Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21287). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p053 LEFT — 35 lignes

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1 88 page_number
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2 BRHADDEŚĪ page_header
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3 मुख्य इति षाडवः ? तत्र नायम्। एकः । कुतः ? सम्पूर्णत्वादमुष्य रागस्य । तस्मादुत्तरपक्ष एव main
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4 ज्यायान्। ननु कथं षट्सु रागेषु मुख्योऽयम्? उच्यते पूर्व-[रङ्गे तु] शुद्धषाडव: प्रयोक्तव्य इति editorial_bracket
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5 (कथनुकथन? कथं) main
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6 पुष annotation_inline
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7 वचनात् पूर्वरङ्गे प्रचुरप्रयोगत्वादस्य शुद्धषाडवस्यादौ निर्देश:। main
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8 विकारिमध्यमाजाते: सम्भूत: शुद्धषाडव: । main
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9 न् annotation_inline
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10 न्यासोऽस्य मध्यमोंऽशश्च गान्धारेण च दुर्बल: ॥ ३००॥ main
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11 <b>णांश</b>श annotation_inline
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12 (तु? दु) annotation_inline
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13 [अनु॰ १६५] section_header
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14 अस्यार्थः - शुद्धषाडवो मध्यमग्रामसम्बन्धः। तारमध्यमो ग्रहः। मध्यमोऽशो न्यासश्च । main
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15 गान्धारस्य चाल्पत्वम् । निषादगान्धारौ चात्र काकल्यन्तरौ । पूर्णस्वरश्चायम् । पूर्वरङ्गेऽस्य main
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16 (इन ? इने) annotation_inline
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17 मध्यमो वादी । षड्जः संवादी । ऋषभपञ्चमावनुवादिनौ । विवादी नास्ति । main
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18 प्रयोग:। annotation_inline
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19 शृङ्गारहास्यौ रसौ । मध्यमादिमूर्छना । अवरोही वर्ण: । प्रसन्नान्तोऽलङ्कार: । main
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20 त्रिषु मार्गेषु main
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21 गीयते। दक्षिणे कला, वृत्तौ कला, चित्रे कला। ३८स्वरपदगीते चच्चत्पुटादिताल: । unknown
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22 <b>ण्पदेप</b> annotation_inline
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23 आक्षिप्तिका<sup>३९</sup> main
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24 ॰सका annotation_inline
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25 [२. शुद्धपञ्चम:] section_header
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26 ДO annotation_inline
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27 [अनु॰ १६६] editorial_bracket
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28 शुद्धपञ्चमः षड्जोदीच्यवतीजातेः स्मृतः। main
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29 र्गत: annotation_inline
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30 [३. शुद्धसाधारित: ] section_header
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31 षड्जांशो मध्यमन्यासः स्वल्पद्विश्रुतिकस्वरः। main
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32 (बि?हि) unknown
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33 स्यात् षड्जमध्यमाजाते: शुद्धः साधारितस्तथा ॥ ३०१॥ main
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34 erte Arresto de la composição de la composição de la composição de la composição de la composição de la composição de la annotation_inline
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35 . . . annotation_inline
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vol_II_p148 LEFT — 42 lignes

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1 <b>Ç≛</b> 20040 - 15 unknown
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2 278 page_number
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3 BRHADDEŚĪ page_header
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4 which is said to be omitted, is profusely used therein: main
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5 पासागममाधाधा पामाससानिसानि सानिमगमामापाधामपामारीसानि धापामहमामाधानीरिरिरिसागारि ऋपभारिरिपका । main
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6 133. P.t. omits the description of gāndhārī. Other texts describe it list_item
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7 as follows- list_item
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8 गान्धारपञ्चमे भाषा गान्धारी सगभूषिता । list_item
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9 (i) list_item
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10 धाद्यना सर्वलोकस्य हद्या स्त्रीणां विशेषत:॥ list_item
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11 Kalā (appendix) on SR II, p.139 main
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12 (ii) annotation_inline
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13 गान्धारपञ्चमे रागे गान्धारी भाषिकैकिका । main
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14 धैवतांशग्रहन्यासा पङ्जमध्यमभूयसी ॥ main
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15 गान्धारबहुला वाऽपि षड्जग्रामनिवासिनी ॥ main
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16 S Rāj II.2.1.1006. annotation_inline
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17 134. Kalli has described a bhāṣā named śakā, pertaining to revagupta; main
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18 that description is different from the one of our text. main
