Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21390). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p119 RIGHT — 27 lignes

page vol_II_p119 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 221 page_number
via heuristic_pagenum
3 [33. Dvipadī] section_header
via surya_layout
4 That which is (performed) with karaṇa tāla and composed in the dvipadī main
via surya_layout
5 metre, that is said to be dvipadī by those adept in vastu.<sup>29</sup> main
via surya_layout
6 (414) main
via surya_layout
7 [34. Vartanī] section_header
via surya_layout
8 Where graha and nyāsa are used only according to ańiśa, where the name main
via surya_layout
9 of the object of (glorified) description (divine or human) and that of the main
via surya_layout
10 singer (composer) is put in (and) that which is sung with svaras in a tāla main
via surya_layout
11 other than kankāla, pratitāla, druta (fast) maņțha, (and) kudukkaka, is held main
via surya_layout
12 to be vartani. annotation_inline
parent ligne 11
via heuristic_short
13 (415-416) main
via surya_layout
14 [35. <i>Elā</i>] section_header
via surya_layout
15 Where the first two feet are 'coloured' (embellished) with anuprāsa main
via surya_layout
16 (alliteration), there is anuprāsa 30 in the third or fourth foot or there is no main
via surya_layout
17 anuprāsa in these two (feet) and the fifth (foot) is with anuprāsa, where four main
via surya_layout
18 gītis find place in each foot, (and) after having sung one-half of its foot, main
via surya_layout
19 anuprāsa is arranged; where there is the description of renunciation, well- main
via surya_layout
20 being or prosperity, beauty, valour, steadfastness etc., that is called <i>clā</i> by the main
via surya_layout
21 experts in music. annotation_inline
parent ligne 20
via heuristic_short
22 <math>(417-419)</math> main
via surya_layout
23 It is always to be sung within the <i>gīta-vastus</i>, in combination with <i>tālas</i> like main
via surya_layout
24 maṇṭha, dvitīya, kaṅkāla and similarly elā should be combined with pratitāla main
via surya_layout
25 by the wise. That (clā) is marked with the name of the object of description main
via surya_layout
26 and the singer (composer). main
via surya_layout
27 <math>(420-421)</math> main
via surya_layout

vol_I_p022 RIGHT — 27 lignes

page vol_I_p022 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 27 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 Now I shall speak of the śruti-maṇḍala of madhyama (- grāma). This Madhyama main
via surya_layout
4 (having four śrutis) should be known (located), having transgressed three main
via surya_layout
5 (48) annotation_inline
parent ligne 4
via heuristic_short
6 (śrutis). main
via surya_layout
7 Having transgressed two śrutis (on the third śruti) should be (located) main
via surya_layout
8 pañcama. Thence having transgressed three (srutis) (on) the fourth (śruti) is main
via surya_layout
9 (49) annotation_inline
parent ligne 8
via heuristic_short
10 dhaivata. main
via surya_layout
11 Having transgressed one (śruti) niṣāda is known on the second (śruti). main
via surya_layout
12 Having transgressed three śrutis then is (located) şadja on the fourth (śruti). main
via surya_layout
13 (50) annotation_inline
parent ligne 12
via heuristic_short
14 Rṣabha is later (on) the third (śruti), leaving two (śrutis). Having main
via surya_layout
15 (51) annotation_inline
parent ligne 14
via heuristic_short
16 transgressed one śruti, (on) the second (śruti) is gāndhāra. main
via surya_layout
17 The śruti-maṇḍala of madhyama-grāma is thus— main
via surya_layout
18 ma annotation_inline
parent ligne 17
via heuristic_height
19 pa unknown
via surya_layout
20 ga unknown
via surya_layout
21 гi unknown
via surya_layout
22 dha unknown
via surya_layout
23 ni annotation_inline
parent ligne 17
via heuristic_height
24 sa annotation_inline
parent ligne 17
via heuristic_height
25 (Anu. 14) main
via surya_layout
26 Bharata, on the other hand, has shown śruti-maṇḍala (in ṣaḍja-grāma) main
via surya_layout
27 beginning with rṣabha.65 What is the reason? It is being said. In order to main
via surya_layout

