Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21448). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p077 LEFT — 45 lignes

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1 BRHADDESI page_header
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2 136 page_number
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3 22. C.r. in S R I Sudhā, p. 94. list_item
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4 23. Added according to C.r. in S R I Sudhā, p. 94. list_item
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5 24. Portion added according to C.r. in S R I Sudhā, p. 95. list_item
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6 25. P.t. adds 'pañcama' before 'ṛṣabhaḥ' which is unwarranted. list_item
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7 26. P.t. combines sapta-svarāķ etc. and that has led to a misunderstanding list_item
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8 among scholars to the effect that Matanga has accepted the 'samvāda' of seven- list_item
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9 sruti interval in addition to that of nine and thirteen-sruti interval. (cf. IMJ, list_item
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10 No. 11-12, p. 57, article by P.L.S. on Matanga's Brhaddess ). Actually sapta is list_item
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11 related to 'svarāḥ'; hence a full-stop has been added after sapta and that clears list_item
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12 the whole confusion. list_item
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13 27. The ed. states that the text is broken here; the missing portion has been list_item
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14 taken by us from S R I Sudhā, p. 121. list_item
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15 28. Missing portion (verse 55-60) taken from C.r. in S R I Kalā, p. 79-81. list_item
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16 The cited verses are interspersed by Kallinatha with prose sentences of his own, list_item
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17 but they have been omitted by us. list_item
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18 29. C.r. in S R I Kalā, p. 81. list_item
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19 30. Sam S Sā, p. 14 and C.r. in S R I Kalā, p. 81. list_item
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20 31. This portion is missing in the MSS, it has been paraphrased in S R I Kalā, list_item
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21 p. 81 and cited in ibid. Sudhā, p. 97. list_item
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22 32. cf. व्हाजाती समी जेयी रिधी क्षत्रियजातिको । list_item
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23 निर्गा वैश्याविति प्रौक्तौ पञ्चमः शूद्रजातिकः ॥ list_item
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24 ( Sam Mak I. 29 ) main
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25 33. C.r. in S R I Sudhā, p. 97 and Sam Cû, p. 71. list_item
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26 34. C.r. in S R I Sudhā, p. 98. list_item
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27 35. Reading suggested by the ed. list_item
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28 36. C.r. in S R I Sudhā, p. 98. list_item
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29 37. C.r. in Sam Cu, p. 72. list_item
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30 38. C.r. in S R I Sudhā, p. 98. list_item
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31 39. cf. स्वराः सरिगमाश्चैव चत्वारो राक्षसाः स्मृताः । list_item
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32 पधौ मानुषसज्ञौ च निपाद दैवत विदुः ॥ list_item
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33 (Sam Mak I. 1.46) main
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34 40. After this P.t. has the following half-verse – main
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35 शृद्धजातिसमृत्पन्नी तौ काकल्यन्तरी स्वरी । main
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36 This is redundant and misplaced because verse 61 d has already spoken of main
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37 kākali and antara svaras being śūdra and this line does not fit into the context main
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38 after verse 72; hence it has been omitted by us. main
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39 41. cf. Nā Ši I.4.1,2 and Gītālankāra, p. 50. list_item
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40 42. cf. Nā Ši I.5.14-18. list_item
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41 43. The reading 'hara' suggested by the ed. in the place of 'bhi' of MSS. list_item
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42 44. cf. Nā Ši 1.5.12-14. list_item
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43 पर्जाञ्चतर्वारी च ऋषभस्य च गंद्रकः । list_item
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44 45. cf. list_item
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45 गान्धारस्य च शान्त च हास्यास्य मध्यमस्य च ॥ list_item
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1 BRHADDEŚĨ page_header
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2 124 page_number
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3 [अनु॰ २१०] section_header
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4 अस्यार्थ: - पञ्चमषाडव: १०७षड्जग्रामसम्बन्ध: । ऋषभोऽस्य ग्रहोंऽशश्च । मध्यमो main
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5 ॰( ঘ:) annotation_inline
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6 न्यास: । १०८ प्रयोक्त्रपेक्षया क्वचिदंशोऽपि[।] निषादोऽत्र काकली । पूर्णश्चायम् । उद्भटचारिमण्डलाजौ editorial_bracket
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7 ॰(जी?दी) annotation_inline
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8 (स्र?कृ)॰ annotation_inline
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9 विनियोगः। वीरादिरसः। ऋषभादिमूर्छना। प्रसन्नाद्यन्तोऽलङ्कारः। दक्षिणे कला, वार्तिके कला, main
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10 चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । main
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11 [९.रेवगुप्त:]<sup>१०९</sup> section_header
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12 ऋषभांशो मध्यमान्तः सम्पूर्णस्वरकस्तथा । main
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13 (₹) annotation_inline
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14 आर्षभीमध्यमाजात्यो रेवगुप्त: प्रकीर्तित: ॥३४०॥ main
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15 [अन्॰ २११] section_header
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16 अस्यार्थः - रेवगुप्तः षड्जग्रामसम्बन्धः । आर्षभीमध्यमाजात्योरुत्पत्रोऽपि main
