Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21442). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p083 RIGHT — 33 lignes

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1 4 - 1 annotation_inline
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2 149 page_number
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3 TRANSLATION page_header
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4 [ Vibhāṣā of ṭakkarāga] section_header
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5 Having pañcama as amsa and sadja as the concluding note, being main
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6 embellished with madhyama, potā is a vibhāṣā born of ṭakkarāga and is sung main
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7 at the end of the bhāṣās. annotation_inline
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8 (61) annotation_inline
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9 Illustration - Pāpānīsāsānīsārīmā dhārīdhāpāpāmāgāgā. main
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10 Sāgāsāgāgādharigarigarimā. Mamamaga. Garisānīdhādhā sāgāgā. Gā rī gā rī. main
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11 Sāsāgāmā nīdhādhāpāmārīsāsā gānīdhānī sāsāpāsā. Potā. main
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12 [2. Bhāṣās in mālavakaiśika] section_header
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13 Paurālī is born of <math>deśa^{24}</math>, i.e., is a regional variety, is combined with şadja main
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14 as the initial and concluding note, is complete in svaras (and) has profuse main
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15 șadja and madhyama. This bhāṣā should be known as the first one in main
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16 mālavakaišika (used as mālakaišika in the text due to exigency of metre) of main
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17 madhyama (grāma). annotation_inline
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18 (62) annotation_inline
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19 Illustration - Samā. Gāgāgāgāpāpā. Māmāgāgā. Sāmāmāmāmā. Māmā. main
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20 Māmārīrī. Rigāgārīsāsāsārī. Magasāsāmāgārīsānī. Sāsā. Paurālī. main
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21 Šuddhāhas madhyama as amśa, ṣadja as the concluding note, is a vibhāṣā, main
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22 complete in svaras, is associated with 'merriment' and is sung in mālavakaišika. main
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23 (63) annotation_inline
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24 Illustration - Māmādhāsāgārīsāsā. Nidhāsāsādhānimāmādhānīsā. Rigāmāsā. main
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25 Sādhāmāgārigāsāsā. Suddhā [i] editorial_bracket
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26 Ardhavesarī has madhyama as amśa and ṣadja as the concluding note, is main
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27 complete, weak in niṣāda and has profuse ṣaḍja and madhyama. This bhāṣā main
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28 should always be known as sankīrņā (mixed), by the knowledgeable ones in main
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29 gändharva. annotation_inline
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30 (64) annotation_inline
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31 Pāpāmāmā. annotation_inline
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32 Illustration - Māmāgāmāsāsā. Sāmāpāpādhāsādhā. main
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33 Gamagamāga. Sāsāsāsā. Gāmāpapādhapādhamapāmā. Gamagamagarīsā main
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vol_II_p093 RIGHT — 29 lignes

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1 169 page_number
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2 TRANSLATION page_header
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3 Illustration-Dhādhāsāsāgadharigārisāganirīsāsādhāsānīnīnīnī. Dhādhādhā- main
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4 nidhāpāpāmādhāsādhā ninidhādhāpāgāgādhāridhāmāmādhā ninidhādhā. main
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5 Dākşiņātyā [ii] editorial_bracket
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6 Combined with dhaivata as the initial and concluding note, embellished main
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7 with thesvara gāndhāra, this bhāṣā gāndhārī has been said to be sankīrṇā. main
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8 (Mutual) movement between gändhära and dhaivata is seen here in a dense main
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9 manner. annotation_inline
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10 (107) annotation_inline
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11 Illustration - Dhādhāgāgāgāririgamagāmādhā ririririgāmāpāmā. main
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12 Māpāmāpāmāpāsagāririgāgāgādhā pādhagāgārīsāsāsā. Nisāsānigāmāpāsā main
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13 sānīgārīmāgamāgāmāmāmāmānininini. Madhādhādhādhā. Gāndhārī [iii] editorial_bracket
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14 Combined with dhaivata as the initial and concluding note, hexatonic, main
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15 devoid of pañcama, the vibhāṣā śrīkaṇṭhī, is performed in the panegyric of main
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16 Lalitā. 48 Concert between madhyama-ṛṣabha and the svaras comprised of two main
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17 śrutis each is sung. annotation_inline
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18 (108) annotation_inline
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19 Illustration-Dhānimāgāgādhā rimāgāgādhā rimāgarigāririgānināgārigādhā main
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20 ririrīnisāninidhādhā. Šrīkaņţhī [iv] editorial_bracket
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21 Having madhyama as amśa, dhaivata as the concluding note, weak in main
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22 ṛṣabha, this vibhāṣā, paurālī, is beautiful and very charming. It is sung by the main
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23 Nāga<sup>49</sup> people and is made of sweet svaras alongwith gamakas. (Mutual) main
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24 movementamong madhyama, ṛṣabha and pañcama is seen in a dense manner. main
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25 <math>(109-110)</math> annotation_inline
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26 Illustration - [Mā]pāpādhā ninisāsāmānidhā pādhādhādhādhā editorial_bracket
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27 nisāririmāgārisārimā gāsārisārimāmārigārimāsāsāsāsāninininīdhādhā main
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28 māpāmāpāpāpāniniririsānidhā pādhādhāninidhāniniririniririmāgārisā main
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29 nirisānisāsāninidhādhāgamāpādhāninisānisānidhādhā. Paurāli [v] editorial_bracket
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vol_II_p116 LEFT — 26 lignes

