Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21418). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p086 RIGHT — 38 lignes

page vol_II_p086 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 155 page_number
via heuristic_pagenum
3 These are the bhāṣās spoken of by Yaṣṭika in mālavakaiśika. main
via surya_layout
4 (71) main
via surya_layout
5 [3. Bhāṣās in kakubha] section_header
via surya_layout
6 Combined with dhaivata as the initial and concluding note, kāmbojā is main
via surya_layout
7 complete in svaras, (and) there is the concert of sadja-dhaivata and similarly main
via surya_layout
8 pañcama-ṛṣabha. This bhāṣā bears the name of deśa (region) 28 and is the first main
via surya_layout
9 one born of kakubha. annotation_inline
parent ligne 8
via heuristic_height
10 (72) main
via surya_layout
11 Illustraion - Dhāsāgāgā. Māgārīsāsāsanisāsā. Dhāpāpā. Dhāmāsārigā. main
via surya_layout
12 Māgārīsāsā. Sanidhādhā pāpāmadhā nirisanidhādhā. Kāmbojā [i] editorial_bracket
parent ligne 11
via heuristic_brackets
13 Having madhyama as amśa and dhaivata as the concluding note, main
via surya_layout
14 madhyamagrāmikā is complete and this bhāṣā is sankīrṇā (mixed), a beautiful main
via surya_layout
15 one born of kakubha. Rṣabha and dhaivata are seen to be together in mutual main
via surya_layout
16 concert. annotation_inline
parent ligne 15
via heuristic_height
17 (73) annotation_inline
parent ligne 15
via heuristic_height
18 ٨. annotation_inline
parent ligne 15
via heuristic_height
19 Illustration - Māmā. Garidhāsārīsāmā. Nigarisanisānidhā. Sādhāsādhanirisā. main
via surya_layout
20 Dhaniriri. Māpāpamāgā. Riririri. Gāma. Gāma. Dhādhāmāpāmāgārīsāsādhā main
via surya_layout
21 dhadhadha. Madhyamagrāmikā [ii] editorial_bracket
parent ligne 20
via heuristic_brackets
22 <math>S\bar{a}tav\bar{a}hin\bar{i}^{29}</math> should be known to have <math>r\bar{s}abha</math> as <math>am\bar{s}a</ma main
via surya_layout
23 concluding note. Madhyama and ṛṣabha are seen to be in mutual concert. main
via surya_layout
24 Some people desire the seventh (niṣāda) to be profuse and others (desire) main
via surya_layout
25 the same to be weak. annotation_inline
parent ligne 24
via heuristic_height
26 (74) main
via surya_layout
27 Illustration - [Riri]gadharirimā. Māmānimādhādhadhādhāpamapama editorial_bracket
parent ligne 26
via heuristic_brackets
28 marimamāsari. Māmapapāmapapāpāpāpamarimarimāmāsari. Pāpapasasāni. main
via surya_layout
29 Dhādhāri. Sāsāsāsīrīmanidhādhādhā padhāsādhapādhā pamapāpāmarimāmāsīri main
via surya_layout
30 māpāpāmāsānidhādhā. Sātavāhinī [iii] editorial_bracket
parent ligne 29
via heuristic_brackets
31 Having madhyama as amśa, niṣāda as the concluding note, being weak in main
via surya_layout
32 ṛṣabha, this bhāṣā, bhogavardhanī should be known to be hexatonic in main
via surya_layout
33 kakubha, where there is concert between the two svaras comprised of two main
via surya_layout
34 śrutis<sup>30</sup> each and pañcama. main
via surya_layout
35 <b>(75)</b> annotation_inline
parent ligne 34
via heuristic_short
36 Illustration - [Mamā] Ninī. Gagamā. Pāmāpamā. Dhādhā. Sanisani. editorial_bracket
parent ligne 34
via heuristic_brackets
37 Dhapa dhādhapamāpāma. Gagagaga. Mapadhādhāni. Sasasasa. main
via surya_layout
38 Māgasānidhādhādhā [nī.] Bhogavardhanī [iv] editorial_bracket
parent ligne 37
via heuristic_brackets

