Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21464). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p051 LEFT — 38 lignes

page vol_I_p051 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚI page_header
via surya_layout
2 84 page_number
via heuristic_pagenum
3 मपधनिसरिगमपधनिस । अश्वक्रान्ता ६ main
via surya_layout
4 पधनिसरिगमपधनिसरि । अभिरुद्गता [ ७ ] editorial_bracket
parent ligne 3
via heuristic_brackets
5 ॥ इति षड्जग्रामे ॥ editorial_bracket
parent ligne 3
via heuristic_brackets
6 [ अनु₀ ६३ ] editorial_bracket
parent ligne 3
via heuristic_brackets
7 'मध्यमग्रामेऽप्येवमेव मपधनिसरिगाद्या मूर्छना निसरिगमपधाद्या main
via surya_layout
8 <math>[:]^{95}</math>रागकाले द्वादशस्वरमूर्छना अवगन्तव्याः । ताश्च षड्जग्रामे <math>[:]^{95}</math> editorial_bracket
parent ligne 7
via heuristic_brackets
9 मूर्छनासु अन्तर्गता ज्ञेयाः । तद्यथा— main
via surya_layout
10 निसरिगमपधनिसरिगम। सौवीरी [१] editorial_bracket
parent ligne 9
via heuristic_brackets
11 सरिगमपधनिसरिगमप। हरिणाश्वा [२] editorial_bracket
parent ligne 9
via heuristic_brackets
12 रिगमपधनिसरिगमपध। कलोपनता [३] editorial_bracket
parent ligne 9
via heuristic_brackets
13 [8] editorial_bracket
parent ligne 9
via heuristic_brackets
14 गमपधनिसरिगमपधनि। शुद्धमध्या main
via surya_layout
15 मपधनिसरिगमपधनिस। मार्गी main
via surya_layout
16 [4] editorial_bracket
parent ligne 15
via heuristic_brackets
17 [६] editorial_bracket
parent ligne 15
via heuristic_brackets
18 पधनिसरिगमपधनिसरि। पौरवी main
via surya_layout
19 [ ૭ ] editorial_bracket
parent ligne 18
via heuristic_brackets
20 धनिसरिगमपधनिसरिग। हृष्यका main
via surya_layout
21 ॥ इति मध्यमग्रामे ॥ editorial_bracket
parent ligne 20
via heuristic_brackets
22 [ इति ग्राममूर्छनाप्रकरणम् ] editorial_bracket
parent ligne 20
via heuristic_brackets
23 VI [ वर्णालंकारप्रकरणम् ] editorial_bracket
parent ligne 20
via heuristic_brackets
24 [ तत्र वर्णाः ] editorial_bracket
parent ligne 20
via heuristic_brackets
25 अतः परं प्रदर्श्यन्ते वर्णाश्चत्वार एव हि। main
via surya_layout
26 स्थायिसंचारिणौ चैव तथाऽऽरोह्यवरोहिणौ।। ११८।। main
via surya_layout
27 [ अनु₀ ६४ ]. editorial_bracket
parent ligne 26
via heuristic_brackets
28 वर्णशब्देन किमुच्यते ? वर्णशब्देन गानमभिधीयते। यत्र समाः main
via surya_layout
29 नन् annotation_inline
parent ligne 28
via heuristic_short
30 स्वरा अनुपहतरूपास्तिष्ठन्ति तेभ्यो यद्गीतं वर्णाभिव्यक्तिकृद् यत्र पदे main
via surya_layout
31 त् annotation_inline
parent ligne 30
via heuristic_height
32 स वर्णः स्थायीत्युच्यते। यथा— main
via surya_layout
33 षाङ्ज्यां सासासासा, मध्यमायां तु मामामामा इति। main
via surya_layout
34 सारीसासारीसा annotation_inline
parent ligne 33
via heuristic_height
35 षज्जा annotation_inline
parent ligne 33
via heuristic_height
36 <sup>1</sup>षड्जात annotation_inline
parent ligne 33
via heuristic_height
37 <b>य्यत्र गीते संचरिन्त स्वराः परस्परमन्त्यसहिताः।</b> main
via surya_layout
38 एकैकशो [ द्विशो ] वा स संचारी वर्ण उच्यते।। ११९ ॥ editorial_bracket
parent ligne 37
via heuristic_brackets