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17 षड्जग्रामसम्बन्ध एव पञ्चमस्य चतुःश्रुतिकत्वात् । ऋषभोऽस्य ग्रहोंऽशश्च । न्यासो मध्यम एव main
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18 च । निषादोऽत्र काक'ली । पूर्णस्वरश्चायम् । उद्भटचारिमण्लाजौ विनियोग: । main
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19 वीरादिरस:। annotation_inline
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20 ॰(जी?दी) annotation_inline
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21 ऋषभादिमूर्छना । आरोही वर्ण: प्रसन्नान्तोऽलङ्कार:। दक्षिणे कला, वार्तिके कला, चित्रे कला । main
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22 चच्चत्पुटादिताल:। ११० main
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23 [१०. टक्सैन्धवः] section_header
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24 स्यात् षाड्जीधैवतीजात्योष्टकसगस्तु सैन्धव:। main
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25 षड्जांशन्याससंयुक्तः पञ्चमेन तु दुर्बलः ॥३४१॥ main
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26 [अनु २१२] section_header
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27 [अस्यार्थ:]- टक्कसैन्धवराग: षड्जग्रामसम्बन्ध:, षाड्जीधैवतीसमुत्पत्रत्वात् । षड्जोऽस्य editorial_bracket
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28 ि निषादगान्धारौ चात्र काकल्यन्तरौ । पञ्चमस्याल्पत्वम् । पूर्णस्वरश्चायम् । main
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29 ग्रहोंऽशो न्यासश्च । main
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30 ॰(रेष ? चै) annotation_inline
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31 (चित्रे ? चात्र) annotation_inline
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32 210 page_number
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vol_II_p123 LEFT — 31 lignes

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1 BRHADDEŚĨ page_header
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2 228 page_number
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3 [२. कामलेखा] section_header
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4 द्विगुणितरुद्रा प्रथमे, मात्रा युजि सम्भवन्ति ता एव । main
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5 विंशतिश्चासमे चरणे, यस्या: सा कामलेखेति ३६॥४४५॥ main
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6 विंशति विषमे annotation_inline
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7 (?)चरमे annotation_inline
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8 [३. बाणलेखा] section_header
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9 द्विगुणितकला यदि स्युर्मात्रा: पादत्रयेऽप्यविशिष्टा: । main
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10 (電?) annotation_inline
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11 ऽपि+(विशिष्टम्) annotation_inline
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12 [ता]बाणगणोपेता यस्यां सा बाणलेखेति ३७॥ ४४६॥ editorial_bracket
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13 न्त annotation_inline
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14 [४. चन्द्रलेखा] section_header
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15 चत्वारिशत् त्र्यधिका मात्रासंख्याऽङ्घ्रियुग्मेषु main
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16 एकोना सा विषमे यस्यां सा चन्द्रलेखेति ३८॥ ४४७॥ main
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17 ॥ इति मात्रैलाचतुष्टयम् ॥ editorial_bracket
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18 [ग. वर्णेलाप्रकारा:] section_header
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19 नैवात्र तालनियमो रसनियमो रागनियमस्तु । main
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20 भवति[खल्]वर्णनियमो वर्णेला कथ्यते तस्मात् ॥४४८॥ editorial_bracket
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21 ++ annotation_inline
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22 मदनवती शशिलेखा प्रभावती मालती तथा[ललिता] । editorial_bracket
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23 (च)तथा annotation_inline
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24 हेमवती ३९कुसुमवती वर्णनिबन्धा भवन्ति सप्तैला:॥४४९॥ main
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25 एकादशादिवर्णै: सप्तदशान्तै: क्रमेण सप्तैता: । main
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26 गीयन्ते गन्धर्वैर्लिलतपदैर्जगित सन्नादै: ॥ ४५०॥ main
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27 [१. मदनवती २. शशिलेखा ३. प्रभावती] editorial_bracket
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28 ४० अलघुगणोपेता [सा] मदनवती लघुगणेन शशिलेखा । editorial_bracket
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29 अलिलतनामोपेता annotation_inline
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30 गुरुगणबहुला [नित्यं]प्रभावती <sup>४१</sup>मालती तथा ललिता ॥ ४५१॥ editorial_bracket
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31 ....भवति रम्यतरा annotation_inline
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1 55 page_number
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2 TRANSLATION page_header
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3 [8. Gändhārī] section_header
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4 Out of them, gāndhāra, ṣadja, madhyama, pañcama and niṣāda are grahas, main
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5 the same are amsas of gandhari. The tara extends upto five svaras. The mandra main
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6 , extends upto the nyāsa or upto the svara next to it. The sādava state is devoid main
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7 of rṣabha, the auduvita state is devoid of ṛṣabha, dhaivata. In the complete main
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8 state there is sparseness of rṣabha-dhaivata, and abundance of the remaining main
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9 ones. On account of being a svara-jāti<sup>72</sup>i.e. a jāti bearing the name of svara, main
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10 gāndhāra is the nyāsa. Ṣadja, pañcama are the two apanyāsas and there is main
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11 sangati (concert or to and fro movement) between dhaivata and ṛṣabha. That main
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12 is thus – when <math>g\bar{a}ndh\bar{a}r\bar{i}</math> is sung as complete then <math>m\bar{a}</math> - <math>dh\bar{a}< main
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13 prayoga (performance). main
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14 Thus is the performance. When it is sung with the omission of rṣabha then main
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15 while touching (lit. entering) the adhara 74 (lit. lower, but higher in pitch) main
