Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21270). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p127 RIGHT — 30 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	237	page_number via heuristic_pagenum
3	[5. Drāvidailā]	section_header via surya_layout
4	The <i>elā</i> born in the <i>draviḍa</i> region is adorned with <i>bhāva</i>, <i>abhinaya</i> and <i>tāla</i>,	main via surya_layout
5	coloured with variegated sounds, devoid <math>^{85}</math> of prāsa and established in rasa.	main via surya_layout
6	(472)	annotation_inline parent ligne 5 via heuristic_short
7	Thus end the five <i>clās</i> bearing regional names.	main via surya_layout
8	[The number of <i>Elās</i>]	section_header via surya_layout
9	Ganailā has been said to be fourfold, the fifth is of the nature of sankara	main via surya_layout
10	(mixture); mātrailā has been spoken of with four varieties, by the experts in	main via surya_layout
11	music.	annotation_inline parent ligne 10 via heuristic_short
12	(473)	main via surya_layout
13	Varņailā has been described as having fourteen varieties, deśailās have	main via surya_layout
14	been said to be five-fold according to the distinction of region.	main via surya_layout
15	(474)	annotation_inline parent ligne 14 via heuristic_short
16	Altogether these are known to be twenty-eight in number by the experts	main via surya_layout
17	in the science of music, they are combined with their respective characteristics.	main via surya_layout
18	(475)	annotation_inline parent ligne 17 via heuristic_short
19	[Thus end the varieties of <i>elā</i>]	editorial_bracket parent ligne 17 via heuristic_brackets
20	[36. Jhombada]	section_header via surya_layout
21	Where half of the (first) foot is sung in repetition and then the second half	main via surya_layout
22	of the same is sung and there is alliteration between the two, similarly is sung	main via surya_layout
23	its second foot, in the same way the third foot and where the foot that is the	main via surya_layout
24	fourth one is sung at the end of each of all the feet, that is called <i>jhombada</i>	main via surya_layout
25	by the experts in music.	main via surya_layout
26	<math>(476-478)</math>	main via surya_layout
27	The tāla named kankāla never obtains in jhombadaka. All other tālas	main via surya_layout
28	related to desi obtain here. There are varieties of jhombada, adorned with	main via surya_layout
29	tenaka.	annotation_inline parent ligne 28 via heuristic_short
30	(479)	main via surya_layout

vol_I_p023 LEFT — 31 lignes

L#	Texte OCR	Role auto
1	28	page_number via heuristic_pagenum
2	BRHADDESI	page_header via surya_layout
3	किमत्र कारणम् ? उच्यते - ग्रामद्वयेऽप्यन्तरमूर्छना-प्रतिपादनार्थम्, यद्वा	main via surya_layout
4	ग्रामद्वयेऽपि षड्जमध्यमस्वरौ ग्रामण्यौ भवतः। अन्यस्वरास्तदग्रेसरा	main via surya_layout
5	₀मध्यपरौ	annotation_inline parent ligne 4 via heuristic_markers
6	इति॥	main via surya_layout
7	इति तावन्भया प्रोक्ताः श्रुतयो ग्रामसंश्रिताः ॥५२॥	main via surya_layout
8	॥ इति श्रुतिप्रकरणम् ॥	editorial_bracket parent ligne 7 via heuristic_brackets
9	IV [स्वर-प्रकरणम् ]	section_header via surya_layout
10	[ तत्र स्वरलक्षणम् ]	section_header via surya_layout
11	इदानी सम्प्रवक्ष्यामि स्वराणां च विनिश्चयम्।	main via surya_layout
12	तत्रादौ स्वरशब्दस्य व्युत्पत्तिरिह कथ्यते।।५३॥	main via surya_layout
13	राजृ दीप्ताविति धातोः स्वशब्दपूर्वकस्य च।	main via surya_layout
14	•वस्प<sup>1</sup>	annotation_inline parent ligne 13 via heuristic_height
15	स्वयं यो राजते यस्मात् तस्मादेष स्वरः स्मृतः॥५४॥	main via surya_layout
16	<del>2हि</del>	annotation_inline parent ligne 15 via heuristic_short
17	ेतस्मात् स्वर इति	main via surya_layout
18	। अनु. १५ ।	section_header via surya_layout
19	ननु स्वर इति किम् ? उच्यते - रागजनको ध्वनिः स्वर इति।	main via surya_layout
20	तथा चाह कोहलः -	annotation_inline parent ligne 19 via heuristic_short
21	"आत्मेच्छया महीतलाद् वायुरुद्यविधार्यते।	main via surya_layout
22	∘च्या₊⁴	annotation_inline parent ligne 21 via heuristic_height
23	हि	unknown via fallback
24	⁵नाभि₃	annotation_inline parent ligne 21 via heuristic_height
25	नाडीभित्तौ तथाऽऽकाशे ध्वनी॰ रक्तः स्वरः स्मृतः॥"	annotation_inline parent ligne 21 via heuristic_markers
26	नि	annotation_inline parent ligne 21 via heuristic_height
27	[ अनु. १६ ]	section_header via surya_layout
28	ननु स्वर एवं स्यादेकोऽनेको वा, व्यापकोऽव्यापको	main via surya_layout
29	वा, नित्योऽनित्यो वा स्यात् । अत्रोच्यते - एकोऽनेको	main via surya_layout
30	व्यापको नित्यश्चेति। तत्र निष्कलरूपेणैकः स्वरः	main via surya_layout
31	षइजादिरूपेणानेकः स्वरः।	main via surya_layout

