Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21306). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p033 LEFT — 26 lignes

page vol_I_p033 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚI page_header
via surya_layout
2 48 page_number
via heuristic_pagenum
3 पञ्चमस्तु भवेत् कृष्णः पीतवर्णस्तु धैवतः। main
via surya_layout
4 निषादः सर्ववर्णोऽयं विज्ञेयाः स्वरवर्णकाः॥७४॥ main
via surya_layout
5 <b>४</b> यड्जस्य दैवतं ब्रह्मा ऋषभो वह्निदैवतः। main
via surya_layout
6 गान्धारो भारतीदेवो मध्यमोभ् हरदैवतः॥७५॥ main
via surya_layout
7 पञ्चमः शतयज्ञस्तु धैवतो गणनायकः। main
via surya_layout
8 निषादो भानुदेवस्तु इत्येते स्वरदेवताः॥७६॥ main
via surya_layout
9 <b>44अग्निगीतः स्वरः षड्ज ऋषभो ब्रह्मणोदितः।</b> main
via surya_layout
10 सोमेन गीतो गान्धारो विष्णुना मध्यमः स्वरः॥७७॥ main
via surya_layout
11 पञ्चमस्तु स्वरो गीतो नारदेन महात्मना। main
via surya_layout
12 धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ।।७८।। main
via surya_layout
13 <b>४</b>व्हास्यशृङ्गारयोः कार्यौ स्वरौ मध्यमपञ्चमौ। main
via surya_layout
14 षड्जर्षभौ तथा ज्ञेयौ वीररौद्राद्भुतेषु च ॥७९॥ main
via surya_layout
15 गान्धारइच निषादइच कर्तव्यौ करुणे रसे। main
via surya_layout
16 धैवतश्चापि कर्त्तव्यो बीभत्से सभयानके।।८०॥ main
via surya_layout
17 कण्ठादुत्तिष्ठते षड्ज ऋषभः शिरसः स्मृतः। main
via surya_layout
18 स्यि annotation_inline
parent ligne 17
via heuristic_height
19 नासायाश्चैव गान्धार उरसो मध्यमः स्वरः॥८१॥ main
via surya_layout
20 उरसः शिरसः कण्ठादुत्थितः पञ्चमः स्वरः। main
via surya_layout
21 तालुदेशात् समुत्पन्नो धैवतस्तु यशस्विनि।। main
via surya_layout
22 46हो annotation_inline
parent ligne 21
via heuristic_height
23 निषादस्तु समुत्पन्नो विज्ञेयः सर्वसन्धितः ॥८२ ॥ main
via surya_layout
24 एवं स्वरान् विजानीयादुत्पन्नान् गीतसागरे। main
via surya_layout
25 महादेवमुखोद्भतान् देशीमार्गे च संस्थितान्।।८३।। main
via surya_layout
26 ॥ इति स्वरप्रकरणम् ॥ editorial_bracket
parent ligne 25
via heuristic_brackets

vol_II_p115 RIGHT — 27 lignes

page vol_II_p115 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 213 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [9. Dodhaka] table
via surya_layout
4 Having sung the (first) half, the latter half is comprised of a stretching of svaras. table
via surya_layout
5 (391) table
via surya_layout
6 [10. <i>Totaka</i>] table
via surya_layout
7 [11. <i>Vastu</i>] section_header
via surya_layout
8 Where there are pāṭas and tennas 16 and the rest is comprised of a main
via surya_layout
9 stretching (elaboration) of svaras, that is vastu<sup>17</sup> used in desī gītas as well as main
via surya_layout
10 in drama. annotation_inline
parent ligne 9
via heuristic_short
11 (392) main
via surya_layout
12 [12. Krauńcapada] section_header
via surya_layout
13 Krauñcapada is known to those proficient in gandharva as that which is main
via surya_layout
14 sung in pratitāla, being comprised of pada and svara. main
via surya_layout
15 (393) main
via surya_layout
16 [13. Haṁsapada] section_header
via surya_layout
17 Where there is one foot in Sainskṛta and the second (foot) is composed in main
via surya_layout
18 a regional (language) (and) which is sung with rhyme, that song is known main
via surya_layout
19 as hamsapada. annotation_inline
parent ligne 18
via heuristic_short
20 (394) main
via surya_layout
21 [14. Śukasārika] section_header
via surya_layout
22 That which is combined with <i>tāla</i> (and) <i>pada</i>, bedecked with <i>pada</i> (and) main
via surya_layout
23 pāṭa (and) comprised of question and answer, is said to be śukaśārika. 19. main
via surya_layout
24 (395) annotation_inline
parent ligne 23
via heuristic_short
25 That which is composed in the Karnāta language or is mixed (with other main
via surya_layout
26 languages) (and) is comprised of pada (text) embodying dialogue, is śukasārika. main
via surya_layout
27 (396) main
via surya_layout

