Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21406). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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1 PÄŢĦĄVIMARŚĄ page_header
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2 275 page_number
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3 as the graha, amśa and nyāsa. main
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4 101. Ibid.corroborates this as - 'ripavarjitā' (182 d). list_item
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5 102. P.t. adds (सैन्धवी ?) which is redundant. list_item
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6 103. Kalā (appendix) on SR II, p.140 treats it as a <i>bhāṣā</i> and also as list_item
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7 vibhāṣā on p. 141. S Rāj II.2.1.1076 gives an antarabhāṣā named kaliṅgajā list_item
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8 bearing almost the same description as Kālindī. list_item
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9 या भित्रपड्जे कालिङ्गी याष्ट्रिकेन पुरोदिता । main
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10 104. cf. annotation_inline
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11 सैव भाषाङ्गममला परिणाममुपेयुपी ॥ main
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12 S Rāj II.2.106. main
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13 105. Reconstruction based on Kalā (appendix) on SR II, p. 140, list_item
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14 reading 'sāntā dhāmśā'. list_item
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15 106. Reconstruction based on ibid-reading - ‘sadhyoḥ samayoryuktā’. list_item
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16 107. The prose sentence of p.t. has been reconstructed by us as two feet list_item
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17 of the metre anustup in view of similar concluding statements in this chapter list_item
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18 of our text. list_item
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19 108. Reconstruction based on S Raj II.2.11.662f reading list_item
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20 'ṣadjapañcamabhūyasī'. SR II.2.122 d reads 'bahulamadhyamā'. BhaKo p. 743 list_item
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21 cites Bhattamādhava, reading 'alpamadhyamā'. list_item
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22 सौवीरे याष्ट्रिकेनोक्ता सौवीरी यात्र भाषिका । main
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23 109. cf. annotation_inline
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24 सैव भाषाङ्गमित्युक्ता भाषामर्मविदां वरै: ॥ main
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25 S Rāj II.2.3.121. main
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26 110. Kalā (appendix ) on SR II, p. 132 reads-‘sagrahāntā, madhyamāinsā,’ list_item
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27 describing şadjaas the graha and concluding note (nyāsa) and madhyama as the list_item
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28 amśa, thus corroborating our text. list_item
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29 111. cf. ibid which reads 'sa-pa-sangatā' describing a 'sangati' (concert) list_item
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30 between 'sa-pa'. S Rāj. II.2.1.661 c reads-'sangatyāmapayoryuktā', describing list_item
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31 a 'sangati' (concert) between ma-pa. list_item
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32 112. The text seems to break here. The lost portion could thus be seen list_item
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33 in other texts so far as the description (lakṣaṇa) is concerned; the illustrative list_item
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34 notation is not found in them. list_item
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35 रिमयो: समयोर्युक्तगमका सकलस्वरा । list_item
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36 (i) list_item
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37 Kalā (appendix) on SR II, p. 132. main
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38 पड्जधैवतसंवादा गान्धारपंभसङ्गता । main
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39 (ii) annotation_inline
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40 S. Rāj II. 2.1.657 cf. main
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41 निषादांशग्रहा पद्जन्यासाल्पर्पभनिस्वना । main
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42 113. cf. annotation_inline
parent ligne 41
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43 बहमध्यमगान्यारा सौवीरकसमुद्भवा ॥ main
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44 भाषा गान्धारिका नाम पूर्णा स्यात् करुणे रसे ॥ main
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45 Ibid. 659. annotation_inline
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46 114. Rṣabha is totally absent in this illustration and hence the same main
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1 110 page_number
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2 BRHADDEŚĪ page_header
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3 [अनु॰ १९३] section_header
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4 अस्यार्थः - सौवीरकः षड्जग्रामसम्बन्धः षड्जमध्यमाजातेर्जातत्वात् । षड्जोऽस्य main
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5 ग्रहोंऽशो न्यासश्च । गान्धारनिषादयोरल्पत्वम्<sup>७१</sup> । निषाद: काकली । पूर्णश्चायम् । गृहमेधिनां main
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6 संयमिनां तापसानां च प्रवेशादिके चरिते, शान्तरसे चास्य विनियोग:। वीरादिको रस:। main
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7 वास्य annotation_inline
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8 षड्जादिमूर्छना। आरोही वर्ण:<sup>७२</sup>। प्रसन्नादिरलङ्कार: । दक्षिणे कला,वार्तिके कला,चित्रे कला । main
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9 स्वरपदगीते चच्चत्पुटादितालः। main
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10 [३. मालवपञ्चम:] section_header
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11 पञ्चमांशस्तदन्तश्च पञ्चमीमध्यमोद्भव:। main
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12 स्वल्पद्विष्ठतिकश्चैव ज्ञेयो मालवपञ्चमः ॥ ३२२॥ main
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13 [अन्॰ १९४] section_header
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14 अस्यार्थ: - मालवपञ्चमो मध्यमग्रामसम्बन्ध:, मध्यमापञ्चमीसमुत्पन्नत्वात् । पञ्चमीऽशो main
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15 ग्रहो न्यासश्च। निषादगान्धारयोरल्पत्वम् <sup>७३</sup>। निषादोऽत्र काकली पूर्णस्वरश्चायम् । विप्रलम्भशृङ्गारे main
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16 कञ्चकीप्रवेशेऽस्य विनियोगः । पञ्चमादि-मूर्छना<sup>७४</sup>। रसौ शृङ्गारहास्यौ । आरोह्यादिवर्णः । main
