Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21299). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p118 RIGHT — 31 lignes

page vol_II_p118 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 219 page_number
via heuristic_pagenum
3 [26. Kalahaṁsa] section_header
via surya_layout
4 Where, having sung one foot first, then svaras are sung, that is kalahamsa, main
via surya_layout
5 combined with tālas like jhampā. main
via surya_layout
6 (407) main
via surya_layout
7 [27. <i>Ghața</i>] section_header
via surya_layout
8 Where one-half is full of tenaka, that is ghata, like dvipadī. main
via surya_layout
9 (408) main
via surya_layout
10 [28. Cakravāla] section_header
via surya_layout
11 That which is sung with repetition, taking the last pada (textual-cum- main
via surya_layout
12 melodic unit of the preceding sub-section), being bedecked with the state main
via surya_layout
13 of yamaka, is said to be cakravāla.25 main
via surya_layout
14 (409) main
via surya_layout
15 [29. Tripadī or Şaţpadī] section_header
via surya_layout
16 Performed with any of the tālas and (rendered) exclusively with birudas, main
via surya_layout
17 that which is sung in a two-fold way....? main
via surya_layout
18 (410) main
via surya_layout
19 [30. Bandhakarana] section_header
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20 That which is sung by the gandharvas <math>^{26}</math> in karana tāla, with svaras coupled with main
via surya_layout
21 the akṣaras (syllables) of muraja (drum-variety), isagain, known as bandhakarana?7 main
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22 (411) unknown
via fallback
23 [31. Pāṭakaraṇa] section_header
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24 ٠ page_number
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25 The karaṇa (prabandha) named pāṭa is composed of pāṭas (syllables) of the main
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26 hands<sup>28</sup> (on a drum) main
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27 (412) main
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28 [32. <i>Kaivāţa</i>] section_header
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29 That which is sung properly with <i>pāṭas</i> alone, should be known by the main
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30 gandharvas as kaivāṭa, combined with tāla. main
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31 (413) main
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vol_II_p104 LEFT — 34 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 (vide) annotation_inline
parent ligne 5
via heuristic_height
2 後継続(国際)できます。 annotation_inline
parent ligne 5
via heuristic_height
3 190 page_number
via heuristic_pagenum
4 BRHADDEŠĪ page_header
via surya_layout
5 [३. अथ मालवपञ्चमे] section_header
via surya_layout
6 विभाविनी तु १४पौराली वेगवन्ती तु पञ्चमी । main
via surya_layout
7 पो पा पा annotation_inline
parent ligne 6
via heuristic_height
8 आन्ध्री गान्धारिका चैव षट् स्युर्मालवपञ्चमे ॥ १४॥ main
via surya_layout
9 37 page_number
via heuristic_pagenum
10 पञ्चमाद्यन्तसम्पूर्णा स्याद् देशजा विभाविनी । main
via surya_layout
11 + देशं भा (?) annotation_inline
parent ligne 10
via heuristic_height
12 गीयते केशरचनाकामिनीमितसङ्गमे १५॥ १५॥ main
via surya_layout
13 ॰िमति॰(?) annotation_inline
parent ligne 12
via heuristic_markers
14 <sup>१६</sup>[उदाहरणम्] – पनिनिमागारि सानिरिनिसारिगामापापामागारिसानिनिधानीनीधामापापा । editorial_bracket
parent ligne 12
via heuristic_brackets
15 υo annotation_inline
parent ligne 12
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16 विभाविनी।[१] editorial_bracket
parent ligne 12
via heuristic_brackets
17 ..पौराली । [२] editorial_bracket
parent ligne 12
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18 पञ्चमांशा तु सम्पूर्णा [ज्ञेया वेगवती शुभा] । editorial_bracket
parent ligne 12
via heuristic_brackets
19 विभाषा १७करुणे दैन्यभूयिष्ठे चैव गीयते १८ ॥ १६॥ main
via surya_layout
20 + भाषाकरणे annotation_inline
parent ligne 19
via heuristic_height
21 चैवमुद्धारे annotation_inline
parent ligne 19
via heuristic_height
22 उदाहरणम् - पापानिधाधानि धागासासासानि धाधानिनिपा धामा । गागाधामा मापापाधा main
via surya_layout
23 नीसासारीगारी । सनिधापापा । वेगवती । [३] editorial_bracket
parent ligne 22
via heuristic_brackets
24 पञ्चमांशान्तसम्पूर्णा मूलभाषा तु पञ्चमी । main
via surya_layout
25 पञ्चमार्ध तु annotation_inline
parent ligne 24
via heuristic_short
26 प्रगल्भमनसे गीते चैषा मालवपञ्चमे ॥ १७॥ main
via surya_layout
27 उदाहरणम् – पापापामासा रिरिगानिनिधाधा धाधारिनिगारिमागरिनीधा पापापाधा पामामापा माधानिरिमा main
via surya_layout
28 गामागारी सासानिसानि धापापा । पञ्चमी । [४] editorial_bracket
parent ligne 27
via heuristic_brackets
29 ॰मा annotation_inline
parent ligne 27
via heuristic_markers
