā, p. 105 adds the following half-verse, paraphrasing list_item
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31 the prose-portion regarding the etymology of mūrchanā - list_item
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32 मूर्खनामब्दनिष्यतिर्मुखं मोहे समुच्छये । main
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33 13, 14. C.r. in S R I Sudhā, p. 114. main
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34 15. P.t. adds 'tiryak' after 'svarāḥ', but that is redundant. list_item
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35 16. P.t. adds 'ürdhvā' after 'mā'. main
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36 17. P.t. मध्यमे तिर्यगूर्ध्वगा अपि स्वराः । main
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37 18. Hariņāśvā is the name found in NŚ, S R etc. 'Hariņāhvayā' is the form of main
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38 'hariṇāhvā' in the instrumental case; but this case is not relevant to the context. main
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39 The P.t. is utterly confused, mutilated and in disorder after this line upto the main
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40 end of Anu. 41; it has been reconstructed according to the context, mainly by main
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41 re-arranging the order. main
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vol_I_p104 RIGHT — 66 lignes

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1 VIMARSA page_header
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2 191 page_number
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3 30,31. 'Pāṇi-vivartitam' of the text has been rendered by us as brought about main
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4 by pāņi (graha). Lit. 'vivartita' would mean 'reflected'. The relative main
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5 predominance of gita and vādya has been viewed here alongwith temporal main
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6 factors like mārga, laya, yati (see note 34 below) etc. in NS XXIX, p. 101 main
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7 ( prose portion not commented upon by Abhinavagupta and put by the editor main
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8 within square brackets) and in S R VI, 168-170 as others' opinion. The main
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9 following correspondences have been indicated in the above passages in NS and main
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10 S R; BrD is in agreement with them here. main
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11 Pāņi (lit. hand) is the word used in NS and Datti for graha (explained in main
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12 note 20 above ). (The prose passage of NS referred to above does use the word main
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13 graha). main
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14 Vytti table
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15 <b>Git</b>i table
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16 Mārga table
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17 Yati table
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18 Pāņi or table
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19 Avayava table
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20 Laya table
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21 Graha table
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22 Citrā table
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23 Māgadhi table
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24 Citrā table
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25 Druta table
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26 Samā table
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27 Uparipāņi table
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28 Ogha table
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29 Sambhāvitā Vārtika table
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30 Vytti table
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31 Madhya table
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32 Srotogatā Sama table
via surya_layout
33 Anugata table
via surya_layout
34 Daksiņā Pythulā table
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35 Vilambita table
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36 Daksina table
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37 Gopucchā Avapāņi table
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38 Tattva table
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39 32. Tāla is the structured cycle for time-measure in music and dance, here list_item
