Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21476). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p034 RIGHT — 35 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	51	page_number via heuristic_pagenum
3	pañcama and șadja. In the complete state there is the sparseness of șadja,	main via surya_layout
4	madhyama, pañcama and dhaivata. In the ṣāḍava state, there is the sparseness	main via surya_layout
5	of şadja, madhyama and dhaivata. In the auduvita form there is the sparseness	main via surya_layout
6	of madhyama and dhaivata. The tāra extends upto five svaras. The mandra is	main via surya_layout
7	upto the nyāsa or upto the svara next to it.	main via surya_layout
8	[Anu. 153]	section_header via surya_layout
9	The mūrchanā beginning with gāndhāra obtains. Caccatpuṭa is the tāla.	main via surya_layout
10	There are thirty-two kalās in the dakṣiṇa (mārga), sixteen in vārtika (mārga),	main via surya_layout
11	eight in citra (mārga). It is ten-fold. There are ten amśas. Šuddhā (is one).	main via surya_layout
12	There are three vikṛtās in the complete state, three in the ṣāḍava state and	main via surya_layout
13	three in the auduva state. Karuna is the rasa. Its application (viniyoga) 68 is	main via surya_layout
14	prescribed in the singing of dhruvās in the first scene (or act).	main via surya_layout
15	[5. Şadjakaisiki]	section_header via surya_layout
16	[Anu. 154]	section_header via surya_layout
17	Ṣaḍja, gāndhāra and pañcama are the grahas and amsas of ṣaḍjakaisikī. The	main via surya_layout
18	tāra extends upto five svaras. The mandra is upto the nyāsa or upto the svara	main via surya_layout
19	next to it. It is always complete. There is the sparseness of dhaivata, niṣāda	main via surya_layout
20	and madhyama. Rṣabha is even more sparse, there is abundance of the	main via surya_layout
21	remaining ones. Gāndhāra is the nyāsa. And şadja, niṣāda, pañcama are	main via surya_layout
22	apanyāsas.	main via surya_layout
23	[Anu. 155]	section_header via surya_layout
24	It has no śuddhā state, there are three amśas in the complete state.	main via surya_layout
25	Caccatpuța is the tāla. În ekakala (tāla), in the citra (mārga), there is māgadhī	main via surya_layout
26	gīti. In dvikala (tāla), in the vārtika (mārga), there is sambhāvitā (gīti). In	main via surya_layout
27	catușkala (tāla), in the dakșiņa (mārga), there is pṛthulā (gīti) and the rasa is	main via surya_layout
28	karuṇa. Its application (viniyoga) is (prescribed) in the first song associated	main via surya_layout
29	with entry in the second scene (or act).	main via surya_layout
30	[6. Şadjodicyava]	section_header via surya_layout
31	[Apu. 156]	section_header via surya_layout
32	Şadja, madhyama, dhaivata and nişāda are the grahas and amsas of şadjodīcyavā.	main via surya_layout
33	The tara extends up to five svaras. The mandra is upto the nyasa or the svara	main via surya_layout
34	next to it. The şādava formation is devoid of rṣabha, the auduvita formation	main via surya_layout
35	is devoid of ṛṣabha-pañcama. In the complete state there is the sparseness of	main via surya_layout