vol_II_p148 LEFT — 42 lignes

L#	Texte OCR	Role auto
1	<b>Ç≛</b> 20040 - 15	unknown via fallback
2	278	page_number via heuristic_pagenum
3	BRHADDEŚĪ	page_header via surya_layout
4	which is said to be omitted, is profusely used therein:	main via surya_layout
5	पासागममाधाधा पामाससानिसानि सानिमगमामापाधामपामारीसानि धापामहमामाधानीरिरिरिसागारि ऋपभारिरिपका ।	main via surya_layout
6	133. P.t. omits the description of gāndhārī. Other texts describe it	list_item via surya_layout
7	as follows-	list_item via surya_layout
8	गान्धारपञ्चमे भाषा गान्धारी सगभूषिता ।	list_item via surya_layout
9	(i)	list_item via surya_layout
10	धाद्यना सर्वलोकस्य हद्या स्त्रीणां विशेषत:॥	list_item via surya_layout
11	Kalā (appendix) on SR II, p.139	main via surya_layout
12	(ii)	annotation_inline parent ligne 11 via heuristic_short
13	गान्धारपञ्चमे रागे गान्धारी भाषिकैकिका ।	main via surya_layout
14	धैवतांशग्रहन्यासा पङ्जमध्यमभूयसी ॥	main via surya_layout
15	गान्धारबहुला वाऽपि षड्जग्रामनिवासिनी ॥	main via surya_layout
16	S Rāj II.2.1.1006.	annotation_inline parent ligne 15 via heuristic_short
17	134. Kalli has described a bhāṣā named śakā, pertaining to revagupta;	main via surya_layout
18	that description is different from the one of our text.	main via surya_layout
19	सन्यासा रेवगुप्तस्य भाषा मांशा शकाह्या ।	main via surya_layout
20	गपाभ्यां बहुला पूर्णा रिधाभ्यामपि भूयसी ॥	main via surya_layout
21	Kalā (appendix) on SR II. p.142.	main via surya_layout
22	S Rāj II.2.1.1100 describes śakabhāṣā as pertaining to pañcamaṣāḍava, falling	main via surya_layout
23	in line with our text, as follows -	main via surya_layout
24	ऋषभांशा मध्यमान्ता सम्पूर्णा गपभूयसी ।	main via surya_layout
25	रिधयो: सङ्गता प्रोक्ता रागे पञ्चमषाडवे ॥	main via surya_layout
26	शकभाषाद्वया ....।	annotation_inline parent ligne 25 via heuristic_short
27	Kalli describes a bhāṣā named potā under revagupta; the same seems to find	main via surya_layout
28	place in S Rāj under the name revaguptā; the two descriptions are very	main via surya_layout
29	similar.	annotation_inline parent ligne 28 via heuristic_short
30	पोता -	main via surya_layout
31	्रऋषभांशग्रहन्यासा धहीना निसभूयसी ।	main via surya_layout
32	पोता प्रोक्ता मतङ्गेन भाषा पञ्चमषाङ्ये ॥	main via surya_layout
33	Kalā (appendix) on SR II. p. 142.	main via surya_layout
34	रेवगुप्ता – ऋषभांशग्रहन्यासा निभूयिष्ठा धदुर्बला ।	main via surya_layout
35	रेवगुप्ता स्मृता भाषा रागे पञ्चमषाडवे ॥	main via surya_layout
36	S Rāj 11.2.1.1102.	annotation_inline parent ligne 35 via heuristic_short
37	It may be noted that potā has been enumerated under pañcamaṣāḍava	main via surya_layout
38	in S Rāj II.2.1.100 cd, but it has not been described in that text.	main via surya_layout
39	[B. Bhāṣālakṣaṇa according to Śārdula]	section_header via surya_layout
40	1. We are treating the matter falling under this heading as forming	main via surya_layout
41	part of the chapter entitled bhāṣālakṣaṇa, but the verses have been numbered	main via surya_layout
42	٠	page_number via heuristic_pagenum

