Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21342). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p030 LEFT — 40 lignes

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1 (vide) unknown
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2 BŖHADDEŚĪ page_header
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3 42 page_number
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4 सर्वस्वराणां प्रवरो ह्यनाशी मध्यमस्वर: । main
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5 व्य अनाशी <sup>१२६</sup>मध्यम: स्मृत: main
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6 <sup>१२७</sup>हाधिनाशी तु मध्यम: main
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7 गान्धर्वकल्पे <sup>१२८</sup> विहित: सामस्विप च मध्यम: ॥'' main
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8 १२९०ल्येऽ main
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9 सामगैश unknown
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10 महर्षिभि: main
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11 भिमत: annotation_inline
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12 [ना॰ शा॰ २८.५८-६५] editorial_bracket
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13 [अनु॰ १४२] editorial_bracket
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14 इदानीं षाडवौडुवितविधिरुत्सर्गापवादविधिश्च विकृतास्वेव जातिषु बोद्धव्य:, न तु main
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15 <b>॰</b>विधस्तु उत्सर्गाफ annotation_inline
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16 ॰स्तु annotation_inline
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17 शुद्धासु जातिषु, तासां शुद्धानामन्यजात्युत्पत्तौ मूलत्वात् । एता एव शुद्धा विकृता भवन्ति । main
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18 ٩ page_number
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19 कथम् - main
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20 [९. पुन: शुद्धाजातिलक्षणम् ] section_header
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21 तद्ग्रहा तदपन्यासा तदंशा च यदा भवेत्। main
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22 मन्द्रन्यासा च पूर्णा च शुद्धा जातिस्तदोच्यते ॥२५९॥ main
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23 १३००धी annotation_inline
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24 इति शुद्धालक्षणमुक्तम्। main
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25 <b>4</b> ° annotation_inline
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26 [१०. शुद्धाजातीनां पुनर्विकृतत्वम्] section_header
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27 [अनु॰ १४३] editorial_bracket
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28 एतेन लक्षणेनैकेन द्वाभ्यां [बहुभि]वां विकृता भवन्ति । पुनर्न्यासवर्जमिति, न्यासेन: विकृत editorial_bracket
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29 •ज्य annotation_inline
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30 न्त annotation_inline
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31 धा annotation_inline
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32 [त्वं] च नास्ति न्यासवर्जमिति वचनात् । editorial_bracket
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33 न्दर्भ annotation_inline
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34 [तत्र षाङ्ज्या उदाहरणम्] editorial_bracket
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35 [अनु॰ १४४] editorial_bracket
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36 विकृता षाङ्जी द्विविधा-नित्यसम्पूर्ण पाडवा चेति। main
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37 नामांशेन षाङ्जी शुद्ध [1] । विकृता editorial_bracket
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38 (ক্টি) main
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39 (vide) annotation_inline
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40 78 LE annotation_inline
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vol_II_p137 LEFT — 43 lignes

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1 1, 1 unknown
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2 <b>(4) 90 公司的第三人</b> annotation_inline
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3 256 page_number
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4 BRHADDEŚĨ page_header
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5 Note: Şadjamadhyamā and raktagāndhārī have been repeated in the interpo- main
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6 lated portion. main
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7 Chapter III (Rāgalakṣana) section_header
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8 कश्यपप्रमुखैरत्र यथास्वमति वर्णितम् । main
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9 l.cf. annotation_inline
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10 स्वरूपं रागशब्दस्य यथावत्तदिहोच्यते ॥ main
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11 स्वरवर्णविशिष्टेन ध्वनिभेदेन यत्परम् । main
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12 रज्यते येन सततं (सच्चित्तं) स राग: सम्मत: सताम् ॥ main
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13 योऽसौ ध्वनिविशेषस्तु स्वरवर्णविभूषित:। main
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14 रञ्जको जनचित्तानां स राग: कथितो बुधै: ॥ main
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15 S Rāj II. 2.I.10-12. main
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16 2. Reading in Sam Sa Sā, I. 58 and c.r. in Kalā. on SR. II.1.1, p.2. list_item
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17 3. Reconstruction based on ibid. (Kalā) list_item
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18 4. Reading in BhaKo p. 921. list_item
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19 5. C.r. in Kalā on SR. II .1.1, p. 2, Sudhā on the same, p. 3 and Rā Vi, list_item
