Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21278). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p070 RIGHT — 36 lignes

page vol_II_p070 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 Electric and the annotation_inline
parent ligne 4
via heuristic_height
2 123 page_number
via heuristic_pagenum
3 TRANSLATION page_header
via surya_layout
4 [Anu. 208] section_header
via surya_layout
5 Its meaning is thus - Rūpasādhārita is related to şadjagrāma on account of main
via surya_layout
6 being born of şadjamadhyamā and niṣādavatī. Şadja is its graha and amśa. main
via surya_layout
7 Madhyama is the nyāsa. There is the sparseness of pañcama and ṛṣabha. main
via surya_layout
8 Niṣāda is kākalī here and this (rāga) is complete. It is used in vīra and karuņa main
via surya_layout
9 (rasas). Vīra and the like is the rasa84 The mūrchanā begininng with ṣaḍja main
via surya_layout
10 obtains. Arohin is the varna. Prasannamadhya is the alankāra. The kalā is main
via surya_layout
11 formed in the dakṣiṇa (mārga), the kalā obtains in the vārtika (mārga) and the main
via surya_layout
12 kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in the songs main
via surya_layout
13 comprised of svara and pada. main
via surya_layout
14 (338) main
via surya_layout
15 [6. Gāndhārapañcama] section_header
via surya_layout
16 Gāndhārapañcama isborn of gāndhārī and raktagāndhārī (jātis). Gāndhāra is main
via surya_layout
17 its <i>amśa</i> and <i>gāndhāra</i> alone is <i>nyāsa</i>. main
via surya_layout
18 [Anu. 209] section_header
via surya_layout
19 Itsmeaning is thus-gāndhārapañcama is related to madhyamagrāma on account main
via surya_layout
20 of being born of gāndhārī and raktagāndhārī jātis. Although it is born of dhaivatī main
via surya_layout
21 (jāti) in the opinion of Durgaśakti, yet on account of pañcama being comprised main
via surya_layout
22 of three śrutis, it is related to madhyama (grāma) alone in spite of being born of main
via surya_layout
23 jātis belonging to both the grāmas. Gāndhāra is its graha, amśa and nyāsa. With main
via surya_layout
24 relevance to the performer, gāndhāra may become dhaivata.85 Niṣāda is main
via surya_layout
25 kākalī here and this (rāga) is complete. Its application is prescribed in main
via surya_layout
26 adbhuta, vismaya<sup>86</sup> and hāsya (rasas). Karuṇa is the rasa<sup>87</sup> The mūrchanā main
via surya_layout
27 beginning with gāndhāra obtains. Sañcārin is the varņa. Prasannamadhya is main
via surya_layout
28 the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in main
via surya_layout
29 the vārtika(mārga) and the kalā prevails in the citra (mārga). A tāla like main
via surya_layout
30 caccatputa obtains in the songs comprised of svara and pada. main
via surya_layout
31 [7.Şadjakaisika] section_header
via surya_layout
32 *************** annotation_inline
parent ligne 31
via heuristic_height
33 [8. Pañcamaṣāḍava] section_header
via surya_layout
34 Pañcamaṣāḍavaisborn of dhaivatī and ārṣabhī jātis. It is combined with ṛṣabha main
via surya_layout
35 as the amśa and madhyama alone is the nyāsa. main
via surya_layout
36 (339) main
via surya_layout

