Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21263). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p024 RIGHT — 35 lignes

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1 31 page_number
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2 TRANSLATION page_header
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3 It is being said (answered) - It is one and many, pervasive<sup>6</sup> and eternal.<sup>7</sup> In the main
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4 undifferentiated state there is one svara; in the form of sadja and the like svara is main
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5 many. annotation_inline
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6 Similarly also said Kohala - annotation_inline
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7 "Svara is said to be infinite" on account of (its) combination with jāti, bhāṣā main
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8 etc. It is combined with padas 9 (syllabic units, meaningful or non-sensical) and main
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9 is to be combined with alankāra10 and (used in) rasas." 11 main
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10 (It is) eternal i.e. indestructible. 12 (It is) pervasive i.e. sarvagata 13 (contained main
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11 in or permeating everything). annotation_inline
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12 Similarly said Kohala - annotation_inline
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13 "By the effort of the ūrdhvanāḍīs14 on account of rubbing or striking of all main
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14 'walls', the sound that grows upto the cerebrum, is svara, it is vyāpaka main
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15 (pervasive) (and) para (beyond).15 main
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16 (Anu. 17) annotation_inline
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17 But how is the svaratva 16 of (svara-names) şadja and the like, on account of main
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18 their being consonants? If the svaratva of consonants is spoken of, then there main
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19 should be the svaratva of (consonants) beginning with ka? main
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20 Here it is being said (answered) that there is the svaratva of only şadja and main
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21 the like on account of their being asādhāraņa 17 (lit. uncommon, special), not of main
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22 (consonants) beginning with ka. main
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23 But why (or how) is the uncommon or special nature of sadja and the like? main
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24 (Answer) - on account of the upadesa 18 (speaking of) by the aptas (trusted ones) main
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25 the asadharanatva (uncommonness, special nature) of svaras is there. main
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26 So did say Maheśvara<sup>19</sup> in Kohala — main
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27 "The peacock speaks şadja, the cātaka (bird) speaks ṛṣabha, the goat speaks main
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28 gāndhāra, the kraunca (bird) speaks madhyama, in the puspasādhāraņa time main
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29 (common time for flowers i. e. Spring) kokilā speaks pañcama, when the rainy main
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30 season approaches, dardura (the frog) speaks dhaivata. O Devi ! in the same main
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31 way, the elephant always speaks niṣāda." main
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32 Or, only sadja and the like have uncommonness or special nature because of main
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33 their movement in upward sound, or şadja and the like are not svaras, only main
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34 (vowels) beginning with ākāra 20 are svaras. şadja and the like are there for the main
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35 pronunciation of (vowels) beginning with ākāra, so (it is said). main
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vol_I_p083 RIGHT — 46 lignes

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1 149 page_number
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2 VIMARŚA page_header
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3 As for the distinction between vowel and musical note, Abhinavagupta has main
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4 made a remarkable contribution in the conception of the autonomy of musical main
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5 note; this will be dealt with under the definition of svara in our text. main
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6 16. In language vyañjana, consonant ( lit. the act or instrument of mani- list_item
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7 festation ) is the phonetic unit that brings about specificity, but it can be list_item
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8 pronounced only with the help of vowel, otherwise it is impotent or ineffective. list_item
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9 Hence svara has been identified here with the śakti (supreme energy or power) list_item
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10 that lends the state of Siva to vyanjana (cf. Gandharva Tantra, IX. 17 and list_item
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11 Garland of Letters, p. 260). The underlying idea is that Siva obtains His state list_item
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12 only from the association with Sakti, otherwise it is like Sava (a dead body). list_item
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13 Sakti is identified with ikāra ( the vowel 'i' ). ( cf. citation from Saktikāgama in list_item
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14 Sabdakalpadruma Pt. V, p. 5) list_item
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15 17. Svarūpa (lit. own form) means the phonetic form of word and list_item
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16 sentence without reference to meaning. The whole world being a manifestation list_item
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17 of dhvani (sound), the very form of word and sentence without reference to list_item
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18 meaning, delineates or 'paints' the world because this form itself is a stage of list_item
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19 manifestation that in itself is the basis of further manifestation. list_item
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20 18. The sentence is the basic semantic unit, the 'word' becomes meaningful list_item
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21 when it forms part of a sentence. This is the point of view of grammar ( vyākaraņa ) list_item
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22 which is mentioned here. list_item
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23 19. Pada is defined by Pāṇini (Aṣṭā I, 4.14) as that which combines the list_item
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24 suffix sup or tin (nominal or verbal suffixes), it is not just a combination of list_item
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25 syllables. list_item
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26 20, 21. Kāraka is not co-extensive with 'case'. It is instrumental in bringing list_item
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27 about the action denoted by verb (Monier Williams), Kāraka is the hetu or list_item
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28 nimitta (cause) of kriyā (action). There are six Kārakas according to Pāņini, list_item
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29 viz. kartṛ, karman, karaṇa, sampradāna, apādāna and adhikaraṇa. The sambandha list_item
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30 (genitive case) is not accepted to be a Kāraka, because 'it ordinarily expresses list_item
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31 the relation of two nouns to each other, but not the relation of a noun and a list_item
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32 verb.' ( Monier Williams ) list_item
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33 The sentence is formed with padas that have sup or tin suffixes combined main
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34 with nouns and verbs respectively, standing, in turn, for kāraka and kriyā. main
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35 22. Mahāvākya has four primary connotations as follows - list_item
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36 (a) An aggregation of sentences where the apprehension of the meaning of list_item
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37 the individual components (sentences) leads to the apprehension of the total list_item
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38 meaning of the aggregate, just as in the aggregate of five components in the list_item
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39 nyāya-vākya used for inference. This is the view of nyāya. list_item
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40 (b) An aggregate of sentences where one sentence is primary and the others list_item
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41 are secondary. This is the view of Mimāmsā. list_item
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42 (c) A sentence that expresses deep philosophical meaning. This is the view list_item
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43 of Vedanta where sentences like tattvamasi (thou art That) aham brahmasmi (I list_item
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44 am brahman ) etc. are accepted as mahā-vākyas. list_item
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45 (d) A simple aggregate of sentences as in Rāmāyaņa, Mahābhārata or any list_item
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46 literary composition. list_item
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vol_II_p016 LEFT — 37 lignes