vol_II_p124 RIGHT — 29 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	231	page_number via heuristic_pagenum
3	[4. Mālatī]	section_header via surya_layout
4	The elā composed with long and short (syllables), 64 adorned with sweet	main via surya_layout
5	sounds, similarly straight, having profuse gamakas and alankāras (and) beautiful,	main via surya_layout
6	is mālatī.	annotation_inline parent ligne 5 via heuristic_short
7	(452)	main via surya_layout
8	[5. Lalitā]	section_header via surya_layout
9	This <i>lalitā</i> (<i>elā</i>) should be sung by the <i>gandharvas</i> with graceful regulation	main via surya_layout
10	of syllables. (Its) two feet are like the first one, combined with gamakas and	main via surya_layout
11	hindu-mūrchanā.65	annotation_inline parent ligne 10 via heuristic_short
12	(453)	main via surya_layout
13	[6. Hemavatī]	section_header via surya_layout
14	(It) is with graceful pada, ends in biruda and similarly there is gamaka	main via surya_layout
15	placed on the yati. 66 This is the order of the (first) two feet, then there is the	main via surya_layout
16	name of the object of description.	main via surya_layout
17	(454)	main via surya_layout
18	[7. Kusumavatī?]	section_header via surya_layout
19	Where that (third foot) composed with textual units comprised of short	main via surya_layout
20	syllables, is sung again after having sung the name of the singer (composer)	main via surya_layout
21	'preceded' (accompanied) by the description of the play of valour and the like,	main via surya_layout
22	that has been said to be <i>varṇailā</i> by Matanga<sup>67</sup> according to the accepted order.	main via surya_layout
23	Where the respectability brought about by the description of glory, enthusiasm,	main via surya_layout
24	steadfastness and the like is seen in a definite order, that is said to be varyailā. It	main via surya_layout
25	is sung in tālas like maņļha, dvitīya, kankāla (and) įmatitāla.	main via surya_layout
26	<math>(455-457)</math>	main via surya_layout
27	This is one manner in which (varnaila) has been described clearly, now the	main via surya_layout
28	seven varnailās are being described in a way similar (samarasa) to the same.	main via surya_layout
29	(458)	main via surya_layout

vol_II_p134 RIGHT — 41 lignes

L#	Texte OCR	Role auto
1	251	page_number via heuristic_pagenum
2	PĂŢHAVIMARŚA	page_header via surya_layout
3	88. ८ि. जात्यंशगतानि यानि दशकरूपाणि ताञ्चशणान्युकानि तत्सङ्कीर्णतया यन् मिश्रम् । गेयं ग्रामरागादिलक्षणम् । तद्यदि	main via surya_layout
4	कस्योपि जात्यंशकस्य सम्बन्ध्यंशोऽन्यस्य न्यासोऽन्यदीयोऽपन्यास इत्यादि बहुतरवैचित्र्यम् । तदेवम्भूतं यन्मिश्रगेयं तदस्या	main via surya_layout
5	जातेरर्थितमिति यत्रियम्यते मतङ्गनन्दिकश्यपयाष्टिकादिभिस्तद्धिकेन रूपबाहुल्येन । तथा(विहि)तं पानकमिदमिति न तु	main via surya_layout
6	क्रममिश्रितम्।	annotation_inline parent ligne 5 via heuristic_short
7	Abhi Bhā on NŚ XXVIII. 141, p. 63.	main via surya_layout
8	89. cf. इति त्रिपष्टिरंशा: स्युस्तेपामेकैकशोंऽशता ।	main via surya_layout
9	C.r. in Sudhā on SR I. 7.59-63.	main via surya_layout
10	Verses 251-256 of our text tally with Datti 90b-95.	main via surya_layout
11	90. P.t. adds here a confused reading after 'madhye' -	list_item via surya_layout
12	ये अनंशास्तेषामनंशानां	list_item via surya_layout
13	91. The order of ṛṣabha-dhaivata has been changed by us to dhaivata-	list_item via surya_layout
14	rṣabha in order to correct the respective order of kaiśikī and pañcamī.	list_item via surya_layout
15	92. C.r. in Sudhā on SR I.7.24-28, p.180.	list_item via surya_layout
16	P.t. reads the following after kriyamaņe in the first line of Anu. 139, which	main via surya_layout
17	is redundant-	annotation_inline parent ligne 16 via heuristic_short
18	सप्तधिकश्चैवं चत्वारिशच्च पाडवे अस्यार्थविधौ क्रियमाणे ।	main via surya_layout
19	93. C. r. in Sudhā on SR 1.7.24-28, p.180, reads -	list_item via surya_layout
20	सप्तचत्वारिंशदंशा भवन्ति । कथम् ? चतसृणां etc.	list_item via surya_layout
21	94. C. r. in ibid.	list_item via surya_layout
22	95.cf. c.r. in ibid -	list_item via surya_layout
23	पड्जमध्यमा पाड्जी पड्जोदोच्यवा कैशिकी रक्तगान्धारीत्यासां सप्तांशा अपवादभूता: पातनीया: ।	main via surya_layout
24	P.t. adds the following portion after verse 257, which is out of place and has,	main via surya_layout
25	therefore, been omitted by us-	main via surya_layout
26	सगमपर्धः स्मृता +++++++ ।	main via surya_layout
27	नन्दयन्ती भवेत् पागा गान्धारोदीच्यवासमा ॥	main via surya_layout
28	96. C.r. in Sudhā on SR I. 7.24-28, p.180.	list_item via surya_layout
29	97. Reading in NS Chau. XXVIII. 93.	list_item via surya_layout
30	98. Reading in NS XXVIII. 58.	list_item via surya_layout
31	99. Ibid.	list_item via surya_layout
32	100. Reading in NS Chau. XXVIII.63.	list_item via surya_layout
33	101. P.t. reads - 'tadvaddhaivatahīnatā'. Reconstruction based on NŠ	list_item via surya_layout
34	XXVIII. 59.	list_item via surya_layout
35	102. Reading in NS Chau. XXVIII. 63.	list_item via surya_layout
36	103. Reading in NS XXVIII. 59 and NS Chau. XXVIII. 64. Recon-	list_item via surya_layout
37	struction of 'pañcamaḥ'as 'pañcamam 'based on NŚ Chau. XXVIII. 64.	list_item via surya_layout
38	104, 105.Reading in NS XXVIII. 60.	list_item via surya_layout
39	106, 107. Reading in NS Chau. XXVIII .64.	list_item via surya_layout
40	108. Reading in NŚ XXVIII. 61.	list_item via surya_layout
41	109. Added on the basis of NS XXVIII. 61.	list_item via surya_layout

