Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21478). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p138 LEFT — 41 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 1. ***** annotation_inline
parent ligne 4
via heuristic_height
2 258 page_number
via heuristic_pagenum
3 BRHADDEŚĨ page_header
via surya_layout
4 38. Reconstuction based on the reading found in all subsequent list_item
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5 rāgas. list_item
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6 39. P.t. breaks here. Ākṣiptikā is thus defined in SR list_item
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7 चच्चत्पुटादितालेन मार्गत्रयविभूपिता। list_item
via surya_layout
8 आक्षिप्तिका स्वरपदग्रथिता कथिता बुधै: ॥ list_item
via surya_layout
9 SR II.2.25 cd, 26 ab. main
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10 स्वरपदग्रधिता, पड्जादिस्वरोपेतै: पदै: पदार्थवाचकै: शब्दैग्रंथिता रचिता main
via surya_layout
11 पदतालाद्याक्षिप्तत्वादाक्षिप्तिकेत्यर्था । वुधैर्मतङ्गादिभि: कथिता । main
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12 Kalā on ibid, p. 22. main
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13 40. P.t. breaks here. The following extracts would be pertinent - main
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14 मध्यमापञ्चमीजात्यो: सम्भूत: शुद्धपञ्चम: । main
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15 अंशोऽस्य पञ्चमो न्यास: स्वल्पद्विश्रुतिकस्वर:॥ main
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16 BhaKo, p. 666, ascribed to Kaśyapa. main
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17 यदि पञ्चमो विरमते गान्धारधान्तरस्वरो भवति । main
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18 ऋपभो निपादसहितस्तं पञ्चममीदृशं विद्यात् ॥ main
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19 Nā Śi 1.4.6. annotation_inline
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20 मध्यमापञ्चमीजातः काकल्यन्तरसंयुतः ॥ main
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21 पञ्चमांशग्रहन्यासो मध्यसप्तकपञ्चम:। main
via surya_layout
22 <b>इ</b>ष्यकामूर्च्छनोपेतो ज्ञेय: कामादिदैवत: ॥ main
via surya_layout
23 चारुसञ्चारिवर्णश्च ग्रीप्मेऽहः प्रहरेऽग्रिमे । main
via surya_layout
24 शृङ्गारहास्ययो: सन्धाववमर्शे प्रयुज्यते ॥ main
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25 SR.II.2. 148c-150. main
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26 41. Reconstruction based on the succeeding prose portion, where list_item
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27 the omission of rṣabha and pañcama is prescribed. list_item
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28 42. The 'jātyoḥ' of p.t. could be taken to be the dual number of the list_item
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29 genitive or locative case, though locative would be more appropriate list_item
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30 according to the context. We have changed it to the dual number of the list_item
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31 ablative case which was felt to be more idiomatic, but the locative case is not list_item
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32 misplaced. list_item
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33 43. This sentence has been cited by Kallinātha in Kalā on SR II. 2.30- list_item
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34 32, p. 29 for refuting the opinion that the rāga śuddhakaiśikamadhyama list_item
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35 belongs to two grāmas. list_item
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36 पड्जांशो मध्यमन्यासः कैशिकीजातिसम्भवः। list_item
via surya_layout
37 44. cf. list_item
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38 तथा कार्मारवीजात: सम्पूर्ण इति कैशिक: ॥ list_item
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39 BhaKo p. 149, ascribed to Matanga. main
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40 45. ' Pañcamo nyāsaḥ 'of p.t. has been changed to pañcamanyāsaḥ in main
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41 order to make a compound matching ' ṣadjāmśaḥ '. main
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vol_I_p103 RIGHT — 49 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 VIMARŚA page_header
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2 189 page_number
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3 117. Conflict with varna is not easily comprehensible. Perhaps the idea is that list_item
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4 whatever pattern is established in an alankāra it should be followed all-through. list_item
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5 If varna is taken to stand for syllabic unit, then the conflict and its prohibition list_item
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6 become clear. list_item
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7 118. Using an alankāra without a varņa ( melodic movement ) is a list_item
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8 contradiction in itself; here also, as above (note 117) the idea seems to be that list_item
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9 an alankāra should not be used without establishing a definite pattern. Here list_item
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10 varna as a syllabic unit does not seem to be relevant. list_item
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11 119. Abhi Bhā on this ( NŚ XXIX, 45 ) says that four functions of alankāra in list_item
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12 relation to varna (the syllabic unit) have been figuratively spoken of as—(i) list_item
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13 the alankāra makes the varņa bright or brilliant ( like the moon ), (ii) it list_item
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14 'threads' or connects the varņa (like a river), (iii) it makes the varņa blossom list_item
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15 (like a flower on a creeper) and (iv) it makes the varna colourful or delightful list_item
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16 (like an ornament on a woman). list_item
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17 120. It is notable that all illustrations begin with sadja and do not extend list_item
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18 beyond the tāra şadja. list_item
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19 121-145. All these notes pertain to 'sa' that belongs to tāra-sthāna. list_item
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20 Section VII ( Pada-giti ) section_header