vol_II_p163 RIGHT — 40 lignes

L#	Texte OCR	Role auto
1	<b>VIMARŚA</b>	page_header via surya_layout
2	309	page_number via heuristic_pagenum
3	85. The gandhara and that too antara becomes the dhaivata of	list_item via surya_layout
4	madhyamagrāma. Perhaps this phenomenon is being indicated here.	list_item via surya_layout
5	86,87. Adbhuta and hasya on the one hand and karuna on the other	list_item via surya_layout
6	are incompatible.	list_item via surya_layout
7	88. The freedom of the performer is being indicated here.	list_item via surya_layout
8	89,90,91. The situations mentioned under viniyoga and the rasa vīra	list_item via surya_layout
9	are perfectly compatible.	list_item via surya_layout
10	92. Yuddhavīra is one of the four varieties of vīra rasa. See note 53.	list_item via surya_layout
11	93. The indication of murchana finds place in the description of jatis	list_item via surya_layout
12	for the first time. No rule is prescribed for assigning a particular mūrchanā to	list_item via surya_layout
13	a given jāti. Here it is said that the mūrchanā of jāti is known from the	list_item via surya_layout
14	'statements of authorities', which implies that there is no prescribed rule.	list_item via surya_layout
15	94. The import seems to be that the amsa that is predominant among	list_item via surya_layout
16	amsas (in the case of jātis with more than one amsa) determines the mūrchanā	list_item via surya_layout
17	of a <i>jāti</i>.	list_item via surya_layout
18	95. The four components of gita have been enumerated as svara, pada,	list_item via surya_layout
19	tāla and mārga (vide citation in the name of Kasyapa in Kalā on SR II.30-32).	list_item via surya_layout
20	96. Dhruvāis a metrical text that is performed in pūrvaranga, where the	list_item via surya_layout
21	compositions in Sanskrit or in prescribed non-lexical syllables are used. The	list_item via surya_layout
22	dhruvā performed within the drama is invariably in Prākṛta and provides a	list_item via surya_layout
23	figurative and poetic commentary on the happenings in the drama. NS	list_item via surya_layout
24	XXXII gives numerous illustrations of <i>dhruvā</i> texts.	list_item via surya_layout
25	97. The ten forms of rūpaka are described in NS XVIII; they are - nāṭaka,	list_item via surya_layout
26	prakaraṇa, aṅka, vyāyoga, bhāṇa, samavakāra, vīthī, prahasana, ḍima and īhāmṛga.	list_item via surya_layout
27	98. Prastāvanā(lit.introduction) is twofold, one occurring in the end	list_item via surya_layout
28	of the Pūrvaranga and the other in the beginning of the play immediately after	list_item via surya_layout
29	nāndī i.e. one is composed by the sūtradhāra known as director and the other	list_item via surya_layout
30	by the poet called playwright to-day.	list_item via surya_layout
31	99. Mukha and pratimukha are the first two among the five sandhis or	list_item via surya_layout
32	junctures of drama.	list_item via surya_layout
33	100,101. Garbha is the third sandhi and avamarsa (another name for	list_item via surya_layout
34	vimarsa) is the fourth one.	list_item via surya_layout
35	Chapter IV	section_header via surya_layout
36	(The description of bhāṣās)	section_header via surya_layout
37	[ A. Bhāṣās according to Yāṣṭika ]	section_header via surya_layout
38	1. This whole portion on bhāṣās according to Yāṣṭika seems to form	main via surya_layout
39	part of an independent text. We have retained it in our reconstructed text	main via surya_layout
40	as it embodies very valuable material, but we have numbered its verses	main via surya_layout