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19 सन्यासा रेवगुप्तस्य भाषा मांशा शकाह्या । main
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20 गपाभ्यां बहुला पूर्णा रिधाभ्यामपि भूयसी ॥ main
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21 Kalā (appendix) on SR II. p.142. main
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22 S Rāj II.2.1.1100 describes śakabhāṣā as pertaining to pañcamaṣāḍava, falling main
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23 in line with our text, as follows - main
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24 ऋषभांशा मध्यमान्ता सम्पूर्णा गपभूयसी । main
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25 रिधयो: सङ्गता प्रोक्ता रागे पञ्चमषाडवे ॥ main
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26 शकभाषाद्वया ....। annotation_inline
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27 Kalli describes a bhāṣā named potā under revagupta; the same seems to find main
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28 place in S Rāj under the name revaguptā; the two descriptions are very main
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29 similar. annotation_inline
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30 पोता - main
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31 ्रऋषभांशग्रहन्यासा धहीना निसभूयसी । main
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32 पोता प्रोक्ता मतङ्गेन भाषा पञ्चमषाङ्ये ॥ main
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33 Kalā (appendix) on SR II. p. 142. main
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34 रेवगुप्ता –   ऋषभांशग्रहन्यासा निभूयिष्ठा धदुर्बला । main
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35 रेवगुप्ता स्मृता भाषा रागे पञ्चमषाडवे ॥ main
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36 S Rāj 11.2.1.1102. annotation_inline
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37 It may be noted that potā has been enumerated under pañcamaṣāḍava main
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38 in S Rāj II.2.1.100 cd, but it has not been described in that text. main
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39 [B. Bhāṣālakṣaṇa according to Śārdula] section_header
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40 1. We are treating the matter falling under this heading as forming main
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41 part of the chapter entitled bhāṣālakṣaṇa, but the verses have been numbered main
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42 ٠ page_number
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vol_II_p161 RIGHT — 46 lignes

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1 ٠ page_number
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2 <b>VIMARŚA</b> page_header
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3 305 page_number
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4 central part of present Madhya Pradesh. The special preference for Mālavā main
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5 requires further investigation. annotation_inline
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6 29. The word gamaka is used here in the sense of vocal embellishments list_item
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7 including shakes; it is not restricted to shake. list_item
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8 30. See note 22. list_item
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9 31. Each grāmarāga is said to be born of one or more jātis. list_item
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10 32. Pūrvaranga has been described in NS IV and V; it embodies list_item
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11 instrumental rendering, song, dance, dialogue etc. presented as a preliminary list_item
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12 to drama. It has both ritualistic and psychological value as it ensures the list_item
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13 success of drama by propitiating the gods and prepares the audience for list_item
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14 being receptive to drama. list_item
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15 33. Kākalī and antara are always prescribed to be sparse, but here only list_item
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16 the sparseness of gandhara is prescribed, although both antara and kakali are list_item
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17 present. It could be construed that gandhara stands for the original list_item
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18 gāndhāra and not antara. See note 91. list_item
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19 • annotation_inline
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20 34,35. The prescription of a specific varņa and alankāra in a rāga is list_item
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21 not easy to comprehend. It could only be surmised that the peculiar form list_item
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22 of a raga in some cases becomes manifest in ascent, in other cases in descent list_item
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23 and similarly a specific alankāra could be assigned to a rāga on account of list_item
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24 having a special role in establishing the same. list_item
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25 36. Mārga literally means path; it stands for the span of a tāla. NŠ list_item
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26 describes three mārgas of each tāla, citra being the shortest, vārtika or vṛtti list_item