vol_II_p055 RIGHT — 31 lignes

page vol_II_p055 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 93 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [Anu. 169] editorial_bracket
parent ligne 4
via heuristic_brackets
4 It means - the rāga called śuddhakaiśika is related to madhyamagrāma on main
via surya_layout
5 account of being born of kaišikī and kārmāravī jātis. Tāra (high) şadja is its main
via surya_layout
6 graha and amśa, pańcama is the nyāsa, nisāda is kākalī here and this (rāga) is main
via surya_layout
7 with complete svaras. Its application is prescribed in the nirvahana main
via surya_layout
8 (conclusion) of citra (pūrvaranga?) 42 comprised of eighteen angas main
via surya_layout
9 (components).43 Rasas like vīra and raudra are there. The mūrchanā main
via surya_layout
10 beginning with sadja obtains. Arohin (ascending) is the varṇa. Prasannādi is main
via surya_layout
11 the alankāra. The kalā (time-unit) is formed in the dakṣiṇa (mārga), the kalā main
via surya_layout
12 obtains in the vṛtti (mārga), the kalā prevails in the citra (mārga). A tāla like main
via surya_layout
13 caccatputa obtains in the songs composed of svara and pada. main
via surya_layout
14 [The assignment of grāmas to śuddha rāgas] section_header
via surya_layout
15 [Anu. 170] editorial_bracket
parent ligne 14
via heuristic_brackets
16 (Contention) These (rāgas) are related to particular grāmas. From where main
via surya_layout
17 is this particularity obtained? It is being answered - this particularity is main
via surya_layout
18 obtained from the statement of Bharata himself. Thus has said Bharata main
via surya_layout
19 Muni- annotation_inline
parent ligne 18
via heuristic_short
20 "On account of grāma-rāgas being born of jātis"; "whatever is sung in the main
via surya_layout
21 world, all of that is contained in the jātis"44 on account of this statement. main
via surya_layout
22 And it has also been said by Kasyapa - main
via surya_layout
23 "Şādava, pañcama and kaiśika obtain in madhyamagrāma. Sādhārita and main
via surya_layout
24 kaišikamadhyama, similarly, obtain in sadja (grāma)." main
via surya_layout
25 [The application of suddha ragas] section_header
via surya_layout
26 [Anu. 171] editorial_bracket
parent ligne 25
via heuristic_brackets
27 (Contention) From where are these specific applications obtained? They main
via surya_layout
28 are obtained from the statement of the Muni. And thus has said Bharata - main
via surya_layout
29 "Madhyamagrāma (rāga) should be in the mukha (sandhi), şadja (grāma) main
via surya_layout
30 rāgain the pratimukha (sandhi), and sādhārita alone in the garbha (sandhi), main
via surya_layout
31 pañcama in the avamarśa (sandhi). In samhāra (conclusion), kaiśika has been main
via surya_layout