vol_II_p087 RIGHT — 29 lignes

page vol_II_p087 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 <b>TRANSLATION</b> page_header
via surya_layout
2 157 page_number
via heuristic_pagenum
3 Madhukarī has pañcama as amśa, is replete with the same, has dha main
via surya_layout
4 (dhaivata) as the concluding note, there is the mutual concert of gandhara main
via surya_layout
5 and pañcama, (and) commingling of dhaivata and niṣāda is seen. This bhāṣā, main
via surya_layout
6 born of kakubha, is complete and sankīrņā (mixed). main
via surya_layout
7 <math>(76-77)</math> annotation_inline
parent ligne 6
via heuristic_height
8 Illustration-[<i>Pāpā</i>] ninininipadhapā dhanisāsanisani. Sapadhānidhādhapā editorial_bracket
parent ligne 6
via heuristic_brackets
9 dharisāsāgarimagarisasama. Garisānininidhapāpāsāgā. Pāpāmādhā. main
via surya_layout
10 Mādhādhāmā. Nīsāsādhādhā. Madhukarī [v] editorial_bracket
parent ligne 9
via heuristic_brackets
11 Šakamišritā is a bhāṣā having niṣāda as amśa, ṣaḍja as the concluding note, main
via surya_layout
12 combined with niṣāda as graha, should be known to be devoid of ṛṣabha and main
via surya_layout
13 the concert of niṣāda and pañcama with dhaivata is there. The shade or main
via surya_layout
14 reflection (chāyā)31 (?) mixed with śaka is there. main
via surya_layout
15 (78-79) annotation_inline
parent ligne 14
via heuristic_height
16 Illustration - Nīsānigadhamāgāririnininisā dhādhānidhāgamāmāmapāsā main
via surya_layout
17 sanisāsādhādhāmanīdhādhāmānī dhāpāmādhānīsāsāsā nīsāsārigārisānīsānī sā- main
via surya_layout
18 nidhādhāmāsānīmāgārīri [sā]. Šakamiśritā [vi] editorial_bracket
parent ligne 17
via heuristic_brackets
19 Bhinnapañcamī should be known to have dhaivata as the concluding note main
via surya_layout
20 and madhyama as amśa, miṣāda is kākalī mixed profusely with dhaivata, where main
via surya_layout
21 there is seen the concert of kākalī and dhaivata and where one should put up main
via surya_layout
22 communion between pañcama and ṛṣabha. This is complete and sādhāraṇakṛtā, main
via surya_layout
23 i.e., involves the use of <i>antar</i>a and <i>kākalī</i> and <i>kākalī</i> is frequent. 32 main
via surya_layout
24 <math>(80-81)</math> annotation_inline
parent ligne 23
via heuristic_height
25 Illustration - Dhanidhādhānidhāpāpāmaripāpāpapamādhādhāpāsāsa nisāsa main
via surya_layout
26 niririsārī. Dhādhā. Parimāpāpā. Pamadhādhāmānī dhāpāpāparī dhāpāpāpā main
via surya_layout
27 dhādhāsa nidhā. Bhinnapañcamī [vii] editorial_bracket
parent ligne 26
via heuristic_brackets
28 These seven bhāṣās of kakubha have been indicated. main
via surya_layout
29 (82) page_footer
via surya_layout