vol_II_p044 RIGHT — 46 lignes

page vol_II_p044 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 71 page_number
via heuristic_pagenum
3 gā pā mā pā nī nī nī nī table
via surya_layout
4 (11) table
via surya_layout
5 mă pă mă pariga gā gā gā gā table
via surya_layout
6 (12) table
via surya_layout
7 ni ni pā dhā ni gā gā gā table
via surya_layout
8 (13) table
via surya_layout
9 nî nî nî nî nî nî nî nî table
via surya_layout
10 (14) table
via surya_layout
11 mã mã dhã nĩ sani dhã pã pã table
via surya_layout
12 (15) table
via surya_layout
13 mā pā mā pariga gā gā gā gā table
via surya_layout
14 (16) table
via surya_layout
15 Thusends gāndhārapancami. section_header
via surya_layout
16 [8. Āndhrī] section_header
via surya_layout
17 In <i>āndhrī, niṣāda, ṛṣabha, gāndhāra</i> and <i>pañcama</i> are the <i>aniśas</i>. There is main
via surya_layout
18 concert between ṛṣabha-gāndhāra and niṣāda-dhaivata. One should proceed main
via surya_layout
19 upto the nyāsa according to the order of the respective amsas. main
via surya_layout
20 (21) annotation_inline
parent ligne 19
via heuristic_short
21 The hexatonic form comes into being with the omission of sadja. The main
via surya_layout
22 mūrchanā beginning with madhyama obtains. The kalās, tāla and viniyoga main
via surya_layout
23 (application) are said to be as in the previous one (gāndhārapañcamī). main
via surya_layout
24 (22) annotation_inline
parent ligne 23
via heuristic_short
25 Gāndhāra is the nyāsa in this āndhrī. The amsas themselves are apanyāsas. main
via surya_layout
26 The <i>prastāra</i> is thus – main
via surya_layout
27 gārirīrīrīrīrīrī table
via surya_layout
28 (1) table
via surya_layout
29 rī gā rī gā rī rī rī rī table
via surya_layout
30 (2) table
via surya_layout
31 rī rī gā gā rī rī mā mā table
via surya_layout
32 (3) table
via surya_layout
33 rī gā sā dhani nī nī nī nī table
via surya_layout
34 (4) table
via surya_layout
35 ni ri ni ri dhani dhani pā pā table
via surya_layout
36 (5) table
via surya_layout
37 mā pā mā riga gā gā gā gā table
via surya_layout
38 (6) table
via surya_layout
39 rī rī gā sa ma mā mā pā pā table
via surya_layout
40 <b>(7)</b> table
via surya_layout
41 mā pā mā riga gā gā gā gā table
via surya_layout
42 (8) table
via surya_layout
43 dhā nī gā gā gā gā gā gā table
via surya_layout
44 (9) table
via surya_layout
45 pā pā mā riga gā gā gā gā table
via surya_layout
46 (10) table
via surya_layout