vol_I_p039 LEFT — 34 lignes

page vol_I_p039 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 60 page_number
via heuristic_pagenum
3 पञ्चस्वरमौडुवितं पञ्चधा लक्षणं स्मृतम्। main
via surya_layout
4 पञ्चित्रशच्च संख्यं हि आचार्यैर्यदुदाहृतम्।।१०१।। main
via surya_layout
5 [ अनु. ४२ ] editorial_bracket
parent ligne 4
via heuristic_brackets
6 षड्जर्षभपञ्चमनिषादैः षड्जग्रामिकाः षाडवाः। षड्जर्षभगान्धारैर्हीना मध्यमग्रामे main
via surya_layout
7 षाडवाः। main
via surya_layout
8 [ अनु. ४३ ] section_header
via surya_layout
9 संवादिलोपादौडुवितत्विमिति वचनात् संवादिस्वराभ्यामौडुवितत्वं main
via surya_layout
10 प्राप्तमिति प्रायिकम्। कदाचिदनुवादिस्वराभ्यामौडुवितत्वं प्राप्तमिति प्रायिकम्। १९ main
via surya_layout
11 कदाचिदनुवादिस्वराभ्यामौड्वितं भवत्येव। यथा पञ्चमर्षभयोः षड्जग्रामे, main
via surya_layout
12 मध्यमग्रामे धैवतर्षभयोरिति। main
via surya_layout
13 पञ्चमषड्जविहीना द्विश्रुतिकाभ्यां तथा विहीनाम्च। main
via surya_layout
14 <del>्षि</del> 20 annotation_inline
parent ligne 13
via heuristic_height
15 ुनो annotation_inline
parent ligne 13
via heuristic_height
16 पञ्चमर्षभविहीनाश्चौडुविता भवन्ति षड्जग्रामे21।।१०२।। main
via surya_layout
17 तो annotation_inline
parent ligne 16
via heuristic_height
18 ुन annotation_inline
parent ligne 16
via heuristic_height
19 धैवतर्षभविहीना द्विश्रुतिकाभ्यां विहीना [ स् ] ता ज्ञेयाः। editorial_bracket
parent ligne 16
via heuristic_brackets
20 ्ने annotation_inline
parent ligne 16
via heuristic_height
21 ₀नो annotation_inline
parent ligne 16
via heuristic_markers
22 पञ्चस्वरकास्ताना भवन्ति खलु मध्यमग्रामे ॥१०३॥ main
via surya_layout
23 <b>, मस्वरकर्ता स्थाना ( ? )</b> main
via surya_layout
24 [अनु. ४४] section_header
via surya_layout
25 इदानीमेतदेव प्रस्तारेण दर्शयति। तद् यथा- main
via surya_layout
26 [षड्जग्रामे] section_header
via surya_layout
27 X रिगमपध नि<sup>22</sup> main
via surya_layout
28 नि x रिगमपध annotation_inline
parent ligne 27
via heuristic_short
29 धनि x रिगमप main
via surya_layout
30 पधनि X रिगम annotation_inline
parent ligne 29
via heuristic_short
31 म प ध नि 🗶 रि ग main
via surya_layout
32 गमपधनि 🗙 रि annotation_inline
parent ligne 31
via heuristic_short
33 ्रिगमपधनि 🗴 main
via surya_layout
34 षड्जहानाः। main
via surya_layout

vol_II_p046 LEFT — 50 lignes

page vol_II_p046 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 Ą unknown
via fallback
2 • annotation_inline
parent ligne 48
via heuristic_height
3 74 page_number
via heuristic_pagenum
4 BRHADDEŚĨ page_header
via surya_layout
5 • annotation_inline
parent ligne 48
via heuristic_height
6 धा नी सनि धा पा पा पा पा table
via surya_layout
7 (१३) table
via surya_layout
8 į unknown
via fallback
9 धा नी मा पा गा गा गा गा table
via surya_layout
10 (१४) table
via surya_layout
11 į annotation_inline
parent ligne 48
via heuristic_height
12 गा पा पा पा धा मा गा मा table
via surya_layout
13 (१५) table
via surya_layout
14 धा धा नी धा पा पा पा पा table
via surya_layout
15 (१६) table
via surya_layout
16 री गा मा पा पम पा पा नी table
via surya_layout
17 (१७) table
via surya_layout
18 री री री री पा पा पा पा table
via surya_layout
19 (१८) table
via surya_layout
20 पा पा पा धा मा मा मा table
via surya_layout
21 (१९) table
via surya_layout
22 नी पा मा गम गां गां गां गां table
via surya_layout
23 (२०) table
via surya_layout
24 रों रों गा गा मा मा मा मा table
via surya_layout
25 (२१) table
via surya_layout
26 नी पा नी मा नी धा पा पा table
via surya_layout
27 (२२) table
via surya_layout
28 सा सा धनि धा पा पा पा पा table
via surya_layout
29 (२३) table
via surya_layout
30 मा पा मा परिग गा गा सां सां table
via surya_layout
31 (38) table
via surya_layout
32 री री गा गा मा मा पा मा table
via surya_layout
33 (२५) table
via surya_layout
34 रीं रीं रीं गा मा रिग मा मा table
via surya_layout
35 (२६) table
via surya_layout
36 मा नी पा नी गा गा गा गा table
via surya_layout
37 ( २७) table
via surya_layout
38 मा मा पा पा धा धनि निध मा table
via surya_layout
39 (२८) table
via surya_layout
40 धा धा सा नी धा नी पा पा table
via surya_layout
41 (२९) table
via surya_layout
42 रीं रीं रीं रीं मा पा धा मा table
via surya_layout
43 (३०) table
via surya_layout
44 नी नी नी धा पा मा मा table
via surya_layout
45 (38) table
via surya_layout
46 मा परि गा गा गा गा गा गा table
via surya_layout
47 (३२) table
via surya_layout
48 ॥ [इति] नन्दयन्ती ॥ section_header
via surya_layout
49 । म ॥१९१ main
via surya_layout
50 [॥१९२इति जातिर्नाम द्वितीयोऽध्याय:॥] editorial_bracket
parent ligne 49
via heuristic_brackets

