Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21365). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p066 RIGHT — 49 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 115 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 Giti (musical rendering) without alankāra is like a night without the moon, main
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4 a river without water, a creeper without flowers (and) a woman without main
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5 (168) annotation_inline
parent ligne 4
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6 ornaments.119 main
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7 Thus have been described these thirty-three alankāras by me. Those that main
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8 have not been indicated here, they should also be understood. main
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9 (169) annotation_inline
parent ligne 8
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10 (Anu. 103) main
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11 Thus are the prastaras (notational representations) in (svaras) beginning main
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12 with şadja.120 main
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13 (1) table
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14 sarigamapadhanisa,121 prasannādi table
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15 (2) table
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16 sanidhapamagarisa, 122 prasannānta table
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17 (3) table
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18 sarigamapadhanisa 123 nidhapamagarisa, prasannādyanta table
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19 <b>(4)</b> table
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20 sanidhapamagarisa 124 sarigamapadhanisa, prasannamadhyama table
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21 <b>(5)</b> table
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22 sā rī gā mā pā dhā nī sā,125 sama table
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23 (6) table
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24 sā sā 126 sā, bindu table
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25 <b>(7)</b> table
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26 sā sā sā, 127 nivītta pravītta table
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27 (8) table
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28 sarigamapadhaninidhapamagarisa, veņu table
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29 (9) table
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30 sarigamapadhanisa.<sup>128</sup> kampita table
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31 (10) table
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32 sarigamapadhanisa,129 kuharita table
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33 (11) table
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34 sarigamapadhanisa,150 recita table
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35 sarīrisā rigagarī gamāmagā mapāpamā padhādhapā, dhanīnidhā 151 nisāsani, table
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36 (12) table
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37 prenkholita unknown
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38 mapadhanisama, main
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39 gamapadhaniga annotation_inline
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40 rigamapadhari main
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41 sarigamapasa annotation_inline
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42 (13) main
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43 tāramandraprasanna annotation_inline
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44 masanidhapama, 132 main
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45 ganidhapamaga annotation_inline
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46 ridhapamagari main
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47 sapamagarisa annotation_inline
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48 (14) main
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49 mandratāraprasanna main
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vol_II_p109 LEFT — 30 lignes

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1 10 page_number
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2 [ पञ्चमोऽध्याय: ] section_header
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3 [देशीरागाः] section_header
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4 [मङ्गलाचरणम् ] section_header
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5 बन्धूकाभां त्रिनेत्राममृतकरकलाशेखरां रक्तवस्त्रां main
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6 पीनोत्तुङ्गप्रवृत्तस्तनभरनिमतां यौवनारम्भरूढाम् । main
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7 सर्वालङ्कारभूषां सरसिजनिलयां बीजसङ्क्रान्तमूर्ति main
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8 देवीं पाशाङ्कशाढ्यामभयवरकरां विश्वयोनिं नमामि ॥ ३४५॥ main
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9 अत:परं प्रवक्ष्यामि देशीरागकदम्बकम् ॥ ३४६॥ main
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10 [त्रिविधदेशीरागा:] section_header
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11 ै[लक्ष्यलक्षणसंयुक्तं त्रिविधं वाऽपि संयुतम् । editorial_bracket
parent ligne 10
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12 रागाङ्गं चैव भाषाङ्गं क्रियाङ्गं च तृतीयकम् ॥ ३४७॥ main
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13 प्रत्येकं लक्षणं चैषां प्रवक्ष्याम्यनुपूर्वश: ॥ ३४८॥ main
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14 रेउक्तानां ग्रामरागाणां छायामात्रं भजन्ति हि । main
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15 गीतज्ञै: कथिता: सर्वे रागाङ्गास्तेन हेतुना ॥ ३४९॥ main
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16 भाषाछायाश्रिता येन जायन्ते सदृशा: किल । main
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17 भाषाङ्गास्तेन कथ्यन्ते गायकै: स्तुतितत्परै: ॥ ३५०॥ main