vol_II_p053 LEFT — 35 lignes

page vol_II_p053 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 88 page_number
via heuristic_pagenum
2 BRHADDEŚĪ page_header
via surya_layout
3 मुख्य इति षाडवः ? तत्र नायम्। एकः । कुतः ? सम्पूर्णत्वादमुष्य रागस्य । तस्मादुत्तरपक्ष एव main
via surya_layout
4 ज्यायान्। ननु कथं षट्सु रागेषु मुख्योऽयम्? उच्यते पूर्व-[रङ्गे तु] शुद्धषाडव: प्रयोक्तव्य इति editorial_bracket
parent ligne 3
via heuristic_brackets
5 (कथनुकथन? कथं) main
via surya_layout
6 पुष annotation_inline
parent ligne 5
via heuristic_height
7 वचनात् पूर्वरङ्गे प्रचुरप्रयोगत्वादस्य शुद्धषाडवस्यादौ निर्देश:। main
via surya_layout
8 विकारिमध्यमाजाते: सम्भूत: शुद्धषाडव: । main
via surya_layout
9 न् annotation_inline
parent ligne 8
via heuristic_height
10 न्यासोऽस्य मध्यमोंऽशश्च गान्धारेण च दुर्बल: ॥ ३००॥ main
via surya_layout
11 <b>णांश</b>श annotation_inline
parent ligne 10
via heuristic_height
12 (तु? दु) annotation_inline
parent ligne 10
via heuristic_height
13 [अनु॰ १६५] section_header
via surya_layout
14 अस्यार्थः - शुद्धषाडवो मध्यमग्रामसम्बन्धः। तारमध्यमो ग्रहः। मध्यमोऽशो न्यासश्च । main
via surya_layout
15 गान्धारस्य चाल्पत्वम् । निषादगान्धारौ चात्र काकल्यन्तरौ । पूर्णस्वरश्चायम् । पूर्वरङ्गेऽस्य main
via surya_layout
16 (इन ? इने) annotation_inline
parent ligne 15
via heuristic_short
17 मध्यमो वादी । षड्जः संवादी । ऋषभपञ्चमावनुवादिनौ । विवादी नास्ति । main
via surya_layout
18 प्रयोग:। annotation_inline
parent ligne 17
via heuristic_short
19 शृङ्गारहास्यौ रसौ । मध्यमादिमूर्छना । अवरोही वर्ण: । प्रसन्नान्तोऽलङ्कार: । main
via surya_layout
20 त्रिषु मार्गेषु main
via surya_layout
21 गीयते। दक्षिणे कला, वृत्तौ कला, चित्रे कला। ३८स्वरपदगीते चच्चत्पुटादिताल: । unknown
via fallback
22 <b>ण्पदेप</b> annotation_inline
parent ligne 20
via heuristic_height
23 आक्षिप्तिका<sup>३९</sup> main
via surya_layout
24 ॰सका annotation_inline
parent ligne 23
via heuristic_markers
25 [२. शुद्धपञ्चम:] section_header
via surya_layout
26 ДO annotation_inline
parent ligne 25
via heuristic_height
27 [अनु॰ १६६] editorial_bracket
parent ligne 25
via heuristic_brackets
28 शुद्धपञ्चमः षड्जोदीच्यवतीजातेः स्मृतः। main
via surya_layout
29 र्गत: annotation_inline
parent ligne 28
via heuristic_height
30 [३. शुद्धसाधारित: ] section_header
via surya_layout
31 षड्जांशो मध्यमन्यासः स्वल्पद्विश्रुतिकस्वरः। main
via surya_layout
32 (बि?हि) unknown
via fallback
33 स्यात् षड्जमध्यमाजाते: शुद्धः साधारितस्तथा ॥ ३०१॥ main
via surya_layout
34 erte Arresto de la composição de la composição de la composição de la composição de la composição de la composição de la annotation_inline
parent ligne 33
via heuristic_height
35 . . . annotation_inline
parent ligne 33
via heuristic_height

