Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21400). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p030 RIGHT — 31 lignes

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1 43 page_number
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2 TRANSLATION page_header
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3 The omission of all notes is prescribed in all <math>j\bar{a}tis</math>, but the omission of main
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4 madhyama should never be made. The svara madhyama is the chief among main
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5 all the svaras and is indispensable both in the kalpa (practice and precept) main
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6 of gāndharva and also in sāmans." main
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7 (NŚ XXVIII. 58-65) main
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8 [ Anu. 142 ] section_header
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9 Now the prescription of sadava and auduvita as well as the prescription main
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10 according to utsarga<sup>55</sup> (general view) and apavāda<sup>56</sup> (exception) should be main
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11 known only in vikṛtā jātis, not in the śuddhā jātis, because the śuddhās become main
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12 the root of the coming into existence of other jātis. These śuddhās themselves main
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13 become vikṛtās. How- main
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14 [9. A repeated definition of śuddhā jāti] section_header
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15 When a jāti has the same graha, the same apanyāsa and the same aniśa, has main
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16 nyāsa in the mandra (lower register) and is complete, then it is known as main
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17 śuddhā jāti. annotation_inline
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18 (259) annotation_inline
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19 Thus has been said the definition of śuddhā. main
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20 [10. The vikṛtā state of śuddhā jātis] section_header
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21 [Anu. 143] section_header
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22 Out of these characteristics, the jātis become vikṛtā (modified) by (the main
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23 violation of) one, two or many characteristics, excepting the nyāsa. The main
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24 statement 'excepting the nyāsa' means that there is no vikṛtā state that comes main
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25 about by (a change in) the nyāsa. main
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26 [ The illustration of sadji ] section_header
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27 [ Anu. 144 ] section_header
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28 Vikṛtā ṣādjī is two-fold – one that is always complete and the other that is main
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29 ṣāḍavā. Ṣāḍjī is śuddhā with the aṁśa that bestows its name (viz. ṣaḍja). Vikṛtā main
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30 ṣāḍjī is complete when gāndhāra is its aṁśa because of the non-omission of main
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31 ---- annotation_inline
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1 1. ***** annotation_inline
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2 258 page_number
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3 BRHADDEŚĨ page_header
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4 38. Reconstuction based on the reading found in all subsequent list_item
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5 rāgas. list_item
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6 39. P.t. breaks here. Ākṣiptikā is thus defined in SR list_item
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7 चच्चत्पुटादितालेन मार्गत्रयविभूपिता। list_item
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8 आक्षिप्तिका स्वरपदग्रथिता कथिता बुधै: ॥ list_item
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9 SR II.2.25 cd, 26 ab. main
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10 स्वरपदग्रधिता, पड्जादिस्वरोपेतै: पदै: पदार्थवाचकै: शब्दैग्रंथिता रचिता main
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11 पदतालाद्याक्षिप्तत्वादाक्षिप्तिकेत्यर्था । वुधैर्मतङ्गादिभि: कथिता । main
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12 Kalā on ibid, p. 22. main
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13 40. P.t. breaks here. The following extracts would be pertinent - main
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14 मध्यमापञ्चमीजात्यो: सम्भूत: शुद्धपञ्चम: । main
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15 अंशोऽस्य पञ्चमो न्यास: स्वल्पद्विश्रुतिकस्वर:॥ main
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16 BhaKo, p. 666, ascribed to Kaśyapa. main
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17 यदि पञ्चमो विरमते गान्धारधान्तरस्वरो भवति । main
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18 ऋपभो निपादसहितस्तं पञ्चममीदृशं विद्यात् ॥ main
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19 Nā Śi 1.4.6. annotation_inline
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20 मध्यमापञ्चमीजातः काकल्यन्तरसंयुतः ॥ main
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21 पञ्चमांशग्रहन्यासो मध्यसप्तकपञ्चम:। main
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22 <b>इ</b>ष्यकामूर्च्छनोपेतो ज्ञेय: कामादिदैवत: ॥ main
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23 चारुसञ्चारिवर्णश्च ग्रीप्मेऽहः प्रहरेऽग्रिमे । main
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24 शृङ्गारहास्ययो: सन्धाववमर्शे प्रयुज्यते ॥ main
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25 SR.II.2. 148c-150. main
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26 41. Reconstruction based on the succeeding prose portion, where list_item
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27 the omission of rṣabha and pañcama is prescribed. list_item
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28 42. The 'jātyoḥ' of p.t. could be taken to be the dual number of the list_item
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29 genitive or locative case, though locative would be more appropriate list_item
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30 according to the context. We have changed it to the dual number of the list_item
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31 ablative case which was felt to be more idiomatic, but the locative case is not list_item
