Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21351). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p058 RIGHT — 35 lignes

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1 99 page_number
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2 TRANSLATION page_header
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3 [Jāti-bhinna] section_header
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4 Now he (the author) has spoken of the description of jāti-bhinna - main
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5 The amśa of jātis should be established and so should be the sparse and the main
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6 abundant. Sparseness and abundance come about on account of sparse and main
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7 abundant usage. Jāti-bhinnais so called, formed as it is with sūkṣma, atisūkṣma main
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8 (short and very short in time) and curved (phrases).<sup>50</sup> main
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9 (308) annotation_inline
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10 [Anu. 178] section_header
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11 This means-śuddhakaiśika madhyamais born of kaiśiki and ṣadjamadhyamā jā ūs. main
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12 Bhinnakaisikamadhyama, on the other hand, is jāti-bhinna on account of being main
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13 born of the sadjamadhyamā jāti,51 the taking up of its (jāti's) amsaand taking up main
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14 of the sthāyin varņa and is formed with sūkṣma and atisūkṣma (short and very short main
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15 in time) phrases, this is the import. Its description is thus - main
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16 [3. Bhinnakaisikamadhyama] section_header
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17 Bhinnakaisikamadhyamacomes of ṣadjamadhyamā jāti, has ṣadja as its ainśa, main
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18 <math>madhyama</math> as its <math>ny\bar{a}sa</math> and is (endowed) with <math>mandra</math> (low) <math>gamakas^{52} main
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19 (309) annotation_inline
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20 [Anu. 179] editorial_bracket
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21 This means-bhinnakaisikamadhyama is related to şadjagrāma on account main
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22 of being born of şadjamadhyamā jāti. Şadja is its graha and ainša. Madhyama main
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23 is the nyāsa. It has mandra (low) gamakas. Niṣāda is kākalī here and this (rāga) main
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24 is complete. It is used in the context of dānavīra i.e. heroism in charity. 53 main
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25 Vīra, raudra and the like are the rasas. The mūrchanā beginning with ṣaḍja main
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26 obtains. Sañcārin is the varņa. Prasannādi is the alankāra. The kalā is formed main
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27 in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā main
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28 prevails in the citra (mārga). A tāla like caccatpuța obtains in the songs main
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29 comprised of svara and pada. main
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30 [Śuddhabhinna] section_header
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31 Now he (the author) has spoken of the definition of śuddhabhinna- main
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32 (The rāga) that bedecks itself with its own jāti (from which it is born) and main
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33 kula (family), leaving the other jāti and taking up (the qualities of) its own main
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34 family, is called <i>śuddhabhinna</i>. main
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35 (310) annotation_inline
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vol_II_p086 RIGHT — 38 lignes

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1 TRANSLATION page_header
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2 155 page_number
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3 These are the bhāṣās spoken of by Yaṣṭika in mālavakaiśika. main
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4 (71) main
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5 [3. Bhāṣās in kakubha] section_header
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6 Combined with dhaivata as the initial and concluding note, kāmbojā is main
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7 complete in svaras, (and) there is the concert of sadja-dhaivata and similarly main
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8 pañcama-ṛṣabha. This bhāṣā bears the name of deśa (region) 28 and is the first main
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9 one born of kakubha. annotation_inline
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10 (72) main
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11 Illustraion - Dhāsāgāgā. Māgārīsāsāsanisāsā. Dhāpāpā. Dhāmāsārigā. main
