Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21367). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p084 RIGHT — 51 lignes

page vol_I_p084 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 1 page_number
via heuristic_pagenum
2 Ė annotation_inline
parent ligne 6
via heuristic_height
3 151 page_number
via heuristic_pagenum
4 VIMARŚA page_header
via surya_layout
5 ì annotation_inline
parent ligne 6
via heuristic_height
6 2. Gita (lit. song or the act of singing) stands for the melodic aspect of main
via surya_layout
7 music which is rendered through the voice or stringed and wind instruments. main
via surya_layout
8 BṛD does not mention vādya along with gīta here, nor in verse 14 where desī main
via surya_layout
9 music is defined as 'that which is sung.' Since voice sets the model followed by main
via surya_layout
10 stringed and wind instruments, gita is the word for the melodic aspect of music main
via surya_layout
11 and the content of the above instruments is included in it. This extension of the main
via surya_layout
12 meaning of gita gets established when the word vādya is juxtaposed with it, main
via surya_layout
13 because in that case vādya gets restricted to drums. But here, in absence of that main
via surya_layout
14 juxtaposition, gita would acquire a further extension by way of also including main
via surya_layout
15 vādya in its orbit. Hence gīta stands here for the totality of music. It is notable main
via surya_layout
16 that gita is followed by svara in this verse. This looks like a repetition because main
via surya_layout
17 svara is the main constituent of gita. This could be construed as an emphasis on main
via surya_layout
18 'svara' through an independent reference to it. main
via surya_layout
19 3. Nrtta generally stands for pure dance where the delineation of artha main
via surya_layout
20 (meaning) of kāvya (poetry, literature) is not intended (vide NŠ IV, 263). main
via surya_layout
21 Nṛtta is dependent on nāda, because it has to be accompanied on instruments, main
via surya_layout
22 specially drums. annotation_inline
parent ligne 21
via heuristic_height
23 4. The statement that the world is made up of nāda seems to be somewhat main
via surya_layout
24 out of place here, because the context is that of nada being the essence of main
via surya_layout
25 music and dance. But if one recalls the exposition of the order of manifestation main
via surya_layout
26 or formation of gandharva beginning from bindu and moving forward through main
via surya_layout
27 nāda - mātṛkā - varṇa - pada - vākya - mahāvākya - to Veda ( alongwith its main
via surya_layout
28 auxiliary disciplines), it would become clear that 'gīta' (representing gāndharva) main
via surya_layout
29 incorporates all the stages upto gandharva and hence the fundamental nature main
via surya_layout
30 of nāda as established in gīta could be logically extended to the 'world' because main
via surya_layout
31 the world or phenomenon itself is a manifestation of nāda through the above main
via surya_layout
32 stages. SR expresses the same idea in the following manner - main
via surya_layout
33 "Nāda manifests the letters ( of alphabet ), letters constitute the word and main
via surya_layout
34 words make a sentence; so, the entire business of life is carried on through main
via surya_layout
35 language and therefore, the whole phenomenon (i.e. the world) is based on main
via surya_layout
36 nāda". (SR1, 2.2) annotation_inline
parent ligne 35
via heuristic_height
37 Just as SR has related the business of life with nāda through verbal main
via surya_layout
38 communication that is based on the same, BrD has used gita in an extended main
via surya_layout
39 meaning, including in it all the manifestations of nada and has expounded nada main
via surya_layout
40 to be the essence of the whole world. annotation_inline
parent ligne 39
via heuristic_height
41 It would be interesting to note here that S R also speaks of nāda being the main
via surya_layout
42 essence of gita, vādya and nṛtta but the 'world' is not connected with nāda in main
via surya_layout
43 that context. annotation_inline
parent ligne 42
via heuristic_height
44 "Nāda is the very essence of vocal music, instrumental music is enjoyable as main
via surya_layout
45 it manifests nāda. Nṛtta (dance) follows both (i.e. vocal and instrumental main
via surya_layout
46 music); therefore, all the three together depend on nāda". (SRI, 2.1) main
via surya_layout
47 5,6,7,8. Brahmā, Viṣṇu and Maheśvara (Śiva) form one group as Trideva main
via surya_layout
48 (three gods), representing three aspects of the manifestation of the Ultimate main
via surya_layout
49 Reality into the phenomenon of the universe, viz. creation, preservation and main
via surya_layout
50 destruction. Although the three of them occur in Vedic literature, yet the idea main
via surya_layout
51 (vide) annotation_inline
parent ligne 50
via heuristic_height

