Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21316). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p137 LEFT — 43 lignes

L#	Texte OCR	Role auto
1	1, 1	unknown via fallback
2	<b>(4) 90 公司的第三人</b>	annotation_inline parent ligne 5 via heuristic_height
3	256	page_number via heuristic_pagenum
4	BRHADDEŚĨ	page_header via surya_layout
5	Note: Şadjamadhyamā and raktagāndhārī have been repeated in the interpo-	main via surya_layout
6	lated portion.	main via surya_layout
7	Chapter III (Rāgalakṣana)	section_header via surya_layout
8	कश्यपप्रमुखैरत्र यथास्वमति वर्णितम् ।	main via surya_layout
9	l.cf.	annotation_inline parent ligne 8 via heuristic_height
10	स्वरूपं रागशब्दस्य यथावत्तदिहोच्यते ॥	main via surya_layout
11	स्वरवर्णविशिष्टेन ध्वनिभेदेन यत्परम् ।	main via surya_layout
12	रज्यते येन सततं (सच्चित्तं) स राग: सम्मत: सताम् ॥	main via surya_layout
13	योऽसौ ध्वनिविशेषस्तु स्वरवर्णविभूषित:।	main via surya_layout
14	रञ्जको जनचित्तानां स राग: कथितो बुधै: ॥	main via surya_layout
15	S Rāj II. 2.I.10-12.	main via surya_layout
16	2. Reading in Sam Sa Sā, I. 58 and c.r. in Kalā. on SR. II.1.1, p.2.	list_item via surya_layout
17	3. Reconstruction based on ibid. (Kalā)	list_item via surya_layout
18	4. Reading in BhaKo p. 921.	list_item via surya_layout
19	5. C.r. in Kalā on SR. II .1.1, p. 2, Sudhā on the same, p. 3 and Rā Vi,	list_item via surya_layout
20	p. 101.	list_item via surya_layout
21	6. Reading in Sam Sa Sā, IV.76.	list_item via surya_layout
22	7. P.t.; neuter gender has been preferred by us in deference to the	list_item via surya_layout
23	gender of the noun being qualified, viz. lakṣaṇam.	list_item via surya_layout
24	8, 9,10. Reading in Sam Sa Sā, IV. 76.	list_item via surya_layout
25	11. The two lines of this verse are transposed in p.t.	list_item via surya_layout
26	12. Reconstruction based on c.r. in Sudhā on SR.II.I.I., p. 3; c.r. in	list_item via surya_layout
27	Kalā on ibid, p.2 reads 'vāpi manthavat' and so does c.r. in Rā Vi, p. 101.	list_item via surya_layout
28	13. C.r. in Rā Vi, p.101.	list_item via surya_layout
29	14. Reconstruction based on consideration of grammar and metre.	list_item via surya_layout
30	15. Reconstruction based on c.r. in Sudhā on SR.II.I.2-5, p.5 and	list_item via surya_layout
31	S.Rāj II.2.1.28d, 29c.	list_item via surya_layout
32	16. P.t. adds- 'teşam lakşanamucyate'- after 'iti', which is redundant.	list_item via surya_layout
33	17. Actually the gîtis spoken of by Bharata are 'modes' of textual	list_item via surya_layout
34	rendering, i.e., are related to pada, but they have been cited here in the	list_item via surya_layout
35	context of rāga.	list_item via surya_layout
36	One minor reading variant in this verse is -NS reads 'tu' in the place of 'ca' in	main via surya_layout
37	the third foot.	annotation_inline parent ligne 36 via heuristic_height
38	18. 'Matanga' of p.t. has been replaced with 'Kasyapa' because -	list_item via surya_layout
39	(i) the opinion of Matanga has been given in verses 268-270,	list_item via surya_layout
40	(ii) S.Rāj II.2.1.30 d, 31b ascribes these two gītis to Kasyapa, and	list_item via surya_layout
41	(iii) citation in Abhi Bhā on NŚ XXVIII. 141 also purports to do	list_item via surya_layout
42	the same.	list_item via surya_layout
43	and the second second	annotation_inline parent ligne 42 via heuristic_height