30 मध्यमांशा पञ्चमान्ता भाषा स्यादान्ध्रदेशजा । main
via surya_layout
31 भावनास्था घ्रुवेशजा annotation_inline
parent ligne 30
via heuristic_height
32 आन्ध्री तु विश्रुता लोके <sup>१९</sup>व्याधिदुष्टेषु गीयते ॥ १८॥ main
via surya_layout
33 370 page_number
via heuristic_pagenum
34 व्याधाः (?) annotation_inline
parent ligne 32
via heuristic_height

vol_II_p011 RIGHT — 38 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 5 page_number
via heuristic_pagenum
3 and andhri and nandayanti and karmaravi and then kaisiki, thus should be main
via surya_layout
4 known the eleven (jātis) based on madhyamagrāma. main
via surya_layout
5 <math>(189 - 190)</math> main
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6 [Thus end the eleven jātis based on madhyamagrāma] editorial_bracket
parent ligne 5
via heuristic_brackets
7 [ sādhāraņakṛtā jātis ] section_header
via surya_layout
8 Three jatis should be known by the wise to be sadharanakṛtā (those in main
via surya_layout
9 which the use of sādhāraṇa svaras is prescribed) viz., madhyamā, pañcamī and main
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10 similarly <i>şadjamadhyamā</i>. main
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11 (191) annotation_inline
parent ligne 10
via heuristic_short
12 Thus ends the number and nomenclature of jātis. main
via surya_layout
13 [2. The śuddhā, vikṛtā and samsargajā vikṛtā jātis] section_header
via surya_layout
14 [Anu. 115] section_header
via surya_layout
15 Out of these eighteen jātis the seven bearing the names of (seven) svaras main
via surya_layout
16 are spoken of as being twofold - suddhās and vikṛtās. The suddhās are devoid main
via surya_layout
17 of the omission of notes and have their anisa, graha, nyāsa and apanyāsa on main
via surya_layout
18 their own svara, i.e. the svara from which each of them derives its respective main
via surya_layout
19 name. They assume the name vikṛtā on account of the alteration obtaining main
via surya_layout
20 in them through an alteration in respect of one, two or many lakṣaṇas main
via surya_layout
21 (characteristics) out of the above lakṣaṇas(characteristics of their śuddha main
via surya_layout
22 1002 472 7 unknown
via fallback
23 form), excepting nyāsa4 (which is not altered). main
via surya_layout
24 [Anu. 116] section_header
via surya_layout
25 Out of these (lakṣaṇas) he (the author) spoke (speaks) about the main
via surya_layout
26 日本が一次の後の日の行人の行うのできるというますが、まるは、大利の大利の人の自己となりから unknown
via fallback
27 prescription of nyāsa. There in the prescription of nyāsa, the nyāsa which is main
via surya_layout
28 the svara from which the respective jāti derives its name, is, as a rule, low main
via surya_layout
29 (mandra) in the jātis that are śuddhā (unaltered). In the vikṛtā (jātis) the main
via surya_layout
30 nyāsa on the note from which the respective jāti derives its name, is either main
via surya_layout
31 tāra (high) or mandra (low); thus there is no rule. main
via surya_layout
32 [Anu. 117] section_header
via surya_layout
33 Thus the śuddhā jātis have a twofold<sup>5</sup> form, viz., the original (unaltered) main
via surya_layout
34 and the altered state. The eleven jātis have only an altered state because they main
via surya_layout
35 are born of the vikṛtā varieties (of śuddhā jātis); they do not have an main
via surya_layout
36 unaltered state. Why is that so? They are born of mutual blending. main
via surya_layout
37 Similarly has said Bharata - main
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38 ر<br>د د د د د د د د د د د د د د د د د د د unknown
via fallback

vol_II_p080 LEFT — 31 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 142 page_number
via heuristic_pagenum
3 सैन्धवी मध्यमांशा तु षड्जान्ता धैवतोज्वला । main
via surya_layout
4 सै(वमी?न्धवी) annotation_inline
parent ligne 3
via heuristic_height
5 सुसम्पूर्णस्वरा होषा षड्जधैवतयोस्तथा ॥४७॥ main
via surya_layout
6 ३१गान्धारमध्यमानां तु गमनं दृश्यते घनम् । unknown
via fallback
7 गमकं annotation_inline
parent ligne 5
via heuristic_height
8 गाभारः annotation_inline
parent ligne 5
via heuristic_height
9 देशभाषा तु देश्याख्या सैन्धवी टक्करागजा ३२॥४८॥ main
via surya_layout
10 सनीनीनीचाधासरिसा नीधाधाधरिनिधाधा । धानिसा गारीमा । main
via surya_layout
11 उदाहरणम् – मामासासा । main
via surya_layout
12 सासा annotation_inline
parent ligne 11
via heuristic_height
13 मामा गमागामासाधासारीमामामासा रिगामापापाधानिपधापामा गारीरीनिरिनि- धाधाधनीसा main
via surya_layout
14 रीगामामागामामा गामामामासासा । सैन्धवी । [८] editorial_bracket
parent ligne 13
via heuristic_brackets
15 षड्जाद्यन्तसमायुक्ता पञ्चमेन विवर्जिता । main
via surya_layout
16 धैवतनिषादयोश्च षड्जधैवतयोस्तथा ॥४९॥ main
via surya_layout
17 परस्परं तु गमनं दृश्यते च क्षणे क्षणे । main
via surya_layout
18 भाषेयं षाडवा ज्ञेया वेसरिका प्रयोक्तृभि: ॥५०॥ main
