1
TRANSLATION
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223
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In the opinion of some, it (elā) is combined with the (name of the) object
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of description (alone). Elā should be made full of charming qualities of
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song, embodying the gaņas (textual units)<sup>31</sup> of metre (and) endowed with
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alankāra and rasa, by the wise.
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(422)
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[The types of <i>Elā</i>]
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[A. Out of them the varieties of Gaṇailā]
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First, nādāvatī has been said, then is known hamsāvatī, nandāvatī is the
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third and bhadrāvatī is known as the fourth.
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(423)
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Derived out of Rgveda and the like, 'coloured' with variegated sounds,
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thus has elā been said to be fourfold by the wise, in accordance with the
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'path'<math>^{32}</math> (order) of ganas.
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(424)
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[1. Nādāvatī]
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The elā (named) nādāvatī is charming, bedecked with varņa (and)
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alankāra, is sung with manthatāla (and) is full of nāda 33 in every foot. There
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takkarāga becomes delightful to all.
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(425)
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(Its) colour should be known to be white and śṛṅgāra has been said to be
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the rasa; kaišikī vṛtti<sup>34</sup> has been spoken of (and) pañcālī rīti<sup>35</sup> is accepted.
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(426)
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Bhāratī is its devatā (presiding deity) and the lineage of brāhmaņas prevails.
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Where five candraganas 36 combined with one svargana 37 are there, that cla
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is known to be nādāvatī, by the foregoing learned ones.
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(427)
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[2. Hamsāvatī]
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30
Making movement like a swan, with nāda and pada, it is known as
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hamsāvatī, because it proceeds smoothly. Dvitīyaka is the tāla there and (it)
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32
is sung in <i>hindola (rāga</i>).
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(428)
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Red colour has been said to prevail. Caṇḍikā is the devatā (presiding
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deity), ārabhaţī is the vṛtti<sup>38</sup> (and) lāṭīyā rīti<sup>39</sup> is accepted.
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(429)
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