vol_I_p039 LEFT — 34 lignes

page vol_I_p039 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 60 page_number
via heuristic_pagenum
3 पञ्चस्वरमौडुवितं पञ्चधा लक्षणं स्मृतम्। main
via surya_layout
4 पञ्चित्रशच्च संख्यं हि आचार्यैर्यदुदाहृतम्।।१०१।। main
via surya_layout
5 [ अनु. ४२ ] editorial_bracket
parent ligne 4
via heuristic_brackets
6 षड्जर्षभपञ्चमनिषादैः षड्जग्रामिकाः षाडवाः। षड्जर्षभगान्धारैर्हीना मध्यमग्रामे main
via surya_layout
7 षाडवाः। main
via surya_layout
8 [ अनु. ४३ ] section_header
via surya_layout
9 संवादिलोपादौडुवितत्विमिति वचनात् संवादिस्वराभ्यामौडुवितत्वं main
via surya_layout
10 प्राप्तमिति प्रायिकम्। कदाचिदनुवादिस्वराभ्यामौडुवितत्वं प्राप्तमिति प्रायिकम्। १९ main
via surya_layout
11 कदाचिदनुवादिस्वराभ्यामौड्वितं भवत्येव। यथा पञ्चमर्षभयोः षड्जग्रामे, main
via surya_layout
12 मध्यमग्रामे धैवतर्षभयोरिति। main
via surya_layout
13 पञ्चमषड्जविहीना द्विश्रुतिकाभ्यां तथा विहीनाम्च। main
via surya_layout
14 <del>्षि</del> 20 annotation_inline
parent ligne 13
via heuristic_height
15 ुनो annotation_inline
parent ligne 13
via heuristic_height
16 पञ्चमर्षभविहीनाश्चौडुविता भवन्ति षड्जग्रामे21।।१०२।। main
via surya_layout
17 तो annotation_inline
parent ligne 16
via heuristic_height
18 ुन annotation_inline
parent ligne 16
via heuristic_height
19 धैवतर्षभविहीना द्विश्रुतिकाभ्यां विहीना [ स् ] ता ज्ञेयाः। editorial_bracket
parent ligne 16
via heuristic_brackets
20 ्ने annotation_inline
parent ligne 16
via heuristic_height
21 ₀नो annotation_inline
parent ligne 16
via heuristic_markers
22 पञ्चस्वरकास्ताना भवन्ति खलु मध्यमग्रामे ॥१०३॥ main
via surya_layout
23 <b>, मस्वरकर्ता स्थाना ( ? )</b> main
via surya_layout
24 [अनु. ४४] section_header
via surya_layout
25 इदानीमेतदेव प्रस्तारेण दर्शयति। तद् यथा- main
via surya_layout
26 [षड्जग्रामे] section_header
via surya_layout
27 X रिगमपध नि<sup>22</sup> main
via surya_layout
28 नि x रिगमपध annotation_inline
parent ligne 27
via heuristic_short
29 धनि x रिगमप main
via surya_layout
30 पधनि X रिगम annotation_inline
parent ligne 29
via heuristic_short
31 म प ध नि 🗶 रि ग main
via surya_layout
32 गमपधनि 🗙 रि annotation_inline
parent ligne 31
via heuristic_short
33 ्रिगमपधनि 🗴 main
via surya_layout
34 षड्जहानाः। main
via surya_layout

vol_II_p063 RIGHT — 35 lignes

page vol_II_p063 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 . ..... ... ... ....................... annotation_inline
parent ligne 5
via heuristic_height
2 r . annotation_inline
parent ligne 5
via heuristic_height
3 TRANSLATION page_header
via surya_layout
4 109 page_number
via heuristic_pagenum
5 [D. The rāgas pertaining to rāga-gīti or vesarā-gīti] section_header
via surya_layout
6 [Anu. 190] editorial_bracket
parent ligne 5
via heuristic_brackets
7 (Contention) Why is the word 'rāga' 64 used for the vesara (rāgas)? On main
via surya_layout
8 account of the statement by the authorities. Similarly has said Kaśyapa - main
via surya_layout
9 "Where the raga that is attractive in all the four varnas, is seen in its totality, main
via surya_layout
10 they are known as rāgas." main
via surya_layout
11 [Anu. 191] section_header
via surya_layout
12 In the opinion of Durgaśakti , 'rāgas' themselves are known as being main
via surya_layout
13 'vesara'. Thus has said Durgaśakti - main
via surya_layout
14 "Vesaras are known to be so because the svaras move with speed." main
via surya_layout
15 In the opinion of Durgaśakti vesaraṣāḍava alone is prominent on account main
via surya_layout
16 of having 'inherited' the state of ṣāḍava (from śuddhaṣāḍava). In the opinion main
via surya_layout
17 of Kasyapa, on the other hand, takkarāga alone is prominent on account of main
via surya_layout
18 being gratifying to Laksmi.65 That is thus - main
via surya_layout
19 [1. Takkarāga] section_header
via surya_layout
20 Takkarāga is combined with şadja as amśa and nyāsa and is weak in main
via surya_layout
21 pañcama. Dhaivatī and ṣadjamadhyamā are indicated as its cause. main
via surya_layout
22 (320) main
via surya_layout
23 [Anu. 192] section_header
via surya_layout
24 This means—takkarāga is related to ṣaḍjagrāma on account of being born of main
via surya_layout
25 dhaivatī and ṣadjamadhyamā. Ṣadja is its graha, aniśa and nyāsa. There is the main
via surya_layout
26 sparseness of niṣāda and pañcama. Niṣāda and gāndhāra are kākalī and antara here main
via surya_layout
27 and this (rāga) is complete. It is used in the yuddhavīra (rasa). Vīra and adbhuta main
via surya_layout
28 are the rasas, the mūrchanā beginning with ṣaḍja obtains. Sañcārin is the varṇa. main
via surya_layout
29 Prasannānta is the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā main
via surya_layout
30 obtains in the vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla like main
via surya_layout
31 caccatputa obtains in the songs comprised of svara and pada. main
via surya_layout
32 [2. Sauvīra] section_header
via surya_layout
33 Şadjais the amśa and nyāsa and ṣadjamadhyamā is the cause of sauvīra. Gāndhāra main
via surya_layout
34 and niṣāda also is weak. main
via surya_layout
35 (321) main
via surya_layout

