Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21273). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p011 RIGHT — 32 lignes

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1 5 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 The state of being consonant (vyanjanatva) is common to all the (seven) main
via surya_layout
4 groups (of consonants) beginning with the group of 'k'. Vyanjana16 attains the main
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5 state of Siva simply on account of (its) manifestation through Sakti (svara). (8) main
via surya_layout
6 Varņas (letters and syllables) are known as such because they delineate the main
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7 whole world through the own form<sup>17</sup> (svarūpa) of pada (word) and vākya 18 main
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8 (sentence) and through the conveying of the meaning of sentence. (9) main
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9 This pada 19 is always known by the wise to be preceded by syllable (varna) main
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10 i.e. the former presupposes the latter. The sentence, on the other hand, is a main
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11 combination of kriyā 20 (action, verb) and Kāraka 21 (instrumental in bringing main
via surya_layout
12 about the action denoted by a verb) (and) is made up of words. (10) main
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13 From the vākya (sentence) (arises) the mahāvākya 22 (lit. big or great main
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14 sentence) and in succession (arise) the Vedas with their angas 23 (anciliary main
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15 disciplines); all those are manifested from dhvani. From there (Vedas) is the main
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16 origin of Gandharva<sup>24</sup> (music). (11) main
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17 Dhvani<sup>25</sup> is the ultimate origin (yoni, — lit. womb); dhvani is the cause of main
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18 everything. The whole world of immobile and mobile (beings) is encompassed main
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19 by dhvani. (12) annotation_inline
parent ligne 18
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20 Dhvani is said to be twofold according to (its) division into manifest and main
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21 unmanifest (states). Being manifest on account of the obtaining of varnas 26 it main
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22 (dhvani) has reached the countenance (beginning) of desi. (13) main
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23 Thus ends the origin of desi. main
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24 [The definition of dest and marga ] section_header
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25 That which is sung by women, children, cowherds and kings<sup>27</sup> out of their main
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26 own will with love (and pleasure) in their own (respective) regions is called desi main
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27 (music). (14) annotation_inline
parent ligne 26
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28 This mārga 28 (course) (of deśi) is known to be twofold viz. that which is main
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29 nibaddha (structured, lit. bound) and that which is anibaddha (lit. unbound, main
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30 relatively less structured). That which is structured through ālāpa (melodic main
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31 elaboration) etc. is called mārga 29 (lit. path), but the one devoid of ālāpa etc. is main
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32 called desi. (15, 16ab). annotation_inline
parent ligne 31
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vol_II_p046 LEFT — 50 lignes

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1 Ą unknown
via fallback
2 • annotation_inline
parent ligne 48
via heuristic_height
3 74 page_number
via heuristic_pagenum
4 BRHADDEŚĨ page_header
via surya_layout
5 • annotation_inline
parent ligne 48
via heuristic_height
6 धा नी सनि धा पा पा पा पा table
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7 (१३) table
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8 į unknown
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9 धा नी मा पा गा गा गा गा table
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10 (१४) table
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11 į annotation_inline
parent ligne 48
via heuristic_height
12 गा पा पा पा धा मा गा मा table
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13 (१५) table
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14 धा धा नी धा पा पा पा पा table
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15 (१६) table
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16 री गा मा पा पम पा पा नी table
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17 (१७) table
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18 री री री री पा पा पा पा table
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19 (१८) table
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20 पा पा पा धा मा मा मा table
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21 (१९) table
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22 नी पा मा गम गां गां गां गां table
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23 (२०) table
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24 रों रों गा गा मा मा मा मा table
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25 (२१) table
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26 नी पा नी मा नी धा पा पा table
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27 (२२) table
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28 सा सा धनि धा पा पा पा पा table
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29 (२३) table
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30 मा पा मा परिग गा गा सां सां table
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31 (38) table
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32 री री गा गा मा मा पा मा table
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33 (२५) table
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34 रीं रीं रीं गा मा रिग मा मा table
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35 (२६) table
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36 मा नी पा नी गा गा गा गा table
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37 ( २७) table
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38 मा मा पा पा धा धनि निध मा table
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39 (२८) table
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40 धा धा सा नी धा नी पा पा table
via surya_layout
41 (२९) table
via surya_layout
42 रीं रीं रीं रीं मा पा धा मा table
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43 (३०) table
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44 नी नी नी धा पा मा मा table
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45 (38) table
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46 मा परि गा गा गा गा गा गा table
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47 (३२) table
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48 ॥ [इति] नन्दयन्ती ॥ section_header
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49 । म ॥१९१ main
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50 [॥१९२इति जातिर्नाम द्वितीयोऽध्याय:॥] editorial_bracket
parent ligne 49
via heuristic_brackets