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1 BRHADDESĪ page_header
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2 214 page_number
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3 [१५. हयलीला] section_header
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4 अर्धं यत्र स्वरैगींत्वा यस्यास्तुरगलीलया । main
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5 अ(र्थ ?र्ध) annotation_inline
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6 (নু) annotation_inline
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7 गीयते बिरुदैरर्धं हयलीलेति सा स्मृता<sup>र७</sup> ॥३९७॥ main
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8 नीर (थं ?धं) main
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9 [१६. गजलीला] section_header
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10 हयलीलाकृतं सर्वं तालस्तु गजलीलक:। main
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11 तालोऽपि annotation_inline
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12 गज्ञ annotation_inline
parent ligne 10
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13 क्रियते यत्र सा ज्ञेया गजलीलेति नामतः १८॥३९८॥ main
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14 [१७. सिंहलील:] section_header
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15 छन्दसा सिंहलीलेन स्वरतेनकसंयुत:। main
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16 ॰लीलेत स्थ(र?रा)न्तेनतसंयुत: annotation_inline
parent ligne 15
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17 गीयते यस्तु बिरुदै: स भवेत् सिंहलीलक: १९॥३९९॥ main
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18 न्तै: annotation_inline
parent ligne 17
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19 [१८. शरभलील:] section_header
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20 स्वरपाटैर्निबद्धं च भवेद्यत्र पदाष्टकम् । main
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21 मतः शरभलीलोऽसौ रागतालाष्ट्रकान्वितः २०॥४००॥ main
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22 [१९. शुकचञ्चु:] section_header
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23 आदौ राग: सगमकस्तालेन तु समन्वित:। main
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24 स(ग)मक annotation_inline
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25 स्वरपाटै: प्रगीतस्तु नानादेशादिभाषया ॥ main
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26 गीयते यः स उद्दिष्टः शुकचञ्जूर्जनप्रियः ॥ ४०१॥ main
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vol_II_p027 LEFT — 35 lignes