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27 being its double and dakṣiṇa again being its double. Our text describes two list_item
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28 additional mārgas viz. dhruva being half of the length of citra and śūnya list_item
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29 being half of dhruva. (See Vol.I. Anu.113) list_item
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30 37. Kalā has many meanings; the main ones are-firstly, the time-unit list_item
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31 that is equal to a guru i.e. two mātrās of tāla, secondly, the 'action' (kriyā) in list_item
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32 tāla, sounded or unsounded and thirdly, the unsounded action. Here the list_item
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33 first meaning is relevant because the length of kalā depends on the mārga in list_item
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34 use at a given time. list_item
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35 38. Caccatpuța is the first among the five tālas described in NŠ XXXI. list_item
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36 This is the only caturasra (lit. square) tala, being composed of four kalas or list_item
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37 eight mātrās. list_item
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38 39. Garbha-sandhi is the third among the five sandhis or junctures in list_item
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39 drama described in NŚ XIX; the first two being mukha and pratimukha and list_item
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40 the last two being vimarsa and nirvahana. Garbha literally means 'womb', list_item
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41 the inside or interior of something. In drama garbha-sandhi stands for that list_item
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42 juncture where the 'sprouting' of the 'seed' has taken place, but the fruit list_item
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43 is still enshrouded in the 'garbha'. list_item
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44 40. Our text does not uphold the relationship of any raga to both the list_item
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45 grāmas; the decision always rests with the interval of pañcama, if it is list_item
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46 composed of four śrutis, then relationship with ṣadjagrāma is confirmed and list_item
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vol_II_p136 RIGHT — 53 lignes

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1 PĂŢĦAVIMARŚA page_header
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2 255 page_number
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3 170. Ibid.adds asyāḥ before ‘prastāraḥ’. list_item
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4 171. Reading in SR I. 7. 94. list_item
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5 172. SR I. 7. p. 242 adds 'raktagāndhāryām 'after 'asyām'. list_item
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6 173. Ibid.adds 'asyāḥ 'before 'prastāraḥ'. list_item
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7 174. SR I. 7. p. 245 adds ‘gāndhārapañcamyāṁ ’ after ‘ asyāṁ ’. list_item
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8 175. Ibid.adds ‘asyāḥ ’before ‘ prastāraḥ’. list_item
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9 176. SR. I. 7. p. 253 adds 'madhyamodīcyavāyām' after 'asyām'. list_item
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10 177. Ibid.adds ' asyāḥ ' before ' prastāraḥ '. list_item
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11 178. SR 1. 7. p. 253 adds ‘ kārmāravyāṁ ’ after ‘ asyāṁ ’. list_item
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12 179. Ibid.adds ‘ asyāḥ ’ before ‘ prastāraḥ ’. list_item
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13 180. SR1. 7.104 reads ‘sūribhiḥ’ but SRĀ I.7.103 reads ‘sū (bhū) ribhiḥ’. list_item
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14 181. SR 1.7. p.257 adds ‘gāndhārapañcamyām’ after ‘asyām’. list_item
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15 182. Ibid.adds ‘ asyāḥ ’ before ‘prastāraḥ ’. list_item
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16 183. Reading in SR I. 7. 105. list_item
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17 184. Reading in SR I.7.106. list_item
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18 185. Reading in SR 1.7.106; SRĀ 1.7.106 and Sudhā on the same, p. list_item
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19 260 read 'tāla' which fits the context. list_item
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20 186. SR I. 7, p.261 adds 'āndhryam' after 'asyām'. list_item
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21 187. Ibid.adds ' asyāḥ ' before ' prastāraḥ '. list_item
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22 188. Reading in SR I. 7.109. list_item
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23 189. SR I. 7, p. 264 adds ‘ nandayantyām’ after ‘ asyām’. list_item
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24 190. Ibid.adds asyāḥ before prastāraḥ. list_item
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25 191. P.t. adds 'sa' or 'ma' after each jātiprastāra in this interpolated list_item
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26 portion; the significance is not clear. list_item