via surya_layout
19 र्श<sup>े देरे</sup> सकाकली annotation_inline
parent ligne 18
via heuristic_height
20 उदाहरणम् - सासा । सधानि । धासासासा मामागामा गामासाधा मागारीसासासा । main
via surya_layout
21 वेसरिका।[९] editorial_bracket
parent ligne 20
via heuristic_brackets
22 पञ्चमांशा तु षड्जान्ता सम्पूर्णा लोकरञ्जिका । main
via surya_layout
23 प्ञुमर्षभसंवाद: षड्जमध्यमयोस्तथा ॥ main
via surya_layout
24 भाषेयं पञ्चमाख्या तु सम्पूर्णा समुदाहता ॥ ५१॥ main
via surya_layout
25 उदाहरणम् – पापापारिपा । रिपापापापमापापामपमा सासासरीरीरि । निधाधपापा । main
via surya_layout
26 पसामामा annotation_inline
parent ligne 25
via heuristic_height
27 रिरोगगरिसपा पगारिसागारिसारिपापारिरिगरि। गाधामागारिरि धपरिगसासा। पञ्चमाख्या ३४। [१०] editorial_bracket
parent ligne 25
via heuristic_brackets
28 offlo annotation_inline
parent ligne 25
via heuristic_height
29 ध्यमन्द्रा तु षड्जान्ता गान्धारांशाल्पसप्तमा । main
via surya_layout
30 ३५ऋषभगान्धारयोस्त् षड्जमध्यमयोस्तथा ॥५२॥ main
via surya_layout
31 +र्षगान्धार॰ annotation_inline
parent ligne 30
via heuristic_markers

vol_I_p016 RIGHT — 33 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 15 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 "Some who are adept in the knowledge of śrutis, speak of twenty-two śrutis; main
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4 some (speak of them) as being differentiated into sixty-six. Others propound main
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5 their infinity itself." annotation_inline
parent ligne 4
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6 (Anu. 7) annotation_inline
parent ligne 4
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7 But then, what is the measure of śruti? It is being explained. Pañcama is main
via surya_layout
8 known as being seated in the two grāmas.19 The difference of that (pañcama) main
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9 through utkarşa 20 (augmentation) and apakarşa 21 (diminution) through main
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10 mārdava 22 (lit. softness) and āyatatva 23 (lit. the state of being stretched or main
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11 extended) is the measure of śruti (lit. śruti is of that measure). main
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12 (Anu. 8) annotation_inline
parent ligne 11
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13 Now the nidarsana 24 (demonstration) of the twenty-two-fold nature of srutis main
via surya_layout
14 is thus (being given). Having made two viņās equal in measure,25 string,26 main
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15 upavādana 27 (the place where the strings are tied up at the lower end of the main
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16 viņā), daņļa28 (rod or board) and mūrchanā29 (tuning), they (two viņās) should main
via surya_layout
17 be established in şadjagrāma.50 On one of these, having made the śruti main
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18 madhyamagrāmiki31 (belonging to madhyama-grāma) on account of the apakarşa main
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19 (lowering) of pañcama, (one) should make the same śruti şadjagrāmikī 32 main
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20 (belonging to sadjagrāma) on account of pañcama.35 Thus (the vinā) becomes main
via surya_layout
21 lowered by (one) śruti, but there is no special gain,34 because of there being main
via surya_layout
22 only the perception of high and low. Again one should lower in the same main
via surya_layout
23 manner<sup>35</sup> so that gāndhāra and niṣāda that are the subjects (kartṛ in dual no.) main
via surya_layout
24 on one viņā will 'enter' the rabha-dhaivata 36 that have attained objectification main
via surya_layout
25 (karmatā) on the unchanged (sthirā) viņā on account of their (of gāndhāra- main
via surya_layout
26 niṣāda) being 'more's7 (higher) by two śrutis (each, in relation to ṛṣabha- main
via surya_layout
27 dhaivata). Again also, the dhaivata-ṛṣabha on the cala (mobile) viṇā that is main
via surya_layout
28 lowered in the same manner, will enter the pañcama-şadja on the other (viņā), main
via surya_layout
29 on account of their being 'more's8 (higher) (than the latter) by three śrutis main
via surya_layout
30 (each). Again also, on the (cala) viņā that is lowered in the same way, pañcama, main
via surya_layout
31 madhyama and şadja enter madhyama, gandhara and nişada respectively on the main
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32 other on account of their being 'more'39 (higher) (than the latter) by four main
via surya_layout
33 śrulis. annotation_inline
parent ligne 32
via heuristic_height
167 lignes a valider — change uniquement les roles incorrects.