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40 this word seems to have been used in the general sense of the variable factors list_item
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41 that operate tāla, like mārga, yati, laya etc. list_item
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42 33. Laya lit. means merging; the rest or pause immediately following an list_item
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43 action is laya. The duration of a kriyā is determined by laya i.e. by the pause or list_item
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44 intervening time between one kriyā (action) and another. Druta (fast), list_item
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45 madhya (medium) and vilambita (slow) are the three layas that are list_item
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46 progressively double, each succeeding laya being double of the preceding one list_item
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47 i.e. the rest or pause is double and hence the tempo is slower. list_item
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48 34. Yati is the order of the use of laya in a given piece. Either the laya list_item
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49 remains constant all-through, that is samā yati, or it proceeds from fast to slow, list_item
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50 that is gopucchā yati or from slow to fast, that is srotogatā yati. list_item
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51 35. Vyanjaka lit. means manifestor, but here it seems to mean self-manifestor list_item
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52 or manifested. list_item
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53 36. See note 34 above. list_item
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54 37. See note 33 above. list_item
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55 38. Uparipāņi is equated with anāgata graha ( see note 20 above ). list_item
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56 39. Ogha is one of the three types of gitanuga vadya (instrumental list_item
via surya_layout
57 rendering that follows 'song'). When the instrument uses profuse strokes for list_item
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58 each unit of 'song' or melody that is ogha. list_item
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59 40. See note 34 above. list_item
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60 41. See note 33 above. list_item
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61 42. Samapāņi is equated with sama graha. ( see note 20 above ) list_item
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62 43. Anugata (lit. follower) is a variety of gitānuga vādya (see note 39). It list_item
via surya_layout
63 follows the song or melody, which means that it is not perfectly identical with list_item
via surya_layout
64 the latter. list_item
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65 44. See note 34 above. list_item
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66 45. See note 33 above. list_item
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vol_II_p147 RIGHT — 43 lignes

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1 277 page_number
via heuristic_pagenum
2 PĂTHAVIMARŚA page_header
via surya_layout
3 पांशग्रहान्ता सम्पूर्णा भाषा मालवपञ्चमे । main
via surya_layout
4 वनेषु कामिनीसङ्गे नियोज्या ऋषिकैनरै:॥ main
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5 विभावनीति तामेवाचष्ट याष्टिकसत्तमः॥ main
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6 122. The name of this bhāṣā is read as mālavā at the end of the main
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7 illustration and so it is in S Rāj II.2.1.905. main
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8 123,124. cf. सञ्चार: सधयोर्यस्यां रिधयोधैव दृश्यते । main
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9 Kalā (appendix) on SR II, p. 137. main
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10 125. In spite of this adjective indicating the completeness of this main
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11 bhāṣā, the illustration omits ṣaḍja. main
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12 126. SR II. 1. 30 cd reads this name as bhinnavalitā and so does S Rāj main
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13 II.2.1.131 c; ibid 88a reads bhinnalalitā and ibid 907c reads bhinnavallikā. main
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14 Our text seems to change bhinnavalikā to bhinnavālikā in verse 34 c in order main
