Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21413). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p024 LEFT — 33 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
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2 30 page_number
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3 [अनु॰ १३२] editorial_bracket
parent ligne 4
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4 ८१ अस्मद्गुरुमते ऋषभस्तावदपन्यासो भवति । अनंशत्वात् कैश्चित् पुनः अंशवद् main
via surya_layout
5 ऋषभोऽप्यपन्यासः स्वीकृतः। main
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6 (वृ?म्र) annotation_inline
parent ligne 5
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7 पञ्चमो बलवानस्यां स्यात्रिषादस्तथैव च ४२ main
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8 न स्यात् annotation_inline
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9 अंशवच्च ग्रहा ज्ञेया[:] सर्वासामेव नित्यश: ॥२३८॥ editorial_bracket
parent ligne 7
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10 ८३∞स्तासां main
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11 [६. जातीनां गणनिर्देश:] section_header
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12 सर्वासामेव जातीनां त्रिजातिस्तु गणः स्मृतः । main
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13 (षष्टि? जाति) annotation_inline
parent ligne 12
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14 लक्षणात् स च विज्ञेयो वर्धमानस्वरो बुधै: ॥२३९॥ main
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15 <sup>८४</sup>ते च सप्त गणा ज्ञेया annotation_inline
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16 नः गा annotation_inline
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17 एकस्वरो द्विस्वरश्च त्रिस्वरश्च चतुःस्वरः। main
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18 पञ्चस्वरश्चतुर्धा च एकधा सप्तषट्स्वरौ<sup>८६</sup>॥२४०॥ main
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19 स्यादेकधा<sup>८५</sup> · main
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20 न्सः annotation_inline
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21 [अनु॰ १३३] editorial_bracket
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22 अस्यार्थ: -त्रिजातिको गण इति संख्यानिदर्शनम्, तत्रैकस्वरांशास्तिस्न: - main
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23 (गु?ग) annotation_inline
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24 ः मध्यमोदीच्यवा, गान्धारपञ्चमी, नन्दयन्ती चेति । प प प । main
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25 द्विस्वरांशास्तिस्तः - धैवती, गान्धारोदीच्यवा, पञ्चमी चेति । धरि, सम, परि । main
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26 त्रिस्वरांशास्तिस्न: - आर्षभी, नैषादी, षड्जकैशिकी चेति । धनिरि, गरिनि, सगप । main
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27 (प:?पा:) annotation_inline
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28 सास annotation_inline
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29 चतुःस्वरांशास्तिस्न: -षड्जोदीच्यवत्यान्ध्री कार्मारवी चेति। समधनि, रिगपनि, ८७परिधनि main
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30 (त्य?त्या) annotation_inline
parent ligne 29
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31 पञ्चस्वरांशाश्चतस्तः - षाड्जी, गान्धारी, रक्तगान्धारी, मध्यमा चेति । सगमपंध, सगमपनि, main
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32 पड् (ज? जा) main
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33 Sec. 15. unknown
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vol_I_p028 RIGHT — 28 lignes

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1 39 page_number
via heuristic_pagenum
2 TRANSLATION page_header
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3 (Anu.25) annotation_inline
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4 Now, upon anuvāditva being applicable to gāndhāra and niṣāda on account main
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5 of their being less45 by one śruti, vivāditva has been spoken of on account of the main
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6 interval of two (srutis) (pertaining to them). What is that vivāditva indeed? main
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7 Vivaditva is indeed the state of being the destroyer of the state of vadin, main
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8 samvādin and anuvādin of the rāga (concerned) attained by the svaras main
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9 (qualified as) vādin and the like. The vivādi-maņļala is thus - main
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10 şa annotation_inline
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11 ni annotation_inline
parent ligne 9
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12 ga annotation_inline
parent ligne 9
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13 dha annotation_inline
parent ligne 9
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14 ma annotation_inline
parent ligne 9
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15 pa annotation_inline
parent ligne 9
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16 Thus ends the vivādi-maṇḍala [ in ṣadjagrāma ]. editorial_bracket
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17 (Anu. 26) annotation_inline
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18 The use of the vivadins 44 is thus - gandhara being used in the place of main
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19 ṛṣabha and ṛṣabha being used in the place of gāndhāra brings about the loss of main
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20 jāti and rāga. Niṣāda being used in the place of dhaivata and dhaivata being main
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21 used in the place of niṣāda brings about the loss of jāti and rāga. main
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22 Thus it is for şadjagrāma. annotation_inline
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23 (Anu. 27) annotation_inline
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24 Now the state of being vādin, samvādin, anuvādin and vivādin is being shown main
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25 in madhyamagrāma. Out of them, vādins are the seven svaras beginning with main
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26 madhyama. Those ending at ninth and thirteenth (śrutis) are samvādins. main
