Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21281). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p013 LEFT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 F unknown
via fallback
2 8 page_number
via heuristic_pagenum
3 BRHADDEŚĪ page_header
via surya_layout
4 षाड्ज्यान्ध्री नन्दयन्ती च गान्धारोदीच्यवा तथा। main
via surya_layout
5 पह्(ज्य ? जा) annotation_inline
parent ligne 4
via heuristic_height
6 चतेस्रः षट्स्वरा होता ज्ञेयाः पञ्चस्वराः पराः ॥ २०१ ॥ main
via surya_layout
7 निषादवत्यार्षभी च धैवती षड्जमध्यमा । main
via surya_layout
8 षड्जोदीच्यवती चैव पञ्च षड्जाश्रिता: स्मृता: ॥ २०२ ॥ main
via surya_layout
9 त्रिधा annotation_inline
parent ligne 8
via heuristic_height
10 गान्धारी रक्तगान्धारी मध्यमा पञ्चमी तथा । main
via surya_layout
11 कैशिकी चेति विज्ञेया: पञ्जैता मध्यमाश्रिता: ॥ २०३ ॥ main
via surya_layout
12 षड्जग्रामे तु विज्ञेया १४[ सम्पूर्णा षड्जकैशिकी । editorial_bracket
parent ligne 11
via heuristic_brackets
13 षट्स्वरा चैव विज्ञेया षाड्जी गान्धारयोगत: ॥ २०४॥ main
via surya_layout
14 सम्पूर्णा मध्यमग्रामे ज्ञेया कार्मारवी तथा। main
via surya_layout
15 गान्धारपञ्चमी चैव मध्यमोदीच्यवा तथा ॥ २०५ ॥ main
via surya_layout
16 पुनश्च षट्स्वरा ज्ञेया] गान्धारोदीच्यवा बुधै:। editorial_bracket
parent ligne 15
via heuristic_brackets
17 आन्ध्री च नन्दयन्ती च मध्यमग्रामसंश्रया: ॥ २०६ ॥ main
via surya_layout
18 (:) annotation_inline
parent ligne 17
via heuristic_height
19 एवमेता बुधैर्ज्ञेया द्वैग्रामिक्यो विभागत: ॥ २०७ ॥ main
via surya_layout
20 द्वी ग्रामीकौ(?)<sup>१५</sup>ऽपिजातय: main
via surya_layout
21 यास्ता: सप्तस्वरा ज्ञेया याश्चेता: षट्स्वरा: स्मृता: । main
via surya_layout
22 क्वचित् षाडवितास्तास्तु पक्षे चौडुवितीकृताः ॥ २०८ ॥ main
via surya_layout
23 ॥ इति शुद्धाः, विकृताः, संसर्गजा विकृताश्च ॥ editorial_bracket
parent ligne 22
via heuristic_brackets
24 [३. सामान्यलक्षणम् ] section_header
via surya_layout
25 [ अनु ॰ ११८ ] section_header
via surya_layout
26 इदानीं [ सामान्य-] लक्षणमाह - editorial_bracket
parent ligne 25
via heuristic_brackets
27 <sup>१६</sup>श्रुतिग्रहस्वरादिसमूहाज्जायन्त अतो जातय इत्युच्यन्ते। <sup>१७</sup>यस्माज्जायते रसप्रतीतिरारभ्यते main
via surya_layout
28 <b>न्ते जातय:</b> annotation_inline
parent ligne 27
via heuristic_height
29 न्त annotation_inline
parent ligne 27
via heuristic_height

vol_II_p100 LEFT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 4 page_number
via heuristic_pagenum
2 BARRION POR annotation_inline
parent ligne 5
via heuristic_height
3 182 page_number
via heuristic_pagenum
4 BŖHADDEŚI page_header
via surya_layout
5 [१५. अथ पञ्चमपाडवे] section_header
via surya_layout
6 ऋषभांशा मध्यमान्ता शकभाषा प्रकीर्तिता । main
via surya_layout
7 मध्यमांशा annotation_inline
parent ligne 6
via heuristic_height
8 सुसम्पूर्णस्वरा होषा बहुगान्धारपञ्चमा ॥ १४२॥ main
via surya_layout
9 धैवतर्षभबाहुल्यं दृश्यते च मुहुर्मुहु:। main
via surya_layout
10 शकरागे तु सम्भूता [?] भाषा पञ्चमषाडवे<sup>१३४</sup>॥ १४३॥ editorial_bracket
parent ligne 9
via heuristic_brackets
11 ॰प्पृ annotation_inline
parent ligne 9
via heuristic_markers
12 उदाहरणम् - रिरिसानिनि । पानिरिरिरि [००० म] [शकभाषा] editorial_bracket
parent ligne 9
via heuristic_brackets
13 [॥ इति पञ्चमषाडवे ॥] section_header
via surya_layout
14 इत्येताः प्रकटा लोके भाषा बहुमताः स्मृताः। main
via surya_layout
15 यथा यथा प्रयुञ्जीत तथा सा तु विवर्तिता ॥ १४४॥ main
via surya_layout
16 तस्य annotation_inline
parent ligne 15
via heuristic_height
17 तथा सर्वप्रयत्नेन गातव्या लक्षणान्विता । main
via surya_layout
18 गीयते annotation_inline
parent ligne 17
via heuristic_height
19 श्रोतव्या गायकैर्नित्यं परिहासार्थ-कौशले ॥ १४५॥ main
via surya_layout
20 <b>॰कौशिलि</b> annotation_inline
parent ligne 19