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32 misplaced. list_item
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33 43. This sentence has been cited by Kallinātha in Kalā on SR II. 2.30- list_item
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34 32, p. 29 for refuting the opinion that the rāga śuddhakaiśikamadhyama list_item
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35 belongs to two grāmas. list_item
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36 पड्जांशो मध्यमन्यासः कैशिकीजातिसम्भवः। list_item
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37 44. cf. list_item
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38 तथा कार्मारवीजात: सम्पूर्ण इति कैशिक: ॥ list_item
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39 BhaKo p. 149, ascribed to Matanga. main
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40 45. ' Pañcamo nyāsaḥ 'of p.t. has been changed to pañcamanyāsaḥ in main
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41 order to make a compound matching ' ṣadjāmśaḥ '. main
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1 1 page_number
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2 59 page_number
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3 TRANSLATION page_header
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4 (3) table
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5 mā gā rī gā mā mā sā sā table
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6 <b>(4)</b> table
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7 [mā magama mā mā nidha padha pama gamama] table
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8 (5) table
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9 dhā padha pari riga maga riga sadhasa sā table
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10 (6) table
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11 nidha sā rī magama mā mā mā mā table
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12 (7) table
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13 mā mā magama madha dhapa padha pama gamaga table
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14 (8) table
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15 dhā padha pari riga maga riga sadhasa sā table
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16 (9) table
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17 mā mā dhani dhasa dhapa mapa pā pā table
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18 (10) table
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19 mā magama mā nidha padha pamaga gā mā table
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20 (11) table
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21 dhā padha pari riga maga riga sadhasa sā table
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22 (12) table
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23 nidha sā rī magama mā mā mā mā table
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24 Thus ends <i>şadjamadhyamā</i>. section_header
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25 [2. Gāndhārodīcyavā] section_header
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26 In gāndhārodīcyavā, ṣadjaand madhyama are the two amśas. The hexatonic main
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27 is known to be with the omission of rşabha. In the state of completeness there main
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28 is the sparseness of svaras other than those that are anisas. main
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29 (4) annotation_inline
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30 In the hexatonic form, niṣāda, dhaivata, pañcama and gāndhāra are said to main
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31 be sparse. Saigati (concert) between ṛṣabha and dhaivata should be known main
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32 and the mūrchanā beginning with dhaivata obtains. main
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33 (5) annotation_inline
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34 The tāla should be known as caccatpuța. Sixteen kalās (time units) are said main
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35 to obtain. Its application (viniyoga) is accepted to be in the singing of dhruvā main
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36 in the fourth act. annotation_inline
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37 (6) main
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38 Madhyamais the nyāsain this (jāti). Ṣaḍja and dhaivata are apanyāsas. The main
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39 prastāra is thus - main
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40 (1) table
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41 sā sā pā mā pā dhapa pā mā table
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42 (2) table
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43 dhā pā mā mā sā sā sā sā table
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44 (3) table
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45 dhã nĩ sã sã mã mã pã pã table
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46 (4) table
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47 ករី ករី ករី ករី ករី ករី ករី ករី table
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48 (5) table
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49 mã mã dhã nisa nĩ nĩ nĩ table
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50 (6) table
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51 mā pā mā pari gā gā sā sā table
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vol_II_p063 RIGHT — 35 lignes

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1 . ..... ... ... ....................... annotation_inline
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2 r . annotation_inline
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3 TRANSLATION page_header
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4 109 page_number
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5 [D. The rāgas pertaining to rāga-gīti or vesarā-gīti] section_header
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6 [Anu. 190] editorial_bracket
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7 (Contention) Why is the word 'rāga' 64 used for the vesara (rāgas)? On main
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8 account of the statement by the authorities. Similarly has said Kaśyapa - main
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9 "Where the raga that is attractive in all the four varnas, is seen in its totality, main
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10 they are known as rāgas." main
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11 [Anu. 191] section_header
