Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21460). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p024 LEFT — 33 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	30	page_number via heuristic_pagenum
3	[अनु॰ १३२]	editorial_bracket parent ligne 4 via heuristic_brackets
4	८१ अस्मद्गुरुमते ऋषभस्तावदपन्यासो भवति । अनंशत्वात् कैश्चित् पुनः अंशवद्	main via surya_layout
5	ऋषभोऽप्यपन्यासः स्वीकृतः।	main via surya_layout
6	(वृ?म्र)	annotation_inline parent ligne 5 via heuristic_height
7	पञ्चमो बलवानस्यां स्यात्रिषादस्तथैव च ४२	main via surya_layout
8	न स्यात्	annotation_inline parent ligne 7 via heuristic_height
9	अंशवच्च ग्रहा ज्ञेया[:] सर्वासामेव नित्यश: ॥२३८॥	editorial_bracket parent ligne 7 via heuristic_brackets
10	८३∞स्तासां	main via surya_layout
11	[६. जातीनां गणनिर्देश:]	section_header via surya_layout
12	सर्वासामेव जातीनां त्रिजातिस्तु गणः स्मृतः ।	main via surya_layout
13	(षष्टि? जाति)	annotation_inline parent ligne 12 via heuristic_height
14	लक्षणात् स च विज्ञेयो वर्धमानस्वरो बुधै: ॥२३९॥	main via surya_layout
15	<sup>८४</sup>ते च सप्त गणा ज्ञेया	annotation_inline parent ligne 14 via heuristic_height
16	नः गा	annotation_inline parent ligne 14 via heuristic_height
17	एकस्वरो द्विस्वरश्च त्रिस्वरश्च चतुःस्वरः।	main via surya_layout
18	पञ्चस्वरश्चतुर्धा च एकधा सप्तषट्स्वरौ<sup>८६</sup>॥२४०॥	main via surya_layout
19	स्यादेकधा<sup>८५</sup> ·	main via surya_layout
20	न्सः	annotation_inline parent ligne 19 via heuristic_height
21	[अनु॰ १३३]	editorial_bracket parent ligne 19 via heuristic_brackets
22	अस्यार्थ: -त्रिजातिको गण इति संख्यानिदर्शनम्, तत्रैकस्वरांशास्तिस्न: -	main via surya_layout
23	(गु?ग)	annotation_inline parent ligne 22 via heuristic_height
24	ः मध्यमोदीच्यवा, गान्धारपञ्चमी, नन्दयन्ती चेति । प प प ।	main via surya_layout
25	द्विस्वरांशास्तिस्तः - धैवती, गान्धारोदीच्यवा, पञ्चमी चेति । धरि, सम, परि ।	main via surya_layout
26	त्रिस्वरांशास्तिस्न: - आर्षभी, नैषादी, षड्जकैशिकी चेति । धनिरि, गरिनि, सगप ।	main via surya_layout
27	(प:?पा:)	annotation_inline parent ligne 26 via heuristic_height
28	सास	annotation_inline parent ligne 26 via heuristic_height
29	चतुःस्वरांशास्तिस्न: -षड्जोदीच्यवत्यान्ध्री कार्मारवी चेति। समधनि, रिगपनि, ८७परिधनि	main via surya_layout
30	(त्य?त्या)	annotation_inline parent ligne 29 via heuristic_height
31	पञ्चस्वरांशाश्चतस्तः - षाड्जी, गान्धारी, रक्तगान्धारी, मध्यमा चेति । सगमपंध, सगमपनि,	main via surya_layout
32	पड् (ज? जा)	main via surya_layout
33	Sec. 15.	unknown via fallback