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12 Māgārīsāsā. Sanidhādhā pāpāmadhā nirisanidhādhā. Kāmbojā [i] editorial_bracket
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13 Having madhyama as amśa and dhaivata as the concluding note, main
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14 madhyamagrāmikā is complete and this bhāṣā is sankīrṇā (mixed), a beautiful main
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15 one born of kakubha. Rṣabha and dhaivata are seen to be together in mutual main
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16 concert. annotation_inline
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17 (73) annotation_inline
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18 ٨. annotation_inline
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19 Illustration - Māmā. Garidhāsārīsāmā. Nigarisanisānidhā. Sādhāsādhanirisā. main
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20 Dhaniriri. Māpāpamāgā. Riririri. Gāma. Gāma. Dhādhāmāpāmāgārīsāsādhā main
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21 dhadhadha. Madhyamagrāmikā [ii] editorial_bracket
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22 <math>S\bar{a}tav\bar{a}hin\bar{i}^{29}</math> should be known to have <math>r\bar{s}abha</math> as <math>am\bar{s}a</ma main
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23 concluding note. Madhyama and ṛṣabha are seen to be in mutual concert. main
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24 Some people desire the seventh (niṣāda) to be profuse and others (desire) main
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25 the same to be weak. annotation_inline
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26 (74) main
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27 Illustration - [Riri]gadharirimā. Māmānimādhādhadhādhāpamapama editorial_bracket
parent ligne 26
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28 marimamāsari. Māmapapāmapapāpāpāpamarimarimāmāsari. Pāpapasasāni. main
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29 Dhādhāri. Sāsāsāsīrīmanidhādhādhā padhāsādhapādhā pamapāpāmarimāmāsīri main
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30 māpāpāmāsānidhādhā. Sātavāhinī [iii] editorial_bracket
parent ligne 29
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31 Having madhyama as amśa, niṣāda as the concluding note, being weak in main
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32 ṛṣabha, this bhāṣā, bhogavardhanī should be known to be hexatonic in main
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33 kakubha, where there is concert between the two svaras comprised of two main
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34 śrutis<sup>30</sup> each and pañcama. main
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35 <b>(75)</b> annotation_inline
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36 Illustration - [Mamā] Ninī. Gagamā. Pāmāpamā. Dhādhā. Sanisani. editorial_bracket
parent ligne 34
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37 Dhapa dhādhapamāpāma. Gagagaga. Mapadhādhāni. Sasasasa. main
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38 Māgasānidhādhādhā [nī.] Bhogavardhanī [iv] editorial_bracket
parent ligne 37
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vol_II_p132 RIGHT — 39 lignes

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1 PĀŢHAVIMARŚA page_header
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2 247 page_number
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3 24. Reconstruction based on Datti. 56. list_item
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4 25. Reconstruction based on c.r. in Kalā on SR I.7. 29-34, p. 182. list_item
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5 cf. स त्रिपष्टिभेदभित्रोऽष्टादशजातिषु । list_item
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6 BhaKo p. 3. main
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7 26. Reading in BhaKo p. 3. list_item
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8 27. cf. कासु च जातिषु नन्दयन्त्यादिषु ग्रहांशयोर्विवादित्वेन ग्रहस्याप्रधानत्वं सम्भवति । list_item
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9 BhaKo p. 188. main
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10 28. P.t. adds here the following confused portion list_item
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11 तथापि प्रथमचतुर्थपष्टगीतेषु मन्द्रप्रकृतो (मन्द्रकृतो)विशेषः नियमः प्रथमे संवादित्वात् कथं भेदप्रयोगः । षङ्जोदीच्यवा- list_item
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12 मध्यमोदीच्यवा-रक्तगान्धारी-गान्धारी-पञ्चमीनां तु ग्रहाविवादि द्वेन ( ग्रहाविवादित्वेन) ग्रहस्तु आर्षभी धैवती निपादवत्यन् list_item
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13 पड्जकैशिकी पड्जमध्यमा चेति । एवं नन्दयन्त्यामिति ग्रहविधि:। list_item
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14 29. NŠ reads this verse as - list_item
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15 ग्रहस्तु सर्वजातीनामंशवत् परिकीर्तित:। main
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16 यत्प्रवृत्तं भवेदु गेयमंशो ग्रहविकल्पित:॥ main
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17 NŠ XXVIII. 67. annotation_inline
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18 ग्रहस्तु सर्वजातीनामंश एव हि कीर्तित: । main
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19 यत्प्रवृत्तं भवेद् गानं सोंऽशो ग्रहविकल्पित:॥ main
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20 NŠ Chau. XXVIII. 71. main
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21 The reading of our text is better than the G.O.S. ed. specially in the fourth main