vol_II_p158 RIGHT — 48 lignes

L#	Texte OCR	Role auto
1	VIMARŚA	page_header via surya_layout
2	299	page_number via heuristic_pagenum
3	Sixth or third below	table via surya_layout
4	<b>Gändhāra</b>	table via surya_layout
5	Şadja	table via surya_layout
6	Madhyama	table via surya_layout
7	Fifth or fourth below	table via surya_layout
8	Şadja	table via surya_layout
9	Fourth or fifth below	table via surya_layout
10	Pañcama	table via surya_layout
11	Şadja	table via surya_layout
12	Dhaivata	table via surya_layout
13	Third or sixth below	table via surya_layout
14	Şadja	table via surya_layout
15	It is obvious that when a svara other than sadja becomes the amsa, then	main via surya_layout
16	it will be necessary to search a path for sparseness and abundance. The	main via surya_layout
17	identity of sadjī will establish with this path and with nyasa. The paryayamsas	main via surya_layout
18	of ṣāḍjī also become amsás in many other jātis. In view of this, the distinct	main via surya_layout
19	identity of each jāti cannot be established on the basis of amśa because one	main via surya_layout
20	and the same intervals will obtain in many jātis. Hence, the distinct identity	main via surya_layout
21	of each jāti will depend on sparseness and abundance alone.	main via surya_layout
22	The above is true of the seven jātis bearing svara names. In samsargajā	main via surya_layout
23	vikṛtā jātis, the situation would be all the more complex because they involve	main via surya_layout
24	the mixture of more than one jāti in each case. The sparseness-abundance	main via surya_layout
25	of the jātis that are mixed in a given combination would emerge from time	main via surya_layout
26	to time. This is a more complex form of antara-mārga.	main via surya_layout
27	Abhi adds with regard to antara-mārga that sometimes a non-amśa svara	main via surya_layout
28	also is not sparse. For example, in kārmāravī, gāndhāra has concert (sangati)	main via surya_layout
29	with all svaras and thus, it has profuse usage in antara-mārga.	main via surya_layout
30	The citation from Bharata occurring after Anu. 129 says that nyāsa and	main via surya_layout
31	antara-mārga, the special use of sparseness and abundance, is responsible for	main via surya_layout
32	manifesting the identity of jātis. This statement appears to apply only to	main via surya_layout
33	samsargajā jātis. The weakness (abala) of a sparse svara and the abundance	main via surya_layout
34	of the balavan(strong) svara has also been mentioned in the description of	main via surya_layout
35	sparseness and abundance.	main via surya_layout
36	39. The description of kārmāravī is available only in the interpolated	main via surya_layout
37	portion (from SR) in our text. The line cited here occurs in NS XXVIII. as	main via surya_layout
38	the second half of verse 136. The interpolated portion from SR says -	main via surya_layout
39	"Many(svaras) are said to be non-amsas on account of antara-marga.	main via surya_layout
40	Gāndhāra is excessively abundant......	main via surya_layout
41	(17)	annotation_inline parent ligne 40 via heuristic_short
42	Thus gāndhāra is said to be abundant, inspite of its being non-amśa, on	main via surya_layout
43	account of antaramārga.	main via surya_layout
44	The use of future tense in our text, in relation to the description of	main via surya_layout
45	kārmāravī in NS is apparently somewhat queer, as it befits a commentary on	main via surya_layout
46	NS rather than an independent work. Incidentally, this line of our text	main via surya_layout
47	containing the use of future tense is found in Abhi Bhā on NŚ referred to	main via surya_layout
48	in note 38.	main via surya_layout