vol_I_p083 RIGHT — 46 lignes

L#	Texte OCR	Role auto
1	149	page_number via heuristic_pagenum
2	VIMARŚA	page_header via surya_layout
3	As for the distinction between vowel and musical note, Abhinavagupta has	main via surya_layout
4	made a remarkable contribution in the conception of the autonomy of musical	main via surya_layout
5	note; this will be dealt with under the definition of svara in our text.	main via surya_layout
6	16. In language vyañjana, consonant ( lit. the act or instrument of mani-	list_item via surya_layout
7	festation ) is the phonetic unit that brings about specificity, but it can be	list_item via surya_layout
8	pronounced only with the help of vowel, otherwise it is impotent or ineffective.	list_item via surya_layout
9	Hence svara has been identified here with the śakti (supreme energy or power)	list_item via surya_layout
10	that lends the state of Siva to vyanjana (cf. Gandharva Tantra, IX. 17 and	list_item via surya_layout
11	Garland of Letters, p. 260). The underlying idea is that Siva obtains His state	list_item via surya_layout
12	only from the association with Sakti, otherwise it is like Sava (a dead body).	list_item via surya_layout
13	Sakti is identified with ikāra ( the vowel 'i' ). ( cf. citation from Saktikāgama in	list_item via surya_layout
14	Sabdakalpadruma Pt. V, p. 5)	list_item via surya_layout
15	17. Svarūpa (lit. own form) means the phonetic form of word and	list_item via surya_layout
16	sentence without reference to meaning. The whole world being a manifestation	list_item via surya_layout
17	of dhvani (sound), the very form of word and sentence without reference to	list_item via surya_layout
18	meaning, delineates or 'paints' the world because this form itself is a stage of	list_item via surya_layout
19	manifestation that in itself is the basis of further manifestation.	list_item via surya_layout
20	18. The sentence is the basic semantic unit, the 'word' becomes meaningful	list_item via surya_layout
21	when it forms part of a sentence. This is the point of view of grammar ( vyākaraņa )	list_item via surya_layout
22	which is mentioned here.	list_item via surya_layout
23	19. Pada is defined by Pāṇini (Aṣṭā I, 4.14) as that which combines the	list_item via surya_layout
24	suffix sup or tin (nominal or verbal suffixes), it is not just a combination of	list_item via surya_layout
25	syllables.	list_item via surya_layout
26	20, 21. Kāraka is not co-extensive with 'case'. It is instrumental in bringing	list_item via surya_layout
27	about the action denoted by verb (Monier Williams), Kāraka is the hetu or	list_item via surya_layout
28	nimitta (cause) of kriyā (action). There are six Kārakas according to Pāņini,	list_item via surya_layout
29	viz. kartṛ, karman, karaṇa, sampradāna, apādāna and adhikaraṇa. The sambandha	list_item via surya_layout
30	(genitive case) is not accepted to be a Kāraka, because 'it ordinarily expresses	list_item via surya_layout
31	the relation of two nouns to each other, but not the relation of a noun and a	list_item via surya_layout
32	verb.' ( Monier Williams )	list_item via surya_layout
33	The sentence is formed with padas that have sup or tin suffixes combined	main via surya_layout
34	with nouns and verbs respectively, standing, in turn, for kāraka and kriyā.	main via surya_layout
35	22. Mahāvākya has four primary connotations as follows -	list_item via surya_layout
36	(a) An aggregation of sentences where the apprehension of the meaning of	list_item via surya_layout
37	the individual components (sentences) leads to the apprehension of the total	list_item via surya_layout
38	meaning of the aggregate, just as in the aggregate of five components in the	list_item via surya_layout
39	nyāya-vākya used for inference. This is the view of nyāya.	list_item via surya_layout
40	(b) An aggregate of sentences where one sentence is primary and the others	list_item via surya_layout
41	are secondary. This is the view of Mimāmsā.	list_item via surya_layout
42	(c) A sentence that expresses deep philosophical meaning. This is the view	list_item via surya_layout
43	of Vedanta where sentences like tattvamasi (thou art That) aham brahmasmi (I	list_item via surya_layout
44	am brahman ) etc. are accepted as mahā-vākyas.	list_item via surya_layout
45	(d) A simple aggregate of sentences as in Rāmāyaņa, Mahābhārata or any	list_item via surya_layout
46	literary composition.	list_item via surya_layout

