Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21451). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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L#Texte OCRRole autoCorriger si incorrect
1 234 page_number
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2 BRHADDEŚĪ page_header
via surya_layout
3 [७. मोहिनी] section_header
via surya_layout
4 पञ्चपादसमायुक्ता मूर्छनागमकान्विता । main
via surya_layout
5 मोहिनी नाम सा ज्ञेया वर्णेला सप्तमी शुभा ॥ ४६६॥ main
via surya_layout
6 [॥ इति प्रकारान्तरेण वर्णेलासप्तकम् ४४॥] editorial_bracket
parent ligne 5
via heuristic_brackets
7 [ङ. देशैलाप्रकारा:] section_header
via surya_layout
8 लाटकर्णाटगौडान्ध्रद्रविडानां स्वभाषया । main
via surya_layout
9 पृथक् पृथग् भवन्त्येताः मार्गयुक्ता मनोहराः ॥ ४६७॥ main
via surya_layout
10 [१. लाटैला] section_header
via surya_layout
11 <sup>४५</sup>अन्त्यप्राससमायुक्ता मध्यादिप्रासवर्जिता । main
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12 अत: annotation_inline
parent ligne 11
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13 रसैर्भावैश्च संयुक्ता लाटैला परिकीर्तिता ॥४६८॥ main
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14 [२. कणटैला] section_header
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15 प्रासैर्मनोहरैर्दिव्यैरादिमध्यान्तगोचरै:। main
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16 एला कर्णाटिका प्रोक्ता ललितध्वनिसंयुता ॥ ४६९॥ main
via surya_layout
17 [३. गौडेला] section_header
via surya_layout
18 सर्वत्र प्राससहिता गमकैश्च विवर्जिता । main
via surya_layout
19 नादबिन्द्रसोपेता एला सा गौडदेशजार्ध ॥४७०॥ main
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20 नदा० annotation_inline
parent ligne 19
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21 [४. आन्ध्रैला] section_header
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22 अनेकगमकाकीर्णामनेकध्वनिमिश्रिताम् । main
via surya_layout
23 अनेकरागसङ्कीर्णामेलामान्ध्रीं विदुर्बुधाः ॥४७१॥ main
via surya_layout
24 (मन्द्रीं? मान्ध्रीं) annotation_inline
parent ligne 23
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vol_II_p114 LEFT — 33 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 • • annotation_inline
parent ligne 4
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2 BRHADDEŚĪ page_header
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3 210 page_number
via heuristic_pagenum
4 [३. गद्य:] section_header
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5 ५प्रान्ते यस्य भवेत्तालो वर्णनीयस्य संज्ञया । main
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6 म्रातो annotation_inline
parent ligne 5
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7 गीयते यत् तदत्राहुर्गद्यं गीतविशारदा: ॥३८५॥ main
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8 [४.दण्डक:] section_header
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9 तालयुक्तं स्वरोपेतं मध्ये- ६पाटविराजितम् । main
via surya_layout
10 पुन: पदसमायुक्तं गानं तद् दण्डकं विदु: ॥३८६॥ main
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11 दण्डको बुधैः main
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12 [५. वर्णः] section_header
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13 विभूतित्यागसौभाग्यबिरुदै: समलङ्कृत: । main
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14 ॰(तम् ? तः) annotation_inline
parent ligne 13
via heuristic_markers
15 •विस्तै: main
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16 विभृत्याग + annotation_inline
parent ligne 15
via heuristic_height
17 तालेनापि च युक्त: स्याद् वर्ण: कर्णाटभाषया ॥३८७॥ main
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18 ٦٧ page_number
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19 [६.पद्धडी] section_header
via surya_layout
20 स्वरपाटसमायुक्ता तालेन च समन्विता । main
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21 <sup>८</sup>कयापि भाषया युक्ता बिरुदै: सा तु पद्धडी ॥३८८॥ main
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22 पाटली annotation_inline
parent ligne 21
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23 <i>्</i>विभाषया annotation_inline
parent ligne 21
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24 [७. अडिला] section_header
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25 यत्र स्यात् स्वरिवन्यासः प्रतिपादान्तमुज्ज्वलः । main
via surya_layout
26 ॰पादा (द्ध?मु)॰ annotation_inline
parent ligne 25
via heuristic_markers
27 तालेन च समायुक्त: <sup>९</sup>अडिला नामतो भवेत् ॥३८९॥ main
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28 अधिला नामशो (?) main
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29 [८.चतुष्पदी] section_header
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30 यत्र प्रतिपदार्थं तु गीतं तालयुतं भवेत्। main
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31 परूप्रतिः annotation_inline
parent ligne 30
via heuristic_short
32 <sup>१</sup>॰स्वरतेनकसंयुक्तैः सा चतुष्पदिका भवेत् ॥३९०॥ annotation_inline
parent ligne 30
via heuristic_markers
33 तातेन्तकैस्वासंयुक्तैः स्वाचतुष्पीटिका भवेत् (?) main
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vol_I_p069 LEFT — 43 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDESI</b> page_header
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2 120 page_number
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3 दक्षिणे पृथुला गीतिस्ताले ज्ञेया चतुष्कले । main
via surya_layout
4 (णो २ णे) annotation_inline
parent ligne 3
via heuristic_short
5 .लेजें. main
via surya_layout
6 अनेनैव विधानेन गातव्या गीतयो बुधैः ॥१७५ ॥ main
via surya_layout
7 [अनु, १०५] editorial_bracket
parent ligne 6
via heuristic_brackets
8 चित्रे चैककल एव तालो द्विमात्रिकप्रयोगात्। वार्तिक द्विकल एव main
via surya_layout
9 ,लं annotation_inline
parent ligne 8
via heuristic_short
10 ₀ला⁵ annotation_inline
parent ligne 8
via heuristic_markers