vol_II_p147 LEFT — 47 lignes

page vol_II_p147 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 276 page_number
via heuristic_pagenum
2 BRHADDEŚĪ page_header
via surya_layout
3 appears to be incomplete. main
via surya_layout
4 115. In spite of the description of this bhāṣā as its being complete, the main
via surya_layout
5 illustration omits <i>ṛṣabha</i>. main
via surya_layout
6 ì annotation_inline
parent ligne 5
via heuristic_height
7 116. cf. (i) main
via surya_layout
8 ्विभाषा रागराजस्य पञ्चमस्य वराटिका । main
via surya_layout
9 अंश: षड्जग्रहन्यास: नितारा मन्द्रमध्यमा ॥ main
via surya_layout
10 समशेषस्वरा पूर्णा शृङ्गारे याष्टिकोदिता ॥ main
via surya_layout
11 Jagadekamalla cited in BhaKo p. 584. main
via surya_layout
12 विभाषा रागराजस्य पञ्चमस्य वराटिका । list_item
via surya_layout
13 (ii) list_item
via surya_layout
14 समशेषस्वरा पूर्णा शृङ्गारे याष्ट्रिकोदिता ॥ list_item
via surya_layout
15 117. cf. (i) तथैव पञ्चमे भिन्ने मध्यमग्रामगानयुक्। list_item
via surya_layout
16 मध्यमांशग्रहा धान्ता मन्द्रर्षभविभूषिता ॥ list_item
via surya_layout
17 मध्यमर्पभसंवादा ऋषभस्वरदुर्बला । list_item
via surya_layout
18 द्रुतमध्यलया तारपङ्जा स्फुरितधैवता ॥ list_item
via surya_layout
19 पूर्णारोह्मवरोहिभ्यां वर्णाभ्यामुपशोभिता । list_item
via surya_layout
20 लिलतेर्गमकैर्युक्ता भाषा धैवतभूषिता ॥ list_item
via surya_layout
21 S Rāj II.2.I.898-900 main
via surya_layout
22 (ii) पूर्णा धांशग्रहन्यासा सधयो रिधयोर्युता । main
via surya_layout
23 भित्रपञ्चमसंभूता भाषा धैवतभूषिता ॥ main
via surya_layout
24 Kalā (appendix) on SR II, p.136. main
via surya_layout
25 118. Reconstruction based on Kalā (appendix) on SR II, p. 137 list_item
via surya_layout
26 ŀ annotation_inline
parent ligne 25
via heuristic_height
27 reading 'sadhasañcārini' and 'dhabhūṣitā' and S Rāj II.2.I.902 reading 'ṣadja- list_item
via surya_layout
28 dhaivatasangatā'. list_item
via surya_layout
29 119. S Rāj II.2.1.956 ab describes a samvāda (to and fro movement) list_item
via surya_layout
30 between niṣada-dhaivata, but Kalā (appendix) on SR II, p. 138 reads 'ridha- list_item
via surya_layout
31 sañcārā'; it appears that 'ni' has been replaced here with 'ri' on account of list_item
via surya_layout
32 error in deciphering or copying at some stage. list_item
via surya_layout
33 वाहुल्यं दृश्यते त्वस्या: सर्वस्वरगतं वृधै: । main
via surya_layout
34 120. cf. annotation_inline
parent ligne 33
via heuristic_short
35 S Rāj II.2.1.956 cd. main
via surya_layout
36 121. P. t. does not contain the description of bhāvinī, the bhāṣā of main
via surya_layout
37 mālavapanīcama, although it is included in the initial enumeration (uddeša) main
via surya_layout
38 in verse 33 cd of this chapter. Kalā (appendix) on SR II, p. 142 describes two main
via surya_layout
39 vibhāṣās named bhāvanī and vibhāvanī under mālavapañcama as- main
via surya_layout
40 भावनी पञ्चमांशान्तग्रहा मालवपञ्चमात् । main
via surya_layout
41 जाता विभाषा षड्जापन्यासा ऋषभवर्जिता ॥ main
via surya_layout
42 विभावनी विभाषा स्यात् पूर्णा मालवपञ्चमे । main
via surya_layout
43 पञ्चमांशग्रहन्यासा मगधाल्पा पमन्द्रभाक् ॥ main
via surya_layout
44 S Rāj II.2.1.1084 describes vibhāvanī according to Yāṣṭika, but bhāvanī is not main
via surya_layout
45 ł annotation_inline
parent ligne 44
via heuristic_height
46 mentioned there. main
via surya_layout
47 Districted the fire annotation_inline
parent ligne 46
via heuristic_height