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21 1,2,3. Giti literally means song or the act of singing, but here it stands for list_item
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22 specific pattern of singing with reference to the text of the song as manifest in list_item
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23 its syllabic units (akşara) and metre (chandas). NŠ mentions only these four list_item
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24 gītis, but BrD speaks of gītis also in the context of grāma-rāgas. In order to list_item
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25 distinguish between these two types of gitis, the first type being related to the list_item
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26 rendering of text and the second type being related to the rendering of raga, we list_item
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27 have qualified the gitis under reference with pada, and the gitis of raga list_item
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28 classification will be qualified with svara or raga. list_item
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29 4. Nivitta lit. means retreated or returned to; in alankāras nivitti means list_item
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30 descent (of svaras); here it means repetition. list_item
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31 5. Nivitta lit. means receded or held back as opposed to pravitta meaning list_item
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32 proceeded or set forth. Here it means accomplished or completed. list_item
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33 6-11. Three mārgas (lit. paths) are accepted in the ancient tāla-system list_item
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34 which represent three 'degrees' of length of a given tāla-cycle, depending on list_item
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35 the duration of kalā or standard time-unit, as follows - list_item
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36 Duration of kalā section_header
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37 Name of marga section_header
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38 2 mātrās annotation_inline
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39 1. Citra main
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40 4 mātrās annotation_inline
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41 2. Vārtika or vṛtti main
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42 8 mātrās annotation_inline
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43 3. Daksina unknown
via fallback
44 12,13,14. Ekakala, dvikala and catuşkala have been equated here with citra, vārtika main
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45 and dakṣiṇa mārgas respectively. They lit. mean one 'kalā (2 mātrā )-unit, two-kalā (4 main
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46 mātrā)-unit and four kalā (8 mātrā)-unit. Each of the five tālas of gāndharva have three main
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47 (vide) annotation_inline
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48 T 1 annotation_inline
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49 (vide) annotation_inline
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vol_II_p067 LEFT — 30 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
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2 116 page_number
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3 [अनु॰ २००] editorial_bracket
parent ligne 4
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4 अस्यार्थ: -मालवकैशिको मध्यमग्रामसम्बन्ध: कैशिकीजातेर्जातत्वात् । षड्जो ग्रहोंऽशो main
via surya_layout
5 न्यासश्च । धैवतस्यात्राल्पत्वम् । प्रयोगे निषादोऽत्र काकली । पूर्णस्वरश्चायम् । <sup>८७</sup>विप्रलम्भे शृङ्गारे main
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6 प्रयोगो annotation_inline
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7 काकलि: annotation_inline
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8 चास्य विनियोगः। वीरादिको रसः। षड्जादिमूर्छना । आरोही वर्णः । अलङ्कारः प्रसन्नमध्यमः । main
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9 दक्षिणे कला, वार्तिके कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । main
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10 [वेसराणां ग्रामविभाग:] section_header
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11 इदानीं वेसराणां ग्रामविशेषो दर्श्यते - main
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12 दुश्यते annotation_inline
parent ligne 11
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13 टक्करागश्च सौवीरस्तथा वै टक्ककेशिक:। main
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14 बोट्टरागश्च षड्जाख्ये भवेद् वेसरषाडव: ॥ ३२९॥ main
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15 हिन्दोलकस्तु विज्ञेयो मध्यमग्रामसम्भव:। main
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16 मालवपञ्चमश्चैव मालवकैशिकस्तथा ॥ ३३०॥ main
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17 इति वेसरकाः प्रोक्ताः सर्वे निश्चितलक्षणाः। main
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18 स्वराणां दृश्यते वेगस्तेन वेगस्वरा: स्मृता: ॥३३१॥ main
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19 [ङ. साधारणरागा:] section_header
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20 शुद्धा भित्राश्च गौडाश्च तथा वेगस्वरा: परे । main
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21 <sup>८८</sup>कथिता: साम्प्रतं <sup>८९</sup>वक्ष्ये सप्त साधारणांस्तत: ॥३३२॥ main
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22 कथिता यत्र तान् main
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23 [अनु॰ २०१] section_header
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24 ननु साधारणानां कथं साधारणत्वम् ? उच्यते । पूर्वोक्तानां सर्वेषां रागाणां या गीतयस्ताभिर्जायमान- main
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25 (র্জী/র্জা) annotation_inline
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26 ॰मां annotation_inline
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27 त्वात् तेषां साधारणत्वम् ,एतत् साधारणगीत्या गीयमानत्वात् । तथा चाह कश्यप: - main
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28 (র্জী?র্জা) annotation_inline
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29 ‘‘सप्त साधारणा: प्रोक्ता: <sup>९०</sup>सर्वगीतिसमाश्रया: ।’’ main
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30 पञ्च annotation_inline
parent ligne 29
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vol_II_p042 LEFT — 48 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