vol_II_p060 LEFT — 26 lignes

L#	Texte OCR	Role auto
1	102	page_number via heuristic_pagenum
2	BRHADDEŠĪ	page_header via surya_layout
3	[अनु॰ १८३]	editorial_bracket parent ligne 5 via heuristic_brackets
4	[ अस्यार्थ:- ]चतुःश्रुतेः पञ्चमस्य यदा श्रुतिद्वयं गृह्णाति निषादः तदासौ श्रुतिभिन्नोऽभिधीयते।	editorial_bracket parent ligne 5 via heuristic_brackets
5	ननु मध्यमग्रामे पञ्चमस्य त्रिश्रुतिकत्वात् कथं श्रुतिद्वयं गृह्णाति निपाद:?	main via surya_layout
6	उच्यते ।	annotation_inline parent ligne 5 via heuristic_height
7	(fa)	annotation_inline parent ligne 5 via heuristic_height
8	भूतपूर्वन्यायेन चतुः श्रुतिरुच्यते । यथा भित्रकैशिकरागे त्रिश्रुतिपञ्चमस्य च[तुः] श्रुतित्वमाश्रित्य लोपः	editorial_bracket parent ligne 5 via heuristic_brackets
9	कृतः पड्जग्रामे, एवमत्रापि भविष्यतीति न दोषः । लक्षणं चास्य तद्यथा -	main via surya_layout
10	[५. भिन्नतान:]	editorial_bracket parent ligne 9 via heuristic_brackets
11	<sup>६र</sup>तानस्तु मध्यमन्यासः पञ्चमांशोऽल्पसप्तमः ।	main via surya_layout
12	मध्यमापञ्चमीजात्योर्ऋषभेण तु दुर्बल: ॥ ३१३॥	main via surya_layout
13	[अनु॰ १८४]	editorial_bracket parent ligne 12 via heuristic_brackets
14	अस्यार्थः - भिन्नतानो मध्यमग्रामसम्बन्धः मध्यमापञ्चमीजात्युत्पन्नत्वात् ।	main via surya_layout
15	पञ्चमो	annotation_inline parent ligne 14 via heuristic_height
16	भित्रनासिका(?)	annotation_inline parent ligne 14 via heuristic_height
17	ग्रहोंऽशश्च। मध्यमो न्यास:। मध्यमनिषादयोरल्पत्वम् [?]<sup>६२</sup>। निषादोऽत्र काकली। पूर्णश्चायम	editorial_bracket parent ligne 14 via heuristic_brackets
18	प्रौढकरुणेऽस्य प्रयोग:। पञ्चमादिमूर्छना।सञ्चारी वर्ण:।प्रसन्नादिरलङ्कार;।दक्षिणे कला, वार्तिके	main via surya_layout
19	कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल:।	main via surya_layout
20	[भिन्नरागाणां ग्रामविभागः]	section_header via surya_layout
21	[अनु॰ १८५]	editorial_bracket parent ligne 20 via heuristic_brackets
22	भित्रानां ग्रामविभागस्तु काश्यपेनोक्त:। तथा च -	main via surya_layout
23	‘‘भित्रषड्जस्तु षड्जे स्याद् भिन्नकैशिकमध्यम:।	main via surya_layout
24	पञ्चम: कैशिकस्तानो मध्यमग्रामसंश्रित: ॥''	main via surya_layout
25	<b>ल्स्ता</b>ने	annotation_inline parent ligne 24 via heuristic_height
26	इति भित्रा: समाख्याता गौडकाञ् शृणु साम्प्रतम् ॥ ३१४॥	main via surya_layout

vol_I_p044 RIGHT — 27 lignes

L#	Texte OCR	Role auto
1	71	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Thus end names of the tanas devoid of şadja in madhyamagrama.	main via surya_layout
4	Agnicit, dvādašāha, upāmšu and soma itself, asvapratigraha, barhi and also	main via surya_layout
5	(109)	annotation_inline parent ligne 4 via heuristic_height
6	abhyudaya.	annotation_inline parent ligne 4 via heuristic_height
7	Thus end the names of tanas devoid of rşabha.	main via surya_layout
8	Sarvasvadakşiņa, dīkṣā, soma, the one named samidha, svāhākāra, tanūnapāt	main via surya_layout
9	(110)	annotation_inline parent ligne 8 via heuristic_short
10	and then godohana.	main via surya_layout
11	Thus end the names of tanas devoid of gandhara.	main via surya_layout
12	Thus end the twenty-one names of şāḍava tānas in madhyamagrāma.	main via surya_layout
13	Thus end the names of forty-nine (sadava) tanas seated in the two gramas.	main via surya_layout
14	Idā, puruşamedha, syena, vajra and işu, angirāh and the one named kanka	main via surya_layout
15	(111)	annotation_inline parent ligne 14 via heuristic_height
16	are the audava (tānas) in şadjagrāma.	main via surya_layout
17	Thus end the names of tanas devoid of şadja and pancama.	main via surya_layout
18	J	annotation_inline parent ligne 17 via heuristic_height
19	Agnistoma and then darsa, nāndī, paurņamāsika, asva-pratigraha, rātri and	main via surya_layout
20	(112)	annotation_inline parent ligne 19 via heuristic_height
21	saubharaka is known.	main via surya_layout
22	Thus end the names of tanas devoid of gandhara and nisada.	main via surya_layout
23	Saubhāgyakṛt, Kārīrī, śāntikṛt, puṣṭikṛt and vainateya is definitely there (and	main via surya_layout
24	(113)	annotation_inline parent ligne 23 via heuristic_short
25	then), uccățana and vasikțt.	main via surya_layout
26	Thus end the name of tanas that are devoid of pancama and mabha.	main via surya_layout
27	Thus end the twenty-one names of audavita tānas in sadjagrāma.	main via surya_layout

