Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21356). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p027 LEFT — 35 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 36 page_number
via heuristic_pagenum
3 [अनु॰ १३६] editorial_bracket
parent ligne 5
via heuristic_brackets
4 [ अस्यार्थ: - कैशिकीरक्तगान्धारीगान्धार्य इत्येतास्तिस्रो जातय: editorial_bracket
parent ligne 5
via heuristic_brackets
5 पञ्चमेंऽशे main
via surya_layout
6 ऋषभेणाषाडवा अंशसंवादिनो लोपाभावात् । एवमेव निषादेन षाङ्जी गान्धारेंऽशे अषाडवा] editorial_bracket
parent ligne 5
via heuristic_brackets
7 निश annotation_inline
parent ligne 5
via heuristic_height
8 ऋषभेण षड्जोदीच्यवा धैवतेंऽशे अषाडवा विज्ञेया । इदानीमौडुवितं प्राप्तमपोह्यते । main
via surya_layout
9 ॰पोद्यते annotation_inline
parent ligne 8
via heuristic_markers
10 ..... शे annotation_inline
parent ligne 8
via heuristic_height
11 गान्धारीरक्तगान्धार्योः षड्जमध्यमपञ्चमाः । main
via surya_layout
12 सनिषादा: स्मृता अंशा अनौडुवितभागिन: ॥२५४॥ main
via surya_layout
13 [अनु॰ १३७] editorial_bracket
parent ligne 12
via heuristic_brackets
14 एतच्चासंगतम्, औडुवितप्राप्तेरभावात् । सत्यमुक्तम्, औडुवितनिषेधवचनाद्धि विधेश्च main
via surya_layout
15 ॰िन annotation_inline
parent ligne 14
via heuristic_markers
16 •धा annotation_inline
parent ligne 14
via heuristic_height
17 प्राप्तमेवौडुवितत्वं निषिध्यते । main
via surya_layout
18 षड्जमध्यमजातौ तु गान्धारोऽथ निषादवान् । main
via surya_layout
19 कैशिक्यामथ पञ्चम्यां क्रमाच्च ९१धैवतर्षभौ ॥२५५॥ main
via surya_layout
20 क्रमादृषभधैवती annotation_inline
parent ligne 19
via heuristic_short
21 [अनु॰ १३८] editorial_bracket
parent ligne 19
via heuristic_brackets
22 [अस्यार्थ: - षड्जमध्यमायां] गान्धारोऽथ निषादवा [न्] नौडुवितभागी, editorial_bracket
parent ligne 19
via heuristic_brackets
23 कैशिक्यां धैवत: पञ्चम्यामृषभश्चानौडुवितभागी स्यात् । तत्र प्राप्तमेवौडुवितत्वं निषिध्यते, main
via surya_layout
24 •मेवानौडुवितत्वं annotation_inline
parent ligne 23
via heuristic_short
25 पञ्चम्यां धैवतश्चरु main
via surya_layout
26 कैशिक्यामृपभ: annotation_inline
parent ligne 25
via heuristic_short
27 अंशता चाप्राप्तेव कल्प्यते । इदानीं ये अ[न] पवादिभूताः स्वराः षाडवौडुवितविधौ editorial_bracket
parent ligne 25
via heuristic_brackets
28 ল্ফী annotation_inline
parent ligne 25
via heuristic_height
29 तानुदस्यति - main
via surya_layout
30 योज्या: सप्ताधिकाश्चैव चत्वारिंशच्च षाडवे ॥२५६॥ main
via surya_layout
31 ९२०स्ते च annotation_inline
parent ligne 30
via heuristic_short
32 [अनु॰१३९] editorial_bracket
parent ligne 30
via heuristic_brackets
33 अस्यार्थ: - षाडवे विधौ क्रियमाणे <sup>९३</sup>सप्ताधिकाश्चत्वारिशदंशका main
via surya_layout
34 अपवादस्वरराहता annotation_inline
parent ligne 33
via heuristic_short
35 <b>न्यविधी</b> annotation_inline
parent ligne 33
via heuristic_height

vol_II_p113 RIGHT — 30 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 209 page_number
via heuristic_pagenum
3 prabandha svarārtha. Karaņa<sup>5</sup> has been said to be the fortieth, combined with main
via surya_layout
4 five (forty-five). annotation_inline
parent ligne 3
via heuristic_short
5 <math>(377-378)</math> main
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6 This varņasvara is known to be (numbered) forty combined with six main
via surya_layout
7 (forty-sixth); that which is muktāvalī should be known to be (numbered) main
via surya_layout
8 forty, combined with seven (forty-seven). main
via surya_layout
9 (379) annotation_inline
parent ligne 8
via heuristic_short
10 Pratāpavardhana is said to be the forty-eighth. Eight combined with main
via surya_layout
11 forty(forty-eight) are (the prabandhas) spoken of by the muni. main
via surya_layout
12 (380) annotation_inline
parent ligne 11
via heuristic_short
13 I shall speak of their characteristics in brief for the sake of scholars. They main
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14 should be sung by those adept in music in accordance with the rules related main
via surya_layout
15 to <i>svara-tāla</i> and the like as well as <math>r\bar{a}gas^6</math>. main
via surya_layout
16 (381) main
via surya_layout
17 [The description of Prabandhas] section_header
via surya_layout
18 [1. <i>Kanda</i>] section_header
via surya_layout