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27 192. The jātis described in this interpolated portion do not complete list_item
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28 the number eighteen because of two repetitions as follows- list_item
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29 Jätis left out table
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30 Jātis described in the table
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31 Jātis described table
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32 interpolated portion table
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33 in the prose portion table
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34 1. Madhyamā table
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35 1.Şadjamadhyamā table
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36 1. Şādjī table
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37 2. Pañcami table
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38 2. Gändhärodicyavā table
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39 2. Arşabhī table
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40 3. Raktagāndhārī table
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41 3. Dhaivatī table
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42 4. Kaišikī table
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43 4. Naisādī table
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44 5. Madhyamodicyavā table
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45 5. Şadjakaisikī table
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46 6. Kārmāravī table
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47 6. Şadjodicyavā table
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48 7. Gändhärapañcamī table
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49 7.Şadjamadlıyrunā table
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50 8. Āndhrī table
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51 8. Gändhäri table
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52 9. Nandayanti table
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53 9. Raktagāndhārī table
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1 80 page_number
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2 <b>BRHADDEŚ</b>I page_header
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3 व्युत्क्रमाः पञ्च।गरिस गसरि रिगस [ रिसग ] सगरि इति व्युत्क्रमेण editorial_bracket
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4 रिगस गसरि annotation_inline
parent ligne 5
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5 क्टतानाः पञ्च। तदेवं गान्धारस्य षट् तानाः। main
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6 ुञ्चम (?) annotation_inline
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7 एवं मध्यमस्य सरिगमेत्येकः क्रमः। मगरिसेत्येवमादयस्त्रयो- main
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8 ्रयो- - annotation_inline
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9 विंशतिरुत्क्रमाः। तद्यथा—ब्ध्मगरिस, मगसरि, मरिगस, मरिसग, मसगरि, main
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10 मसरिग इति मध्यमपूर्वाः षट् तानाः व्युत्क्रमकृताः। एवं गान्धारर्षभषङ्जानां main
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11 प्रत्येकं षट् ताना भवन्ति मिलित्वा चतुर्विशतिर्भवन्ति। main
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12 एवं पञ्चमस्य सरिगमपेत्येक एव क्रमः। पमगरिसेत्या- main
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13 दिव्युत्क्रमकूटतानानां शतमेकोनविंशतिर्भवन्ति। तद्यथा— सरिगमप, पमगरिस। main
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14 पमगरिसानां प्रत्येकं चतुर्विंशतिर्भवन्ति, मिलित्वा विंशत्यधिकं शतं main
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15 भवति। एवं धैवतस्य सरिगमपधेत्येकः क्रमः। धपमगरिसेति व्युत्क्रमः। main
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16 धपमगरिसानां प्रत्येकं विंशत्यधिकं [ शतं ] भवति, editorial_bracket
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17 मिलित्वा annotation_inline
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18 सप्तशतानि विंशत्यधिकानि भवन्ति। एवं निषादस्यापि सरिगमपधनीत्येकः main
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19 क्रमः। निधपमगरिसेति व्युत्क्रमः। निधपमगरिसानां प्रत्येकं सप्तशतानि main
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20 विंशत्यधिकानि भवन्ति, मिलित्वा पञ्चसहस्राणि चत्वारिशच्च भवन्ति। main
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21 . अनु₀ ५९ ो editorial_bracket
parent ligne 20
via heuristic_brackets
22 तदेवमेतेषां स्वराणां तानविधानं षट्षष्टितन्त्र्यां शततन्त्र्यां चोपलभ्यते। main
via surya_layout
23 ुन् annotation_inline
parent ligne 22
via heuristic_height
24 ुना annotation_inline
parent ligne 22
via heuristic_height
25 तयोः स्वमानानि मध्यमादीनि । main
via surya_layout
26 ुभावा ऋ (२म) ना annotation_inline
parent ligne 25
via heuristic_height
27 ( तत्र ) कूटतानभेदप्रदर्शनमिह न कृतमितप्रसङ्गनिवृत्त्यर्थम् । एतेनैव main
via surya_layout
28 क्रमेण बुद्धिमद्भिः स्वयमेव लक्षणीयमिति। main
via surya_layout
29 [ अनु<sub>0</sub> ६० ] editorial_bracket
parent ligne 28
via heuristic_brackets
30 87 तदेषां तानानां प्रयोजनं 88 [ स्थान- ] प्राप्त्यर्थमुक्तम् 89स्थानानि editorial_bracket
parent ligne 28
via heuristic_brackets
31 त्रीण्युक्तानि काकुविधौ, व्यस्तानि षट्षष्टिं विद्या [न्] मन्द्रादिसिद्धये। editorial_bracket
parent ligne 28
via heuristic_brackets
32 ुरुविधो annotation_inline
parent ligne 28
via heuristic_height
33 स्यू annotation_inline
parent ligne 28
via heuristic_height
209 lignes a valider — change uniquement les roles incorrects.