Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21349). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p042 RIGHT — 50 lignes

page vol_II_p042 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 67 page_number
via heuristic_pagenum
3 sā pā nī mā pā pā gā gā table
via surya_layout
4 <b>(7)</b> table
via surya_layout
5 mā pā mā nidha nī nī sā sā table
via surya_layout
6 (8) table
via surya_layout
7 pā pā mā dhani pā pā pā pā table
via surya_layout
8 (9) table
via surya_layout
9 mā pā mā riga gā gā gā gā table
via surya_layout
10 (10) table
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11 gā pā mā pā nī nī nī nī table
via surya_layout
12 (11) table
via surya_layout
13 mā pā mā pariga gā gā gā gā table
via surya_layout
14 (12) table
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15 gā gā gā mā mā nidha nī nī table
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16 (13) table
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17 nī nī dhapa mā nidha nidha pā pā table
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18 (14) table
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19 rī gā sā sā mā nidhani nī nī table
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20 (15) table
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21 nī nī dhā pā dhā pā mā mā table
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22 (16) table
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23 Thusends<i>inadhyamodīcyavā</i>. section_header
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24 [6. Kārmāravi] section_header
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25 In kārmāravī, niṣāda, ṛṣabha, pañcama and dhaivata become the ainśas. main
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26 (16) annotation_inline
parent ligne 25
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27 Many (svaras) are said to be non-amsas on account of antara-marga. main
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28 Gāndhāra is excessively abundant. There is concert among all the amśa main
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29 svaras. annotation_inline
parent ligne 28
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30 (17) main
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31 Caccatpuța (is the tāla), there are sixteen kalās. The mūrchanā beginning main
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32 with şadja obtains. The application is (prescribed) in the dhruvā of the fifth main
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33 act. annotation_inline
parent ligne 32
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34 (18) main
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35 Pañcama is the nyāsa in this (jāti). The amsás themselves are apanyāsas. main
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36 The prastāra is thus- main
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37 ri ri ri ri ri ri ri ri table
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38 (1) table
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39 mā gā sā gā sā nī nī nī table
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40 (2) table
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41 nī mā nī mā pā pā gā gā table
via surya_layout
42 (3) table
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43 gā pā mā pā nī nī nī nī table
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44 (4) table
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45 rī gā sā nī rī gā rī gā table
via surya_layout
46 (5) table
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47 rī gā rī sā nī dhani pā pā table
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48 (6) table
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49 mā pā mā pariga gā gā gā gā table
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50 <b>(7)</b> table
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vol_II_p106 RIGHT — 35 lignes