vol_I_p078 LEFT — 44 lignes

page vol_I_p078 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 (vide) unknown
via fallback
2 138 page_number
via heuristic_pagenum
3 <b>BRHADDES!</b> page_header
via surya_layout
4 19. This sentence has been repeated in the MSS; the ed. has put it in list_item
via surya_layout
5 paranthesis with a sign of interrogation. list_item
via surya_layout
6 20. MS A reading as recorded by the ed. list_item
via surya_layout
7 21. Verses 102 and 103 are both in the āryā metre, but they have been list_item
via surya_layout
8 treated as prose in the P.t. list_item
via surya_layout
9 22. P.t. gives the first two sets of hexatonic tanas in the descending order like list_item
via surya_layout
10 ni-dha-pa-ma-ga-ri etc. These have been changed by us into the ascending order; list_item
via surya_layout
11 the crosses indicating the omitted svaras have also been added by us for the sake list_item
via surya_layout
12 of clarity. list_item
via surya_layout
13 23. cf. (a) ननु कथ मूर्छनातानयोर्भेदः प्रतिपादितः, उच्यते । list_item
via surya_layout
14 आरोहाबरोहक्रमयुक्तः स्वरसमुदायो मूर्छनेत्युच्यते । list_item
via surya_layout
15 तानस्तु आरोहक्रमेण भवतीति भेदः । list_item
via surya_layout
16 ( Saṃ S Sā, p. 18 ) main
via surya_layout
17 (b) यद्यपि मूर्छना एव शुद्धास्तानाः स्युरित्युक्तौ तानेष्वारोहावरोहत्व प्रतीयते, तथापि मतङ्गमतेनारोह एव main
via surya_layout
18 तान इति जेयम्। तथा च मतङ्गः —ननु कथ मूर्छनातानयोर्भेद ? उच्यते। आरोहावरोहक्रमयुक्तः स्वरसमुदायो main
via surya_layout
19 मुर्छनेत्युच्यते, तानस्त्वारोहण भवतीति भेदः । main
via surya_layout
20 ( Rā Vi, p. 31 ) main
via surya_layout
21 24. C.r. in S R I Sudhā, p. 114. list_item
via surya_layout
22 25. C.r. in Bha Ko, p. 502. list_item
via surya_layout
23 26. C.r. ( as in no. 24 ). list_item
via surya_layout
24 27. C.r. in Bha Ko, p. 502 adds 'bharatasya' in the beginning of the sentence. list_item
via surya_layout
25 28. C.r. in S R I Sudhā, p. 114 reads - list_item
via surya_layout
26 ननु कथ मूर्छनातानयोर्भेदः ? वूमः । main
via surya_layout
27 29. Portion added from Sam S Sa, p. 18; S R I Sudha, p. 114 and Ra Vi, p. list_item
via surya_layout
28 31. list_item
via surya_layout
29 30. P.t. modified on the basis of ibid. list_item
via surya_layout
30 31. P.t. adds 'svarasystih?' after this, but it is totally out of context. list_item
via surya_layout
31 32,33,34. Our reconstruction is based on S R I, 4. 74. list_item
via surya_layout
32 35. Our reconstruction is based on S. Raj II, 1.1.457. The chart illustrating list_item
via surya_layout
33 these tānas in S. Rāj I, p. 133 reads 'balabhṛt' and 'nāgayakşa'; S R I,4.76 reads list_item
via surya_layout
34 balabhinnāgapakṣakaḥ. list_item
via surya_layout
35 36,37,38. Our reconstruction is based on S R I, 4.77. list_item
via surya_layout
36 39. S R I, 4.77. list_item
via surya_layout
37 40,41,42. Our reconstruction is based on S R I, 4.79. list_item
via surya_layout
38 43. ibid., verse 80. list_item
via surya_layout
39 44. Reconstruction based on S R I, 4.82 and S. Rāj II, 1.1.465. list_item
via surya_layout
40 45,46. Reconstruction based on S R I, 4. 83 and S. Rāj II, 1.1.467. list_item
via surya_layout
41 47. Reading in S R I, 4.84 and S. Rāj II, 1.1.468. list_item
via surya_layout
42 48. ibid. list_item
via surya_layout
43 49. Reconstruction based on ibid. list_item
via surya_layout
44 50. Reconstruction based on S R I, 4.85 and S. Rāj II, 1.1.469. list_item
via surya_layout
161 lignes a valider — change uniquement les roles incorrects.