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17 प्रसन्नादिरलङ्कार:। दक्षिणे कला, वार्तिके कला, चित्रे कला। स्वरपदगीते चच्चत्पुटादिताल:। main
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18 [४. वेसरपाडव:] section_header
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19 मध्यमांशस्तथा न्यासः कारणं षड्जमध्यमा । main
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20 अद्विश्रुतिभ्यां विहीनस्तु भवेद् वेसरषाडवः ॥ ३२३॥ main
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21 [अनु॰ १९५] section_header
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22 अस्यार्थः - वेसरषाडवः षड्जग्रामसम्बन्धः षड्जमध्यमाजातत्वात् । मध्यमों ऽशो ग्रहो main
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23 न्यासश्च । गान्धारिनषादयोरल्पत्वम् । गान्धारिनषादौ काकल्यन्तरौ । नित्यं पूर्णस्वरश्चायम् । शान्तरसे main
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24 (गान्धारनिपादयोरल्पत्वम्) annotation_inline
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25 चास्य प्रयोग:। शृङ्गारहास्यौ रसौ । मध्यमादि-मूर्छना % । आरोही वर्ण: । प्रसन्नादिरलङ्कार: । main
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26 दक्षिणे कला, वार्तिके कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । main
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27 The state of the state of the state of the state of the state of the state of the state of the state of the state of the annotation_inline
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1 <b>g</b>., annotation_inline
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2 85 page_number
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3 TRANSLATION page_header
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4 with minute<sup>26</sup> kākus.<sup>27</sup> Thus sādhāraņī should be known to be the abode of main
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5 all gitis. annotation_inline
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6 <math>(284 - 285)</math> main
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7 [6. Bhāṣā gīti] section_header
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8 This bhāṣā gīti is described by the experts in gīti as consisting of prayogas main
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9 (melodic phrases?) that are rendered by the body (voice), are smooth, main
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10 colourful with kākus, well composed, shaken, soft, brilliant, combined with main
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11 mālavīkāku<sup>28</sup> attractive, and graceful. It is performed in the manner that main
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12 delights the people. main
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13 <math>(286 - 287)</math> main
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14 [7. Vibhāṣā gīti] section_header
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15 Vibhāṣā gīti should be composed with gamakas<sup>29</sup> that are attractive, main
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16 numerous, brilliant, shaken, pertaining to the chest region, even, high and main
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17 very high, smooth, in which madhyama shines forth in between, that are main
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18 delightful to the ear and are attractive. This process of composition should main
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19 be spontaneous and should take the course that delights the people. main
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20 (288-289) annotation_inline
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21 [ Thus ends the description of gitis.] editorial_bracket
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22 [ The number and nomenclature of ragas ] section_header
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23 The lakṣaṇa (description) of gītis has been spoken of; now the number of main
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24 rāgas is being stated. Five cokṣa (śuddha, pure rāgas) have been spoken of, the main
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25 bhinna ones are of the same number. Gauda (rāgas) have been said to be main
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26 three and rāgas (pertaining to rāga-gīti) have been said to be eight. Seven- main
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27 sādhāraņa (rāgas) have been spoken of and here bhāṣās are sixteen. Vibhāṣās main
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28 are only twelve and (now) know their names. main
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29 <math>(290 - 292)</math> main
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1 246 page_number
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2 BRHADDEŚĪ section_header
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3 Verse No. table
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4 Reading table
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5 Reading table
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6 BrD table
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7 Datti table
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8 BŗD table
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9 Datti table
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10 193 page_number
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11 49 page_number
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12 पड्जायाधैव table
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13 पड्जायास्त्वथ table
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14 194 page_number
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15 सधैवत्यो: table
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16 सधैवत्ये * table
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17 50 page_number
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18 *This reading is there in the Trivandrum edition of Datti which has been main
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19 changed by Mukund Lath to sadhaivatyoh. main
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20 12. Both p.t. and Datti read'tatha', but we have replaced it with list_item
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21 'tābhyām' because 'tathā' does not relate gāndhārī and pañcamī to gāndhāra- list_item
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22 pañcami as its components or progenitors. list_item
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23 13. cf. NŚ XXVIII 49-53 for verses 199-203 of our text. list_item
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24 14. The portion in square brackets has been added from list_item
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25 NŚ XXVIII.55, 56. list_item
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26 15. Reading in NŚ XXVIII. 57. list_item