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22 foot. main
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23 30. 'Amśa' here has been replaced with 'anga' because it does not fit list_item
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24 into the context. list_item
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25 31. Reconstruction based on BhaKo p. 3; p.t. reading 'yasminnamśe' list_item
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26 involves a repetition of 'amśa' in the sentence, which is redundant. list_item
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27 32. 'Yasrā' is the reading of MS B recorded by the ed. list_item
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28 33. Reading of MS B as recorded by the ed. list_item
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29 34. 'Mandrāinsa' does not seem to fit into the context. list_item
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30 'Pañcamāmśā' has been conjectured here, because accordingly the last main
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31 svara dha will be the seventh below the amśa. main
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32 35. MSB. reading is recorded by ed. as 'sasthāne'. Neither 'sainsthāne' nor list_item
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33 'sasthāne' appear to fit into the context. We have, therefore, reconstructed as list_item
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34 <i>'svasthāne'. 'Svasthāna'</i> is a word occurring in later texts (cf. SR III.191, 192) list_item
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35 for sections of 'alapa' or melodic elaboration. It could not be said definitely list_item
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36 whether or not this word was current in the times of our text; all the same, this list_item
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37 seems to be the only plausible alternative in view of the available readings. list_item
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38 36. This portion has been added on the basis of the following list_item
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39 verse of NS - list_item
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vol_II_p135 RIGHT — 40 lignes

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1 PÄŢHAVIMARŚA page_header
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2 253 page_number
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3 135. cf. पूर्णतायां पडंशा: पाडवत्वे चत्वार इति मतङ्गोक्ता दशांशा वेदितव्या: । main
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4 Kalā on SR I. 7. 59 -63, p. 196. main
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5 136. cf. गान्धारें ऽशे पाडवा एवापवादात् । ते चांशका लुप्तकात् स्फुटं ज्ञायन्ते । तेन लालिता अत्र स्वरभागे main
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6 जात्यंशकास्ता(न)पहास्य(य)..... main
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7 Abhi Bhā on NŚ XXVIII. 95-97, p. 54. main
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8 137. cf. "शुद्धत्वे पड्जधापन्यास: " main
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9 C.r. in Kalā on SR I. 7. p. 201. Ṣādjīprastāra. main
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10 138. P.t. reads prathamapaksepage and BhaKo p. 57 reads- list_item
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11 prathamaprekşanike. list_item
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12 139. P. t. begins with confused reading as follows, which has been list_item
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13 dropped- list_item
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14 आर्यभी शुद्धा गीयते । निपादपञ्चमाल्पत्वम् ऋषभगान्धारमध्यमपञ्चमधैवतनिपादा: पङ्जपङ्ज: मिलित्वा...... पध्याम् । main
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15 BhaKo, p. 57 reads - main
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16 आर्पभी शुद्धा गीयते । निषादपञ्चमाल्पत्वम् । रिषभधैवतनिषादा ग्रहा: । main
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17 140. Reconstruction based on BhaKo p. 57. list_item
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18 141. Reconstruction based on Abhi. Bhā. on NŚ XXVIII. 98, p. 55. list_item
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19 BhaKo p. 57 reads - ‘ṣaḍjadhaivatapañcamāḥ’. list_item
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20 142. P.t. adds here the following confused reading, which has list_item
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21 been dropped- list_item
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22 मात्रा ॥ ६९॥ दक्षिणे कला । main
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23 143. P.t. adds here - 'dhaivatādimūrchanā' which is out of context. list_item
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24 144. Reconstruction based on BhaKo p. 298. list_item
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25 145. BhaKo, p. 298 reads - ' dhaivata eva nyāsalı'; reconstructed list_item
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26 according to context. list_item
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27 146. P.t. adds - Pañcamaṣadjahīnam ṣāḍavam which is confused and list_item
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28 redundant. list_item
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29 147. cf. आरोहिणाबारोहिवर्णगौ सपौ लङ्घ्यौ लङ्घनीयौ; पूर्णावस्थायामल्पतरौ कर्तव्यावित्यर्थ:।एतेनावरोहे list_item
