Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21428). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p054 RIGHT — 34 lignes

page vol_II_p054 RIGHT
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1 91 page_number
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2 TRANSLATION page_header
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3 [Anu. 167] section_header
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4 This means – śuddhasādhārita rāga is related to ṣaḍjagrāma on account of main
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5 being born of şadjamadhyamā jāti. Tāra (high) şadja is the graha and amśa main
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6 and madhyama is the nyāsa. There is the sparseness of niṣāda and gāndhāra. main
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7 It is complete (with all the svaras). Its application is prescribed in the garbha- main
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8 sandhi. 39 Vīra, raudra and the like (perhaps adbhuta also) are the rasas. The main
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9 mūrchanā beginning with ṣaḍja obtains. Avarohin (descending) is the varṇa main
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10 and prasannānta the alarikāra. The kalā is formed in the dakṣiṇa (mārga), the main
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11 kalā obtains in the vṛtti (mārga), the kalā prevails in the citra (mārga). In the main
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12 song comprised of svaras and padas a tāla like caccatpuṭa obtains. main
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13 [4. Śuddhakaiśikamadhyama] section_header
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14 Suddhakaisikamadhyama is born of kaisikī and şadjamadhyamā. Şadja is its main
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15 amśa, madhyama the nyāsa and ṛṣabha – pañcama are omitted. main
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16 (302) annotation_inline
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17 [Anu. 168] section_header
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18 This means—the <i>rāga śuddhakaiśikamadhyama</i> is related to <i>ṣaḍjagrāma</i> on main
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19 account of being born of kaiśikī and şadjamadhyamā jātis. (Contention) Kaiśikī main
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20 ŧ annotation_inline
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21 is related to madhyamagrāma and ṣadjamadhyamā to ṣadjagrāma, hence this main
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22 (<math>r\bar{a}ga</math>) is related to both the <math>gr\bar{a}mas^{40}</math>. This is the implication. On account main
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23 of being devoid of ṛṣabha-pañcama, this is related only to ṣaḍjagrāma. In main
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24 madhyamagrāma, the omission of ṛṣabha-pañcama does not take place; this is main
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25 the implication. Tāra (high) ṣaḍja is its graha and aniśa. Madhyama is the main
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26 nyāsa. There is the weakness of niṣāda and gāndhāra. The omission of main
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27 pañcama and ṛṣabha obtains. Niṣāda is kākalī here. It is pentatonic. It is used main
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28 in the <i>nirvahaṇa (sandhi</i>).<sup>41</sup> The <i>mūrchanā</i> beginning with <i>ṣaḍja</i> obtains. main
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29 Raudra, vīra and the like is the rasa. Prasannānta is the alankāra. main
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30 .................. annotation_inline
parent ligne 29
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31 [5. Šuddhakaisika] section_header
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32 Kaišika has ṣaḍja as its amśa and pañcama as its nyāsa, is born of kaišikī jāti main
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33 and kārmāravī jāti and is with complete svaras. main
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34 (303) annotation_inline
parent ligne 33
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vol_II_p116 RIGHT — 23 lignes

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1 215 page_number
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2 <b>TRANSLATION</b> page_header
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3 [15. Hayalīlā] section_header
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4 Where the (first) half is sung with svaras, in turagalīla (tāla), (and the main
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5 latter) half is sung with birudas, that is known as hayalīlā. main
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6 (397) main
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7 [16. <i>Gajalīlā</i>] section_header
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8 That which is completely composed according to gajalīlā but where the tāla main
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9 is gajalīla, that should be known by the name gajalīlā. main
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10 (398) main
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11 [17. Simhalīlā] section_header
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12 Composed in simhalilā metre, combined with svara and tena, that which is main
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13 sung with birudas is sinihalīlaka. main
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14 (399) main
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15 [18. Śarabhalila] section_header
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16 Where eight feet are composed with svaras and pāṭas, that is held to be main
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17 śarabhalīla, having eight rāgas and tālas. main
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18 (400) main
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19 [19. Śukacańcu] section_header