page vol_II_p106 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 195 page_number
via heuristic_pagenum
3 ......Mālavī [iii] editorial_bracket
parent ligne 5
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4 .....Gūrjarī [iv] editorial_bracket
parent ligne 5
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5 Having madhyama as aniśa, dhaivata as the concluding note, being hexatonic, main
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6 devoid of rṣabha, that which is sung on the occasion of yajña<sup>19</sup> is said to be main
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7 bāhyaṣāḍavā. annotation_inline
parent ligne 6
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8 (24) main
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9 Illustration - Mādhā. Mānini pāmāpādhādhā. main
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10 Mādhāmāgā annotation_inline
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11 gāgāgāmāmamanidhā. Māpāpāni. Dhādhādhā. Bāhyaṣāḍavā [v] editorial_bracket
parent ligne 9
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12 Having niṣāda as amsa (and ) dhaivata as the concluding note, being main
via surya_layout
13 hexatonic, omitting rşabha, kausalī is born of a region<sup>20</sup> (and) is sung in (the main
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14 context of ) the door-keepers. 21 main
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15 (25) annotation_inline
parent ligne 14
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16 Illustration-Ninidhā. Pāmāmā. Māgamā. Sāsāsāsāsā. Māgamānidhādhā. main
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17 Kausalī [vi] editorial_bracket
parent ligne 16
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18 Having gāndhāra as amśa, madhyama as the concluding note, gāndhārī is main
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19 based on madhyama (grāma?)<sup>22</sup>; it is sung by those living in solitude (and) main
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20 is a mūlabhāṣā coming under (bhinna) ṣaḍja (rāga). main
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21 (26) annotation_inline
parent ligne 20
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22 Illustration - Gāmāpānīsāsā. Nidhādhāmā māmāgāmādhā. Nisārī. Sāpāmāmā. main
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23 Dhānīsārī. Gārīsānī. Dhāmāmā. Gāndhārī [vii] editorial_bracket
parent ligne 22
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24 Combined with dhaivata as the initial and concluding note, devoid of main
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25 rṣabha, hexatonic, this svaravallitikā is sung by those having a steady mind.23 main
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26 (27) annotation_inline
parent ligne 25
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27 Illustration - Dhādhāmāpā.Gāgāmādhā nisānidhādhā main
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28 pāpāgāmā · annotation_inline
parent ligne 27
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29 dhāsanidhānisāsāgāmā pāpādhādhā. Madhāpāmāmā gadhagāmadhānisāsā. main
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30 Nisānigāgā māsānīdhā dhāpamāmāgādhā. Sāmādhānī sasādhāpāmādhādhā. main
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31 Svaravallitā [viii] editorial_bracket
parent ligne 30
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32 Having dhaivata as the initial and concluding note, lalitā is devoid of main
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33 pañcama-ṛṣabha, should be sung as pentatonic (and) is held to be excellent main
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34 in due order (?).<sup>24</sup> main
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35 (28) main
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vol_I_p029 RIGHT — 22 lignes

page vol_I_p029 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 41 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 The vadi-maṇḍala in madhyama-grāma is thus - ma pa dha ni sa ri ga. main
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4 The samvādi-mandala in madhyama-grāma is thus- main
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5 ma unknown
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6 pa unknown
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7 ga unknown
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8 Γi unknown
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9 dha unknown
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10 ni unknown
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11 sa unknown
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12 • annotation_inline
parent ligne 4
via heuristic_height
13 The anuvādi-maṇḍala in madhyama-grāma is thus - main
via surya_layout
14 ŧ annotation_inline
parent ligne 13
via heuristic_height
15 ma unknown
via surya_layout
16 pa unknown
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17 ga unknown
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18 <math>\vec{\Pi}</math> unknown
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19 dha unknown
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20 . annotation_inline
parent ligne 13
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21 ni unknown
via surya_layout
22 sa unknown
via surya_layout