vol_II_p027 RIGHT — 38 lignes

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1 37 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
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3 [ Anu. 136] editorial_bracket
parent ligne 4
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4 This means that kaiśikī, raktagāndhārī and gāndhārī, these three jātis do main
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5 not become ṣāḍava on account of (the omission of) ṛṣabha, on pañcama main
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6 being the amśa, because of the negation of the omission of the samvādī of main
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7 the amśa. Similarly, ṣāḍjī does not become ṣāḍava through (the omission main
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8 of) niṣāda, on gāndhāra being the aniśa (and) ṣadjodīcyavā should be known main
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9 as not being ṣāḍava through (the omission of) ṛṣabha, on dhaivata being the main
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10 ainsa. Now the giving up of the formation of auduvita that is obtained (due main
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11 to presription) is being prohibited (lit. its giving up is being prescribed). main
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12 In gāndhārī and raktagāndhārī, ṣaḍja, madhyama (and) pañcama alongwith main
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13 niṣāda are known as the amśas in which the formation of auduvita does not main
via surya_layout
14 operate. annotation_inline
parent ligne 13
via heuristic_height
15 (254) annotation_inline
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16 [ Anu. 137 ] editorial_bracket
parent ligne 13
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17 (Contention) annotation_inline
parent ligne 13
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18 And this is incongruous because the formation of auduvita is not main
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19 obtained (through prescription). Truly has this been said. By the main
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20 statement negating the formation of auduvita, the auduvita obtained on main
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21 account of precription alone is prohibited. main
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22 In ṣadjamadhyamā jāti, gāndhāra and then niṣāda and then in kaiśikī and main
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23 dhaivatī, dhaivata and ṛṣabha respectively (are the svaras that are not main
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24 omitted for making auduva forms of the respective jātis when the above are main
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25 aniśas). annotation_inline
parent ligne 24
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26 (255) annotation_inline
parent ligne 24
via heuristic_height
27 [ Anu. 138 ] editorial_bracket
parent ligne 24
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28 This means that in ṣadjamadhyamā, gāndhāra and then niṣāda are not main
via surya_layout
29 entitled to form auduvita. Dhaivatain kaiśikī and ṛṣabhain pañcamī are not main
via surya_layout
30 entitled to form auduvita. The prohibition applies only to the auduvita that main
via surya_layout
31 is obtained through prescription. And the state of being anisa is being main
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32 hypothetically considered without its being obtained (?) main
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33 Now, he (the author) draws out the svaras that do not become exceptions main
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34 in the formation of ṣāḍava and auḍuvita. main
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35 Forty-seven (svaras) are to be applied in the formation of ṣāḍava. main
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36 (256) annotation_inline
parent ligne 35
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37 [ Anu. 139] editorial_bracket
parent ligne 35
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38 This means that in the formation of ṣāḍava, forty-seven ainśas are to be main
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vol_II_p100 RIGHT — 22 lignes

