Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21275). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p042 LEFT — 48 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
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2 66 page_number
via heuristic_pagenum
3 (৬) table
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4 सा पा नी मा पा पा गां गां table
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5 मां पां मां निधं नी नी सा सा table
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6 (८) table
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7 पां पां मां धंनिं पां पां पां पां table
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8 (९) table
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9 (१०) table
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10 मां पां मां रिग गा गा गा गा table
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11 (११) table
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12 गा पा मा पा नी नी नी नी table
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13 (१२) table
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14 मा पा मा परि गा गा गा गा table
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15 (१३) table
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16 गा गा गा मा मा निध नी नी table
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17 (१४) table
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18 नी नी धप मा निध निध पा पा table
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19 (१५) table
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20 रीं गां सां सां मा नी नी नी table
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21 (१६) table
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22 नी नी धा पा धा पा मा मा table
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23 ॥ [इति] मध्यमोदीच्यवा ॥ table
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24 141 page_number
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25 [६. कामारवी] section_header
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26 कार्मारव्यां भवन्त्यंशा निषादरिपधैवता: ॥ १६॥ main
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27 बहवोऽन्तरमार्गत्वादनंशा: परिकीर्तिता: । main
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28 गान्धारोऽत्यन्तबहुल: सर्वाशस्वरसंगति: ॥ १७॥ main
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29 सर्वाशत्वं(?)स्वसंगतैः main
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30 चच्चत्पृट: षोडशात्र कला: षड्जादिमूर्छना । main
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31 (জা) annotation_inline
parent ligne 30
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32 पञ्चमस्य प्रेक्षणस्य ध्रुवायां विनियोजनम् ॥ १८॥ main
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33 <sup>१७८</sup>अस्यां पञ्चमो न्यास:, अंशा एवापन्यासा: । <sup>१७९</sup>प्रस्तार: - main
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34 ए(व?वा) main
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35 री री री री री री री री table
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36 (१) table
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37 मां गां सां गां सा नी नी नी table
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38 (२) table
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39 (3) table
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40 नी मा नी मा पा पा गा गा table
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41 (8) table
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42 गा पा मा पा नी नी नी नी table
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43 (4) table
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44 री गासानी री गारी गा table
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45 री गारी सानिध नी पापा table
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46 <b>(</b>\(\xi\) table
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47 (৩) table
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48 मा पा मा परि गा गा गा गा table
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vol_II_p010 RIGHT — 24 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 The Great Treatise on Desi Music section_header
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2 Composed by Śrī Matanga Muni section_header
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3 [ Chapter II ] editorial_bracket
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4 [ Jātis ] editorial_bracket
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5 [1. Their number, nomenclature and types] editorial_bracket
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6 [Number and nomenclature] editorial_bracket
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7 [Anu. 114] editorial_bracket
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8 Now he (the author)spoke (speaks) about the nomenclature of jātis at main
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9 the appropriate time and place. The jātis are only eighteen. These become main
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10 one hundred and forty in number according to all the variations of amsa main
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11 svaras. annotation_inline
parent ligne 10
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12 <math>\it J\bar{a}tis</math> are only eighteen as has been said earlier by Brahmä? I shall explain <math>^3</math> main
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13 them according to the distinction of their graha, amsa and the like. main