vol_II_p069 RIGHT — 40 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	121	page_number via heuristic_pagenum
3	and hāsya (rasas) and nirvahaṇa (sandhi). Vīra<sup>80</sup> and the like is the rasa. The	main via surya_layout
4	mūrchanā beginning with ṣaḍja obtains. Ārohin is the varņa. Prasannamadhya	main via surya_layout
5	is the <i>alankāra. The kalā</i> is formed in the <i>dakṣiṇa (mārga</i>), the <i>kalā</i> obtains	main via surya_layout
6	in the <i>vārtika (mārga</i>) and the <i>kalā</i> prevails in the <i>citra (mārga</i>). A <i>tāla</i> like	main via surya_layout
7	caccatputa obtains in the songs comprised of svara and pada.	main via surya_layout
8	[3. Kakubha]	section_header via surya_layout
9	Kakubha comes out of madhyamā, pañcamī and dhaivatī jātis, has pañcama	main via surya_layout
10	as its nyāsa and is formed with dhaivata as the amśa.	main via surya_layout
11	(335)	main via surya_layout
12	[Anu. 206]	section_header via surya_layout
13	Its meaning is thus – Kakubha is related to şadjagrāma. How is it related	main via surya_layout
14	to şadjagrāma alone in spite of being born of madhyamā, pañcamī and	main via surya_layout
15	dhaivatī? On account of pañcama being comprised of four śrutis and	main via surya_layout
16	dhaivata of three śrutis. Dhaivata is its amśa and graha. Pañcama is the nyāsa	main via surya_layout
17	and this (rāga) is complete in svaras. Its application is prescribed in the medium state of karuṇa (rasa). Karuṇa is its	main via surya_layout
18	with dhaivata obtains. Ārohin is the varņa. Prasannamadhya is the alaṅkāra.	main via surya_layout
19	The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vārtika	main via surya_layout
20	(mārga) and the kalā prevails in the citra(mārga). A tāla like caccatupṭa	main via surya_layout
21	obtains in the songs comprised of svara and pada.	main via surya_layout
22	[4. Bhammāṇapañcama]	section_header via surya_layout
23	Bhammāṇapañcama comes of ṣaḍjamadhyamā jāti, has ṣaḍja as its aṅiśa,	main via surya_layout
24	madhyama as nyāsa and treats as sparse the svaras comprised of two śrutis each.	main via surya_layout
25	(336)	main via surya_layout
26	[Anu. 207]	section_header via surya_layout
27	Its meaning is thus – Bhammāṇapañcama is related to madhyamagrāma on	main via surya_layout
28	account of being born of sadja-madhyamā jāti. Şadja is the graha and anisa,	main via surya_layout
29	madhyama is the nyāsa. There is the sparseness of niṣāda and gāndhāra. Niṣāda	main via surya_layout
30	is kākalī here and this (rāga) is complete in svaras. Its application is prescribed	main via surya_layout
31	in (the situation of ) travel on a path in summer, (by those) full of fatigue and	main via surya_layout
32	in (the depiction of) forests. Vīra and the like is the rasa<sup>83</sup>. The mūrchanā	main via surya_layout
33	beginning with ṣadjaobtains. Ārohinisthe varṇa. Prasannamadhya isthe alankāra.	main via surya_layout
34	The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vārtika (mārga)	main via surya_layout
35	and the kalāprevails in the citra (mārga). A tāla like caccatpuṭa obtains in the songs	main via surya_layout
36	comprised of svara and pada.	main via surya_layout
37	[5. Rūpasādhārita]	section_header via surya_layout
38	Rūpasādhārita is born of şadjamadhyamā and naiṣādī (jātis). It has ṣadja as	main via surya_layout
39	its <i>amśa, madhyama</i> as <i>nyāsa</i> and is with sparse <i>pañcama</i> and <i>ṛṣabha.</i>	main via surya_layout
40	(337)	main via surya_layout