11 तालश्चतुर्मात्रिकप्रयोगाद्, दक्षिणे चतुष्कल एव तालोऽष्ट- main
via surya_layout
12 .ले॰ annotation_inline
parent ligne 11
via heuristic_markers
13 ₀लः अष्ट annotation_inline
parent ligne 11
via heuristic_markers
14 ्र मात्रिकप्रयोगात्। main
via surya_layout
15 (म.(. ?त्रिक) प्रयोगाद् (डि ? ) main
via surya_layout
16 द्विगुरुर्द्विनिवृत्ता च चित्रे गीतिस्तु मागधी । main
via surya_layout
17 រមែៈ annotation_inline
parent ligne 16
via heuristic_short
18 .রি. main
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19 .ন. annotation_inline
parent ligne 18
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20 लघुप्लुतकृता चैव तदर्धे चार्धमागधीर ।।१७६।। main
via surya_layout
21 <u>,धिः</u> annotation_inline
parent ligne 20
via heuristic_short
22 सम्भाविता गुरुर्वृत्तौ पृथुला दक्षिणे लघु [ : ] ॥१७७॥ editorial_bracket
parent ligne 20
via heuristic_brackets
23 यथा— main
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24 मागधी [ ... ... ... ] editorial_bracket
parent ligne 23
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25 अर्धमागधी [ ... ... ] editorial_bracket
parent ligne 23
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26 .प main
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27 सम्भाविता [ ... ... ... ] editorial_bracket
parent ligne 26
via heuristic_brackets
28 Ð unknown
via fallback
29 पृथुला [ ... ... ] editorial_bracket
parent ligne 26
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30 [ अनु, १०६ ] editorial_bracket
parent ligne 26
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31 वार्तिक समग्रहो दक्षिणे अतीतः । अ[ना ] गतः । editorial_bracket
parent ligne 26
via heuristic_brackets
32 .धी. main
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33 संग्रहाद् annotation_inline
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34 [ अनु, १०७ ] editorial_bracket
parent ligne 32
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35 मात्राप्रयोगा मार्गाणां हि कथिताः । यथा—दक्षिणो वृत्तिश्चित्र इति । main
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36 . श्चेति त्रेति annotation_inline
parent ligne 35
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37 जाति, वृतीनां चि ,तम् तथा main
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38 मात्रा अष्टौ चतुर्दे क्रमेण । यथा— main
via surya_layout
39 चतुचतुर्द्धि (?) annotation_inline
parent ligne 38
via heuristic_short
40 ध्वका सर्पिणी कृष्णा श्वर्तिन्यथ विसर्जिता । main
via surya_layout
41 (夏) annotation_inline
parent ligne 40
via heuristic_short
42 •प्ट्या main
via surya_layout
43 विक्षिप्ता च पताका च पतिता चाष्टमी स्मृता ॥१७८॥ unknown
via fallback

vol_I_p065 RIGHT — 43 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 113 page_number
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2 <b>TRANSLATION</b> page_header
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3 Sampradana is said here to be in the order of a gap after each svara; 105 (it is) main
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4 like ākṣipta, with svaras that approach or reach another106 kalā (time-unit) in main
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5 (158) annotation_inline
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6 due course. 107 annotation_inline
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7 Hasita (is known as such as it) is pronounced in a manner similar to main
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8 1 page_number
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9 laughter; it is dvikala 108 and pronounced twice, it should be known like ākşiptaka main
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10 (159) annotation_inline
parent ligne 9
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11 by the wise, being made up of gapless svaras. main
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12 (That which) ascends in gapless svaras like hasita with three or four svaras main
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13 (in each phrase) in ekakala 109 (form), should be known as one named hunkāra. main
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14 (160) annotation_inline
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15 Sandhipracchādana is indeed with upward110 'throw' in a (specific) order; it is main
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16 catușkala<sup>111</sup> (with four kalās) (and) comes back in two svaras after ascending main
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17 (161) annotation_inline
parent ligne 16
via heuristic_height
18 another sthana (register). annotation_inline
parent ligne 16
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19 1 page_number
via heuristic_pagenum
20 In the beginning, after having pronounced a pada 112 (syllabic unit) where main
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21 there is a short varna 113 (?) composed of two svaras and (which) ascends in one main
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22 (162) annotation_inline
parent ligne 21
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23 kalā (phrase) without a gap that is vidhuta. main
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24 In the beginning it is arohin; (like) prastara where there is descent main
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25 according to definite measure (pramāṇa),114 that is said to be udgīta alankāra. main
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26 (163) annotation_inline
parent ligne 25
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27 One should ascend (in) gapless svaras like hunkāra in the other two kalās main
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28 (phrases) there are two svaras each that are shaking 115 and then there are two main