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12 In the opinion of Durgaśakti , 'rāgas' themselves are known as being main
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13 'vesara'. Thus has said Durgaśakti - main
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14 "Vesaras are known to be so because the svaras move with speed." main
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15 In the opinion of Durgaśakti vesaraṣāḍava alone is prominent on account main
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16 of having 'inherited' the state of ṣāḍava (from śuddhaṣāḍava). In the opinion main
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17 of Kasyapa, on the other hand, takkarāga alone is prominent on account of main
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18 being gratifying to Laksmi.65 That is thus - main
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19 [1. Takkarāga] section_header
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20 Takkarāga is combined with şadja as amśa and nyāsa and is weak in main
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21 pañcama. Dhaivatī and ṣadjamadhyamā are indicated as its cause. main
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22 (320) main
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23 [Anu. 192] section_header
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24 This means—takkarāga is related to ṣaḍjagrāma on account of being born of main
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25 dhaivatī and ṣadjamadhyamā. Ṣadja is its graha, aniśa and nyāsa. There is the main
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26 sparseness of niṣāda and pañcama. Niṣāda and gāndhāra are kākalī and antara here main
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27 and this (rāga) is complete. It is used in the yuddhavīra (rasa). Vīra and adbhuta main
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28 are the rasas, the mūrchanā beginning with ṣaḍja obtains. Sañcārin is the varṇa. main
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29 Prasannānta is the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā main
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30 obtains in the vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla like main
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31 caccatputa obtains in the songs comprised of svara and pada. main
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32 [2. Sauvīra] section_header
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33 Şadjais the amśa and nyāsa and ṣadjamadhyamā is the cause of sauvīra. Gāndhāra main
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34 and niṣāda also is weak. main
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35 (321) main
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vol_II_p041 RIGHT — 47 lignes

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1 TRANSLATION page_header
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2 65 page_number
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3 dhā nī sā sā rī rī rī rī table
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4 (3) table
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5 sā sā sā rī gā mā mā mā table
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6 (4) table
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7 mā dhā nī dhā mā dhā mā pā table
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8 . annotation_inline
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9 <b>(5)</b> table
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10 gā rī sā dhani rī rī rī rī table
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11 (6) table
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12 gā rī sā sā pā dhā mā mā table
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13 (7) table
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14 gā gā gā mā pā nidhani nī nī table
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15 (8) table
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16 gã gã nĩ nĩ gã gã gã gã table
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17 (9) table
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18 gā gā nī nī nidha pā pā pā table
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19 (10) table
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20 mā pā mā pā pā pā mā mā table
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21 (11) table
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22 sā mā gā nidha nī nī gā gā table
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23 (12) table
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24 Thus ends <i>Kaišikī</i>. section_header
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25 [5. Madhyamodicyavā] section_header
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26 Madhyamodīcyavā is known to be always complete and having pañcama as main
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27 amsa. annotation_inline
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28 (14) main
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29 The remaining lakṣaṇa should be known to be as in gāndhārodīcyavā. The main
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30 mūrchanā beginning with madhyama obtains. Caccatpuța is known as the main
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31 (prescribed) <i>tāla</i>. main
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32 (15) annotation_inline
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33 The application is (prescribed) in the dhruvā of the fourth act. main
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34 Madhyama is the nyāsa in this jāti. Ṣadja and dhaivata are the apanyāsas. The main
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35 prastāra is thus – main
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36 pā dhani nī nī mā mā nī pā table
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37 (1) table
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38 rī rī rī gā sā riga gā gā . table
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39 (2) table
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40 nī nī nī nī nī nī nī nī table
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41 (3) table
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42 nī nī dhapa mā nidha nidha pā pā table
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43 <b>(4)</b> table
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44 pā pā rī rī rī rī rī rī table
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45 (5) table
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46 mā riga sā sadha nī nī nī nī table
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47 (6) table
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205 lignes a valider — change uniquement les roles incorrects.