vol_II_p050 RIGHT — 34 lignes

page vol_II_p050 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 83 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [3. Gaudī giti and its component ohāțī] section_header
via surya_layout
4 The svaras of gaudi are beautiful and are attractive with ohāṭī. Ohāṭiī is said main
via surya_layout
5 to consist of a combination of the sound 'ha' and 'o'. main
via surya_layout
6 (277) annotation_inline
parent ligne 5
via heuristic_height
7 Ohāţī belongs to the low (register); (it is produced) by placing the chin on main
via surya_layout
8 the chest. It is to be made fast and faster, being pressed with the shake 15 of main
via surya_layout
9 svara. annotation_inline
parent ligne 8
via heuristic_height
10 (278) annotation_inline
parent ligne 8
via heuristic_height
11 And ohāţī is also beautiful with seen and unseen actions; it comprises of main
via surya_layout
12 actions <math>^{16}</math> in the three registers and is confounded (<math>\bar{a}kula^{17}</math>) with movements main
via surya_layout
13 in the three registers. annotation_inline
parent ligne 12
via heuristic_height
14 (279) annotation_inline
parent ligne 12
via heuristic_height
15 Similarly, ohāţī has to be used by the knowledgeable ones in vocal music main
via surya_layout
16 in a four-fold manner, viz. samākṣara (with even syllables), sama 18 (smooth), main
via surya_layout
17 in ascent and in descent. Ohāṭī is obtained in performance as being born in main
via surya_layout
18 the low (register) with shakes 19 of sound. main
via surya_layout
19 (280) annotation_inline
parent ligne 18
via heuristic_height
20 Gaudī gīti is said to subsist without rest in the three registers. main
via surya_layout
21 (281) annotation_inline
parent ligne 20
via heuristic_height
22 [4. Rāga giti] section_header
via surya_layout
23 Rāgagīti is said to be with attractive gamakas,20 with variegated low main
via surya_layout
24 (prasanna)<sup>21</sup> (svaras) pertaining to the chest-region, even, colourful or main
via surya_layout
25 delightful arrangements of svaras. main
via surya_layout
26 (282) annotation_inline
parent ligne 25
via heuristic_height
27 The rāgas (melodic configurations) are so called because the beautiful main
via surya_layout
28 rāga (colourfulness or delightfulness) that comes about in all the four varņas main
via surya_layout
29 is seen in them in its completeness. main
via surya_layout
30 (283) annotation_inline
parent ligne 29
via heuristic_height
31 [5. Sādhāraṇī gīti] section_header
via surya_layout
32 (This gīti) should be made with straight, attractive, somewhat minute and main
via surya_layout
33 large, properly audible, slightly fast, similarly soft, attractive, 22 smooth (or main
via surya_layout
34 soft<sup>23</sup>) and minute<sup>24</sup> prayogas<sup>25</sup> (melodic phrases?) that are well combined main
via surya_layout

vol_II_p051 LEFT — 27 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 84 page_number
via heuristic_pagenum
2 BRHADDEŚĪ page_header
via surya_layout
3 प्रयोगैर्मसृणै: सूक्ष्मकाकुभिश्च३३ सुयोजितै: । main
via surya_layout
4 ॰क्ष्मै: annotation_inline
parent ligne 3
via heuristic_markers
5 ॰िमेत्रै: annotation_inline
parent ligne 3
via heuristic_markers
6 <sup>३४</sup>एवं साधारणी ज्ञेया सर्वगीतिसमाश्रया ॥२८५॥ main
via surya_layout
7 [६. भाषा गीति:] section_header
via surya_layout
8 प्रयोगैर्गात्रजै: शृक्ष्णै: काकुरक्तै: सुयोजितै: । main
via surya_layout
9 कम्पितैः कोमलैर्दीप्तैर्मालवीकाकुनान्वितैः ॥२८६॥ main
via surya_layout
10 लितै: सुकुमारैश्च प्रयोगैश्च सुसंयुतै:। main
via surya_layout
11 (सीं ? सं) annotation_inline
parent ligne 10
via heuristic_height
12 भाषा गीति: समाख्याता एषा गीतिविचक्षणै: ॥ main
via surya_layout
13 यथा वै रज्यते लोकस्तथा वै सम्प्रयुज्यते ॥२८७॥ main
via surya_layout
14 [७. विभाषा गीति:] section_header
via surya_layout
15 लिलतैर्बहुभिर्दीतै: कम्पितैरौरसै: समै:। main
via surya_layout
16 (र ? रौ) annotation_inline
parent ligne 15
via heuristic_height
17 तारातितारैर्मसृणैर्मध्ये मध्यमदीपितै: ॥२८८॥ main
via surya_layout
18 गमकै: श्रोत्रसुखदैर्ललितैस्तु यदुच्छया। main
via surya_layout
19 विभाषागीतिस्तु संयोज्या यथा लोकोऽनुरज्यते ॥२८९॥ main
via surya_layout
20 [॥ इति गीतिलक्षणम् ॥] editorial_bracket
parent ligne 19
via heuristic_brackets
21 [रागसङ्ख्या, उद्देशश्च] section_header
via surya_layout
22 गीतीनां लक्षणं प्रोक्तं रागसङ्ख्योच्यतेऽधुना । main
via surya_layout
23 गीतानां annotation_inline
parent ligne 22
via heuristic_height
24 पञ्च चोक्षा: समाख्यातास्तत्प्रमाणाश्च भित्रका: ॥२९०॥ main
via surya_layout
25 गौडास्त्रयस्तु कथिता रागाश्चाष्टौ प्रकीर्तिता: । main
via surya_layout
26 सप्त साधारणा: प्रोक्ता भाषाश्चैवात्र षोडश ॥२९१॥ main
via surya_layout
27 द्वादशैव विभाषा: स्युर्नामानि च निबोधत ॥२९२॥ main
via surya_layout