via surya_layout
14 (185) main
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15 [The jātis of şadjagrāma] section_header
via surya_layout
16 Ṣāḍjī and ārṣabhī and dhaivatī, then niṣādinī, ṣaḍjodīcyavatī and ṣaḍjakaiśikī main
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17 and ṣadjamadhyā (these are the jātis) based on ṣadjagrāma. main
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18 (186, 187) annotation_inline
parent ligne 17
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19 Thus end the seven (jātis) based on ṣadjagrāma . main
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20 [The jātis of madhyamagrāma] section_header
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21 After this, I shall speak of the jātis based on madhyamagrāma. main
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22 (188) annotation_inline
parent ligne 21
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23 Gändhäri, madhyamä and pañcami and similarly gändhärodicyavā and main
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24 gāndhārapañcamī, after that raktagāndhārī and similarly madhyamodīcyavā, main
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vol_I_p030 RIGHT — 28 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 , annotation_inline
parent ligne 4
via heuristic_height
2 43 page_number
via heuristic_pagenum
3 TRANSLATION page_header
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4 The vivādi-maṇḍala in madhyama-grāma is thus — main
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5 ma annotation_inline
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6 pa annotation_inline
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7 ga unknown
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8 ц unknown
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9 dha unknown
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10 ni annotation_inline
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11 sa annotation_inline
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12 [The sevenfold combination of svaras according to the types beginning with editorial_bracket
parent ligne 4
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13 ārcika] editorial_bracket
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via heuristic_brackets
14 (Anu. 28) main
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15 Now the names of the sevenfold combination of svaras are being spoken of - main
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16 ārcika,45 gāthika,46 sāmika,47 svarāntara,48 auduva,49 şādava50 and sampūrņa.51 main
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17 Nārada has said so - main
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18 "Ārcika, gāthika, sāmika, svarāntara, auduva, sādava and the seventh is main
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19 sampūrņa. That which (involves) the use of one svara is called ārcika. Gāthika main
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20 should be known as being comprised of two svaras, the (combination of) three main
via surya_layout
21 svaras itself is sāmika. The use of four svaras is spoken of as svarāntara. Auduva is main
via surya_layout
22 with five (svaras), şāḍava is with six svaras and sampūrņa is known with seven main
via surya_layout
23 (svaras) by the designers (yoktṛns) of gīta 52 (music)." main
via surya_layout
24 [The etymology of svara-names] section_header
via surya_layout
25 ŧ annotation_inline
parent ligne 24
via heuristic_height
26 The producer of six svaras, or the one produced by six svaras, or that which main
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27 (55) annotation_inline
parent ligne 26
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28 is born of six angas is called sadja.53 main
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vol_I_p032 LEFT — 32 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 46 page_number
via heuristic_pagenum
3 अष्टमस्य तृतीयं तु हरिबीजसमन्वितम्। main
via surya_layout
4 आद्यं स्वरं स्वरज्ञस्तूद्धरेत् उभ्सर्वप्रयत्नतः ।।६३।। main
via surya_layout
5 •स्तु उद्धरेत् तु annotation_inline
parent ligne 4
via heuristic_height
6 सप्तमस्य द्वितीयं तु कामबीजसमन्वितम्। main
via surya_layout
7 द्वितीयं तु स्वरं विद्धि ब्रह्मस्थानसमुद्भवात्॥६४॥ main
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8 द्वितीयस्यापि वर्गस्य तृतीयं विष्णुसंयुतम्। main
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9 उद्धरेच्च स्वरं नित्यं स्वरभेदमनोहरम्॥६५॥ main
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10 षष्ठस्यापि हि वर्गस्य अन्तिमं अन्तिमं अन्तिसंयुतम्। main
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11 •मग्चाः annotation_inline
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12 अविनष्टं विजानीयान् मध्यमं स्वरसत्तमम्।६६॥ main
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13 <sup>36</sup>₀मुत्तमम् annotation_inline
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14 <sup>37</sup>॰सप्तकम् annotation_inline
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15 <b>म्बतदादिप्रथमोपेतं स्वरं संविद्धि शोभनम्।</b> main
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16 था annotation_inline
parent ligne 15
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17 व्योमसंख्यासमायुक्तमोष्ठस्थानसमुद्भवम् ॥६७॥ main
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18 पञ्चमस्यापि वर्गस्य चतुर्थं चादिसंयुतम्। main
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19 कोदण्डद्वयसम्भूतमुद्धरेत् स्वरमुत्तमम्।।६८॥ main
