Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21338). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p034 LEFT — 31 lignes

page vol_I_p034 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚI page_header
via surya_layout
2 50 page_number
via heuristic_pagenum
3 V [ ग्राममूर्छनाप्रकरणम् ] section_header
via surya_layout
4 [ अनु. ३० ] editorial_bracket
parent ligne 3
via heuristic_brackets
5 अथ किमुच्यते ग्रामशब्देन ? ननु कति ग्रामा भवन्ति ? main
via surya_layout
6 कस्मादुत्पद्यते ग्रामः कि वा तस्य प्रयोजनम्।।८४॥ main
via surya_layout
7 अश्रोच्यते— unknown
via fallback
8 म्समूहवाचिनौ ग्रामौ स्वरश्रुत्यादिसंयुतौ ॥८५॥ main
via surya_layout
9 यथा कुटुम्बिनः सर्व एकीभूत्वा वसन्ति हि। main
via surya_layout
10 ₀ता² annotation_inline
parent ligne 9
via heuristic_markers
11 सर्वलोकेषु स ग्रामो यत्र नित्यं व्यवस्थितिः ।।८६॥ main
via surya_layout
12 ₄तः annotation_inline
parent ligne 11
via heuristic_height
13 षड्जमध्यमसंज्ञौ तु द्वौ ग्रामौ विश्रुतौ किल। main
via surya_layout
14 गान्धारं नारदो बूते स तु मर्त्यैर्न गीयते॥८७॥ main
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15 सामवेदात् स्वरा जाताः स्वरभ्यो ग्रामसम्भवः। main
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16 द्वावेतौ च इमौ ज्ञेयौ षड्जमध्यमलक्षितौ॥८८॥ main
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17 [ अनु. ३१ ] editorial_bracket
parent ligne 16
via heuristic_brackets
18 प्रयोजनं च यथा—स्वरश्रुतिमूर्छना—तानजातिरागाणां व्यवस्थापनत्वं main
via surya_layout
19 o404 annotation_inline
parent ligne 18
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20 नाम प्रयोजनम्। main
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21 [ अनु. ३२ ] editorial_bracket
parent ligne 20
via heuristic_brackets
22 ननु कथं षड्जमध्यमस्वराभ्यां ग्रामण्यपदेशः ? उच्यते—असाधारणत्वेन ताभ्यां main
via surya_layout
23 ग्रामण्यपदेशः। असाधारणत्वं च देवकुलसमुत्पन्नत्वेन। main
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24 ₀लोत्पन्न,<sup>5</sup> annotation_inline
parent ligne 23
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25 तथा चाह नारदः – main
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26 "देवकुलसमुत्पन्नाः षड्जगान्धारमध्यमाः। main
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27 एतेपां देवता जेया ब्रह्माविष्णुमहेश्वराः॥ "6 main
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28 उभयोग्रामियोर्मध्ये मुख्यत्वं कस्य गम्यते। main
via surya_layout
29 ुण्युः annotation_inline
parent ligne 28
via heuristic_height
30 षड्जस्यैव हि मुख्यत्वं गम्यते वचनान्भुनेः॥८९॥ main
via surya_layout
31 __ु•वाह्रि च __ main
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vol_II_p110 RIGHT — 31 lignes