vol_II_p122 LEFT — 27 lignes

L#	Texte OCR	Role auto
1	BŖHADDEŚĨ	page_header via surya_layout
2	226	page_number via heuristic_pagenum
3	[सामान्यविधानम् ]	section_header via surya_layout
4	त्रिपदं पादसंख्यानं मूर्छनाबिन्दुसङ्कुलम् ।	main via surya_layout
5	स्थितं [च] गमकं कुर्यादेतदेलासु लक्षणम् ॥४३९॥	editorial_bracket parent ligne 4 via heuristic_brackets
6	य(त्)स्थितं	main via surya_layout
7	ततश्च वर्ण्यमानस्य नाम सम्यक् प्रवेशयेत्।	main via surya_layout
8	सव्यत्	annotation_inline parent ligne 7 via heuristic_height
9	लिलता रससंयुक्ता स्वाभिधानमतः परम् ॥४४०॥	main via surya_layout
10	॥ इति गणैलाचतुष्टयम् ॥	editorial_bracket parent ligne 9 via heuristic_brackets
11	[५. सङ्करैला]	section_header via surya_layout
12	तृतीयपादवत् पादश्चतुर्थो यदि वर्धते ।	main via surya_layout
13	एला सङ्करतामेति मतङ्गमुनिभाषिता ॥	main via surya_layout
14	पञ्चमी ह्यत्र सङ्कर-नाम्नी त्वेला[प्रकीर्तिता] ॥ ४४१॥	editorial_bracket parent ligne 13 via heuristic_brackets
15	द्वि(त)यं	annotation_inline parent ligne 13 via heuristic_height
16	एला + + +	annotation_inline parent ligne 13 via heuristic_height
17	[इति गणैलाः]	editorial_bracket parent ligne 13 via heuristic_brackets
18	[ख. मात्रैलाप्रकाराः]	section_header via surya_layout
19	रितलेखा कामलेखा बाणलेखा तथैव च।	main via surya_layout
20	कथ्यते चन्द्रलेखा च ३४मात्रैलामाह वल्लभः॥ ४४२॥	main via surya_layout
21	[१. रतिलेखा]	section_header via surya_layout
22	यस्यामङ्घ्रिद्वये मात्रा रुद्रसङ्ख्यास्तृतीयके ।	main via surya_layout
23	रुद्रहस्तसमाश्चैव रत्याख्यगणसम्मिता: ॥४४३॥	main via surya_layout
24	(:)	annotation_inline parent ligne 23 via heuristic_height
25	भवन्तीति यतस्तज्ज्ञैर्धातुमातुसमन्विता: ।	main via surya_layout
26	॰सन्मातृमाभि च (?)	annotation_inline parent ligne 25 via heuristic_markers
27	कथिता गीतशास्त्रज्ञै रतिलेखेति नामतः ३५॥४४४॥	main via surya_layout

180 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p034 RIGHT — 35 lignes

vol_II_p124 RIGHT — 29 lignes

vol_II_p134 RIGHT — 41 lignes

vol_II_p158 RIGHT — 48 lignes

vol_II_p122 LEFT — 27 lignes