19 That which is bereft of <i>tāla</i> and is combined with <i>pāṭas</i> and <i>birudas</i>, that main
via surya_layout
20 is kanda, mixed with the pada (text) of the Karpāṭa<sup>7</sup> language and the like. main
via surya_layout
21 (382) annotation_inline
parent ligne 20
via heuristic_short
22 Prabandhas like kanda are verily well-known in practice. main
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23 [2. <i>Vṛtta</i>] section_header
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24 There is never a regulation (or specification of tāla in) vṛtta (composed main
via surya_layout
25 in) āryā, dvipatha, vṛtta, gāthā, dodhaka and similarly toṭaka. The prominence main
via surya_layout
26 of metre has been clearly specified in them, by the munis. In the end the main
via surya_layout
27 placing of svaras<sup>9</sup> is (prescribed), others hold it to be devoid of svara. Others main
via surya_layout
28 say that it is (formed) in the vitta metre; that is also acceptable. main
via surya_layout
29 (383-384) main
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30 - --- annotation_inline
parent ligne 29
via heuristic_height

vol_II_p120 LEFT — 30 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 (vide) annotation_inline
parent ligne 4
via heuristic_height
2 BRHADDEŚĪ page_header
via surya_layout
3 222 page_number
via heuristic_pagenum
4 वर्णनीयसमायुक्ता मते केषाञ्चिदिष्यते । main
via surya_layout
5 रम्यगीतगुणैर्युक्ता छन्दोगणसमन्विता ॥ main
via surya_layout
6 अलङ्काररसोपेता कर्तव्यैला मनीषिभि: ॥४२२॥ main
via surya_layout
7 [एलाभेदा:] section_header
via surya_layout
8 [क. तत्र गणैला- प्रकारा:] section_header
via surya_layout
9 आदौ नादावती प्रोक्ता ततो हंसावती मता। main
via surya_layout
10 नन्दावती तृतीया च तुर्या भद्रावती स्मृता ॥४२३॥ main
via surya_layout
11 ऋग्वेदादिसमुद्भूता विचित्रध्वनिरञ्जिता । main
via surya_layout
12 इत्येला गणमार्गेण बुधैरुक्ता चतुर्विधा ३२॥ ४२४॥ main
via surya_layout
13 [१. नादावती] section_header
via surya_layout
14 एला नादावती रम्या वर्णालङ्कारशोभिता । main
via surya_layout
15 गीयते मण्ठतालेन नादयुक्ता पदे पदे ॥ main
via surya_layout
16 टक्करागो भवेत्तत्र सर्वेषामनुरञ्जकः ॥४२५॥ main
via surya_layout
17 श्वेतो वर्णश्च विज्ञेय: शृङ्गार: कथितो रस: । main
via surya_layout
18 कैशिकी वृत्तिराख्याता पाञ्चाली रीतिरिष्यते ॥४२६। main
via surya_layout
19 (तिरिप्यते) annotation_inline
parent ligne 18
via heuristic_height
20 भारती देवता तस्या ब्राह्मणानां कुलं तथा । main
via surya_layout
21 यत्र चन्द्रगणा: पञ्च स्वर्गणैकेन संयुता[:] ॥ editorial_bracket
parent ligne 20
via heuristic_brackets
22 (में?र्ग) annotation_inline
parent ligne 20
via heuristic_height
23 एला नादावती नाम सा स्मृता पूर्वसूरिभि: ॥४२७॥ main
via surya_layout
24 [२. हंसावती] section_header
via surya_layout
25 हंसस्येव गतिं कृत्वा नादेन च पदेन च ३३। main
via surya_layout
26 का सा (?) annotation_inline
parent ligne 25
via heuristic_height
27 समं प्रवर्तते यस्मात् ततो हंसावती स्मृता ॥ main
via surya_layout
28 तालो द्वितीयकस्तत्र हिन्दोलेन च गीयते ॥४२८॥ main
via surya_layout
29 रक्तो वर्ण: समाख्यातश्चण्डिका देवता भवेत् । main
via surya_layout
30 वृत्तिरारभटी प्रोक्ता लाटीया रीतिरिष्यते ॥४२९॥ main
via surya_layout

vol_II_p073 RIGHT — 19 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 129 page_number
via heuristic_pagenum
3 "Sometimes the aniśa, sometimes the nyāsa, sometimes ṣāḍava and auḍuvita main
via surya_layout
4 (becomes obvious). The wise should arrange (the melody) after knowing main
via surya_layout
5 the sparseness and abundance combined with graha and apanyasa and main
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6 similarly low and high (mandra-tāra). The grāma-rāgas should be used in main
via surya_layout
7 daśarūpaka 97 according to the prescribed rules. The gāna that is five-fold as main
via surya_layout
8 praveśa (entry), ākṣepa (sudden change in emotive state), niṣkrāma (exit), main
via surya_layout
9 prāsādika (pacifying) and āntara (filler of gaps) should be performed in main
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10 these rāgas." annotation_inline
parent ligne 9
via heuristic_height
11 [The application of gītis] section_header
via surya_layout
12 In pūrvaraiga, the śuddhā should be there, the bhinnā is based on main