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1 BRHADDEŚĪ page_header
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2 36 page_number
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3 [अनु॰ १३६] editorial_bracket
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4 [ अस्यार्थ: - कैशिकीरक्तगान्धारीगान्धार्य इत्येतास्तिस्रो जातय: editorial_bracket
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5 पञ्चमेंऽशे main
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6 ऋषभेणाषाडवा अंशसंवादिनो लोपाभावात् । एवमेव निषादेन षाङ्जी गान्धारेंऽशे अषाडवा] editorial_bracket
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7 निश annotation_inline
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8 ऋषभेण षड्जोदीच्यवा धैवतेंऽशे अषाडवा विज्ञेया । इदानीमौडुवितं प्राप्तमपोह्यते । main
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9 ॰पोद्यते annotation_inline
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10 ..... शे annotation_inline
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11 गान्धारीरक्तगान्धार्योः षड्जमध्यमपञ्चमाः । main
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12 सनिषादा: स्मृता अंशा अनौडुवितभागिन: ॥२५४॥ main
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13 [अनु॰ १३७] editorial_bracket
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14 एतच्चासंगतम्, औडुवितप्राप्तेरभावात् । सत्यमुक्तम्, औडुवितनिषेधवचनाद्धि विधेश्च main
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15 ॰िन annotation_inline
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16 •धा annotation_inline
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17 प्राप्तमेवौडुवितत्वं निषिध्यते । main
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18 षड्जमध्यमजातौ तु गान्धारोऽथ निषादवान् । main
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19 कैशिक्यामथ पञ्चम्यां क्रमाच्च ९१धैवतर्षभौ ॥२५५॥ main
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20 क्रमादृषभधैवती annotation_inline
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21 [अनु॰ १३८] editorial_bracket
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22 [अस्यार्थ: - षड्जमध्यमायां] गान्धारोऽथ निषादवा [न्] नौडुवितभागी, editorial_bracket
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23 कैशिक्यां धैवत: पञ्चम्यामृषभश्चानौडुवितभागी स्यात् । तत्र प्राप्तमेवौडुवितत्वं निषिध्यते, main
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24 •मेवानौडुवितत्वं annotation_inline
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25 पञ्चम्यां धैवतश्चरु main
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26 कैशिक्यामृपभ: annotation_inline
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27 अंशता चाप्राप्तेव कल्प्यते । इदानीं ये अ[न] पवादिभूताः स्वराः षाडवौडुवितविधौ editorial_bracket
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28 ল্ফী annotation_inline
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29 तानुदस्यति - main
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30 योज्या: सप्ताधिकाश्चैव चत्वारिंशच्च षाडवे ॥२५६॥ main
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31 ९२०स्ते च annotation_inline
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32 [अनु॰१३९] editorial_bracket
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33 अस्यार्थ: - षाडवे विधौ क्रियमाणे <sup>९३</sup>सप्ताधिकाश्चत्वारिशदंशका main
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34 अपवादस्वरराहता annotation_inline
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35 <b>न्यविधी</b> annotation_inline
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vol_II_p166 RIGHT — 41 lignes

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1 VIMARŚA page_header
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2 315 page_number
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3 a bhāṣā is something that deserves special notice. main
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4 31. 'Pārvatī' is associated with parvata or mountains; whether or not main
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5 a particular mountainous region is implied, is hard to confirm. "Parvata is main
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6 1. a country in the Panjab to the north-west of Multan between the Ravi and main
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7 Sutlej. 2. same as Śrīśaila" (Nando Lal De ). It is difficult to say whether main
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8 the mountains in general or a particular mountainous region or either of main
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9 the two identifications cited above is intended. main
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10 Chapter V section_header
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11 (Desī rāgas) section_header
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12 1. This verse bears a distinct stamp of the Tantric stream and is list_item
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13 significant on account of being placed in the beginning of the chapter on list_item
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14 desī rāgas. It could be conjectured on the evidence of this verse and on other list_item
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15 evidence also that our author gave rāga-dhyānas for deśī rāgas (see Vol.III). list_item
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16 2. Deśī rāgas are contradistinct to grāmarāgas. list_item
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17 3. Reference to laksya in the context of desi rāgas points to the fact that list_item
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18 they must have been in vogue in the author's time. list_item
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19 4. The citation in the name of Matanga given by Kalli, in his list_item
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20 commentary on SR II.2.1. also mentions these three types of desī-rāgas, but list_item
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21 Sārngadeva has added a fourth category named upānga. list_item
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22 5. 'Chāyā' is subtle similarity. list_item
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23 6. The special mention of panegyric in the context of bhāṣāṅga rāgas list_item
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24 is worth noticing. list_item
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25 7. 'Bhāṣā 'here would include vibhāṣā and antara-bhāṣā. list_item
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26 8. 'Kriyā' seems to stand for expressive rendering. list_item
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27 9. Karuņā and utsāha are two pervasive names that symbolise mādhurya list_item
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28 and ojas respectively (See Vol. III). list_item
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29 10. The text is mutilated at this point and a small portion on bhāṣāṅga list_item
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30 rāgas seems to have survived. list_item
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31 11. Kacchelli could perhaps, be related to Kacch (Cutch); "it was list_item
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32 called Marukaccha in contradistinction to Kausiki-kaccha". (Nando Lal list_item
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33 De). list_item
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34 12. Māngalī has been described as a bhāṣā in the preceding section. list_item
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35 13. Bhammāṇa is not known as a region. list_item
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36 14. 'Pulindikā' refers directly to the ethnic group known as the list_item
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37 pulindas. list_item
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38 15. Gāndhārasindhu is mentioned as a bhāṣāṅga rāga in S Rāj list_item
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39 II.2.3.203, but is said to be out of vogue and is not, therefore, described. list_item
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40 16. Karņātī is described in S Raj II.2.3.208, but the laksaņas are list_item
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41 different. list_item
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164 lignes a valider — change uniquement les roles incorrects.