vol_II_p139 LEFT — 59 lignes

page vol_II_p139 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 grantening to the property of the annotation_inline
parent ligne 5
via heuristic_height
2 262 page_number
via heuristic_pagenum
3 260 page_number
via heuristic_pagenum
4 BRHADDEŚĪ page_header
via surya_layout
5 शुद्धपङ् main
via surya_layout
6 line of verse 305 also appears in p. t. within this portion, but it has been main
via surya_layout
7 omitted in order to avoid unnecessary repetition. Reconstruction based on main
via surya_layout
8 Kalā on SR. II.2.23-26, p.25. main
via surya_layout
9 54. c.r. in ibid. annotation_inline
parent ligne 8
via heuristic_short
10 55. cf.c.r. in ibid. विवादी चानुवादी च गृहीत: स्यादित्यनुपङ्ग: । शुद्धपाडवापेक्षया main
via surya_layout
11 भित्रपड्जभित्रपञ्चमयोः स्वरप्रयोगभेदात् स्वरभित्रम् । main
via surya_layout
12 C. r. in ibid. annotation_inline
parent ligne 11
via heuristic_short
13 56. P.t. repeats ' şadjaḥ (?) '. main
via surya_layout
14 57. Reconstruction attempted in the closest possible approximation main
via surya_layout
15 to the confused reading of p.t. main
via surya_layout
16 भित्रपड्जो मानदैन्ये चैकान्ताजीवितस्य च । main
via surya_layout
17 58. cf. main
via surya_layout
18 मन्यन्ते र unknown
via fallback
19 C.r. in Abhi. Bhā .XXIX. 9, p. 69. main
via surya_layout
20 ग्राममूर्छन unknown
via fallback
21 59. cf. main
via surya_layout
22 प्रसन्नान्तविभूषित: । main
via surya_layout
23 SR 11.2.80b. annotation_inline
parent ligne 22
via heuristic_short
24 60. cf.(i) main
via surya_layout
25 चतुःश्रुतिस्वरं यत्र भिनक्ति (ति)त्रिश्रुतिस्वराः (रः)। main
via surya_layout
26 तथाहि तैः annotation_inline
parent ligne 25
via heuristic_short
27 अधिष्ठानं स एव स्याच्छुतिभिन्न: स मन्यते ॥ main
via surya_layout
28 SamSi Bhā Ka, p. 33. main
via surya_layout
29 एवायामार annotation_inline
parent ligne 28
via heuristic_height
30 चतुःश्रुतिः स्वरो यत्र भिन्नो द्विश्रुतिको भवेत् । main
via surya_layout
31 (ii) annotation_inline
parent ligne 30
via heuristic_short
32 <b>द्विश्रुति</b>प्यां main
via surya_layout
33 गान्धारो द्विश्वतिश्चैव श्रुतिभिन्न: स उच्यते ॥ main
via surya_layout
34 इत्याचार्यद्व unknown
via fallback
35 इति भित्रतानरागे हि पङ्जस्य श्रुतिद्वयं गृह्मति निषादः । श्रुतिपूर्वन्यायेन पङ्जोऽपि चतुःश्रुतिरित्युच्यते, गान्धारस्तु main
via surya_layout
36 श्रुतिभिन्नत्वम् । annotation_inline
parent ligne 35
via heuristic_short
37 8 page_number
via heuristic_pagenum
38 C.r. in Kalā on SR II.2.23-26, p.26. main
via surya_layout
39 61. cf. (i) annotation_inline
parent ligne 38
via heuristic_short
40 मध्यमापञ्चमीजातः पञ्चमांशग्रहोऽल्परिः॥ main
via surya_layout
41 8 page_number
via heuristic_pagenum
42 रिहीनो वा मध्यमान्तो मध्यमाल्प: सकाकली । main
via surya_layout
43 SR II. 2.35 c-36 b. annotation_inline
parent ligne 42
via heuristic_short
44 विहीन ऋषभेणाधो ऋषभाल्पतया युत:। main
via surya_layout
45 (ii) annotation_inline
parent ligne 44
via heuristic_short
46 मध्यमस्वरविश्राम: स्वल्पमध्यमकोऽथवा ॥ main
via surya_layout
47 निषाददुर्वल: प्रोक्तो भवानीपतिदैवत: ॥ main
via surya_layout
48 अत्र यद्गदितं तज्ज्ञैर्दुर्वलत्वं निषादिन: । main
via surya_layout
49 तद्धेतुजातिजं चिन्त्यं रिदीर्बस्यं पुनर्व्धै:॥ main
via surya_layout
50 तथाहि तैरा annotation_inline
parent ligne 49
via heuristic_short
51 S Rāj II.2.I.280, 282 cd, 283. main
via surya_layout
52 62. Verse 313 in our text mentions rṣabha and niṣāda as sparse, main
via surya_layout
53 whereas here in the prose portion madhyama and niṣāda are so mentioned. main
via surya_layout
54 SR mentions ṛṣabha and madhyama and S.Rāj mentions ṛṣabha, madhyama and main
via surya_layout
55 1 page_number
via heuristic_pagenum
56 niṣāda. (See extracts in note 60). main
via surya_layout
57 63. cf. annotation_inline
parent ligne 56
via heuristic_short
58 धैवतीपड्जमध्याभूः स्वल्पपञ्चमसप्तमः । main
via surya_layout
59 (vide) annotation_inline
parent ligne 58
via heuristic_height