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1 14 page_number
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2 BRHADDESÏ page_header
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3 सोऽभिधीयते । अंशस्य विवादी ३९यो न भवति [स] प्रथमविदार्यन्ते४० editorial_bracket
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4 यदि main
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5 प्रयुक्तो annotation_inline
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6 <b>॰यन्तिर्यादि</b> annotation_inline
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7 प्रवृत्तो annotation_inline
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8 यथा annotation_inline
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9 भवति, तदासौ संन्यास इत्यर्थ: । main
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10 ¥<sup>१</sup>तदा annotation_inline
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11 <sup>४२</sup> इत्युच्यते main
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12 यदा annotation_inline
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13 [अंशलक्षणान्तर्गतं विन्यासलक्षणम्] section_header
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14 [अनु॰१२३] editorial_bracket
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15 एष एव तु संन्यासस्वरः पदान्ते विन्यस्तो तदा विन्यासः । main
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16 <sup>४३</sup>०स्वरो यदा annotation_inline
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17 अतएव तदुक्तं भवति - main
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18 र्४४<br>एवांशस्य संवाद्यनुवादी वा पदिवदार्यन्ते भवतीत्युक्तम् । main
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19 भ्भ' रागश्च यस्मिन् वसति यस्माच्चैव प्रवर्तते । main
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20 अंशस्य संवादी या भवति annotation_inline
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21 नेता च तारमन्द्राणां योऽत्यर्थमुपलभ्यते ॥ main
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22 ग्रहापन्यासविन्याससंन्यासन्यासगोचर:। main
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23 अनुवृत्तश्च यश्चेह सोंऽश: स्याद् दशलक्षण:॥'४६ main
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24 स्या(दं?द्द)शलक्ष(णं?ण:) main
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25 [तुल॰ ना॰ शा॰ २८.६८,६९] editorial_bracket
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26 [३. तारलक्षणम्] section_header
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27 [अनु॰ १२४] editorial_bracket
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28 इदानीं तारलक्षणमुच्यते - main
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29 <sup>४७</sup>अंशस्वरप्रयोगादारभ्य main
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30 पञ्चस्वरपरा तारगति:। main
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31 किमुक्तं भवति ? main
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32 पञ्चमस्वरारोहणं तार इति, चतुःस्वरारोहणं तार इति [वा]। नन्दयन्त्यां यथासासानिधसा editorial_bracket
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33 <b>ल्सारो</b>॰ annotation_inline
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34 <b>ल्यमारो</b>॰ annotation_inline
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35 रिग annotation_inline
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36 इति, पञ्चमांशत्वात् षड्जस्तार: । आपञ्चमादिति योजना [गान्धार्या] अष्टम्या विदार्या editorial_bracket
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37 °ध्या page_footer
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vol_II_p081 RIGHT — 31 lignes