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15 to meet the demand of metre, the sixth syllable being required to be long. main
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16 At this point of our text the change to bhinnalālikā or bhinnalālitā seems to main
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17 involve an error of deciphering or copying. main
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18 127. Kalā (appendix) on SR II, p.137 reads 'magrahāmśā' describing main
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19 madhyama as graha and aṁśa. main
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20 128. cf. पञ्चमांशग्रहा धान्ता पूर्णा मध्यमभूयसी । main
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21 मध्यमग्रामगा भाषा धनिसङ्गतिराजिता ॥ main
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22 द्राविडी देशनाम्रेयं विख्याता याष्ट्रिकोदिता ॥ main
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23 S Rāj II.2.1.912. annotation_inline
parent ligne 22
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24 The illustration in our text is not in accordance with any of the three main
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25 divergent descriptions viz. those in our text, Kalā and S Rāj. main
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26 129. The dual number of the instrumental case has been changed to main
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27 the same number of the genitive case, because the instrumental case would main
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28 require reference to some other svara with which the two svaras composed main
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29 of two śrutis each are supposed to have to and fro movement. Kalā (appen- main
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30 dix) on SRII, p. 141 reads 'nigayo rigayoryuktā'. main
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31 ्सम्पूर्णा, यं विना बाह्मपाडवा कैधिदिप्यते । main
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32 130. cf. annotation_inline
parent ligne 31
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33 S Rāj II.2.1.107 cf. main
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34 131. Corresponding to this, S Rāj II.2.1.1081 gives a bhāṣā named main
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35 națță, which is described as being complete. main
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36 पञ्चमांशान्तिमा ताना भिन्नताने रिवर्जिता । main
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37 132. cf. annotation_inline
parent ligne 36
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38 सकाकलिका शृङ्गारे विनियुक्ता पुरातनै: ॥ main
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39 ताना भाषैकिका भिन्नताने याष्ट्रिकसम्मता ॥ main
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40 S Rāj 11.2.1.1097,1099. main
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41 The illustration of this bhāṣā is not available in our text; the illustration main
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42 contained in p.t. at this point as follows seems to be out of place, since rşabha main
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43 -------------------------------------- annotation_inline
parent ligne 42
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vol_II_p065 LEFT — 28 lignes

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1 BRHADDEŚÏ page_header
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2 112 page_number
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3 [५. बोट्टरागः] section_header
via surya_layout
4 स्यात् षड्जमध्यमाजाते: पञ्चम्याश्च विनिर्गत: । main
via surya_layout
5 बोट्टरागश्च विज्ञेय: पञ्चमांशोऽन्तमध्यम: ॥३२४॥ main
via surya_layout
6 पञ्चमोंऽशो( ऽन्त)मध्यमः annotation_inline
parent ligne 5
via heuristic_height
7 [अनुः १९६] section_header
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8 [अस्यार्थ:-]बोट्टराग: षड्जग्रामसम्बन्ध:<sup>७७</sup>षड्जमध्यमापञ्चमीजात्योर्जातत्वात्। editorial_bracket
parent ligne 7
via heuristic_brackets
9 यद्यप्युभयग्रामसम्भूतजातिद्वयसमुत्पन्नः,तथापि पञ्चमस्य<sup>७८</sup>चतुंःश्रुतिकत्वात् षड्जग्रामसम्बन्धः। main
via surya_layout
10 पञ्चमो ग्रहोंऽशश्च । मध्यमो न्यास: । निषादगान्धारयोरल्पत्वम्<sup>७९</sup>। निषादोऽत्र काकली । main
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11 पूर्णस्वरश्चायम्। उत्सवे चास्य विनियोगः। शान्तादिको रसः। पञ्चमादिमूर्छना । आरोही वर्णः । main
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12 प्रसन्नान्तोऽलङ्कारः। दक्षिणे कला, वार्तिक कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादितालः । main
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13 [६. हिन्दोल:] section_header