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18 <sup>३</sup>स्तौतिकादिभि: annotation_inline
parent ligne 17
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19 <sup>४</sup>करुणोत्साहशोकादिप्रभवा या क्रिया तत: । main
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20 जायन्ते च यतो नाम क्रियाङ्गाः कारणात्ततः ॥ ३५१॥ main
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21 ५तदत्र मार्गरागेषु नियमो य: पुरोदित: । main
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22 स देशीरागभाषादावन्यथाऽपि क्वचिद् भवेत् ॥ ३५२॥] editorial_bracket
parent ligne 21
via heuristic_brackets
23 [भाषाङ्गरागा: ?] editorial_bracket
parent ligne 21
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24 [१. कच्छेल्ली] section_header
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25 मध्यमांशग्रहन्यासा रिमन्द्रा तारतत्परा । main
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26 कच्छेल्ली <sup>६</sup>गधहीना च विज्ञेया परिभूरिगा<sup>७</sup> ॥ ३५३॥ main
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27 गतिसीना annotation_inline
parent ligne 26
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28 (या) annotation_inline
parent ligne 26
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29 ॰जा annotation_inline
parent ligne 26
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30 مروره هم و العرب العرب العربي و العرب العرب العرب العرب العرب العرب العرب العرب العرب العرب العرب العرب العرب ا annotation_inline
parent ligne 26
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vol_I_p020 LEFT — 36 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
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2 22 page_number
via heuristic_pagenum
3 तदुक्तम्— main
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4 "कथं प्रतीतिश्च भवेदमुष्या main
via surya_layout
5 नादौ नभो व्याकुलितश्रुति स्यात् । main
via surya_layout
6 ुत्वा, । annotation_inline
parent ligne 5
via heuristic_height
7 रा annotation_inline
parent ligne 5
via heuristic_height
8 भवेदलक्ष्यावयवा श्रुतिस्तु main
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9 [ तेनैव ] नैवावयवा प्रतीता ।। editorial_bracket
parent ligne 8
via heuristic_brackets
10 ॰वी annotation_inline
parent ligne 8
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11 ताः सम्भवन्तीतस्ताः स्युः कियत्यो मातृकाः प्रति । main
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12 तासा भवतीताः annotation_inline
parent ligne 11
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13 ती २ annotation_inline
parent ligne 11
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14 यदि द्वाविंशतिस्तासां व्यापारः कः क्रमोत्क्रमात् ॥ main
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15 श्रुतीनां यद्यानन्त्यं च [ वाऽ ] निवार्यं प्रसज्यते। editorial_bracket
parent ligne 14
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16 एकत्वं वा भवेत् तासां मातृकाणामसंशयम् ॥ main
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17 तस्या annotation_inline
parent ligne 16
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18 ুস্ annotation_inline
parent ligne 16
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19 मातृका एव नो सन्ति कथं तासां विकल्पनम् ॥ main
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20 ٥٣, annotation_inline
parent ligne 19
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21 सित धर्मिणि धर्माणां सत्तेत्याहुर्मनीषिणः। main
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22 [ धर्मिष्वसत्सु ] धर्मा नो सन्तीत्याहुर्मनीषिणः ।। editorial_bracket
parent ligne 21
via heuristic_brackets
23 ₀णः ₀न्तोऽप्या₃ annotation_inline
parent ligne 21
via heuristic_markers
24 ++++ main
via surya_layout
25 सत्त्वासत्त्वे तदा गुणदोषाणां गुणिनां यदा । main
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26 ०णी तु annotation_inline
parent ligne 25
via heuristic_short
27 स annotation_inline
parent ligne 25
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28 विनैव कारणं तास्ताः स्वराणां कारणं यदि ॥ main
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29 भवेयुः श्रुतयस्तासामादिर्नेष्येत कारणम् ॥ main
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30 किञ्च प्रमाणगम्यत्वे समेऽपि यदि मातृकाः । main
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31 निह्नोतव्यास्तदा रक्षा श्रुतीनामपि दुर्लभा ॥" main
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32 अत्रोच्यते- annotation_inline
parent ligne 31
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33 अर्थापत्त्याऽनुमानेन प्रत्यक्षज्ञानतोऽपि वा। main
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34 ₀প্লাপ্রউন<sup>87</sup> annotation_inline
parent ligne 33
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35 गृह्यन्ते श्रुतयस्तावत् स्वराभिव्यक्तिहेतवः main
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36 118311 main
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vol_I_p072 RIGHT — 34 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 127 page_number
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2 <b>TRANSLATION</b> page_header
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3 mā mā sā sā annotation_inline
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4 de - vam - annotation_inline
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5 mā sā sā mā annotation_inline
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6 de vam sa rvam annotation_inline
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7 sasa masa mama nn annotation_inline
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8 devam sarvam vande annotation_inline
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9 (Anu. 112) annotation_inline
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10 Māgadhī is (known as such) because of its origin in the magadha deśa (south main
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11 Bihar). Others read māgadhī to be 'twice returned' (or 'twice repeated'). main
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12 Ardhamāgadhi is (called so) because of there being the state of half 'pada',56 main
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13 thus the 'ardha,' (half, forming part of the name ardhamāgadhī) is related to main
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14 'pada'. In the repetition of half a pada the verbal meaning should not be main