vol_II_p110 RIGHT — 31 lignes

L#	Texte OCR	Role auto
1	203	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	[2. Māngālī]	section_header via surya_layout
4	Having gāndhāra as graha and nyāsa, şadja as amśa, devoid of tāra, sa (şadja)	main via surya_layout
5	being mandra (low), it is always devoid of pa-ri (pañcama-ṛṣabha).	main via surya_layout
6	(354)	annotation_inline parent ligne 5 via heuristic_height
7	Having şadja as amsa, dha (dhaivata) as graha (and) nyāsa, having dha	main via surya_layout
8	(dhaivata) as low (mandra), leaning towards high (tāra), formed with even	main via surya_layout
9	svaras and being complete, <math>m\bar{a}ng\bar{a}\bar{u}^{12}</math> is sung by the people.	main via surya_layout
10	(355)	annotation_inline parent ligne 9 via heuristic_height
11	[3. Bhammānikā]	section_header via surya_layout
12	Bhammānikā 13 should be known by the wise to have pañcama as amsa, graha	main via surya_layout
13	and nyāsa, low ga (gāndhāra) (and) high şadja, being devoid of ri (ṛṣabha) and	main via surya_layout
14	with sparse dha-ga (dhaivata- gāndhāra).	main via surya_layout
15	(356)	annotation_inline parent ligne 14 via heuristic_height
16	[4. Pulindikā]	section_header via surya_layout
17	Pulindikā14 has dhaivata as nyāsa, is devoid of ga-pa (gāndhāra-pañcama)	main via surya_layout
18	(and) there is concert between sadja-dhaivata and similarly between dhaivata-	main via surya_layout
19	rşabha.	annotation_inline parent ligne 18 via heuristic_short
20	(357)	main via surya_layout
21	[5. Gāndhārasindhu]	section_header via surya_layout
22	Gāndhārasindhu<sup>15</sup> .....	table via surya_layout
23	(358)	main via surya_layout
24	[6. Kārņāţī]	section_header via surya_layout
25	Having sadja as nyāsa and graha, dha (dhaivata) as amsa, high ga	main via surya_layout
26	(gāndhāra) and low madhyama, with even svaras and complete, is (the bhāṣā)	main via surya_layout
27	karnāļi<sup>16</sup> by name.	main via surya_layout
28	(359)	main via surya_layout
29	,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,	annotation_inline parent ligne 28 via heuristic_height
30	Thus ends the fifth chapter entitled desi-rāgādhyāya in	main via surya_layout
31	Bṛhaddesī composed by Matanga Muni.	main via surya_layout

174 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p127 RIGHT — 30 lignes

vol_I_p023 LEFT — 31 lignes

vol_II_p148 LEFT — 42 lignes

vol_II_p163 RIGHT — 40 lignes

vol_II_p110 RIGHT — 31 lignes