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29 (164) annotation_inline
parent ligne 28
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30 lower svaras. annotation_inline
parent ligne 28
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31 Thus should be known gatravarna in the prescription (vidhi) of varna and main
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32 alankāra. With ākāra 116 and okāra other long syllables should also be combined. main
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33 (165) annotation_inline
parent ligne 32
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34 ı annotation_inline
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35 Thus has been indicated the prescription about alankarana (ornamentation main
via surya_layout
36 or the act of 'making adequate') pertaining to the alankara of gita (melodic main
via surya_layout
37 rendering). The giti musical rendering should be ornamented with these main
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38 (166) annotation_inline
parent ligne 37
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39 without conflicting with the varna.117 main
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40 One should 'do' (use) an alankāra at the proper place; one should not tie main
via surya_layout
41 the kānci (ornament for the waist) on the bosom. There could be many main
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42 (167) annotation_inline
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43 alankāras, they should not be used without varņa.118 main
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vol_II_p041 RIGHT — 47 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
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2 65 page_number
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3 dhā nī sā sā rī rī rī rī table
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4 (3) table
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5 sā sā sā rī gā mā mā mā table
via surya_layout
6 (4) table
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7 mā dhā nī dhā mā dhā mā pā table
via surya_layout
8 . annotation_inline
parent ligne 24
via heuristic_height
9 <b>(5)</b> table
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10 gā rī sā dhani rī rī rī rī table
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11 (6) table
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12 gā rī sā sā pā dhā mā mā table
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13 (7) table
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14 gā gā gā mā pā nidhani nī nī table
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15 (8) table
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16 gã gã nĩ nĩ gã gã gã gã table
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17 (9) table
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18 gā gā nī nī nidha pā pā pā table
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19 (10) table
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20 mā pā mā pā pā pā mā mā table
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21 (11) table
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22 sā mā gā nidha nī nī gā gā table
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23 (12) table
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24 Thus ends <i>Kaišikī</i>. section_header
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25 [5. Madhyamodicyavā] section_header
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26 Madhyamodīcyavā is known to be always complete and having pañcama as main
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27 amsa. annotation_inline
parent ligne 26
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28 (14) main
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29 The remaining lakṣaṇa should be known to be as in gāndhārodīcyavā. The main
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30 mūrchanā beginning with madhyama obtains. Caccatpuța is known as the main
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31 (prescribed) <i>tāla</i>. main
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32 (15) annotation_inline
parent ligne 31
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33 The application is (prescribed) in the dhruvā of the fourth act. main
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34 Madhyama is the nyāsa in this jāti. Ṣadja and dhaivata are the apanyāsas. The main
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35 prastāra is thus – main
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36 pā dhani nī nī mā mā nī pā table
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37 (1) table
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38 rī rī rī gā sā riga gā gā . table
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39 (2) table
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40 nī nī nī nī nī nī nī nī table
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41 (3) table
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42 nī nī dhapa mā nidha nidha pā pā table
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43 <b>(4)</b> table
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44 pā pā rī rī rī rī rī rī table
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45 (5) table
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46 mā riga sā sadha nī nī nī nī table
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47 (6) table
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190 lignes a valider — change uniquement les roles incorrects.