vol_II_p043 LEFT — 50 lignes

page vol_II_p043 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 68 page_number
via heuristic_pagenum
3 रों रों गां सम मा मा पा पा table
via surya_layout
4 (८) table
via surya_layout
5 (8) table
via surya_layout
6 मा पा मा परि गा गा गा गा table
via surya_layout
7 (१०) table
via surya_layout
8 धानी पामा धानी सासा table
via surya_layout
9 (११) table
via surya_layout
10 नी नी नी नी नी नी नी table
via surya_layout
11 (१२) table
via surya_layout
12 मा मा धा नी नी धा पा पा table
via surya_layout
13 (१३) table
via surya_layout
14 मा पा मा परि गा गा गा गा table
via surya_layout
15 (88) table
via surya_layout
16 नी नी पा धनि गा गा गा गा table
via surya_layout
17 सारी गासानी नी नी नी table
via surya_layout
18 (१५) table
via surya_layout
19 (१६) table
via surya_layout
20 नी नी धा पा पा पा पा पा table
via surya_layout
21 ॥ [इति] कार्मारवी ॥ table
via surya_layout
22 1411 page_number
via heuristic_pagenum
23 [७. गान्धारपञ्चमी] section_header
via surya_layout
24 अंशो गान्धारपञ्चम्यां पञ्चमः, सङ्गतिः पुनः । main
via surya_layout
25 (育) annotation_inline
parent ligne 24
via heuristic_short
26 कर्तव्याऽत्रापि गान्धारीपञ्चम्योरिव सूरिभि: ॥१९॥ main
via surya_layout
27 १८००भूरिभि: annotation_inline
parent ligne 26
via heuristic_short
28 चच्चत्पुट: षोडशात्र कला गादिश्च मूर्छना । main
via surya_layout
29 तुर्यप्रेक्षणसम्बन्धि-ध्रुवागाने नियोजनम् ॥२०॥ main
via surya_layout
30 <sup>१८१</sup>अस्यां गान्धारो न्यासः । ऋषभपञ्चमावपन्यासौ । <sup>१८२</sup>प्रस्तारः - unknown
via fallback
31 (१) table
via surya_layout
32 मा मा पम धनि धप मा धा नी table
via surya_layout
33 (२) table
via surya_layout
34 सनि धा पा पा पा पा पा पा table
via surya_layout
35 (3) table
via surya_layout
36 धा नी सा सा मा मा पा पा table
via surya_layout
37 नी नी नी नी नी नी नी table
via surya_layout
38 (8) table
via surya_layout
39 (4) table
via surya_layout
40 नी नी धप मा निध निध पा पा table
via surya_layout
41 <b>(६)</b> table
via surya_layout
42 पा पा री री री री पा पा table
via surya_layout
43 (७) table
via surya_layout
44 मा रिग सा सध नी नी नी नी table
via surya_layout
45 (८) table
via surya_layout
46 नी री सा रिस री री री री table
via surya_layout
47 नी गा सा निग सा नी नी नी table
via surya_layout
48 (९) table
via surya_layout
49 (१०) table
via surya_layout
50 नी मां नी मां पा पा गां गां table
via surya_layout
203 lignes a valider — change uniquement les roles incorrects.