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14 षड्जांशन्याससंयुक्तो धैवतर्षभवर्जित:। main
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15 धैवत्यार्षभिकात्यक्तो हिन्दोल: प्रेक्षणे भवेत् ॥ ३२५॥ main
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16 र्व्य(भी?भिका)॰ annotation_inline
parent ligne 15
via heuristic_markers
17 [अनु॰ १९७] section_header
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18 [अस्यार्थ: -] हिन्दोलको मध्यमग्रामसम्बन्ध: । <sup>८</sup>°[ननु] धैवत्यार्षभीरहितोभय- editorial_bracket
parent ligne 17
via heuristic_brackets
19 रहित:।उभय annotation_inline
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via heuristic_height
20 ग्रामसम्बन्ध्यशेषस्वराख्यजातिसमुत्पत्रत्वादुभयग्रामिकत्वमेव युक्तम् ,कथं मध्यमग्रामाश्रित इति? main
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21 ग्रामसम्बन्धः annotation_inline
parent ligne 20
via heuristic_height
22 धैवतर्षभहीनत्वान्मध्यमग्रामसम्बन्ध एव, ८१भरतकोहलादिभिराचार्यै: main
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23 षड्जग्रामे annotation_inline
parent ligne 22
via heuristic_short
24 ॰भी(ही)क annotation_inline
parent ligne 22
via heuristic_markers
25 धैवतर्षभलोपस्यानिष्टत्वात् । केचित् षड्जग्रामाश्रित एवायमिति मन्यन्ते चतुः-श्रुतिकस्य main
via surya_layout
26 पञ्चमस्यात्रोपलम्भात् । धैवतस्य चानाशित्वं तानविषयमेव द्रष्टव्यं न सर्वत्रेति । एतच्चायुक्तम् । एवं main
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27 हि सित ग्राममूर्छनाभेदो न स्यादिति । main
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28 (छ) annotation_inline
parent ligne 27
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vol_II_p113 LEFT — 42 lignes

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1 BRHADDEŚĪ page_header
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2 208 page_number
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3 प्रबन्धोऽयं स्वरार्थ: स्याद् ज्ञेयोऽसौ गीतवेदिभि: । main
via surya_layout
4 चत्वारिंशत्तमं प्रोक्तं करणं पञ्चभिर्युतम् ॥३७८॥ main
via surya_layout
5 चत्वारिंशद्युत: षड्भिश्चासौ वर्णस्वर: स्मृत:। main
via surya_layout
6 °ता: annotation_inline
parent ligne 5
via heuristic_markers
7 चत्वारिंशत्सप्तयुता ज्ञेया मुक्तावलीति या ॥ ३७९॥ main
via surya_layout
8 प्रतापवर्धनश्चाष्ट्रचत्वारिशः प्रकीर्तितः । main
via surya_layout
9 (त?न) annotation_inline
parent ligne 8
via heuristic_short
10 ॰शत् annotation_inline
parent ligne 8
via heuristic_markers
11 अष्टौ च मुनिना ख्याताश्चत्वारिंशत् सुसंयुता[:] ॥ ३८०॥ editorial_bracket
parent ligne 8
via heuristic_brackets
12 पञ्चधा मुनिना main
via surya_layout
13 न्ता चत्वाः annotation_inline
parent ligne 12
via heuristic_height
14 एतेषां लक्षणं विच्य समासाद् विदुषां कृते । main
via surya_layout
15 चच्छि annotation_inline
parent ligne 14
via heuristic_short
16 विदुषात्तमम् main
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17 यथोक्तं चात्र नियमै[:] [पदतालादिसंयुतै:] ॥ editorial_bracket
parent ligne 16
via heuristic_brackets
18 रागैर्यथावदुक्तैस्तु गातव्या गीतकोविदै: ॥ ३८१॥ main
via surya_layout
19 [प्रबन्धानां लक्षणानि] section_header
via surya_layout
20 [१.कन्द:] section_header
via surya_layout
21 तालशून्यस्तु य: पाटैर्बिरुदेश्च समन्वित:। main
via surya_layout
22 ॰ता: annotation_inline
parent ligne 21
via heuristic_markers
23 स कन्द इति कर्णाटभाषादिपदिमश्रित: ॥३८२॥ main
via surya_layout
24 कन्दादिप्रबन्धा लक्ष्यत: प्रसिद्धा एव । main
via surya_layout
25 क(दा?न्दा) main
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26 [२. वृत्त:] section_header
via surya_layout
27 आर्यायां द्विपथे वृत्तो गाथायां दोघके तथा। main
via surya_layout
28 वृते गाधाया जेधके तथा(?) main
via surya_layout
29 ्याः annotation_inline
parent ligne 28
via heuristic_height
30 तोटके[ ऽथ] च तालस्य नियमो नास्ति कदाचन ॥ editorial_bracket
parent ligne 28
via heuristic_brackets
31 •केन main
via surya_layout
32 मुख्यता तेषु निर्दिष्टा मुनिभिश्छन्दस: स्फुटम्<sup>४</sup>॥ ३८३॥ main
via surya_layout
33 ॰सा annotation_inline
parent ligne 32
via heuristic_markers
34 अन्ते च स्वरविन्यास: [स्वरहीनं स्मृतं परै:] । editorial_bracket
parent ligne 32
via heuristic_brackets
35 अन्त: स्वर + विन्यास: + + + + + main
via surya_layout
36 [वृत्ते छन्दिस यच्चान्ये] वङ्क्ति तदिप सम्मतम् ॥३८४॥ editorial_bracket
parent ligne 35
via heuristic_brackets
37 . . . . . . . . . annotation_inline
parent ligne 35
via heuristic_height
38 न्तः annotation_inline
parent ligne 35
via heuristic_height
39 NAME OF TAXABLE PARTY. annotation_inline
parent ligne 35
via heuristic_height
40 محفظ ماملا دي ماسي الراكات المار annotation_inline
parent ligne 35
via heuristic_height
41 4 . . . . . . . . . annotation_inline
parent ligne 35
via heuristic_height
42 (vide) annotation_inline
parent ligne 35
via heuristic_height
220 lignes a valider — change uniquement les roles incorrects.