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1 183 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 15. Now the bhāṣās in pañcamaṣāḍava section_header
via surya_layout
4 Having ṛṣabha as amśa, madhyama as the concluding note, this śakabhāṣā is main
via surya_layout
5 said to be complete (and) having abundant gändhära-pañcama. The profusion main
via surya_layout
6 of dhaivata-ṛṣabha is seen again and again. (This) bhāṣā (subsists) in main
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7 pancamaṣāḍava, being born of śakarāga. 71 main
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8 (142-143) annotation_inline
parent ligne 7
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9 Illustration - Ririsānini. Pānīririri [ . . . ma ]. Šakabhāṣā. editorial_bracket
parent ligne 7
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10 [Thus in pañcamaṣāḍava] section_header
via surya_layout
11 Thus are the bhāṣās manifested in (this)world, that are known to be main
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12 accepted by many. That <math>(bh\bar{a}s\bar{a})</math> is so modified as it is performed by one.<sup>72</sup> main
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13 (144) annotation_inline
parent ligne 12
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14 Similarly, (a bhāṣā) should be sung in accordance with its lakṣaṇas, with all main
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15 effort. It should always be listened to by the singers in the context of wit and main
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16 humour and whatever is seen in fighting or sacrifice (yajña), all that is shown main
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17 by that (bhāṣā). Bhāṣās are obtained everywhere in grāmarāgas. main
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18 <math>(145-146)</math> annotation_inline
parent ligne 17
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19 Thus ends in sarvāgamasamhita the fourth chapter dealing with bhāṣā- main
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20 lakṣaṇa where Yāṣṭika is the leader. main
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21 [ B. Bhāṣās according to Śārdūla] section_header
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22 After this I shall speak of the description of bhāṣā according to Śārdūla. main
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vol_II_p089 RIGHT — 31 lignes

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1 TRANSLATION page_header
via surya_layout
2 161 page_number
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3 Illustration-Sāpāpādhāmāmā pāgāmagāpadhādhāpāgamā gāpāpāpādhāpāsā main
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4 sāpādhāpamagāmāmā gāmasāsāsāgāgāmāgāmāmā. Şadjamadhyamā [iv] editorial_bracket
parent ligne 3
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5 Having madhyama as amśa, ṣaḍja as the concluding note, being weak in main
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6 pañcama, with profusion of dhaivata - niṣāda and similarly of ṣaḍja-dhaivata, main
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7 this bhāṣā, madhurī, should be known to be hexatonic in prenkhaka34 (a main
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8 synonym of hindolaka). main
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9 (88) annotation_inline
parent ligne 8
via heuristic_short
10 Illustration - Māpāpādhādhādhāmādhaninipāsanidhasāsā main
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11 māpādhanisa annotation_inline
parent ligne 10
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12 nisāsā māpānisāsārirīgamagārīsāsā nidhāpāpāpādhanidhāsāsā rirīgamāgari main
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13 sāsā. Madhurī [v] editorial_bracket
parent ligne 12
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14 Thus end the <i>bhāṣās</i> of <i>hindolaka</i>. main
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15 [5. Now the bhāṣās in pañcama] section_header
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16 Having pancama as amsa and the same as the concluding note, replete main
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17 with <i>niṣāda</i>, being complete, this <i>ābhīrī bhāṣā</i> is born of <i>deśa</i><sup>35</sup> (region), rises main
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18 out of pañcama (rāga) and should be known to be the first one arising out of main
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19 pañcama. Mutual concert between șadja-dhaivata is to be seen here. main
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20 <math>(89-90)</math> main
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21 Illustration - Pādhāmādhanidhāpāpāpā padhanidhāmāmādhānisāsā main
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22 sanidhanisadhānisānidhāsā dharimāmādhāninidhāpāpā pamamadhanisāsā main
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23 saninisāsāsanigarimamamāgarisasa sadhanipādhāmāmāsarimādhārimapāpā. main
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24 Abhīrī [i] editorial_bracket
parent ligne 23
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25 Bhāvinī has pañcama as nyāsa, gāndhāra as amśa (and) is weak in dhaivata. main
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26 Where the mutual movement of madhyama-pañcama is seen to be dense, the main
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27 bhāṣā bhāvinī should be known to be complete by the knowledgeable ones main
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28 in gändharva.36 annotation_inline
parent ligne 27
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29 (91) main
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30 Illustration-Gāmāpāgamapānidhā [pā]. Gamapāmāgāgārī rīgāmīdhāpāpāpāpā editorial_bracket
parent ligne 29
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31 Māmāgāmāpāpā māpāpāmādhārisagagamāpā māgāriripāpā. Bhāvini [ii] editorial_bracket
parent ligne 29
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173 lignes a valider — change uniquement les roles incorrects.