vol_II_p046 LEFT — 50 lignes

page vol_II_p046 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 Ą unknown
via fallback
2 • annotation_inline
parent ligne 48
via heuristic_height
3 74 page_number
via heuristic_pagenum
4 BRHADDEŚĨ page_header
via surya_layout
5 • annotation_inline
parent ligne 48
via heuristic_height
6 धा नी सनि धा पा पा पा पा table
via surya_layout
7 (१३) table
via surya_layout
8 į unknown
via fallback
9 धा नी मा पा गा गा गा गा table
via surya_layout
10 (१४) table
via surya_layout
11 į annotation_inline
parent ligne 48
via heuristic_height
12 गा पा पा पा धा मा गा मा table
via surya_layout
13 (१५) table
via surya_layout
14 धा धा नी धा पा पा पा पा table
via surya_layout
15 (१६) table
via surya_layout
16 री गा मा पा पम पा पा नी table
via surya_layout
17 (१७) table
via surya_layout
18 री री री री पा पा पा पा table
via surya_layout
19 (१८) table
via surya_layout
20 पा पा पा धा मा मा मा table
via surya_layout
21 (१९) table
via surya_layout
22 नी पा मा गम गां गां गां गां table
via surya_layout
23 (२०) table
via surya_layout
24 रों रों गा गा मा मा मा मा table
via surya_layout
25 (२१) table
via surya_layout
26 नी पा नी मा नी धा पा पा table
via surya_layout
27 (२२) table
via surya_layout
28 सा सा धनि धा पा पा पा पा table
via surya_layout
29 (२३) table
via surya_layout
30 मा पा मा परिग गा गा सां सां table
via surya_layout
31 (38) table
via surya_layout
32 री री गा गा मा मा पा मा table
via surya_layout
33 (२५) table
via surya_layout
34 रीं रीं रीं गा मा रिग मा मा table
via surya_layout
35 (२६) table
via surya_layout
36 मा नी पा नी गा गा गा गा table
via surya_layout
37 ( २७) table
via surya_layout
38 मा मा पा पा धा धनि निध मा table
via surya_layout
39 (२८) table
via surya_layout
40 धा धा सा नी धा नी पा पा table
via surya_layout
41 (२९) table
via surya_layout
42 रीं रीं रीं रीं मा पा धा मा table
via surya_layout
43 (३०) table
via surya_layout
44 नी नी नी धा पा मा मा table
via surya_layout
45 (38) table
via surya_layout
46 मा परि गा गा गा गा गा गा table
via surya_layout
47 (३२) table
via surya_layout
48 ॥ [इति] नन्दयन्ती ॥ section_header
via surya_layout
49 । म ॥१९१ main
via surya_layout
50 [॥१९२इति जातिर्नाम द्वितीयोऽध्याय:॥] editorial_bracket
parent ligne 49
via heuristic_brackets

vol_II_p115 RIGHT — 27 lignes

page vol_II_p115 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 213 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [9. Dodhaka] table
via surya_layout
4 Having sung the (first) half, the latter half is comprised of a stretching of svaras. table
via surya_layout
5 (391) table
via surya_layout
6 [10. <i>Totaka</i>] table
via surya_layout
7 [11. <i>Vastu</i>] section_header
via surya_layout
8 Where there are pāṭas and tennas 16 and the rest is comprised of a main
via surya_layout
9 stretching (elaboration) of svaras, that is vastu<sup>17</sup> used in desī gītas as well as main
via surya_layout
10 in drama. annotation_inline
parent ligne 9
via heuristic_short
11 (392) main
via surya_layout
12 [12. Krauńcapada] section_header
via surya_layout
13 Krauñcapada is known to those proficient in gandharva as that which is main
via surya_layout
14 sung in pratitāla, being comprised of pada and svara. main
via surya_layout
15 (393) main
via surya_layout
16 [13. Haṁsapada] section_header
via surya_layout
17 Where there is one foot in Sainskṛta and the second (foot) is composed in main
via surya_layout
18 a regional (language) (and) which is sung with rhyme, that song is known main
via surya_layout
19 as hamsapada. annotation_inline
parent ligne 18
via heuristic_short
20 (394) main
via surya_layout
21 [14. Śukasārika] section_header
via surya_layout
22 That which is combined with <i>tāla</i> (and) <i>pada</i>, bedecked with <i>pada</i> (and) main
via surya_layout
23 pāṭa (and) comprised of question and answer, is said to be śukaśārika. 19. main
via surya_layout
24 (395) annotation_inline
parent ligne 23
via heuristic_short
25 That which is composed in the Karnāta language or is mixed (with other main
via surya_layout
26 languages) (and) is comprised of pada (text) embodying dialogue, is śukasārika. main
via surya_layout
27 (396) main
via surya_layout