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27 Anuvadins are so on account of being less by one sruti. The svaras having an main
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28 interval of two (śrutis) are vivādins. main
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vol_II_p016 RIGHT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 15 page_number
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3 it is used in the first vidārī. That (svara) which is not the vivādī of the amśa main
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4 becomes samnyāsa if it is used in the end of the first vidārī. main
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5 [The definition of vinyāsa forming part of that of amsa] section_header
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6 [Anu. 123] section_header
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7 This nyāsa svara itself, when placed in the end of a pada (unit or sub- main
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8 section), becomes vinyāsa. Hence it has been said<sup>21</sup>— main
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9 "That in which rāga (delight) abides and from which it (rāga) proceeds or main
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10 is begun, the leader or regulator of tara (high) and mandra (low), that which main
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11 is obtained in abundance, that which is perceived (during the operation of) main
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12 graha, apanyāsa, vinyāsa, samnyāsa and nyāsa, that which is pervasive, is amśa main
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13 having (these) ten characteristics." main
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14 (Cf. NS XXVIII.68, 69) main
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15 [3. The definition of tara] section_header
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16 [Anu. 124] section_header
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17 Now the definition of tara is being given. The extent (gati) of tara is up to main
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18 the fifth svara beginning from the use of amsa 22 svara. What is being said? main
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19 Ascent up to the fifth svara is tāra, thus is being said. Or, ascent in four svaras main
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20 is tāra, just as in nandayantī<sup>23</sup>-sā-sā-nidha-sā; pañcama being the amśa there, main
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21 tāra extends up to ṣadja (the fourth from pañcama). The structuring up to main
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22 the fifth note (from the amsa) should be understood from the eighth vidārī main
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23 (section) of gāndhārī<sup>24</sup> (jāti) up to the fifth svara, which comprises the main
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24 extent of tāra. Just as in gāndhārī it is ni-dha-ni-dhā, thus is the notation. main
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25 According to the word 'va' (in the verse from NS cited below), the state main
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26 of being tara, applies also to seven svaras. The extent of tara is threefold. main
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27 Similarly has been said by Bharata - main
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28 (vide) annotation_inline
parent ligne 27
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29 • • • • • • • annotation_inline
parent ligne 27
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vol_II_p039 LEFT — 46 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 #1 unknown
via fallback
2 60 page_number
via heuristic_pagenum
3 BRHADDEŚĪ page_header
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4 गा गम पा पध मा धनि पा पा table
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5 (৩) table
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6 री गा सा सध नी नी धा धा table
via surya_layout
7 (८) table
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8 गा रिंग सा सनि गा रिंग सा सा table
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9 (9) table
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10 सा सा सा मा मिन धिन नी नी table
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11 (१०) table
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12 मां मां मां परिंग गो गो सो सो table
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13 (११) table
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14 गों सी गों सी मी पी मी पेरिने table
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15 (१२) table
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16 गा गा गा गा गा सा सा table
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17 (१३) table
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18 नी नी पो धो नी गो गो गो table
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19 (१४) table
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20 नी नी धा पा धा पा मा पा table
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21 (१५) table
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22 धा पा मा मा मा मा मा मा table
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23 (१६) table
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24 ॥ [इति] गान्धारोदीच्यवती ॥ editorial_bracket
parent ligne 26
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25 । मा annotation_inline
parent ligne 26
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26 [३.रक्तगान्धारी] section_header
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27 अंशा: स्यू रक्तगान्धार्या पञ्च धर्षभवर्जिता:। main
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28 (म ?घ)पंभ(पूजि ? वर्जि)ताः main
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29 रिमतिक्रम्य सगयो: कार्ये सित्रिधिमेलने ॥ ७॥ main
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30 री(रि) annotation_inline
parent ligne 29
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31 रिलोपरिधलोपाभ्यां षाडवौडुविमष्यते । main
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32 बहुत्वं निधयोरंश: पञ्चमो द्वेष्टि षाडवम् ॥ ८॥ main
via surya_layout
33 द्विषन्त्यौडुवितं षड्जनिमपा: सङ्गतौ सगौ। main