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2 66 page_number
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3 (৬) table
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4 सा पा नी मा पा पा गां गां table
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5 मां पां मां निधं नी नी सा सा table
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6 (८) table
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7 पां पां मां धंनिं पां पां पां पां table
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8 (९) table
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9 (१०) table
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10 मां पां मां रिग गा गा गा गा table
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11 (११) table
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12 गा पा मा पा नी नी नी नी table
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13 (१२) table
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14 मा पा मा परि गा गा गा गा table
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15 (१३) table
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16 गा गा गा मा मा निध नी नी table
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17 (१४) table
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18 नी नी धप मा निध निध पा पा table
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19 (१५) table
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20 रीं गां सां सां मा नी नी नी table
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21 (१६) table
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22 नी नी धा पा धा पा मा मा table
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23 ॥ [इति] मध्यमोदीच्यवा ॥ table
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24 141 page_number
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25 [६. कामारवी] section_header
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26 कार्मारव्यां भवन्त्यंशा निषादरिपधैवता: ॥ १६॥ main
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27 बहवोऽन्तरमार्गत्वादनंशा: परिकीर्तिता: । main
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28 गान्धारोऽत्यन्तबहुल: सर्वाशस्वरसंगति: ॥ १७॥ main
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29 सर्वाशत्वं(?)स्वसंगतैः main
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30 चच्चत्पृट: षोडशात्र कला: षड्जादिमूर्छना । main
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31 (জা) annotation_inline
parent ligne 30
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32 पञ्चमस्य प्रेक्षणस्य ध्रुवायां विनियोजनम् ॥ १८॥ main
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33 <sup>१७८</sup>अस्यां पञ्चमो न्यास:, अंशा एवापन्यासा: । <sup>१७९</sup>प्रस्तार: - main
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34 ए(व?वा) main
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35 री री री री री री री री table
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36 (१) table
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37 मां गां सां गां सा नी नी नी table
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38 (२) table
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39 (3) table
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40 नी मा नी मा पा पा गा गा table
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41 (8) table
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42 गा पा मा पा नी नी नी नी table
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43 (4) table
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44 री गासानी री गारी गा table
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45 री गारी सानिध नी पापा table
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46 <b>(</b>\(\xi\) table
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47 (৩) table
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48 मा पा मा परि गा गा गा गा table
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vol_II_p115 LEFT — 32 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 212 page_number
via heuristic_pagenum
2 BRHADDESI page_header
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3 [९. दोधक:] editorial_bracket
parent ligne 4
via heuristic_brackets
4 ररअर्धं गीत्वा परार्धं तु तस्योपरि ततस्वरम् ॥३९१॥ main
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5 परार्थ annotation_inline
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6 अर्थ annotation_inline
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7 ततापरि annotation_inline
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8 ॰स्वरा(?) annotation_inline
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9 [१०. तोटक:] editorial_bracket
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10 <sup>1</sup>/<sub>1</sub>[.....] editorial_bracket
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11 [११. वस्तु] editorial_bracket
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via heuristic_brackets
12 यत्र पाटाश्च तेत्राश्च शेषं भवेत् ततस्वरम् । main
via surya_layout
13 ततो परी annotation_inline
parent ligne 12
via heuristic_height
14 . . . . annotation_inline
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15 देशीगीतेऽपि वस्तु स्यात्राटकेऽपि प्रयुज्यते<sup>१३</sup> ॥३९२॥ main
via surya_layout
16 [१२. क्रौञ्चपद:] section_header
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17 गीतस्तु प्रतितालेन पदस्वरसमायुत:। main
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18 ॰(ना?ता)॰ annotation_inline
parent ligne 17
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19 मतः क्रौञ्चपदो नाम स तु गान्धर्ववेदिनाम् १४॥३९३॥ main
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20 [१३.हंसपद:] section_header
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21 संस्कृतं पादमेकं तु द्वितीयं देशसंयुतम्। main
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22 सप्रासं गीयते यत्तद् गीतं हंसपदं विदुः १५॥३९४॥ main
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23 यम annotation_inline
parent ligne 22
via heuristic_height
24 [१४.शुकसारिक:] section_header
via surya_layout
25 यस्तु तालपदोपेत[:] पदपाटविराजित:। editorial_bracket
parent ligne 24
via heuristic_brackets
26 प्रश्नोत्तरसमायुक्तः स तूक्तः शुकसारिकः ॥३९५॥ main
via surya_layout
27 ॰यु(के:?क:) सदोक: annotation_inline
parent ligne 26
via heuristic_markers
28 न्तः annotation_inline
parent ligne 26
via heuristic_height
29 [य: स्यात्] कर्णाटभाषायामथवा मिश्रितो यदि । editorial_bracket
parent ligne 26
via heuristic_brackets
30 ٠ page_number
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31 + annotation_inline
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32 संवादकपदोपेत: स भवेच्छुकसारिक: १६॥ ३९६॥ main
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200 lignes a valider — change uniquement les roles incorrects.