via heuristic_markers
21 यत्किञ्चिदाहवे[दृष्टं] समस्तं दर्शयेच्च सा । editorial_bracket
parent ligne 19
via heuristic_brackets
22 ॰दाह्यये + + annotation_inline
parent ligne 19
via heuristic_markers
23 नाशयेत्•तत् main
via surya_layout
24 सर्वत्र ग्रामरागेषु भाषाणामुपलभ्यते ॥ १४६॥ main
via surya_layout
25 सर्वन्त्रामरागेषु annotation_inline
parent ligne 24
via heuristic_height
26 [इति] सर्वागमसंहितायां याष्टिकप्रमुखभाषालक्षणाध्याय: चतुर्थ:॥ editorial_bracket
parent ligne 24
via heuristic_brackets
27 ॰भाषा(ध्या॰) annotation_inline
parent ligne 24
via heuristic_markers
28 [ख. शार्दूलमते भाषालक्षणम्] र section_header
via surya_layout
29 अतः परं प्रवक्ष्यामि शार्दूलमते भाषालक्षणम् - main
via surya_layout

vol_I_p009 RIGHT — 4 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 श्रीमतङ्गमुनिप्रणीता<br>बृहद्देशी<br>BRHADDEŚĪ main
via surya_layout
2 <b>OF</b> annotation_inline
parent ligne 1
via heuristic_height
3 ŚRĪ MATANGA MUNI main
via surya_layout
4 (Volume I) main
via surya_layout

vol_II_p072 RIGHT — 31 lignes

page vol_II_p072 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 127 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 in yuddha-vīra 92 (rasa). Vīra and the like is the rasa. The mūrchanā beginning main
via surya_layout
4 with ṣaḍjaobtains. Ārohin is the varṇa. Prasannāntais the alaṅkāra. The kalā main
via surya_layout
5 is formed in the dakṣiṇa(mārga), the kalā obtains in the vārtika(mārga) and main
via surya_layout
6 the kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in the songs main
via surya_layout
7 comprised of svara and pada. main
via surya_layout
8 [The assignment of grāma to sādhāraņa rāgas] section_header
via surya_layout
9 Now, the assignment of grāma to sādhāraņa (rāgas) is being shown. main
via surya_layout
10 Bhammāṇapañcama should be known to be born of madhyamagrāma and main
via surya_layout
11 so are gāndhārapañcama, narta and ṣaḍjakaiśika. main
via surya_layout
12 (342) annotation_inline
parent ligne 11
via heuristic_short
13 The rāgas rūpasādhārita, śaka, kakubha, revagupta and pañcamaṣāḍava main
via surya_layout
14 should be known to be (related to ) the one known as sadja. The seven main
via surya_layout
15 (nine?) sādhāraņa (rāgas) have (thus) been said to be based on the two main
via surya_layout
16 grämas. annotation_inline
parent ligne 15
via heuristic_short
17 (343) main
via surya_layout
18 [The basis of the specification of murchanā in respect of grāma-rāgas] section_header
via surya_layout
19 [Anu. 213] editorial_bracket
parent ligne 18
via heuristic_brackets
20 (Contention) How is the specification of particular mūrchanās in respect main
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21 of grāma-rāgas known? It is being answered. The specification of mūrchanās main
via surya_layout
22 is known from the statements of authorities. Similarly has said Kasyapa - main
via surya_layout
23 "The mūrchanā should be specified by the wise after knowing the main
via surya_layout
24 predominance of amsa in a jāti."94 main
via surya_layout
25 [The difference between gita and raga] section_header
via surya_layout
26 [Anu. 214] editorial_bracket
parent ligne 25
via heuristic_brackets
27 (Contention) What is the difference between gita and raga? It is being main
via surya_layout
28 answered. The gita characterised with ten lakṣaṇas should be named after main
via surya_layout
29 the word rāga. Gīta is comprised of four angas (components).95 It is five- main
via surya_layout
30 fold in combination with dhruva96 From where is this known? From the main
via surya_layout
31 statements of authorities. Similarly has said Kasyapa - main