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20 In the beginning there is <math>r\bar{s}ga^{20}</math> with <math>gamaka</math>, that which is endowed with main
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21 <math>t\bar{a}la</math>, is sung with svaras and <math>p\bar{a}t</math>as (and) is sung in the languages of various main
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22 regions, is named śukacańcu, that is dear to the people. main
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23 (401) main
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vol_II_p055 LEFT — 26 lignes

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1 BRHADDESI page_header
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2 92 page_number
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3 [अनुः १६९] editorial_bracket
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4 अस्यार्थ: - शुद्धकैशिको नाम[रागो] मध्यमग्रामसम्बन्धः, कैशिकोकार्मारवीजातिभ्यां editorial_bracket
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5 समुत्पन्नत्वात्। तारषड्जोऽस्य ग्रहोंऽशश्च। पञ्चमो न्यासः। निषादीऽत्र काकली। पूर्णस्वरश्चायम् , main
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6 ग्रह: अंश(स्व?ध) annotation_inline
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7 चित्रस्याष्ट्रादशाङ्गस्य [?]निर्वहणे विनियोगः। वीररौद्रादिको रसः।षङ्जादिमूर्छना। आरोही वर्णः। editorial_bracket
parent ligne 5
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8 <sup>४६</sup>प्रसन्नादिरलङ्कार:। दक्षिणे कला,वृत्तौ कला,चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल:। main
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9 [शुद्धरागाणां ग्रामविभागः] section_header
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10 [अनु॰ १७०] editorial_bracket
parent ligne 9
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11 ननु एते ग्रामविशेषसम्बन्धाः, कुतोऽयं विशेषलाभः ? उच्यते, भरतवचनादेवासौ विशेषो main
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12 कु(तो ऽ)यं annotation_inline
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13 लभ्यते । तथा चाह भरतमुनि: - ''जातिसम्भूतत्वाद् ग्रामरागाणाम्''४० इति , ''यत्किञ्चिद् main
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14 गीयते लोके तत्सर्वं जातिषु स्थितम् ' '४८ इति वचनात् । तथा काश्यपेनाप्युक्तम् - main
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15 तत्सर्व annotation_inline
parent ligne 14
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16 ''षाडवो मध्यमग्रामे पञ्चम: कैशिकस्तथा । main
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17 पाडवे ककुभ् annotation_inline
parent ligne 16
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18 षड्जे साधारितश्चैव तथा कैशिकमध्यम:॥'' main
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19 [शुद्धरागाणां विनियोगः] section_header
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20 [अनु॰ १७१] editorial_bracket
parent ligne 19
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21 ननु अमी विनियोग-विशेषा: कस्माल्लभ्यन्ते ? [मुनि-] वचनादेव लभ्यन्ते। तथा editorial_bracket
parent ligne 19
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22 अ(यं ?मी) annotation_inline
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23 चाह भरत:- annotation_inline
parent ligne 19
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24 ‘‘मुखे तु मध्यमग्राम: षड्ज: प्रतिमुखे भवेत् । main
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25 गर्भे साधारितश्चैव <sup>४९</sup>ह्मवमर्शे तु पञ्चम: ॥ main
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26 ...वावमर्शे • तु annotation_inline
parent ligne 25
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vol_II_p091 RIGHT — 29 lignes

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1 TRANSLATION page_header
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2 165 page_number
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3 Having ṛṣabha as amśa, pancama as the concluding note, it should be main
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4 known to be weak in sadja. It should always be performed with the kākalī main
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5 form of niṣāda. This vibhāṣā is known to be sādhāraṇakṛtā by the main
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6 knowledgeable ones in music. Āndhālī is well-known among the main
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7 people<sup>42</sup> and is the favourite of <i>Kinnaras</i>.<sup>43</sup> main
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8 <math>(97-98)</math> main
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9 Illustration - Rīmāpāpādhādhādhādhāpā dhādhāsāpāpāpādhāninipā main
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10 päsäpädhäpäpäpämarimaridhädhäpadhapasidhädhäpäpädhadhapadhapädhäpä main
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11 pāmāririsādhāpāpā pāmapadhamamāriridhādhapapāpa, Māmādhapapāpamama- main
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12 ririmapāpādha pāpāpadhapadhasīsīrigaridhapāpāpā, Andhālī [vii] editorial_bracket
parent ligne 11
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13 Having sparse <i>ṛṣabha</i>, <i>madhyama</i> as <i>aṁśa</i> , combined with <i>pañcama</i> as main
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14 nyāsa, there being concert between madhyama-dhaivata, abundance of main
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15 pañcama, being complete, this bhāṣā tānodbhavā comes of pañcama rāga. main
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16 (99) annotation_inline
parent ligne 15
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17 Illustration-Māmāmagāsāririnisāgari.Sāninigāgāgasānīpāpā pāsānisāsāsāni main
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18 saninidhadhaninisāgarisāsāsāninisādhānipāpā dhānīnīgāga sāsāsāsāgā main
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19 sānīdhāmāpā pā. Tānodbhavā [viii] editorial_bracket
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20 Trāvaņī has pañcama as nyāsa, is weak in pañcama and ṛṣabha, there is main
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21 (mutual) movement between the svaras comprised of two śrutis each in their main