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13 prastāvanā, 98 the vesarā should be 'done ' in the two mukhas (mukha and main
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14 pratimukha sandhi),99 gauḍi is prescribed in the garbha (sandhi) and main
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15 similarly sādhārita should be there in avamarsa sandhi<sup>101</sup> and nirvahana main
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16 (sandhi). annotation_inline
parent ligne 15
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17 (344) annotation_inline
parent ligne 15
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18 Thus ends the third chapter entitled "Raga-laksana" in annotation_inline
parent ligne 15
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19 Bṛhaddeśi composed by Matanga Muni. main
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vol_I_p035 RIGHT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 53 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 This has been said— annotation_inline
parent ligne 4
via heuristic_height
4 "Two grāmas named şadja and madhyama are well-known in the world."10 main
via surya_layout
5 (Anu. 33) annotation_inline
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via heuristic_height
6 But why are there only two grāmas? It is being answered; here two grāmas main
via surya_layout
7 have been formulated on account of (musical) performance being rooted in main
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8 the usage of two svaras.11 main
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9 "The svaras have attained the state of grāma through jātis and śrutis."12 main
via surya_layout
10 (Anu. 34) annotation_inline
parent ligne 9
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11 "Through the jātis" means through śuddhās and vikṛtās (both types of jātis) main
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12 and through śrutis. Hence the svaras that are there in the śuddhā and vikṛtā main
via surya_layout
13 jātis, on account of disruption13 in their śrutis, (their) slight augmentation14 and main
via surya_layout
14 diminution and mixing up,15 (these) svaras have attained the state of grāma. main
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15 ṣaḍja - (grāma) is born of the śuddhā-(jātis) and madhyama (grāma) of the vikṛtās main
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16 and from the two (types of jātis) are born sankīrņās (jātis)16. From them (jātis) is main
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17 born rāga.17 On account of the change 18 of grāma the change in the jāti and main
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18 rāga occurs. annotation_inline
parent ligne 17
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19 [ Thus ends the treatment of grāma ]. editorial_bracket
parent ligne 17
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20 [ The treatment of Mürchanā ] section_header
via surya_layout
21 (Anu. 35) annotation_inline
parent ligne 20
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22 Now the murchanas that befit the occasion or context are being spoken of. main
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23 But what is the etymology of the word murchana and what is its lakşana main
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24 (definition)? It is being answered. The etymology of 'mūrchanā' is thus - (the main
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25 root) mūrch stands for moha (loss of consciousness, stupefaction, infatuation) main
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26 and samucchrāya 19 (increase, growth). main
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27 That through which raga 20 (colour, delightfulness) grows or increases, is main
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28 (90) annotation_inline
parent ligne 27
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29 called mūrchanā. annotation_inline
parent ligne 27
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143 lignes a valider — change uniquement les roles incorrects.