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vol_II_p069 RIGHT — 40 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 121 page_number
via heuristic_pagenum
3 and hāsya (rasas) and nirvahaṇa (sandhi). Vīra<sup>80</sup> and the like is the rasa. The main
via surya_layout
4 mūrchanā beginning with ṣaḍja obtains. Ārohin is the varņa. Prasannamadhya main
via surya_layout
5 is the <i>alankāra. The kalā</i> is formed in the <i>dakṣiṇa (mārga</i>), the <i>kalā</i> obtains main
via surya_layout
6 in the <i>vārtika (mārga</i>) and the <i>kalā</i> prevails in the <i>citra (mārga</i>). A <i>tāla</i> like main
via surya_layout
7 caccatputa obtains in the songs comprised of svara and pada. main
via surya_layout
8 [3. Kakubha] section_header
via surya_layout
9 Kakubha comes out of madhyamā, pañcamī and dhaivatī jātis, has pañcama main
via surya_layout
10 as its nyāsa and is formed with dhaivata as the amśa. main
via surya_layout
11 (335) main
via surya_layout
12 [Anu. 206] section_header
via surya_layout
13 Its meaning is thus – Kakubha is related to şadjagrāma. How is it related main
via surya_layout
14 to şadjagrāma alone in spite of being born of madhyamā, pañcamī and main
via surya_layout
15 dhaivatī? On account of pañcama being comprised of four śrutis and main
via surya_layout
16 dhaivata of three śrutis. Dhaivata is its amśa and graha. Pañcama is the nyāsa main
via surya_layout
17 and this (rāga) is complete in svaras. Its application is prescribed in the medium state of karuṇa (rasa). Karuṇa is its main
via surya_layout
18 with dhaivata obtains. Ārohin is the varņa. Prasannamadhya is the alaṅkāra. main
via surya_layout
19 The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vārtika main
via surya_layout
20 (mārga) and the kalā prevails in the citra(mārga). A tāla like caccatupṭa main
via surya_layout
21 obtains in the songs comprised of svara and pada. main
via surya_layout
22 [4. Bhammāṇapañcama] section_header
via surya_layout
23 Bhammāṇapañcama comes of ṣaḍjamadhyamā jāti, has ṣaḍja as its aṅiśa, main
via surya_layout
24 madhyama as nyāsa and treats as sparse the svaras comprised of two śrutis each. main
via surya_layout
25 (336) main
via surya_layout
26 [Anu. 207] section_header
via surya_layout
27 Its meaning is thus – Bhammāṇapañcama is related to madhyamagrāma on main
via surya_layout
28 account of being born of sadja-madhyamā jāti. Şadja is the graha and anisa, main
via surya_layout
29 madhyama is the nyāsa. There is the sparseness of niṣāda and gāndhāra. Niṣāda main
via surya_layout
30 is kākalī here and this (rāga) is complete in svaras. Its application is prescribed main
via surya_layout
31 in (the situation of ) travel on a path in summer, (by those) full of fatigue and main
via surya_layout
32 in (the depiction of) forests. Vīra and the like is the rasa<sup>83</sup>. The mūrchanā main
via surya_layout
33 beginning with ṣadjaobtains. Ārohinisthe varṇa. Prasannamadhya isthe alankāra. main
via surya_layout
34 The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vārtika (mārga) main
via surya_layout
35 and the kalāprevails in the citra (mārga). A tāla like caccatpuṭa obtains in the songs main
via surya_layout
36 comprised of svara and pada. main
via surya_layout
37 [5. Rūpasādhārita] section_header
via surya_layout
38 Rūpasādhārita is born of şadjamadhyamā and naiṣādī (jātis). It has ṣadja as main
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39 its <i>amśa, madhyama</i> as <i>nyāsa</i> and is with sparse <i>pañcama</i> and <i>ṛṣabha.</i> main
via surya_layout
40 (337) main
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133 lignes a valider — change uniquement les roles incorrects.