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20 अकारान्यान्तसम्भिन्नं पञ्चमान्तं समुद्धरेत्। main
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21 ुन्ताः, annotation_inline
parent ligne 20
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22 ब्रह्मस्थानसमुद्भूतं सुतारध्वनिसंयुतम् ॥६९॥ main
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23 आगमस्थः स्वरोत्द्वार इति तावत् प्रदर्शितः। main
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24 [ स्वराणां कुलवर्णादिनिर्णयः ] editorial_bracket
parent ligne 23
via heuristic_brackets
25 अधुना सम्प्रवक्ष्यामि कुलवर्णादिनिर्णयम्।।७०।। main
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26 <sup>५९</sup>देवकुलसमुत्पन्नाः षड्जगान्धारमध्यमाः। main
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27 पितृवंशसमुत्पन्नः स्वरोऽसौ पञ्चमः किल।।७१।। main
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28 ऋषिवंशसमुत्पन्नौ स्वरावृषभधेवतौ। main
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29 असुराणां कुले जातो निषादः स निसंज्ञितः ।। ७२ ॥ main
via surya_layout
30 4)पद्मपत्रप्रभः षड्ज ऋषभः शुकवर्णकः। main
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31 कनकाभस्तु गान्धारो मध्यमः कुन्दसन्निभः॥७३॥ main
via surya_layout
32 - . . . . . annotation_inline
parent ligne 31
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vol_I_p067 LEFT — 44 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDEŚ</b>I page_header
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2 116 page_number
via heuristic_pagenum
3 सरिरिस [स] रिगगरिस सरिगममगरिस सरिगमपपमगरिस editorial_bracket
parent ligne 4
via heuristic_brackets
4 सरिगमपध्धपमगरिस सरिगमपधिननिधपमगरिस सरिगमपधिनस- main
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5 सनिधपमग्रिस, प्रस्तारः [ १५ ] editorial_bracket
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6 सा annotation_inline
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7 सनिनिस सनिधधनिस सनिधपपधनिस सनिधपममपधनिस main
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8 सा annotation_inline
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9 [ सनिधपमगगमपधनिस ] editorial_bracket
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10 री annotation_inline
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11 सा annotation_inline
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12 सिन्धपमगरिरिगमपधिनस सिन्धपमगरिस [ स ] रिगमपधिनस, editorial_bracket
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via heuristic_brackets
13 ृप्रसादः [ १६ ] editorial_bracket
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14 सरि रिग गम मप पध धनि निस सनि निध main
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15 धप पम मग गरि रिस, उद्वाहितः [ १७ ] editorial_bracket
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16 सरिसरि रिगरिंग गमगम मपमप पधपध main
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17 धनिधनि निसनिस सनिसनि निधनिध main
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18 धपधप पमपम मगमग गरिगरि रिसरिस, main
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19 उपलोलकः [ १८ ] editorial_bracket
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20 ः सरिरिस सरिगगरिस सरिगममगरिस सरिगमपपमगरिस main
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21 सरिगमपध्धपमगरिस सरिगमपधनिनिधपमगरिस सरिगमपधनिस- main
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22 सनिधपमगरिस, क्रमः [१९ ] editorial_bracket
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23 ुमाः annotation_inline
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24 सग रिम ग़प मध पनि धस, निष्कूजितः [ २० ] editorial_bracket
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25 सध annotation_inline
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26 सधसध निपनिप धमधम पगपग मरिमरि main
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27 गसगस, ह्रादमानः [ २१ ] editorial_bracket
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28 सारी गरि। री गामग। गामापम। मापाधप। main
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29 पा धा निध। धा नी सनि। रञ्जितः [ २२ ] editorial_bracket
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30 सरिगमपधनिसा। सनिधपमगरिसा। आवर्तकः, [ २३ ] editorial_bracket
parent ligne 28
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31 सरिगपपमगस्। रिगमधधपमरि। गमपनिनिधपगः। मपधससनिपमः। main
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32 सा annotation_inline
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33 मा annotation_inline
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34 មា annotation_inline
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35 गा annotation_inline
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36 [ सनिपममपधस ] निधपगगमपनि। धपमरिरिगमध। editorial_bracket
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37 धा annotation_inline
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38 मप annotation_inline
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39 (vide) annotation_inline
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40 티 annotation_inline
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41 गा annotation_inline
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42 पमगससरिगप, परिवर्तकः [ २४ ] editorial_bracket
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43 <sup>—</sup>सा <sup>-</sup> annotation_inline
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44 पा annotation_inline
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176 lignes a valider — change uniquement les roles incorrects.