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16 mā-dhā-dhā-gā, thus is the performance. When it is sung in its pentatonic main
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17 form then while touching the uttara 75 (lower svara) mā-gā dhā-thus is the main
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18 performance. Mā-pa-ri-dhā is never to be performed. main
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19 [Anu. 161] editorial_bracket
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20 This is eleven-fold. There are eleven ainsas - there is one in the suddhā main
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21 state, five in the vikṛtā complete state, four are hexatonic (and) one is main
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22 pentatonic. The mūrchanā beginning with dhaivata obtains here. Caccatpuța main
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23 is the tālain the ekakalaform. In citra mārga, there is māgadhī (gītī), in dvikala main
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24 vārtika (mārga) there is sambhāvitā (gīti), in catuşkala dakṣiṇa (mārga), there main
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25 is pṛthulā (gīti), karuṇa (pathos) is the rasa. It is used in the singing of dhruvā main
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26 in the third act of a drama. annotation_inline
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27 [9. Raktagāndhāri] section_header
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28 [Anu. 162] editorial_bracket
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29 Ṣadja, madhyama, pañcama, gândhāra and niṣāda are the grahasand aṁśas main
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30 of raktagāndhārī. Tāra extends up to five svaras (from the amśa), mandra main
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31 extends up to the nyāsa or the svara next to it. The hexatonic form is devoid main
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32 of rṣabha and the pentatonic one is devoid of rṣabha-dhaivata. There is the main
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33 paucity of rṣabha and dhaivata in the complete form. The remaining (svaras) main
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34 have abundance. On account of niṣāda being the amśa, its abundance is main
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35 indicated. Its non-abundance comes about on account of the stated main
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36 prescription. Dhaivata being non-aniśa, its sparseness is indicated, its main
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1 TRANSLATION page_header
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2 7 page_number
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3 "The jātis are born as śuddhā and vikṛtā through samavāya (commingling main
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4 of the svaras assuming the functions of graha, amśa, nyāsa etc.). Further main
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5 there are other eleven (jātis) that have been made 'impure', i.e. have only main
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6 a vikṛtā state."7 annotation_inline
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7 (NŚ XXVIII.46) main
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8 Out of these (jātis) I shall describe briefly here in sequence the jātis that main
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9 are formulated or accomplished through ainsa svaras, omission (of one or main
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10 two notes) and the like. main
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11 (192) annotation_inline
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12 Ṣadja-madhyamā (is born) on account of the blending of ṣadjā and main
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13 madhyamā; ṣaḍjakaiśikī is born of ṣaḍjā and gāndhārī; ṣaḍjodīcyavatī comes main
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14 into being from the above two (ṣaḍjā and gāndhārī) with the addition of main
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15 dhaivatī; gāndhārodīcyavā comes into existence from these (ṣaḍjā, gāndhārī main
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16 and dhaivatī) with the addition of madhyamā; madhyamodīcyavā arises out of main
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17 the blending of gāndhārī, madhyamā, pañcamī and dhaivatī; raktagāndhārī main
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18 arises from these (gāndhārī, madhyamā and pañcamī) when naiṣādī is the main
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19 fourth one; <i>āndhrī</i> is born of the blending of <i>ārṣabhī</i> and <i>gāndhārī</i> alone; main
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20 nandayantī arises out of these two (ārṣabhī and gāndhārī) with the addition main
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21 of pañcami; these (three) go to make kārmāravī, with the omission of main
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22 gāndhāri and the addition of niṣādā; gāndhāra-pañcamī arises out of gāndhārī main
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23 and pañcami alone; all the seven jātis go to make kaisiki excepting ārṣabhī main
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24 and dhaivati, thus are the blendings or mixtures. main
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25 <math>(193-198)</math> main
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26 Now they (honorific for the author) have spoken of the classification (of main
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27 jātis) – annotation_inline
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28 Four jātis should be known by the wise to be always composed of seven main
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29 svaras, four are composed of six svaras and the other ten are known as being main
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30 composed of five svaras each. main
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31 (199) annotation_inline
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32 This itself becomes clear - main
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33 Madhyamodicyavā and similarly şadja-kaišikī, kārmāravī and similarly main
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34 gåndhåra-pañcami – these are complete, i.e. no svara is omitted in them. main
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35 (200) main
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179 lignes a valider — change uniquement les roles incorrects.