page vol_II_p110 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 203 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [2. Māngālī] section_header
via surya_layout
4 Having gāndhāra as graha and nyāsa, şadja as amśa, devoid of tāra, sa (şadja) main
via surya_layout
5 being mandra (low), it is always devoid of pa-ri (pañcama-ṛṣabha). main
via surya_layout
6 (354) annotation_inline
parent ligne 5
via heuristic_height
7 Having şadja as amsa, dha (dhaivata) as graha (and) nyāsa, having dha main
via surya_layout
8 (dhaivata) as low (mandra), leaning towards high (tāra), formed with even main
via surya_layout
9 svaras and being complete, <math>m\bar{a}ng\bar{a}\bar{u}^{12}</math> is sung by the people. main
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10 (355) annotation_inline
parent ligne 9
via heuristic_height
11 [3. Bhammānikā] section_header
via surya_layout
12 Bhammānikā 13 should be known by the wise to have pañcama as amsa, graha main
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13 and nyāsa, low ga (gāndhāra) (and) high şadja, being devoid of ri (ṛṣabha) and main
via surya_layout
14 with sparse dha-ga (dhaivata- gāndhāra). main
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15 (356) annotation_inline
parent ligne 14
via heuristic_height
16 [4. Pulindikā] section_header
via surya_layout
17 Pulindikā14 has dhaivata as nyāsa, is devoid of ga-pa (gāndhāra-pañcama) main
via surya_layout
18 (and) there is concert between sadja-dhaivata and similarly between dhaivata- main
via surya_layout
19 rşabha. annotation_inline
parent ligne 18
via heuristic_short
20 (357) main
via surya_layout
21 [5. Gāndhārasindhu] section_header
via surya_layout
22 Gāndhārasindhu<sup>15</sup> ..... table
via surya_layout
23 (358) main
via surya_layout
24 [6. Kārņāţī] section_header
via surya_layout
25 Having sadja as nyāsa and graha, dha (dhaivata) as amsa, high ga main
via surya_layout
26 (gāndhāra) and low madhyama, with even svaras and complete, is (the bhāṣā) main
via surya_layout
27 karnāļi<sup>16</sup> by name. main
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28 (359) main
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29 ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, annotation_inline
parent ligne 28
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30 Thus ends the fifth chapter entitled desi-rāgādhyāya in main
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31 Bṛhaddesī composed by Matanga Muni. main
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vol_II_p029 RIGHT — 18 lignes

page vol_II_p029 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 ş annotation_inline
parent ligne 4
via heuristic_height
2 41 page_number
via heuristic_pagenum
3 TRANSLATION page_header
via surya_layout
4 "Şadjamadhyamā is not desired to be with six svaras when the seventh main
via surya_layout
5 (niṣāda) is the amśa, because of the non-omission of the samvādī (of the main
via surya_layout
6 amsa); similarly it is not desired to be so when gandhara (is the amsa). main
via surya_layout
7 In gāndhārī, raktagāndhārī and kaiśikī, pañcama should be known as a-ṣāḍava main
via surya_layout
8 (non-ṣāḍava) and in ṣaḍjā (jātī) the amśa gāndhāra should be known as such. main
via surya_layout
9 O twice-born ones! when dhaivata is the amśa in ṣadjodīcyā there is no ṣāḍava main
via surya_layout
10 (form) because of the non-omission of the samvādī. These seven (amśas) are main
via surya_layout
11 devoid of the state of making six svara forms. main
via surya_layout
12 In gāndhārī and raktagāndhārī, şadja, madhyama, pañcama and the seventh main
via surya_layout
13 (niṣāda) should be known to be such as disallowing the formation of main
via surya_layout
14 auduvita. annotation_inline
parent ligne 13
via heuristic_short
15 In șadja-madhyamā, two amśas, viz. gāndhāra and niṣāda, in pañcamī ṛṣabha, main
via surya_layout
16 similarly dhaivata in kaiśiki - these twelve should be avoided in making main
via surya_layout
17 pentatonic (forms). These jātis should always be treated as anauduvita (non- main
via surya_layout
18 pentatonic), when based on the above svaras. main
via surya_layout