vol_II_p053 LEFT — 35 lignes

L#	Texte OCR	Role auto
1	88	page_number via heuristic_pagenum
2	BRHADDEŚĪ	page_header via surya_layout
3	मुख्य इति षाडवः ? तत्र नायम्। एकः । कुतः ? सम्पूर्णत्वादमुष्य रागस्य । तस्मादुत्तरपक्ष एव	main via surya_layout
4	ज्यायान्। ननु कथं षट्सु रागेषु मुख्योऽयम्? उच्यते पूर्व-[रङ्गे तु] शुद्धषाडव: प्रयोक्तव्य इति	editorial_bracket parent ligne 3 via heuristic_brackets
5	(कथनुकथन? कथं)	main via surya_layout
6	पुष	annotation_inline parent ligne 5 via heuristic_height
7	वचनात् पूर्वरङ्गे प्रचुरप्रयोगत्वादस्य शुद्धषाडवस्यादौ निर्देश:।	main via surya_layout
8	विकारिमध्यमाजाते: सम्भूत: शुद्धषाडव: ।	main via surya_layout
9	न्	annotation_inline parent ligne 8 via heuristic_height
10	न्यासोऽस्य मध्यमोंऽशश्च गान्धारेण च दुर्बल: ॥ ३००॥	main via surya_layout
11	<b>णांश</b>श	annotation_inline parent ligne 10 via heuristic_height
12	(तु? दु)	annotation_inline parent ligne 10 via heuristic_height
13	[अनु॰ १६५]	section_header via surya_layout
14	अस्यार्थः - शुद्धषाडवो मध्यमग्रामसम्बन्धः। तारमध्यमो ग्रहः। मध्यमोऽशो न्यासश्च ।	main via surya_layout
15	गान्धारस्य चाल्पत्वम् । निषादगान्धारौ चात्र काकल्यन्तरौ । पूर्णस्वरश्चायम् । पूर्वरङ्गेऽस्य	main via surya_layout
16	(इन ? इने)	annotation_inline parent ligne 15 via heuristic_short
17	मध्यमो वादी । षड्जः संवादी । ऋषभपञ्चमावनुवादिनौ । विवादी नास्ति ।	main via surya_layout
18	प्रयोग:।	annotation_inline parent ligne 17 via heuristic_short
19	शृङ्गारहास्यौ रसौ । मध्यमादिमूर्छना । अवरोही वर्ण: । प्रसन्नान्तोऽलङ्कार: ।	main via surya_layout
20	त्रिषु मार्गेषु	main via surya_layout
21	गीयते। दक्षिणे कला, वृत्तौ कला, चित्रे कला। ३८स्वरपदगीते चच्चत्पुटादिताल: ।	unknown via fallback
22	<b>ण्पदेप</b>	annotation_inline parent ligne 20 via heuristic_height
23	आक्षिप्तिका<sup>३९</sup>	main via surya_layout
24	॰सका	annotation_inline parent ligne 23 via heuristic_markers
25	[२. शुद्धपञ्चम:]	section_header via surya_layout
26	ДO	annotation_inline parent ligne 25 via heuristic_height
27	[अनु॰ १६६]	editorial_bracket parent ligne 25 via heuristic_brackets
28	शुद्धपञ्चमः षड्जोदीच्यवतीजातेः स्मृतः।	main via surya_layout
29	र्गत:	annotation_inline parent ligne 28 via heuristic_height
30	[३. शुद्धसाधारित: ]	section_header via surya_layout
31	षड्जांशो मध्यमन्यासः स्वल्पद्विश्रुतिकस्वरः।	main via surya_layout
32	(बि?हि)	unknown via fallback
33	स्यात् षड्जमध्यमाजाते: शुद्धः साधारितस्तथा ॥ ३०१॥	main via surya_layout
34	erte Arresto de la composição de la composição de la composição de la composição de la composição de la composição de la	annotation_inline parent ligne 33 via heuristic_height
35	. . .	annotation_inline parent ligne 33 via heuristic_height

177 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p137 LEFT — 43 lignes

vol_I_p083 RIGHT — 46 lignes

vol_II_p060 LEFT — 26 lignes

vol_I_p044 RIGHT — 27 lignes

vol_II_p053 LEFT — 35 lignes