vol_II_p066 RIGHT — 39 lignes

page vol_II_p066 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 1.50 4 1 annotation_inline
parent ligne 5
via heuristic_height
2 TRANSLATION page_header
via surya_layout
3 115 page_number
via heuristic_pagenum
4 [Anu. 198] editorial_bracket
parent ligne 5
via heuristic_brackets
5 Ṣaḍjais its graha, amśa and nyāsa. Niṣādais kākalī here. It is pentatonic with main
via surya_layout
6 the omission of dhaivata and ṛṣabha. Its application is prescribed in sambhoga- main
via surya_layout
7 śṛṅgāra (love in union). Vīra<sup>72</sup> and the like are the rasas. The mūrchanā main
via surya_layout
8 beginning with sadja obtains. Ārohin is the varņa. Prasannādi is the alankāra. main
via surya_layout
9 The kalāis formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) main
via surya_layout
10 and the kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in main
via surya_layout
11 songs comprised of svara and pada. main
via surya_layout
12 [7. Ţakkakaiśika] section_header
via surya_layout
13 Ţakkakaiśika is born of dhaivatī and madhyamā jātis, has dhaivata as its amśa main
via surya_layout
14 and concluding note and is weak in the svaras comprised of two śrutis each main
via surya_layout
15 (gāndhāra and niṣāda). main
via surya_layout
16 (326) annotation_inline
parent ligne 15
via heuristic_short
17 [Anu. 199] editorial_bracket
parent ligne 15
via heuristic_brackets
18 Takkakaišika is related to sadjagrāma. (Contention) This rāga is born of main
via surya_layout
19 jātis related to both the grāmas, how is it proper to say that it is related to main
via surya_layout
20 șadjagrāma? [Answer] În its performance pañcama related to four śrutis is editorial_bracket
parent ligne 19
via heuristic_brackets
21 obtained. Pañcama and dhaivata are the two that bring about a distinction main
via surya_layout
22 between the two grāmas. Hence, this rāga is related to sadjagrāma alone on main
via surya_layout
23 account of pañcama being comprised of four śrutis. Dhaivata is the graha, main
via surya_layout
24 amśa and nyāsa. Niṣāda and gāndhāra are kākalī and antara here. This (rāga) main
via surya_layout
25 is complete in svaras. In the opinion of Kasyapa it becomes auduvita main
via surya_layout
26 (pentatonic) with the omission of <i>niṣāda</i> and <i>gāndhāra</i>. Its application is main
via surya_layout
27 prescribed in passionate acting (or dance) and in the entry of a love-lorn one main
via surya_layout
28 and his kañcukin (attendant of the female apartments). <math>\dot{B}\bar{\imath}bhatsa^{73}</math> and the main
via surya_layout
29 like are the rasas. The mūrchanā beginning with dhaivata obtains. Ārohin is main
via surya_layout
30 the varna. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the main
via surya_layout
31 vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla like caccatpuṭa main
via surya_layout
32 obtains in songs comprised of svara and pada. main
via surya_layout
33 [8. Mālavakaisika] section_header
via surya_layout
34 The rāga mālavakaišika is born of kaišikī jāti, is combined with ṣaḍja as amša main
via surya_layout
35 and nyāsa and is weak in dhaivata. main
via surya_layout
36 (327) annotation_inline
parent ligne 35
via heuristic_short
37 Some prefer pancama for the function of nyāsa in it and others prefer main
via surya_layout
38 găndhāra, but that is not seen in practice. main
via surya_layout
39 (328) main
via surya_layout