vol_I_p066 RIGHT — 49 lignes

page vol_I_p066 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 115 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 Giti (musical rendering) without alankāra is like a night without the moon, main
via surya_layout
4 a river without water, a creeper without flowers (and) a woman without main
via surya_layout
5 (168) annotation_inline
parent ligne 4
via heuristic_short
6 ornaments.119 main
via surya_layout
7 Thus have been described these thirty-three alankāras by me. Those that main
via surya_layout
8 have not been indicated here, they should also be understood. main
via surya_layout
9 (169) annotation_inline
parent ligne 8
via heuristic_short
10 (Anu. 103) main
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11 Thus are the prastaras (notational representations) in (svaras) beginning main
via surya_layout
12 with şadja.120 main
via surya_layout
13 (1) table
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14 sarigamapadhanisa,121 prasannādi table
via surya_layout
15 (2) table
via surya_layout
16 sanidhapamagarisa, 122 prasannānta table
via surya_layout
17 (3) table
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18 sarigamapadhanisa 123 nidhapamagarisa, prasannādyanta table
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19 <b>(4)</b> table
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20 sanidhapamagarisa 124 sarigamapadhanisa, prasannamadhyama table
via surya_layout
21 <b>(5)</b> table
via surya_layout
22 sā rī gā mā pā dhā nī sā,125 sama table
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23 (6) table
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24 sā sā 126 sā, bindu table
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25 <b>(7)</b> table
via surya_layout
26 sā sā sā, 127 nivītta pravītta table
via surya_layout
27 (8) table
via surya_layout
28 sarigamapadhaninidhapamagarisa, veņu table
via surya_layout
29 (9) table
via surya_layout
30 sarigamapadhanisa.<sup>128</sup> kampita table
via surya_layout
31 (10) table
via surya_layout
32 sarigamapadhanisa,129 kuharita table
via surya_layout
33 (11) table
via surya_layout
34 sarigamapadhanisa,150 recita table
via surya_layout
35 sarīrisā rigagarī gamāmagā mapāpamā padhādhapā, dhanīnidhā 151 nisāsani, table
via surya_layout
36 (12) table
via surya_layout
37 prenkholita unknown
via fallback
38 mapadhanisama, main
via surya_layout
39 gamapadhaniga annotation_inline
parent ligne 38
via heuristic_short
40 rigamapadhari main
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41 sarigamapasa annotation_inline
parent ligne 40
via heuristic_short
42 (13) main
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43 tāramandraprasanna annotation_inline
parent ligne 42
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44 masanidhapama, 132 main
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45 ganidhapamaga annotation_inline
parent ligne 44
via heuristic_short
46 ridhapamagari main
via surya_layout
47 sapamagarisa annotation_inline
parent ligne 46
via heuristic_short
48 (14) main
via surya_layout
49 mandratāraprasanna main
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vol_II_p100 RIGHT — 22 lignes

page vol_II_p100 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 183 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 15. Now the bhāṣās in pañcamaṣāḍava section_header
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4 Having ṛṣabha as amśa, madhyama as the concluding note, this śakabhāṣā is main
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5 said to be complete (and) having abundant gändhära-pañcama. The profusion main
via surya_layout
6 of dhaivata-ṛṣabha is seen again and again. (This) bhāṣā (subsists) in main
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7 pancamaṣāḍava, being born of śakarāga. 71 main
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8 (142-143) annotation_inline
parent ligne 7
via heuristic_height
9 Illustration - Ririsānini. Pānīririri [ . . . ma ]. Šakabhāṣā. editorial_bracket
parent ligne 7
via heuristic_brackets
10 [Thus in pañcamaṣāḍava] section_header
via surya_layout
11 Thus are the bhāṣās manifested in (this)world, that are known to be main
via surya_layout
12 accepted by many. That <math>(bh\bar{a}s\bar{a})</math> is so modified as it is performed by one.<sup>72</sup> main
via surya_layout
13 (144) annotation_inline
parent ligne 12
via heuristic_height
14 Similarly, (a bhāṣā) should be sung in accordance with its lakṣaṇas, with all main
via surya_layout
15 effort. It should always be listened to by the singers in the context of wit and main
via surya_layout
16 humour and whatever is seen in fighting or sacrifice (yajña), all that is shown main
via surya_layout
17 by that (bhāṣā). Bhāṣās are obtained everywhere in grāmarāgas. main
via surya_layout
18 <math>(145-146)</math> annotation_inline
parent ligne 17
via heuristic_height
19 Thus ends in sarvāgamasamhita the fourth chapter dealing with bhāṣā- main
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20 lakṣaṇa where Yāṣṭika is the leader. main
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21 [ B. Bhāṣās according to Śārdūla] section_header
via surya_layout
22 After this I shall speak of the description of bhāṣā according to Śārdūla. main
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151 lignes a valider — change uniquement les roles incorrects.