vol_II_p046 LEFT — 50 lignes

page vol_II_p046 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 Ą unknown
via fallback
2 • annotation_inline
parent ligne 48
via heuristic_height
3 74 page_number
via heuristic_pagenum
4 BRHADDEŚĨ page_header
via surya_layout
5 • annotation_inline
parent ligne 48
via heuristic_height
6 धा नी सनि धा पा पा पा पा table
via surya_layout
7 (१३) table
via surya_layout
8 į unknown
via fallback
9 धा नी मा पा गा गा गा गा table
via surya_layout
10 (१४) table
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11 į annotation_inline
parent ligne 48
via heuristic_height
12 गा पा पा पा धा मा गा मा table
via surya_layout
13 (१५) table
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14 धा धा नी धा पा पा पा पा table
via surya_layout
15 (१६) table
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16 री गा मा पा पम पा पा नी table
via surya_layout
17 (१७) table
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18 री री री री पा पा पा पा table
via surya_layout
19 (१८) table
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20 पा पा पा धा मा मा मा table
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21 (१९) table
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22 नी पा मा गम गां गां गां गां table
via surya_layout
23 (२०) table
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24 रों रों गा गा मा मा मा मा table
via surya_layout
25 (२१) table
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26 नी पा नी मा नी धा पा पा table
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27 (२२) table
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28 सा सा धनि धा पा पा पा पा table
via surya_layout
29 (२३) table
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30 मा पा मा परिग गा गा सां सां table
via surya_layout
31 (38) table
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32 री री गा गा मा मा पा मा table
via surya_layout
33 (२५) table
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34 रीं रीं रीं गा मा रिग मा मा table
via surya_layout
35 (२६) table
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36 मा नी पा नी गा गा गा गा table
via surya_layout
37 ( २७) table
via surya_layout
38 मा मा पा पा धा धनि निध मा table
via surya_layout
39 (२८) table
via surya_layout
40 धा धा सा नी धा नी पा पा table
via surya_layout
41 (२९) table
via surya_layout
42 रीं रीं रीं रीं मा पा धा मा table
via surya_layout
43 (३०) table
via surya_layout
44 नी नी नी धा पा मा मा table
via surya_layout
45 (38) table
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46 मा परि गा गा गा गा गा गा table
via surya_layout
47 (३२) table
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48 ॥ [इति] नन्दयन्ती ॥ section_header
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49 । म ॥१९१ main
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50 [॥१९२इति जातिर्नाम द्वितीयोऽध्याय:॥] editorial_bracket
parent ligne 49
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vol_II_p068 RIGHT — 35 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 119 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 [Anu. 202] editorial_bracket
parent ligne 4
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4 (Contention) Why has Kasyapa Muni described narta-rāga in the main
via surya_layout
5 beginning? It is being answered. In the opinion of Kasyapa its prominence main
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6 is due to its application in passionate performance of caris, mandalas and main
via surya_layout
7 situations of combat. In the opinion of Durgaśakti, on the other hand, main
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8 sadjakaisika alone is prominent. Why? On account of its falling under the main
via surya_layout
9 order of the state of sādava (rāga).76 That is thus - main
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10 [1. Narta-rāga] section_header
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11 Having pañcama as its amśa and madhyama as its concluding note, being main
via surya_layout
12 born of pañcamī and madhyamā (jātis), narta-rāga should be known to treat main
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13 as sparse the svaras comprised of two śrutis each. main
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14 (333) annotation_inline
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15 [Anu. 203] editorial_bracket
parent ligne 13
via heuristic_brackets
16 Its meaning is thus - narta-rāga is related to madhyamagrāma on account of main
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17 being born of pañcamî and madhyamā (jātis). Pañcama is its graha and aniśa, main
via surya_layout
18 madhyama is the nyāsa. Niṣāda and gāndhāra have sparseness here. Niṣāda is main
via surya_layout
19 kākalī here and its application is prescribed in passionate performance of cārī, maṇḍala and combat. Sṛṅgāra and the lik main
via surya_layout
20 mūrchanā beginning with pañcama obtains. Prasannamadhyama is the alankāra. main
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21 Sañcārin is the varņa. Thus is it in the opinion of Kaśyapa. main
via surya_layout
22 [Anu. 204] editorial_bracket
parent ligne 21
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23 In the opinion of Durgaśakti this rāga itself is born of pañcamī and dhaivatī main
via surya_layout
24 jātis. It should be known to be related to şadjagrāma itself. Why? On account main
via surya_layout
25 of pañcama being comprised of four śrutis (and) dhaivata of three śrutis, it is main
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26 related to şadjagrāma. annotation_inline
parent ligne 25
via heuristic_height
27 [2. Saka] section_header
via surya_layout
28 That is said to be śaka which has a weak pañcama, is combined with ṣaḍja main
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29 as nyāsa and aniśa and is born of ṣāḍjī and dhaivatī jātis. main
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30 (334) annotation_inline
parent ligne 29
via heuristic_height
31 [Anu. 205] editorial_bracket
parent ligne 29
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32 Its meaning is thus - śaka is related to şadjagrāma on account of being born main
via surya_layout
33 of ṣāḍjī and dhaivatī (jātis). Ṣaḍja is its graha, amśa and nyāsa. There is the main
via surya_layout
34 sparseness of pañcama. Niṣāda and gāndhāra are kākalī and antara here. And main
via surya_layout
35 this (rāga) is complete in svaras. Its application is prescribed in vīra, adbhuta main
via surya_layout
192 lignes a valider — change uniquement les roles incorrects.