vol_II_p069 RIGHT — 40 lignes

page vol_II_p069 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 121 page_number
via heuristic_pagenum
3 and hāsya (rasas) and nirvahaṇa (sandhi). Vīra<sup>80</sup> and the like is the rasa. The main
via surya_layout
4 mūrchanā beginning with ṣaḍja obtains. Ārohin is the varņa. Prasannamadhya main
via surya_layout
5 is the <i>alankāra. The kalā</i> is formed in the <i>dakṣiṇa (mārga</i>), the <i>kalā</i> obtains main
via surya_layout
6 in the <i>vārtika (mārga</i>) and the <i>kalā</i> prevails in the <i>citra (mārga</i>). A <i>tāla</i> like main
via surya_layout
7 caccatputa obtains in the songs comprised of svara and pada. main
via surya_layout
8 [3. Kakubha] section_header
via surya_layout
9 Kakubha comes out of madhyamā, pañcamī and dhaivatī jātis, has pañcama main
via surya_layout
10 as its nyāsa and is formed with dhaivata as the amśa. main
via surya_layout
11 (335) main
via surya_layout
12 [Anu. 206] section_header
via surya_layout
13 Its meaning is thus – Kakubha is related to şadjagrāma. How is it related main
via surya_layout
14 to şadjagrāma alone in spite of being born of madhyamā, pañcamī and main
via surya_layout
15 dhaivatī? On account of pañcama being comprised of four śrutis and main
via surya_layout
16 dhaivata of three śrutis. Dhaivata is its amśa and graha. Pañcama is the nyāsa main
via surya_layout
17 and this (rāga) is complete in svaras. Its application is prescribed in the medium state of karuṇa (rasa). Karuṇa is its main
via surya_layout
18 with dhaivata obtains. Ārohin is the varņa. Prasannamadhya is the alaṅkāra. main
via surya_layout
19 The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vārtika main
via surya_layout
20 (mārga) and the kalā prevails in the citra(mārga). A tāla like caccatupṭa main
via surya_layout
21 obtains in the songs comprised of svara and pada. main
via surya_layout
22 [4. Bhammāṇapañcama] section_header
via surya_layout
23 Bhammāṇapañcama comes of ṣaḍjamadhyamā jāti, has ṣaḍja as its aṅiśa, main
via surya_layout
24 madhyama as nyāsa and treats as sparse the svaras comprised of two śrutis each. main
via surya_layout
25 (336) main
via surya_layout
26 [Anu. 207] section_header
via surya_layout
27 Its meaning is thus – Bhammāṇapañcama is related to madhyamagrāma on main
via surya_layout
28 account of being born of sadja-madhyamā jāti. Şadja is the graha and anisa, main
via surya_layout
29 madhyama is the nyāsa. There is the sparseness of niṣāda and gāndhāra. Niṣāda main
via surya_layout
30 is kākalī here and this (rāga) is complete in svaras. Its application is prescribed main
via surya_layout
31 in (the situation of ) travel on a path in summer, (by those) full of fatigue and main
via surya_layout
32 in (the depiction of) forests. Vīra and the like is the rasa<sup>83</sup>. The mūrchanā main
via surya_layout
33 beginning with ṣadjaobtains. Ārohinisthe varṇa. Prasannamadhya isthe alankāra. main
via surya_layout
34 The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vārtika (mārga) main
via surya_layout
35 and the kalāprevails in the citra (mārga). A tāla like caccatpuṭa obtains in the songs main
via surya_layout
36 comprised of svara and pada. main
via surya_layout
37 [5. Rūpasādhārita] section_header
via surya_layout
38 Rūpasādhārita is born of şadjamadhyamā and naiṣādī (jātis). It has ṣadja as main
via surya_layout
39 its <i>amśa, madhyama</i> as <i>nyāsa</i> and is with sparse <i>pañcama</i> and <i>ṛṣabha.</i> main
via surya_layout
40 (337) main
via surya_layout