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30 सपावल्पौ कर्तव्यौ, न त्वल्पतराविति गम्यते । list_item
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31 Kalā on SR I. 7.75cd, p.216, 217. main
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32 BhaKo p. 298 reads - 'svarau balau '. main
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33 148. P.t. adds the following confused reading after this, which has main
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34 been dropped- annotation_inline
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35 पूर्णावस्थायां षड्जगान्धारमध्यमपञ्चमनिषादानामल्पत्वम् । शेषाणां च बहुत्वम् । main
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36 149. BhaKo p. 298 reads - ‘<i>vārtike sambhāvitā gītiḥ</i>’. list_item
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37 150. Reconstruction based on c.r. in Kalā on SR I.7.77, 78, p. 120. list_item
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38 151. Reconstruction (addition) based on ibid. list_item
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39 152. Reconstruction based on SR I.7.81-83.c.r. and Kalā on the list_item
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40 (vide) annotation_inline
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vol_II_p085 RIGHT — 33 lignes

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1 153 page_number
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2 <b>TRANSLATION</b> page_header
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3 Being combined with sadja as the initial and concluding note, being main
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4 complete and born of deśa (region), having concert between ṛṣabha and main
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5 șadja, the svaras comprised of two śrutis each being of sparse nature, this main
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6 ābhīrī<sup>26</sup> is sung by the people as sādhāraņakṛtā, i.e., it uses antara and kākalī. main
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7 (68) annotation_inline
parent ligne 6
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8 Illustration - Sāsārīrī, Sāsārīrī, Sāsārīsārī, Sāsānīsārīrī, main
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9 Sārīsārīsāsānīsarīrīgārīgārī. Sanisāsā. Gārīrī. Gāmāgarī. Gapāpagārī. Sanisāsā. main
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10 Sanīsāsā dhārīgagamāsā. Pamāgārī. Sanīsāsā. Dhanīdhānī. Sādhanisā. main
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11 Ririgāmā. Gāmāriri. Gāpāmāpā, Māgārīrī. Sāsārisārī. Sāsānīsārī. Rīrīsāsā main
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12 sānirīrigāri. Rigāriri. Sani. Sāsāgārīri. Gāmagārī. Sāni. Gārīrī. Māgāgārī. main
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13 Gāpāgārī. Sanīsāsāsanī. Sāsā. Rigagamāsā. Pamāgārī. Sanisasā. Sadhanisāsā. main
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14 Sanidhānidhādhanisārīrī. Gāmāgamārirī. Gāpāmāpā. Mapamā. Magārirī. main
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15 Mapāgāri. Sanisāsā. Ābhīrī [vi] editorial_bracket
parent ligne 14
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16 Khañjanî has pañcama as amśa, ṣaḍja as the concluding note, is devoid of main
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17 dhaivata, there is concert between ṣaḍja and niṣāda and similarly between main
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18 madhyama-ṛṣabha. It should be known as hexatonic and saṅkīrṇā (mixed), main
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19 giving delight to all people. main
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20 (69) annotation_inline
parent ligne 19
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21 Illustration - Pānīmarīsari. Sāsāsarīri. Sani. Rirī. Sanisani. Ri. Pāpāpāni. main
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22 Sarisani. Sagasasā. Sanirīsanīrīrī. Māgārigamā. Nīpāpānīsanīpāpāmaga. Pāpā. main
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23 Ni. Nimanisarisagasāsā. Khanjanī [vii] editorial_bracket
parent ligne 22
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24 Having niṣāda as amśa, ṣadja as the concluding note, gurjarī is born of deśa main
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25 (region). There is the combination<sup>27</sup> of niṣāda-ṛṣabha and similarly of main
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26 madhyama-ṛṣabha. This bhāṣā should be known by the knowledgeable ones main
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27 in music as being complete. main
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28 (70) annotation_inline
parent ligne 27
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29 Illustration - Nidhānīnī. Rigānidhā. Nisāsādhāni. Dhāga. Ri. Sāgarī. main
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30 Sānīdhānī. Gadhāsārī. Gārīmāgārī. Sanidhādhānidhāsarigārī. Sanīsāsā. main
via surya_layout
31 Nidhāsānīgarī. Magari. Magari. Pāpāgārī.aāmā. Ridhānidhānidhāsari. main
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32 Garisānīsāsānīdhāsarīri. Nidhā sāsā. Dhanīsāgā. Gārīri. Magarīmagari. main
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33 Māpāgari. Magarisanī. Dhādhānidhāsarigari. Sanisāsā. Gurjarī [viii] editorial_bracket
parent ligne 32
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185 lignes a valider — change uniquement les roles incorrects.