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20 p. 101. list_item
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21 6. Reading in Sam Sa Sā, IV.76. list_item
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22 7. P.t.; neuter gender has been preferred by us in deference to the list_item
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23 gender of the noun being qualified, viz. lakṣaṇam. list_item
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24 8, 9,10. Reading in Sam Sa Sā, IV. 76. list_item
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25 11. The two lines of this verse are transposed in p.t. list_item
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26 12. Reconstruction based on c.r. in Sudhā on SR.II.I.I., p. 3; c.r. in list_item
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27 Kalā on ibid, p.2 reads 'vāpi manthavat' and so does c.r. in Rā Vi, p. 101. list_item
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28 13. C.r. in Rā Vi, p.101. list_item
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29 14. Reconstruction based on consideration of grammar and metre. list_item
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30 15. Reconstruction based on c.r. in Sudhā on SR.II.I.2-5, p.5 and list_item
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31 S.Rāj II.2.1.28d, 29c. list_item
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32 16. P.t. adds- 'teşam lakşanamucyate'- after 'iti', which is redundant. list_item
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33 17. Actually the gîtis spoken of by Bharata are 'modes' of textual list_item
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34 rendering, i.e., are related to pada, but they have been cited here in the list_item
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35 context of rāga. list_item
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36 One minor reading variant in this verse is -NS reads 'tu' in the place of 'ca' in main
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37 the third foot. annotation_inline
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38 18. 'Matanga' of p.t. has been replaced with 'Kasyapa' because - list_item
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39 (i) the opinion of Matanga has been given in verses 268-270, list_item
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40 (ii) S.Rāj II.2.1.30 d, 31b ascribes these two gītis to Kasyapa, and list_item
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41 (iii) citation in Abhi Bhā on NŚ XXVIII. 141 also purports to do list_item
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42 the same. list_item
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43 and the second second annotation_inline
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vol_I_p038 RIGHT — 40 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 59 page_number
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2 <b>TRANSLATION</b> page_header
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3 [ Anu . 39 ] editorial_bracket
parent ligne 4
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4 Thus have been spoken of the fourteen complete murchanas of both the main
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5 grāmas. Now their names are being mentioned. main
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6 In (i.e. beginning with) şadja is uttaramandrā, in niṣāda is known rajanī, 27 in main
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7 dhaivata is known uttarā (uttarāyatā) and śudhaşadjā is in pañcama. (93) main
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8 Matsari (matsarikṛtā) should be known in madhyama and aśvakrāntikā in main
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9 gāndhāra and with ṛṣabha should be known abhirudgatā,28 the seventh one. main
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10 (94) annotation_inline
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11 Thus are to be known the seven mūrchanās subsisting in şadja-grāma. main
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12 Hereafter I shall speak of the murchanas of madhyama-grama. main
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13 (95) annotation_inline
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14 Sauvīrī is with madhyama and hariņāśvikā (hariņāśvā) is in gāndhāra and main
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15 (96) annotation_inline
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16 kalopanatā would be the mūrchanā with ṛṣabha itself. main
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17 Suddhamadhyā, on the other hand, could be in şadja and in niṣāda itself (is) main
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18 mārgitā (mārgi). Pauravī is to be known in dhaivata and hṛṣyakā in pañcama. main
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19 ł annotation_inline
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20 (97) main
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21 Thus the mürchanās of madhyamagrāma have been spoken of by me. Now I main
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22 shall speak of the şāḍavā (hexatonic) and auḍavā (pentatonic) mūchanas. main
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23 (98) annotation_inline
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24 Şāḍava is to be known as having six svaras and auḍavā is to be known with main
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25 five svaras; and the etymology of sadavas and auduvitas is being spoken of. main
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26 (99) annotation_inline