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1 ٠ page_number
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2 TRANSLATION page_header
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3 145 page_number
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4 performed as to involve mutual movement between rşabha-gandhara and main
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5 similarly <i>şadja-madhyama</i>. main
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6 <math>(52-53)</math> main
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7 Illustration - Gāgāgāmā. Sāsī. Māgāmāmāgāmāsīsāsī. Gāgādhānisīsīgādhanisā main
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8 dhādhāmārīmāgārīgasā sāsāsāmā sārīdhādhādhādhadhamāgārīgāgā dhārīsāsīsā. main
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9 Māgāmāmāgā Māsīsimāgā dhādhādhāparīgamarīgamasīsisīmāgārīdhā dhamagari main
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10 gamadhanī. Sāsāgādhānisāsā. Ravicandrā [xi] editorial_bracket
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11 Ambāherī is said to have madhyama as its amśa, ṣadja as its concluding note, main
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12 gāndhāra and dhaivata as profuse, incomplete in svaras, being always devoid main
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13 of pa (pancama), this bhāṣā is said to bear the name <math>desi^{20}</math> (regional). main
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14 (54) annotation_inline
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15 Illustration – Māmāsā. Nīnī. Nidhādhāni dhādhāni. Dhānidhādhānī. main
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16 Sāgāgārī. Sanīsanīdhā. Nidhānigāgā māgānisāsāni. Sādhānīgā gānisāsā. main
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17 Sāninisanīdhā dhāmānīmā dhāsanini. Nisādhānīmādhādhāmāgāsānisānidhā. main
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18 Mādhādhā. Sādhānīdhānīsāsā. Māmādhāsāsā. Māmāgārīmāgāsāsā. main
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19 Māsāmāmāgārīmāgāsāsā. Masānī ninimāni dhādhānidhāmāgā. Sānīmādhā. main
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20 Sāsanīdhā dhanisādhādhā. Dhanidhānīsā. Ambāherī [xii] editorial_bracket
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21 Being combined with sadja in the beginning and having madhyama and main
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22 dhaivata as abundant and with the omission of rşabha, this bhāṣā, lalitā, is main
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23 sankīrņā (mixed) and hexatonic. There is (mutual) movement between the main
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24 svaras comprised of two śrutis each. main
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25 (55) annotation_inline
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26 Illustration - Sāgāgādhāgāmāmāgā. Dhamādhānīsāsā. Nidhāgāgā. main
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27 Säsäsämäpädhäni dhäpämäsä sädhäpädhänidhädhäsä nidhägänigädhanisasasa. main
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28 Lalitā [xiii] editorial_bracket
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29 Combined with şadja as the initial and concluding note, omitting main
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30 pañcama, being devoid of the seventh (niṣāda), having the concert of main
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31 madhyamawith ṣaḍja there, the saii kīrṇā (mixed) and pentatonic bhāṣā, born main
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vol_I_p039 RIGHT — 35 lignes

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1 61 page_number
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2 <b>TRANSLATION</b> page_header
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3 Audūvita is with five svaras; its lakṣaṇa (description) is fivefold, it is main
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4 numbered thirty-five,33 as explained by the ācāryas (teachers). main
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5 (101) annotation_inline
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6 (Anu. 42) annotation_inline
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7 With (the omission of) șadja, rșabha, pañcama and nișāda the șādava main
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8 (mūrchanās) of ṣadja-grāma (come into being). Those devoid of ṣadja, ṛṣabha and main
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9 gandhara are şadavas in madhyama-grama. main
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10 (Anu. 43) annotation_inline
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11 The state of auduvita (comes into being) on account of the omission of main
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12 (two) samvadins,34 because of this statement the general rule is that the state of main
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13 auduvita is attained through two samvadin svaras. Sometimes the state of main
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14 auduvita comes into being with (the omission of) two55 anuvādin svaras, this is main
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15 also a general rule. Sometimes the state of anuvadin does come into existence main
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16 with (the omission) of pañcama-ṛṣabha in ṣadja-grāma (and) that of dhaivata- main
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17 rşabha in madhyama-grāma. main
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18 The auduvitas in şadja-grāma are devoid of pañcama-şadja, two (svaras) that main
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19 are comprised of two śrutis (each) (viz. gandhāra and niṣāda) and pañcama- main
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20 (102) annotation_inline
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21 rşabha. main
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22 The pentatonic tānas in madhyama-grāma are verily devoid of dhaivata-ṛṣabha main
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23 and two (svaras) comprised of two śrutis (each) (viz. niṣāda and gāndhāra). main
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24 (103) annotation_inline
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25 (Anu. 44) main
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26 Now he (the author) demonstrates this very (description) with prastara.36 main
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27 That is thus in sadja-grāma— main
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28 X ri ga ma pa dha ni main
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29 ni X ri ga ma pa dha main
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30 dha ni X ri ga ma pa main
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31 pa dha ni X ri ga ma main
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32 ma pa dha ni X ri ga main
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33 ga ma pa dha ni X ri main
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34 ri ga ma pa dha ni X main
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35 (Tānas) devoid of şadja. main
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184 lignes a valider — change uniquement les roles incorrects.