vol_II_p013 LEFT — 29 lignes

page vol_II_p013 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 F unknown
via fallback
2 8 page_number
via heuristic_pagenum
3 BRHADDEŚĪ page_header
via surya_layout
4 षाड्ज्यान्ध्री नन्दयन्ती च गान्धारोदीच्यवा तथा। main
via surya_layout
5 पह्(ज्य ? जा) annotation_inline
parent ligne 4
via heuristic_height
6 चतेस्रः षट्स्वरा होता ज्ञेयाः पञ्चस्वराः पराः ॥ २०१ ॥ main
via surya_layout
7 निषादवत्यार्षभी च धैवती षड्जमध्यमा । main
via surya_layout
8 षड्जोदीच्यवती चैव पञ्च षड्जाश्रिता: स्मृता: ॥ २०२ ॥ main
via surya_layout
9 त्रिधा annotation_inline
parent ligne 8
via heuristic_height
10 गान्धारी रक्तगान्धारी मध्यमा पञ्चमी तथा । main
via surya_layout
11 कैशिकी चेति विज्ञेया: पञ्जैता मध्यमाश्रिता: ॥ २०३ ॥ main
via surya_layout
12 षड्जग्रामे तु विज्ञेया १४[ सम्पूर्णा षड्जकैशिकी । editorial_bracket
parent ligne 11
via heuristic_brackets
13 षट्स्वरा चैव विज्ञेया षाड्जी गान्धारयोगत: ॥ २०४॥ main
via surya_layout
14 सम्पूर्णा मध्यमग्रामे ज्ञेया कार्मारवी तथा। main
via surya_layout
15 गान्धारपञ्चमी चैव मध्यमोदीच्यवा तथा ॥ २०५ ॥ main
via surya_layout
16 पुनश्च षट्स्वरा ज्ञेया] गान्धारोदीच्यवा बुधै:। editorial_bracket
parent ligne 15
via heuristic_brackets
17 आन्ध्री च नन्दयन्ती च मध्यमग्रामसंश्रया: ॥ २०६ ॥ main
via surya_layout
18 (:) annotation_inline
parent ligne 17
via heuristic_height
19 एवमेता बुधैर्ज्ञेया द्वैग्रामिक्यो विभागत: ॥ २०७ ॥ main
via surya_layout
20 द्वी ग्रामीकौ(?)<sup>१५</sup>ऽपिजातय: main
via surya_layout
21 यास्ता: सप्तस्वरा ज्ञेया याश्चेता: षट्स्वरा: स्मृता: । main
via surya_layout
22 क्वचित् षाडवितास्तास्तु पक्षे चौडुवितीकृताः ॥ २०८ ॥ main
via surya_layout
23 ॥ इति शुद्धाः, विकृताः, संसर्गजा विकृताश्च ॥ editorial_bracket
parent ligne 22
via heuristic_brackets
24 [३. सामान्यलक्षणम् ] section_header
via surya_layout
25 [ अनु ॰ ११८ ] section_header
via surya_layout
26 इदानीं [ सामान्य-] लक्षणमाह - editorial_bracket
parent ligne 25
via heuristic_brackets
27 <sup>१६</sup>श्रुतिग्रहस्वरादिसमूहाज्जायन्त अतो जातय इत्युच्यन्ते। <sup>१७</sup>यस्माज्जायते रसप्रतीतिरारभ्यते main
via surya_layout
28 <b>न्ते जातय:</b> annotation_inline
parent ligne 27
via heuristic_height
29 न्त annotation_inline
parent ligne 27
via heuristic_height
181 lignes a valider — change uniquement les roles incorrects.