vol_II_p033 LEFT — 35 lignes

page vol_II_p033 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 48 page_number
via heuristic_pagenum
3 सम्भाविता, चतुष्कलेन दक्षिणेन पृथुला<sup>१४२</sup>। वीररौद्राद्धता रसा:। प्रथमप्रेक्षणके नैष्क्रामिकी- main
via surya_layout
4 धूवागाने विनियोगः<sup>१४३</sup>। main
via surya_layout
5 (वं ? वा) main
via surya_layout
6 [३. धैवती] section_header
via surya_layout
7 [अनु॰ १५०] section_header
via surya_layout
8 <sup>१४४</sup>धैवत्या धैवतर्षभौ ग्रहावंशौ च ।शुद्धावस्थायां<sup>१४५</sup> धैवत एवापन्यास:, विकृतावस्थायां main
via surya_layout
9 धैव(न्या ? त्या) धैवतं महौ ग्रहौ अंशौ main
via surya_layout
10 धैवत्येव न्यासः annotation_inline
parent ligne 9
via heuristic_height
11 च धैवतर्षभमध्यमा अपन्यासाः। धैवतो न्यासः। पञ्चमहीनं षाडवं<sup>१४६</sup>पञ्चमषड्जहीनमौडुवित्ं main
via surya_layout
12 तावेव षड्जपञ्चमस्वरौ<sup>१४७</sup>दुर्बलौ कर्तव्यौ क्वचिल्लङ्घनीयौ । पञ्चस्वरपरस्तार: । न्यासपरस्तत्परो main
via surya_layout
13 (व्य ? व्यौ) annotation_inline
parent ligne 12
via heuristic_short
14 तु क main
via surya_layout
15 वा मन्द्र:१४८। main
via surya_layout
16 [अनु॰ १५१] section_header
via surya_layout
17 सप्तविधत्वमस्या: । सप्तांशका: - शुद्धो, विकृतपूर्णो [द्वौ द्वौ षाडवौडुवितौ च ।] editorial_bracket
parent ligne 16
via heuristic_brackets
18 <i>विविध</i>॰ annotation_inline
parent ligne 16
via heuristic_markers
19 ्ण annotation_inline
parent ligne 16
via heuristic_height
20 ऋषभादिमूर्छना। ताल: पञ्चपाणि:, एककलश्चित्रो मार्ग:, मागधी गीति:। द्विकलो <sup>१४९</sup>वार्तिक:. main
via surya_layout
21 (वा)र्तिक: annotation_inline
parent ligne 20
via heuristic_short
22 सम्भाविता । चतुष्कलो दक्षिण:, पृथुला । कलाश्चित्रे द्वादश, वार्तिके चतुर्विशतिर्दक्षिणे- main
via surya_layout
23 कला (धतर ?) दक्षिणे . कला: द्वादश वार्तिके कला main
via surya_layout
24 ऽष्टचत्वारिंशच्च । रसा वीरबीभत्सभयानकाः । ध्रुवागाने प्रथमे प्रेक्षणके विनियोगः । main
via surya_layout
25 अष्टचत्वारिशद् । main
via surya_layout
26 [४. नैषादी] section_header
via surya_layout
27 [अनु॰ १५२] section_header
via surya_layout
28 निषादवत्या निषादर्षभगान्धारा ग्रहा अंशाश्च। अपन्यासाश्च निषादगान्धारर्षभा:। निषाद एव main
via surya_layout
29 (शा) annotation_inline
parent ligne 28
via heuristic_height
30 न्हाः annotation_inline
parent ligne 28
via heuristic_height
31 को annotation_inline
parent ligne 28
via heuristic_height
32 न्यासः। पञ्चमहीनं षाडवं, पञ्चमषड्जहीनमौडुवितम्। पूर्णावस्थायां १५०षड्जमध्यमपञ्चमधैवता- main
via surya_layout
33 <i>ान्धारमध्यमपञ्चमा</i>- annotation_inline
parent ligne 32
via heuristic_height
34 नामल्पत्वम् । १५१ [षाडवे षङ्जमध्यमधैवतानामल्पत्वम् ।] औडुविते मध्यमधैवतयोरल्पत्वम् । editorial_bracket
parent ligne 32
via heuristic_brackets
35 नामः annotation_inline
parent ligne 32
via heuristic_height
210 lignes a valider — change uniquement les roles incorrects.