vol_II_p038 LEFT — 47 lignes

page vol_II_p038 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 58 page_number
via heuristic_pagenum
3 मा गारी गामा मासा सा table
via surya_layout
4 (3) table
via surya_layout
5 [मा मगम मा मा निध पध पम गमम] table
via surya_layout
6 (8) table
via surya_layout
7 धा गध परि रिग गरि गस धस धा table
via surya_layout
8 (4) table
via surya_layout
9 निध सा री मृगम मा मा मा मा table
via surya_layout
10 (६) table
via surya_layout
11 मां मां मंगमं मंधं धंपं पंधं पंमं गंमंगं table
via surya_layout
12 (৩) table
via surya_layout
13 धा पध परि रिंग मंग रिंग संधस सा table
via surya_layout
14 (८) table
via surya_layout
15 मां मां धनि धस धप पम पा पा table
via surya_layout
16 (9) table
via surya_layout
17 मा मग मां मां पध पम गम गस table
via surya_layout
18 (१०) table
via surya_layout
19 धा पध परि रिम मग रिग सधस सा table
via surya_layout
20 (११) table
via surya_layout
21 निंधं सां री मगम मा मा मा मा table
via surya_layout
22 (१२) table
via surya_layout
23 ॥ [इति] षड्जमध्यमा ॥ table
via surya_layout
24 (स॥ table
via surya_layout
25 [२. गान्धारोदीच्यवा] section_header
via surya_layout
26 गान्धारोदीच्यवायां तु द्वावंशौ षड्जमध्यमौ । main
via surya_layout
27 रिलोपात् षाडवं ज्ञेयं पूर्णत्वेंऽशेतराल्पता ॥४॥ main
via surya_layout
28 ॰(शोन्तरात्मना? शेतराल्पता) annotation_inline
parent ligne 27
via heuristic_markers
29 अल्पा निधपगान्धारा: षाडवत्वे प्रकीर्तिता: । main
via surya_layout
30 रिधयो: सङ्गतिर्ज्ञेया धैवतादिश्च मूर्छना ॥ ५॥ main
via surya_layout
31 स(गनिज्ञे ? ङ्गतिर्जे)या main
via surya_layout
32 तालश्चचत्पुटो ज्ञेय: कला: षोडश कीर्तिता: । main
via surya_layout
33 विनियोगो ध्रुवागाने चतुर्थप्रेक्षणे मत: ॥ ६॥ main
via surya_layout
34 <sup>१६९</sup>अस्यां मध्यमो न्यास: । षड्जधैवतावपन्यासौ । १७°प्रस्तार: - annotation_inline
parent ligne 33
via heuristic_markers
35 म(ध्य)मो main
via surya_layout
36 (१) table
via surya_layout
37 सा सा पा मा पा धप पा मा table
via surya_layout
38 (२) table
via surya_layout
39 धा पा मा मा सा सा सा सा table
via surya_layout
40 धा नी सा सा मा मा पा पा table
via surya_layout
41 (3) table
via surya_layout
42 नी नी नी नी नी नी नी table
via surya_layout
43 <b>(</b>8) table
via surya_layout
44 मा मा धा निस नी नी नी नी table
via surya_layout
45 (4) table
via surya_layout
46 मा पा मा परि गा गा सा सा table
via surya_layout
47 <b>(</b>\(\xi\) table
via surya_layout
192 lignes a valider — change uniquement les roles incorrects.