Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21370). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p011 LEFT — 28 lignes

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1 4 page_number
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2 BŖHADDEŚĪ section_header
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3 व्यञ्जनत्वं तु सर्वेषु कादिवर्गेषु संस्थितम् । main
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4 <sup>7</sup>ुर्णे annotation_inline
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5 <b>ु</b>व्या annotation_inline
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6 शक्त्यभिव्यक्तिमात्रेण व्यञ्जनं शिवतां गतम् ॥८॥ main
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7 पदवाक्यस्वरूपेण वाक्यार्थवहनेन ध्यत् । main
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8 <sup>9</sup>वर्णयन्ति जगत् सर्वं तेन वर्णाः प्रकीर्तिताः ॥९॥ main
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9 वर्णा यत्र annotation_inline
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10 वर्णपूर्वकमेतिद्ध पदं ज्ञेयं सदा बुधैः । main
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11 पदैस्तु निर्मितं वाक्यं क्रियाकारकसंयुतम् ॥१०॥ main
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12 ततो वाक्यान्महावाक्यं वेदाः साङ्गा ह्यनुक्रमात् । main
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13 व्यक्तास्ते ध्वनितः सर्वे ततो गान्धर्वसम्भवः ॥११॥ main
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14 ध्वनियोंनिः परा ज्ञेया ध्वनिः सर्वस्य कारणम् । main
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15 आक्रान्तं ध्वनिना सर्वं जगत् स्थावरजङ्गमम् ॥१२॥ main
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16 ध्वनिस्तु द्विविधः प्रोक्तो व्यक्ताव्यक्तविभागतः । main
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17 वर्णीपलम्भनाद् व्यक्तो देशीमुखमुपागतः ॥१३॥ main
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18 ॥ इति देश्युत्पत्तिः ॥ editorial_bracket
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19 [ देशी-मार्ग-लक्षणम् ] section_header
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20 अबलाबालगोपालैः क्षितिपालैर्निजेच्छया । main
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21 गीयते 10यानुरागेण स्वदेशे 11देशिरुच्यते ॥१४॥ main
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22 सा annotation_inline
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23 निबद्धश्चानिबद्धश्च मार्गोऽयं द्विविधो मतः। main
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24 12<del>71</del>0 annotation_inline
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25 1270 page_number
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26 आलापादिनिबद्धो यः स च मार्गः प्रकीर्तितः ॥१५॥ main
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27 13, प्ला, 13, न्धो, annotation_inline
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28 [ 14आलापादिविहीनस्तु स च देशी प्रकीर्तितः । ] editorial_bracket
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vol_II_p123 RIGHT — 34 lignes

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1 TRANSLATION page_header
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2 229 page_number
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3 [2. Kāmalekhā] section_header
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4 Kāmalekhā is that where there are twenty-two<sup>60</sup> (dviguņita-rudra) mātrās in the main
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5 first (foot) and in the foot bearing an even number (second) the same (number main
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6 of mātrās) obtains, in the foot of odd number (third) there are twenty (mātrās). main
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7 (445) main
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8 [3. Bāṇalekhā] section_header
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9 If in all the three feet, in a uniform manner there are double the number main
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10 of mātrās (obtaining in kāmalekhā) (and) where they are composed in main
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11 bāṇagaṇas,61 that is bāṇalekhā. main
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12 (446) main
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13 [4. Candralekhā] section_header
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14 Where there are three above forty (forty-three) mātrās in a couple of feet main
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15 i.e. the first two feet (and where) the number of mātrās is less by one (forty- main
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16 two) in the foot bearing an odd number (third foot), that is candralekhā. main
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17 (447) main
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18 Thus ends the fourfold mātrailā. section_header
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19 [C. The varieties of <i>Varnailā</i>] section_header
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20 There is no regulation of <i>tāla</i> here, none of <i>msa</i> and none of <i>rāga</i>; there is only main
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21 the regulation of syllables <math>^{62}</math> (in their number); hence it is called <i>varyailā</i>. main
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22 (448) annotation_inline
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23 Madanavatī, śaśilekhā, prabhāvatī, mālatī, similarly lalitā, hemavatī, (and) main
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24 kusumavatī, these seven are the elās regulated on the basis of varņa (syllable). main
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25 (449) annotation_inline
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26 Beginning with eleven syllables and ending with seventeen (syllables in main
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27 each foot), these seven are sung in sequence, by the gandharvas with main
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28 beautiful padas (textual units) (and) good sounds. main
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29 (450) main
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30 [1. Madanavatī 2. Šašilekhā 3. Prabhāvatī] section_header
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31 That madanavatī is composed of non-short (alaghu) gaṇas 63 i.e., has all main
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32 long (guru) syllables, śaśilekhā is with short (laghu) gaṇas, prabhāvatī is always main
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33 profuse with long (guni) gaṇas (and) mālatī and lalitā (will be described now). main
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34 (451) main
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vol_II_p108 RIGHT — 21 lignes