vol_II_p043 LEFT — 50 lignes

page vol_II_p043 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 68 page_number
via heuristic_pagenum
3 रों रों गां सम मा मा पा पा table
via surya_layout
4 (८) table
via surya_layout
5 (8) table
via surya_layout
6 मा पा मा परि गा गा गा गा table
via surya_layout
7 (१०) table
via surya_layout
8 धानी पामा धानी सासा table
via surya_layout
9 (११) table
via surya_layout
10 नी नी नी नी नी नी नी table
via surya_layout
11 (१२) table
via surya_layout
12 मा मा धा नी नी धा पा पा table
via surya_layout
13 (१३) table
via surya_layout
14 मा पा मा परि गा गा गा गा table
via surya_layout
15 (88) table
via surya_layout
16 नी नी पा धनि गा गा गा गा table
via surya_layout
17 सारी गासानी नी नी नी table
via surya_layout
18 (१५) table
via surya_layout
19 (१६) table
via surya_layout
20 नी नी धा पा पा पा पा पा table
via surya_layout
21 ॥ [इति] कार्मारवी ॥ table
via surya_layout
22 1411 page_number
via heuristic_pagenum
23 [७. गान्धारपञ्चमी] section_header
via surya_layout
24 अंशो गान्धारपञ्चम्यां पञ्चमः, सङ्गतिः पुनः । main
via surya_layout
25 (育) annotation_inline
parent ligne 24
via heuristic_short
26 कर्तव्याऽत्रापि गान्धारीपञ्चम्योरिव सूरिभि: ॥१९॥ main
via surya_layout
27 १८००भूरिभि: annotation_inline
parent ligne 26
via heuristic_short
28 चच्चत्पुट: षोडशात्र कला गादिश्च मूर्छना । main
via surya_layout
29 तुर्यप्रेक्षणसम्बन्धि-ध्रुवागाने नियोजनम् ॥२०॥ main
via surya_layout
30 <sup>१८१</sup>अस्यां गान्धारो न्यासः । ऋषभपञ्चमावपन्यासौ । <sup>१८२</sup>प्रस्तारः - unknown
via fallback
31 (१) table
via surya_layout
32 मा मा पम धनि धप मा धा नी table
via surya_layout
33 (२) table
via surya_layout
34 सनि धा पा पा पा पा पा पा table
via surya_layout
35 (3) table
via surya_layout
36 धा नी सा सा मा मा पा पा table
via surya_layout
37 नी नी नी नी नी नी नी table
via surya_layout
38 (8) table
via surya_layout
39 (4) table
via surya_layout
40 नी नी धप मा निध निध पा पा table
via surya_layout
41 <b>(६)</b> table
via surya_layout
42 पा पा री री री री पा पा table
via surya_layout
43 (७) table
via surya_layout
44 मा रिग सा सध नी नी नी नी table
via surya_layout
45 (८) table
via surya_layout
46 नी री सा रिस री री री री table
via surya_layout
47 नी गा सा निग सा नी नी नी table
via surya_layout
48 (९) table
via surya_layout
49 (१०) table
via surya_layout
50 नी मां नी मां पा पा गां गां table
via surya_layout
195 lignes a valider — change uniquement les roles incorrects.