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15 construed as the determining factor (hetu) in 'moving forward' (pravṛtti),or main
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16 acceptance, and 'returning' (niviti) or rejection; because in Sāmaveda that is main
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17 predominantly musical, the verbal meaning is not cared for in the repetitions. It main
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18 has been said - the word jātavedasam (fire) that is repetitive, here (in the main
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19 context of this word), sambhāvitā (gītī) ends at the word veda, 57 the pṛthulā gītī, main
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20 on the other hand, is based on the predominance of laghu (short syllables); main
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21 on account of the profusion of the grouping (grāma) of padas (syllabic units) it main
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22 is called pṛthulā (lit. broad or large). main
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23 (Anu. 113) annotation_inline
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24 In the three margas in the prescription about gitis, the use of laya should be main
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25 seen to be ninefold. annotation_inline
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26 He (the author) shows the use of laya as - daksina marga, vartika marga and main
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27 citra mārga, thus are the three layas in the 'operation'58 (pravṛtti) of dakṣina main
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28 mārga. Vārtika mārga, citra mārga and dhruva mārga, thus are the three layas main
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29 in the operation of vrttimārga. Citra mārga, dhruvamārga and śūnyamārga, thus main
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30 are the three layas in the operation of citra-marga. Thus has been propounded main
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31 in the chapter on gitis. As - in the daksina marga there are four gurus (long main
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32 units) two gurus and one guru. In vārtika mārga there are two gurus, one guru main
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33 and one laghu. In citra (mārga) there is one guru, one laghu and one druta (half main
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34 - mātrā unit). annotation_inline
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vol_II_p092 RIGHT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
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2 167 page_number
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3 Kaiśikī has pañcama as nyāsa, madhyama as amśa, is weak in ni(niṣāda), main
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4 there is (mutual) movement between madhyama-dhaivata and abundance of main
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5 pancama. This bhāṣā is born of pancama (rāga) and is always sankīrṇā main
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6 (mixed). annotation_inline
parent ligne 5
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7 (102) main
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8 Illustration-Pรับหลัdhลับidhลัpลีpลิpลิdhลับidhaัdhaัdhลับหลับกลับกลัdhลับกลัdhลัdhลับโรรั- main
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9 sārirīpāpā mādhāmādhamadhadhamāmādhā. Niripāpā. Kaišikī [x] editorial_bracket
parent ligne 8
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10 These are the ten <i>bhāṣās</i> in <i>pancama</i> (<i>rāga</i>) described by Yāṣṭika. main
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11 (103) main
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12 [6. Bhāṣāsin bhinnaṣaḍja] section_header
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13 After this, I shall speak of the <i>bhāṣās</i> in <i>bhinnaṣaḍja</i>. main
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14 (104) annotation_inline
parent ligne 13
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15 Having dhaivata as amsa and the same as concluding note, being devoid main
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16 of pañcama and ṛṣabha,45 having to and fro movement between ṣaḍja- main
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17 gāndhāra, this śuddhā (bhāṣā) should be known by the performers to subsist main
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18 in bhinnaṣadja and it becomes pentatonic when devoid of ṣadja.46 main
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19 (105) annotation_inline
parent ligne 18
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20 lllustration-Dhādhāmāgāmāmāgagasanisanisanidhanidhādhāmānimāmāg main
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21 ลังกลัฐจรรับก่ฝาลฝาลัปกลับก่รรัปกลเกล้ฐริธาก่าก่าเปกลีปกลิปกลัฐริธาลปกลากลัฐริธาฐริธาลี main
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22 gamadhamadhasigāsisimādhāmāmadhamagāgamasisisigāsinininismidhādhā main
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23 dhānidhāmanadhamadhamasīgāmadhāmāsā. Sānidhānidhānīgāsānidhānidhā main
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24 Suddhā [i] editorial_bracket
parent ligne 23
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25 Having dhaivata as amsa, dhaivata as the concluding note, the concert main
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26 between sadja-dhaivata, there being (mutual) movement between sadja- main
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27 dhaivata and ṛṣabha-madhyama, the vibhāṣā dākṣiṇātyā bears the name of deśa main
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28 (region)<sup>47</sup> and is born of (bhinna) şadja. main
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29 (106) main
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178 lignes a valider — change uniquement les roles incorrects.