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1 199 page_number
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2 TRANSLATION page_header
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3 Illustration-.....Śuddhā[xiv] table
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4 [.....] table
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5 Illustration - Dhāpā ninisā nidhānigāmā pāpāripāpā dhānini. main
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6 Dhānīgārīgāsāgāsāsāsāsāpāpāmāpāpā. Gamasānigāgamasāgāsādhāmāgāmāmā. main
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7 Madhyamā [xv] editorial_bracket
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8 Pārvatī (bhāṣā) has paṇcama as amśa (and) dhaivata as the concluding note main
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9 and is born of a region<sup>31</sup>; it is sung in the assembly of kşatrīyas, is complete main
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10 and born of bhinna (şadja). main
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11 (33) annotation_inline
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12 Illustration - Pāpāpāgā māririnirimā dhāpāpāpā sārimā. Pāgāririsani main
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13 dhāpāpādhā. Pārvatī [xvi] editorial_bracket
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14 Thus end the sixteen bhāṣās of bhinnaṣaḍja according to main
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15 the opinion of Śardūla. main
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16 The proper bhāṣās adorned with vibhāṣās have been spoken of in main
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17 combination with practice and theory (and) blended with prastāra (lit. main
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18 elaboration, here notational illustration). main
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19 (34) annotation_inline
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20 Thus ends the description of bhāṣās. main
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21 [Thus ends the fourth chapter.] editorial_bracket
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vol_I_p096 RIGHT — 61 lignes

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1 VIMARŚA main
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2 175 page_number
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3 61. Like Suśruta, Bh Prak VII, 27 also mentions tvak (skin) as the first dhātu, main
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4 instead of rasa (chyle) of our text. Monier Williams also enumerates seven main
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5 dhātus as chyle ( rasa ), blood, flush, fat, bone, marrow, semen; replacing tuak main
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6 with rasa. main
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7 62. The seven minerals are not clear. list_item
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8 63. The number of cakras (psychophysical centres in the human body list_item
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9 visualised as circles, cakras or lotuses, padmas) is generally accepted as six, eight list_item
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10 or ten (as in SRI, 2. 120-145 ab). ByD has talked of seven sthanas elsewhere list_item
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11 ( in the confused reading in the section on Varṇālankāra towards the end of list_item
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12 Anu. 84, see textual note no. 20 in that section ); viz. ādhāra, svādhişṭhāna, list_item
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13 anāhata, maņipūra, višuddhi, ājñā and brahmarandhra. Out of these, the last list_item
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14 one viz. brahma-randhra (cerebral aperture) is not the name of a cakra, rather it list_item
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15 is the location of the sahasrāra cakra. These seven names do form part of the list_item
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16 ten cakras spoken of in SR in the following locations - list_item
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17 Name of Cakra table
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18 Location table
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19 1. Ādhāra table
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20 In-between the anus and the genitals table
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21 2. Svādhişthāna table
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22 Root of the genitals table
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23 Around the navel table
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24 3. Manipūra table
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25 4. Anāhata table
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26 Heart table
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27 5. Visuddhi table
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28 Throat table
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29 6. Ājāā table
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30 In-between the two eye-brows table
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31 7. Sahasrāra table
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32 Cerebral aperture table
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33 It is notable that SR associates the production of musical notes with the main
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34 anāhata, višuddhi and lalanā-( situated in the back of the neck ) cakras alone main
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35 and not with all the seven listed above. The treatment of cakras in BrD could main
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36 not be assessed from this stray reference. It is only the number seven that main
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37 corresponds with the connection of seven cakras with the svaras that the author main
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38 is trying to establish here. In note 59 above, we have said that the connection of main
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39 dhaivata with the forehead is not clear. If the seven svaras are connected with main
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40 the seven sthanas listed above, one by one, then dhaivata being the sixth one main
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41 could be connected with the viśuddhi cakra located in-between the eye brows. main
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42 But the location of seven svaras in the seven cakras is not corroborated by any main
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43 other known text. annotation_inline
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44 64. S R I, 3.55 cd, 56 ab speaks of the origin of svaras in the seven islands as main
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45 follows- main
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46 Name of Svara table
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47 Name of Duipa table
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48 Sadja table
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49 Jambū table
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50 Rsabha table
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51 Šāka table
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52 Gändhära table
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53 Kuśa table
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54 Madhyama table
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55 Krauñca table
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56 Sālmalī table
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57 Pañcama table
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58 Dhaivata table
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59 Sveta table
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60 Nisāda table
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61 Puşkara table
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vol_I_p032 LEFT — 32 lignes