vol_I_p098 RIGHT — 43 lignes

L#	Texte OCR	Role auto
1	179	page_number via heuristic_pagenum
2	VIMARŚA	page_header via surya_layout
3	20. Rāga, in general, as colour or delightfulness could increase due to	list_item via surya_layout
4	mūrchanā because the latter gives rise to variety of scalar forms that would in	list_item via surya_layout
5	turn, bring into existence variety in melodic structures.	list_item via surya_layout
6	21, 22. Both ascent and descent and unimpaired original order of svaras as	list_item via surya_layout
7	well as use of seven svaras without any omission are the three conditions for	list_item via surya_layout
8	mūrchanā. The omission of svaras gives rise to tāna.	list_item via surya_layout
9	23. BṛD is the first known text to speak of 12-svara-mūrchanā. Kumbhā has	list_item via surya_layout
10	vehemently criticised this type of mūrchanā (vide S Raj II, 1.1.352-364).	list_item via surya_layout
11	24. When hexatonic and pentatonic scales are accepted as murchana, the	list_item via surya_layout
12	condition of using all the seven svaras is violated. ( see glossary )	list_item via surya_layout
13	25. Svarasamyutāh of the text has been translated as 'filled' with svaras.	list_item via surya_layout
14	26. It is notable that the starting points of murchanas follow the descending	list_item via surya_layout
15	order i.e. after the murchana beginning with sadja comes the one beginning	list_item via surya_layout
16	with niṣāda, and not ṛṣabha.	list_item via surya_layout
17	27. The beginning svara of each mūrchanā has been put in the locative case,	list_item via surya_layout
18	implying, perhaps that a mūrchanā subsists there.	list_item via surya_layout
19	28. Here the instrumental case has been used in order to meet the requirement of	list_item via surya_layout
20	metre.	list_item via surya_layout
21	29. Tārakādi is a gaņa of Pāņini (V.2.36, Gaņaratnamahodadhi, 388-391, vide	list_item via surya_layout
22	Monier Williams).	list_item via surya_layout
23	30. Itac is a suffix.	list_item via surya_layout
24	31. This derivation occurs for the first time in BrD.	list_item via surya_layout
25	32. This is the total number of hexatonic tanas in both the gramas.	list_item via surya_layout
26	33. This is the total number of pentatonic tānas in both the grāmas.	list_item via surya_layout
27	34,35. All the omitted pairs are samvādins except ri-dha in madhyamagrāma	list_item via surya_layout
28	which is anuvādin.	list_item via surya_layout
29	36. Prastāra literally means elaboration; here it means notational presentation.	list_item via surya_layout
30	37. If the author is referring to a recapitulatory verse in Viśākhila's work we	list_item via surya_layout
31	have no way of verification because that work is lost. It is not improbable that he	list_item via surya_layout
32	is referring to NS XXVIII, 32 where mūrchanās have been said to be made of all	list_item via surya_layout
33	the seven svaras and tanas have been said to be hexatonic and pentatonic.	list_item via surya_layout
34	38. This distinction between murchana and tana as the former being with	list_item via surya_layout
35	ascent and descent and the latter being only with ascent is a new point made in	list_item via surya_layout
36	BrD which does not seem to be valid. ( see glossary )	list_item via surya_layout
37	39. BrD is the first text to assign yajña names to tānas. Some later texts have	list_item via surya_layout
38	reproduced these names (cf. SR I,4.72 cd 90 ab and SRāj II,1.1.453-474).	list_item via surya_layout
39	S Rāj also attempts to justify this assignment of Yajña-names (vide ibid. 476-493.	list_item via surya_layout
40	ab). ( see glossary )	list_item via surya_layout
41	40. This statement of BrD to the effect that sādhāraņa mūrchanās begin with antara	list_item via surya_layout
42	and kākalī is in contradiction of the postulation of NS XXVIII, p. 82 that kākalī (and	list_item via surya_layout
43	by implication antara also ) is anamsa ( non-amsa i.e. is not the progenitor of a	list_item via surya_layout