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27 (Anu. 40) annotation_inline
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28 Those six svaras that protect (the performance) are (known as) sadava main
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29 svaras; their use (in performance) is (called) sādava. Falling under the tāraka main
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30 gaṇa,29 it (ṣāḍava) is (combined with) itac pratyaya 30 (suffix) (and thus ‘ṣāḍavitā’ main
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31 is formed). annotation_inline
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32 (Anu. 41) annotation_inline
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33 The ākāśa (space) in which the udus 31 (stars) move, that ākāśa is (known) as main
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34 auduva. By that (the word auduva) the number five is indicated. (<math>\bar{A}k\bar{a}\dot{s}a</math>) is the main
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35 fifth mahābhūta; auduvita is that in which the number (five) of that (ākāśa) main
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36 exists. annotation_inline
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37 Ṣāḍava is that which has six svaras, its lakṣaṇa (description) is sevenfold and main
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38 it is to be known as being numbered forty-nine,52 by the knowledgeable ones in main
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39 (100) annotation_inline
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40 gīta (lit. song i.e. music). main
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vol_II_p055 LEFT — 26 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
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2 92 page_number
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3 [अनुः १६९] editorial_bracket
parent ligne 5
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4 अस्यार्थ: - शुद्धकैशिको नाम[रागो] मध्यमग्रामसम्बन्धः, कैशिकोकार्मारवीजातिभ्यां editorial_bracket
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5 समुत्पन्नत्वात्। तारषड्जोऽस्य ग्रहोंऽशश्च। पञ्चमो न्यासः। निषादीऽत्र काकली। पूर्णस्वरश्चायम् , main
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6 ग्रह: अंश(स्व?ध) annotation_inline
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7 चित्रस्याष्ट्रादशाङ्गस्य [?]निर्वहणे विनियोगः। वीररौद्रादिको रसः।षङ्जादिमूर्छना। आरोही वर्णः। editorial_bracket
parent ligne 5
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8 <sup>४६</sup>प्रसन्नादिरलङ्कार:। दक्षिणे कला,वृत्तौ कला,चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल:। main
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9 [शुद्धरागाणां ग्रामविभागः] section_header
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10 [अनु॰ १७०] editorial_bracket
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11 ननु एते ग्रामविशेषसम्बन्धाः, कुतोऽयं विशेषलाभः ? उच्यते, भरतवचनादेवासौ विशेषो main
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12 कु(तो ऽ)यं annotation_inline
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13 लभ्यते । तथा चाह भरतमुनि: - ''जातिसम्भूतत्वाद् ग्रामरागाणाम्''४० इति , ''यत्किञ्चिद् main
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14 गीयते लोके तत्सर्वं जातिषु स्थितम् ' '४८ इति वचनात् । तथा काश्यपेनाप्युक्तम् - main
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15 तत्सर्व annotation_inline
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16 ''षाडवो मध्यमग्रामे पञ्चम: कैशिकस्तथा । main
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17 पाडवे ककुभ् annotation_inline
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18 षड्जे साधारितश्चैव तथा कैशिकमध्यम:॥'' main
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19 [शुद्धरागाणां विनियोगः] section_header
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20 [अनु॰ १७१] editorial_bracket
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21 ननु अमी विनियोग-विशेषा: कस्माल्लभ्यन्ते ? [मुनि-] वचनादेव लभ्यन्ते। तथा editorial_bracket
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22 अ(यं ?मी) annotation_inline
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23 चाह भरत:- annotation_inline
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24 ‘‘मुखे तु मध्यमग्राम: षड्ज: प्रतिमुखे भवेत् । main
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25 गर्भे साधारितश्चैव <sup>४९</sup>ह्मवमर्शे तु पञ्चम: ॥ main
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26 ...वावमर्शे • तु annotation_inline
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1 श्रीमतङ्गमुनिप्रणीता बृहद्देशी section_header
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2 Brhaddeśī of Śrī Matanga Muni section_header
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3 Volume II section_header
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4 Edited by annotation_inline
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5 Prem Lata Sharma main
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6 Assisted by annotation_inline
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7 Anil Bihari Beohar main
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8 INDIRA GANDHI NATIONAL CENTRE FOR THE ARTS main
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9 <b>NEW DELHI</b> annotation_inline
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10 and annotation_inline
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11 MOTILAL BANARSIDASS PUBLISHERS PVT.LTD. main
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12 <b>DELHI</b> annotation_inline
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161 lignes a valider — change uniquement les roles incorrects.