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1 BRHADDESI page_header
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2 46 page_number
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3 अष्टमस्य तृतीयं तु हरिबीजसमन्वितम्। main
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4 आद्यं स्वरं स्वरज्ञस्तूद्धरेत् उभ्सर्वप्रयत्नतः ।।६३।। main
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5 •स्तु उद्धरेत् तु annotation_inline
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6 सप्तमस्य द्वितीयं तु कामबीजसमन्वितम्। main
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7 द्वितीयं तु स्वरं विद्धि ब्रह्मस्थानसमुद्भवात्॥६४॥ main
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8 द्वितीयस्यापि वर्गस्य तृतीयं विष्णुसंयुतम्। main
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9 उद्धरेच्च स्वरं नित्यं स्वरभेदमनोहरम्॥६५॥ main
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10 षष्ठस्यापि हि वर्गस्य अन्तिमं अन्तिमं अन्तिसंयुतम्। main
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11 •मग्चाः annotation_inline
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12 अविनष्टं विजानीयान् मध्यमं स्वरसत्तमम्।६६॥ main
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13 <sup>36</sup>₀मुत्तमम् annotation_inline
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14 <sup>37</sup>॰सप्तकम् annotation_inline
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15 <b>म्बतदादिप्रथमोपेतं स्वरं संविद्धि शोभनम्।</b> main
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16 था annotation_inline
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17 व्योमसंख्यासमायुक्तमोष्ठस्थानसमुद्भवम् ॥६७॥ main
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18 पञ्चमस्यापि वर्गस्य चतुर्थं चादिसंयुतम्। main
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19 कोदण्डद्वयसम्भूतमुद्धरेत् स्वरमुत्तमम्।।६८॥ main
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20 अकारान्यान्तसम्भिन्नं पञ्चमान्तं समुद्धरेत्। main
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21 ुन्ताः, annotation_inline
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22 ब्रह्मस्थानसमुद्भूतं सुतारध्वनिसंयुतम् ॥६९॥ main
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23 आगमस्थः स्वरोत्द्वार इति तावत् प्रदर्शितः। main
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24 [ स्वराणां कुलवर्णादिनिर्णयः ] editorial_bracket
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25 अधुना सम्प्रवक्ष्यामि कुलवर्णादिनिर्णयम्।।७०।। main
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26 <sup>५९</sup>देवकुलसमुत्पन्नाः षड्जगान्धारमध्यमाः। main
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27 पितृवंशसमुत्पन्नः स्वरोऽसौ पञ्चमः किल।।७१।। main
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28 ऋषिवंशसमुत्पन्नौ स्वरावृषभधेवतौ। main
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29 असुराणां कुले जातो निषादः स निसंज्ञितः ।। ७२ ॥ main
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30 4)पद्मपत्रप्रभः षड्ज ऋषभः शुकवर्णकः। main
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31 कनकाभस्तु गान्धारो मध्यमः कुन्दसन्निभः॥७३॥ main
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32 - . . . . . annotation_inline
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176 lignes a valider — change uniquement les roles incorrects.