vol_II_p082 RIGHT — 26 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	147	page_number via heuristic_pagenum
3	of takkarāga is well-known as kolāhalī, being sung by the knowledgeable ones	main via surya_layout
4	in music.	annotation_inline parent ligne 3 via heuristic_short
5	<math>(56-57)</math>	main via surya_layout
6	Illustration - Sāmāsāmā. Māmāgādhāmāgārisāsā. Dhāsāgāgārisāsā.	main via surya_layout
7	Mādhasāsā-rirīrigāgāmāmāgārī gādhāmārīsāsā. Dhārīsāsāmādharīmādharīrī	main via surya_layout
8	dhādhāgarīgāsāsāsāmāgārīsāsā gārīmāgārīsā dhādhāmāgārīsā. Kolāhalī [xiv]	editorial_bracket parent ligne 7 via heuristic_brackets
9	The bhāṣā madhyamagrāmadehā<sup>21</sup> (madhyamagrāmikā) is known to be	main via surya_layout
10	always complete, has madhyama as amśa and sadja as the concluding note,	main via surya_layout
11	bears the concert between <i>ṣaḍja</i> and <i>madhyama</i>. This <i>bhāṣā</i> is always <i>saṅkīrṇā</i>	main via surya_layout
12	(mixed) and is placed in takkarāga.	main via surya_layout
13	(58)	annotation_inline parent ligne 12 via heuristic_short
14	Illustration - Mādhānī, Gādhānī, Sānīdhā, Māmāmādhānīmādhā	main via surya_layout
15	nīsāsāmādhānī. Mā. Dhānīnī. Dhāpāgārīgāsāsā. Gāsāsā. Nīnīsānī. Dhādhā.	main via surya_layout
16	Nidhāmāmāmādhānīdhāmāmā dhanīmādhānīsāsā. Madhyamadehā (xv)	main via surya_layout
17	Gāndhārapahācamī should be known to have dhaivata as amśa, sadja as the	main via surya_layout
18	concluding note, is embellished with the svara gandhara, has the combination	main via surya_layout
19	between ṣaḍja-madhyama, is complete and saṅkīrṇā (mixed), being sung by	main via surya_layout
20	the <i>Nāgas</i><sup>22</sup> and <i>Kinnaras</i>.<sup>23</sup>	main via surya_layout
21	(59)	annotation_inline parent ligne 20 via heuristic_short
22	Illustration - Dhadhāpāpādhāmāmā. Dhāpāmāmā dhāpāmāgārī. Gāgā.	main via surya_layout
23	Dhāpamāgāsā. Sāmāsānīdhādhā. Mādhānīsāsā. Sāgāgasāgāgadharidhā	main via surya_layout
24	māmādhārīgāgāmādhāpāmāgāsā nidhānisāsāpāsā. Gāndhārapancami [xvi]	editorial_bracket parent ligne 23 via heuristic_brackets
25	These are the sixteen (bhāṣās) of ṭakkarāga spoken of by Yāṣṭika.	main via surya_layout
26	(60)	page_footer via surya_layout

vol_II_p117 LEFT — 26 lignes

L#	Texte OCR	Role auto
1	1	page_number via heuristic_pagenum
2	216	page_number via heuristic_pagenum
3	BRHADDEŚĪ	page_header via surya_layout
4	[२०.विचित्र:]	section_header via surya_layout
5	अनेकदेशभाषाभि: पाटैर्बिरुदतेनकै:।	main via surya_layout
6	पादै॰	annotation_inline parent ligne 5 via heuristic_markers
7	चित्रित: स्वरतालैश्च विचित्र इति कीर्तित: ॥४०२॥	main via surya_layout
8	[२१. त्रिभङ्गिः]	section_header via surya_layout
9	٠	page_number via heuristic_pagenum
10	पदै: स्वरैस्तथा पाटैर्वृत्तत्रयपदेन च ।	main via surya_layout
11	पार्दै॰	annotation_inline parent ligne 10 via heuristic_markers
12	तालत्रयविमिश्रेण त्रिभङ्गिरभिधीयते<sup>२१</sup> ॥४०३॥	main via surya_layout
13	٠	page_number via heuristic_pagenum
14	[२२. चतुरङ्गः]	section_header via surya_layout
15	रागतालचतुष्केण यत्र भाषाचतुष्टयम् ।	main via surya_layout
16	गीयते गीतचतुरैश्चतुरङ्गः स उच्यते ॥४०४॥	main via surya_layout
17	[२३. जयवर्धन:]	section_header via surya_layout
18	जयमालापदैर्युक्तो यत्र स्याद् विजयो जय:।	main via surya_layout
19	क · म्तु<br>जयार्थं गीयते यस्तु ज्ञेयोऽसौ जयवर्धन: ॥ ४०५॥	main via surya_layout
20	यत्र	annotation_inline parent ligne 19 via heuristic_height
21	[२४. अङ्कचारिणी]	editorial_bracket parent ligne 19 via heuristic_brackets
22	[.....]	editorial_bracket parent ligne 19 via heuristic_brackets
23	[२५. सिंहविक्रान्त:]	section_header via surya_layout
24	आदितालेन संयुक्तं यत्र खण्डचतुष्टयम् ।	main via surya_layout
25	खण्ड( भ्र?च)	annotation_inline parent ligne 24 via heuristic_height
26	पदपादाष्टकं स स्यात् सिंहविक्रान्तसंज्ञकः २२॥४०६॥	main via surya_layout

168 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p024 LEFT — 33 lignes

vol_II_p069 RIGHT — 40 lignes

vol_I_p098 RIGHT — 43 lignes

vol_II_p082 RIGHT — 26 lignes

vol_II_p117 LEFT — 26 lignes