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27 l 6. cf(i) श्रुतिस्वरग्रामसमूहाज्जायन्त इति जातय:, अथवा जायते रसप्रतीतिराभ्य इति जातय:,यद्वा सकलस्य list_item
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28 रागादेर्जन्महेतुत्वाज्जातयः, अथवा यथा नराणां ब्राह्मणत्वादयो जातयः, शुद्धा विकृताश्च, एवमेता अपीति जातयः। list_item
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29 C.r. in Sudhā on SR 1.7.3. p. 171. unknown
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30 ŧ annotation_inline
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31 (ii) निर्हेतौ समवायात् श्रुतिस्वरग्रहादिसमूहाद्यतो जायन्ते ततो जातय इति निर्वचनम् । list_item
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32 Abhi Bhā on NŚ XXVIII. p. 37. list_item
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33 17.cf. अंशग्रहादिशतयोजनाया जायन्त इति जातय इत्यन्ये । जाते रसं प्रति आभ्य(जायते रसप्रतीतिराभ्य)इति list_item
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34 वा सकलस्य रागादेर्जन्महेतुर्जातिरिति टीकाकार:। list_item
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35 Abhi Bhā on NŠ XXVIII.p.38. main
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36 18. Reconstruction based on BhaKo, p. 227. list_item
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37 Reconstruction based on Sudhā on SR I. 7.3 p. 171, list_item
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38 cf. शुद्धाश्च विकृताश्चैवमत्रापि जातिलक्षणम् । जातिर्द्धिधा शुद्धा विकृता च । शुद्धा सप्तविधा । विकृता एकादशविधा । list_item
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39 BhaKo p. 227. list_item
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40 20. 'Viścṣa' or specified 'lakṣaṇa' relates to the description of each list_item
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41 <i>jāti</i>, hence this word has been replaced by us with ‘ <i>daśavidha</i> ’ (tenfold) . list_item
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42 ग्रहांशी तारमन्द्री च पाडवीडुविते क्रमात् । अल्पत्वं च बहुत्वं च न्यासोऽपन्यास एव च ॥ list_item
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43 21. cf.(i) list_item
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44 <b>Datti.</b> 55, unknown
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45 ग्रहांशी तारमन्द्री च न्यासोऽपन्यास एव च । list_item
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46 (ii) list_item
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47 अल्पत्वं च बहुत्वं च पाडवौडुविते तथा ॥ list_item
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48 NŠ XXVIII.66. main
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49 22. Reading of MS B as recorded by the ed. list_item
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50 23. Datti 56 reads *<i>evametadyathājāti *</i>. list_item
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1 103 page_number
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2 TRANSLATION page_header
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3 [Anu. 183] editorial_bracket
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4 [This means -] when niṣāda takes up the two śrutis of pañcama<sup>58</sup> that is editorial_bracket
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5 comprised of four śrutis, then it is called śrutibhinna. (Contention)-Because main
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6 pañcamais comprised of three śrutisin madhyamagrāma, how does niṣāda take main
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7 up two śrutis? It is being answered. It is said to be comprised of four śrutis main
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8 on the analogy of its former position. Just as in bhinnakaiśika rāga, the main
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9 pañcama comprised of three śrutis has been omitted in şadjagrāma, 59 taking main
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10 recourse to its form comprised of four śrutis, similarly it will happen here also main
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11 and hence there is no fault. And its description is thus - main
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12 . . . . . . . . . . . . . . . . . . . . annotation_inline
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13 [5. Bhinnatāna] section_header
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14 Tāna has madhyama as nyāsa, pañcama as amsa, is with sparse seventh main
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15 (niṣāda), comes of madhyamā and pañcamī jātis and is weak in respect of main
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16 rsabha. annotation_inline
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17 (313) annotation_inline
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18 [Anu. 184] editorial_bracket
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19 This means-bhinnatāna is related to madhyamagrāma on account of being main
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20 born of madhyamā and pañcamī jātis. Pañcama is the graha and amśa, main
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21 madhyama is the nyāsa. There is the sparseness of madhyama and niṣāda. main
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22 Niṣāda is kākalī here and this (rāga) is complete. It is used in mature karuņa main
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23 (rasa).60 The mūrchanā beginning with pañcama obtains. Sañcārin is the main
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24 varņa, prasannādi is the alarikāra. The kalā is formed in the dakṣiṇa (mārga), main
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25 the <math>kal\bar{a}</math> obtains in the <math>v_itti</math> (<math>m\bar{a}rga</math>) and the <math>kal\bar{a}</math main
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26 A tāla like caccatpuţa obtains in the songs comprised of svara and pada. main
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27 [The assignment of bhinna-rāgas to grāmas] section_header
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28 [Anu. 185] editorial_bracket
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29 The assignment of bhinna (rāgas) to grāmas has been said by Kāsyapa. That main
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30 is thus - annotation_inline
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31 ٠ page_number
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32 "Bhinna-ṣaḍja pertains to ṣaḍja (grāma) and so does bhinnakaiśikamadhyama. main
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33 (Bhinna) pañcama, (bhinna) kaiśika, (bhinna) tāna are seated in madhyamagrāma." main
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34 Thus bhinnas have been explained, now listen to the gaudas. main
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35 (314) annotation_inline
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187 lignes a valider — change uniquement les roles incorrects.