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22 original form. There is the abundance of şadja-madhyama and pañcama- main
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23 rṣabha(as an alternative to their sparseness). This trāvaṇī is born of deśa44 main
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24 (region) and is sādhāraņakṛtā. main
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25 <math>(100-101)</math> main
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26 Illustration - Sāsāsāpāpāpā dhādhādhādhānīnīnīsā sānidhānidhādhārisāsā main
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27 nīdhānidhāsāmamarimārimāgāgārisāsanipāpāpā nidhānisāsanisanimadha main
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28 dhasanidhāmāgāmādhānīsāsādhānīsāmadhāmāgāmādhānīsāsa, Sasasanisā- main
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29 sānigāsanidhāmāmāmādhārisāsā sadhānīdhāpā. Trāvaņī [ix] editorial_bracket
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vol_I_p077 LEFT — 45 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
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2 136 page_number
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3 22. C.r. in S R I Sudhā, p. 94. list_item
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4 23. Added according to C.r. in S R I Sudhā, p. 94. list_item
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5 24. Portion added according to C.r. in S R I Sudhā, p. 95. list_item
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6 25. P.t. adds 'pañcama' before 'ṛṣabhaḥ' which is unwarranted. list_item
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7 26. P.t. combines sapta-svarāķ etc. and that has led to a misunderstanding list_item
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8 among scholars to the effect that Matanga has accepted the 'samvāda' of seven- list_item
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9 sruti interval in addition to that of nine and thirteen-sruti interval. (cf. IMJ, list_item
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10 No. 11-12, p. 57, article by P.L.S. on Matanga's Brhaddess ). Actually sapta is list_item
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11 related to 'svarāḥ'; hence a full-stop has been added after sapta and that clears list_item
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12 the whole confusion. list_item
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13 27. The ed. states that the text is broken here; the missing portion has been list_item
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14 taken by us from S R I Sudhā, p. 121. list_item
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15 28. Missing portion (verse 55-60) taken from C.r. in S R I Kalā, p. 79-81. list_item
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16 The cited verses are interspersed by Kallinatha with prose sentences of his own, list_item
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17 but they have been omitted by us. list_item
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18 29. C.r. in S R I Kalā, p. 81. list_item
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19 30. Sam S Sā, p. 14 and C.r. in S R I Kalā, p. 81. list_item
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20 31. This portion is missing in the MSS, it has been paraphrased in S R I Kalā, list_item
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21 p. 81 and cited in ibid. Sudhā, p. 97. list_item
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22 32. cf. व्हाजाती समी जेयी रिधी क्षत्रियजातिको । list_item
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23 निर्गा वैश्याविति प्रौक्तौ पञ्चमः शूद्रजातिकः ॥ list_item
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24 ( Sam Mak I. 29 ) main
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25 33. C.r. in S R I Sudhā, p. 97 and Sam Cû, p. 71. list_item
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26 34. C.r. in S R I Sudhā, p. 98. list_item
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27 35. Reading suggested by the ed. list_item
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28 36. C.r. in S R I Sudhā, p. 98. list_item
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29 37. C.r. in Sam Cu, p. 72. list_item
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30 38. C.r. in S R I Sudhā, p. 98. list_item
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31 39. cf. स्वराः सरिगमाश्चैव चत्वारो राक्षसाः स्मृताः । list_item
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32 पधौ मानुषसज्ञौ च निपाद दैवत विदुः ॥ list_item
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33 (Sam Mak I. 1.46) main
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34 40. After this P.t. has the following half-verse – main
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35 शृद्धजातिसमृत्पन्नी तौ काकल्यन्तरी स्वरी । main
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36 This is redundant and misplaced because verse 61 d has already spoken of main
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37 kākali and antara svaras being śūdra and this line does not fit into the context main
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38 after verse 72; hence it has been omitted by us. main
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39 41. cf. Nā Ši I.4.1,2 and Gītālankāra, p. 50. list_item
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40 42. cf. Nā Ši I.5.14-18. list_item
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41 43. The reading 'hara' suggested by the ed. in the place of 'bhi' of MSS. list_item
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42 44. cf. Nā Ši 1.5.12-14. list_item
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43 पर्जाञ्चतर्वारी च ऋषभस्य च गंद्रकः । list_item
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44 45. cf. list_item
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45 गान्धारस्य च शान्त च हास्यास्य मध्यमस्य च ॥ list_item
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157 lignes a valider — change uniquement les roles incorrects.