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34 द्विप(जो ? नयौ) द्ववितं main
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35 पञ्चपाण्यादि षाङ्जीवद् ऋषभादिस्तु मूर्छना ॥ ९॥ main
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36 तृतीयप्रेक्षणगतं ध्रुवायां विनियोजनम् ॥१०॥ main
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37 <sup>१७१</sup>ंगतघुवायां main
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38 <sup>१७२</sup>अस्यां गान्धारो न्यास:, मध्यमोऽपन्यास:। <sup>१७३</sup>प्रस्तार: - main
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39 (तस्या ?)तस्या annotation_inline
parent ligne 38
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40 (न्यास:, मध्यमोऽ) main
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41 पा नी सा सा गा सा पा नी main
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42 (१) annotation_inline
parent ligne 41
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43 सां सां पा पा मा मा गा गा main
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44 (२) annotation_inline
parent ligne 43
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45 मा पा धा पा मा पा धप मग main
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46 (3) unknown
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vol_II_p064 RIGHT — 42 lignes

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1 14.00 annotation_inline
parent ligne 4
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2 TRANSLATION page_header
via surya_layout
3 111 page_number
via heuristic_pagenum
4 [Anu. 193] section_header
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5 This means - Sauvīraka is related to sadjagrāma on account of being born of main
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6 ṣaḍjamadhyamājāti Ṣaḍjaisitsgraha,amśandnyāsa. Thereisthe sparsenessof gāndhāra main
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7 and niṣāda. Niṣāda is kākalī and this (rāga) is complete. Its application is prescribed in main
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8 the context of entry and the like in the behaviour of those who perform domestic main
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9 sacrifices, who practise restraint and perform penance and in sinta rasa Vira 66 and the main
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10 like are the rasas. The mürchanā beginning with sadja obtains. Arohin is the varna. main
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11 Prasumādiis the alarikāra. The kalā is formed in the dakṣiṇa („nārga), the kalā obtains main
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12 in the vitti (mārga) and the kalā prevailsin the citra (mārga). A tālalike caccatputa obtains main
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13 in the songs comprised of svara and pada. main
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14 [3. Mālavapañcama] section_header
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15 Mālavapancamashould be known to have pancamaasits anistand concluding main
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16 note and is born of pañcami and madhyamā jātis. It has, as sparse, the svaras that main
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17 are comprised of two śrutis (gāndhāra and niṣāda). main
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18 (322) main
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19 [Anu. 194] section_header
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20 This means-Mālavapañcamais related to madhyamagrāma on account of main
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21 being born of madhyamā and pañcamī jātis. Pañcama is the amśa, graha and main
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22 nyāsa. There is the sparseness of niṣāda and gāndhāra. Niṣāda is kākalī and main
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23 this (rāga) is complete in svaras. Its application is prescribed in vipralambha main
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24 śṛṅgāra (love in separation) in the entry of the kañcukin (attendant of the main
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25 female apartments). The mūrchanā beginning with pañcama obtains. main
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26 Śringāra<sup>67</sup> and hāsya are the rasas. Ārohin and the like are the varņas. main
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27 Prasannādi is the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā main
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28 obtains in the vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla main
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29 like caccatputa obtains in the songs comprised of svara and pada. main
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30 [4. Vesarașādava] section_header
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31 Vesaraṣāḍavahas madhyamaas its amsaand nyāsa, ṣaḍjamadhyamā is the cause main
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32 and it is devoid of the svaras comprised of two śrutis each (gāndhāra, niṣāda). main
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33 (323) main
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34 [Anu. 195] section_header
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35 This means - vesaraṣāḍava is related to ṣaḍjagrāma on account of being main
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36 born of ṣaḍjamadhyamā. Madhyama is the graha, amśa and nyāsa. There is the main
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37 sparseness of gāndhāra and niṣāda. Gāndhāra and niṣāda are antara and main
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38 kākalī. It is always complete in svaras. It is used in sānta rasa. Šriigāra<sup>68</sup> and main
via surya_layout
39 hāsyaare the rasas. The mūrchanā beginning with madhyama obtains. Ārohin main
via surya_layout
40 is the varņa. Prasannādi is the alankāra. The kalā is formed in the dakṣiṇa main
via surya_layout
41 (mārga), the kalā obtains in the vṛtti (mārga) and the kalā prevails in the citra main
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42 (mārga). A tāla like caccatpuṭa obtains in songs comprised of svara and pada. main
via surya_layout
178 lignes a valider — change uniquement les roles incorrects.