Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21494). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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1 BRHADDESI page_header
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2 102 page_number
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3 निधपा, मपधा धपमा, गमपा पमगा, रिगमा मगरी, सरिगा गरिसा। main
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4 सनिधा. annotation_inline
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5 पधनी main
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6 मगरिस, रिगमप पमगरि, गमपध धपमग, मपधनि निधपम, पधनिस main
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7 अथवा— सरिगम annotation_inline
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8 सनिधप, मपधनि निधपम, गमपध धपमग, रिगमप पमगरि, सरिगम मगरिस main
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9 इति annotation_inline
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10 [ २९ ] editorial_bracket
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11 अष्टादशकलो हुङ्कारः। main
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12 अनु₀ ९९ section_header
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13 तारात् सप्तमं स्वरं गत्वा पुनस्तत्रैवागत्यावरोहक्रमेण स्वरद्वयोच्चारणेन main
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14 .वमा. annotation_inline
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15 कलाचतुष्टयकरणात् सन्धिप्रच्छादनः। main
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16 कारणनात् ( ? ) annotation_inline
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17 यथा - ] सनि सनि सनि सनि, निध निध निध निध, धप धप धप धप, पम पम पम editorial_bracket
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18 पम, मग मग मग मग, गरि गरि गरि गरि, रिस रिस रिस रिस। main
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19 रिस रिस रिस रिस, गरि गरि गरि गरि, main
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20 सरि सरि सरि annotation_inline
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21 सरि main
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22 रिंग रिंग रिंग रिंग annotation_inline
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23 मग मग मग, पम पम पम पम, main
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24 मग annotation_inline
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25 गम annotation_inline
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26 गम गम, main
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27 मप मप मप मप annotation_inline
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28 धप धप धप धप, निध निध निध निध, main
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29 धनि annotation_inline
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30 धनि main
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31 धनि धनि annotation_inline
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32 सनि सनि सनि सनि [ इति सन्धिप्रच्छादनः। ] editorial_bracket
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33 [ 30 ] editorial_bracket
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34 निस main
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35 निस annotation_inline
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36 निस निस main
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37 [ अनुः १०० ] editorial_bracket
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38 अंशस्वरं चतुरुच्चार्य तदनन्तरस्वरद्वयस्य द्वृतोच्चारणादनेनैव क्रमेणारोहणादेककलो main
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39 विधुतः। [ यथा - ] स स स स रिग, रि रि रि रि गम, editorial_bracket
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40 री री री री main
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41 सा सा सा सा annotation_inline
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42 ग ग ग ग मप, म म म म पध, प प प प धनि, ध ध ध ध निस main
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43 गा गा गा गा annotation_inline
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44 मामामा पापापा main
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45 धाधाधाधारि annotation_inline
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46 [ इति ] विधुतः। editorial_bracket
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47 [ ३१ ] editorial_bracket
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48 [ अनुः १०१ ] editorial_bracket
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49 तारादेकान्तरस्वरावरोहात् क्रमेणोद्गीतः । [ यथा - ] सध निप धम पग मरि गस editorial_bracket
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50 .तिः main
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51 [ इति ] उद्गीतः। editorial_bracket
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52 [ ३२ ] editorial_bracket
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1 PÄŢHAVIMARŚA page_header
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2 271 page_number
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3 (ii) main
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4 पञ्चमांशग्रहा धान्ता निगयोर्गपयोर्गप । main
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5 धैवतर्पभयोधैव सङ्गत्या सङ्गधा(ता)मिथ:॥ main
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6 मधुरी ककुभे भाषा षड्जग्रामसमाश्रिता । main
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7 S Rāj II. 2.1.695. annotation_inline
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8 (iii) Madhukarī is treated as a vibhāṣā of kakubha ircS Rāj II.2. 1. main
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9 704, 705. annotation_inline
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10 निपयो रिधयोर्यस्यां संवादो निग्रहांशता । main
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11 63.cf. (i) annotation_inline
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12 रिन्यासा ककुभे भाषा शकमिश्रा तु सा मता ॥ main
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13 Kalā (appendix) on SR II,p.133. main
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14 (ii) annotation_inline
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15 निपादांशग्रहा भाषा शकमिश्रा रिविश्रमा । main
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16 निधयो: सधयोर्युक्ता सङ्गत्या ककुभाश्रिता ॥ main
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17 पङ्जग्रामेण सम्बद्धा मधुरैर्गमकैर्युता । main
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18 S Raj II.2.1, 698. annotation_inline
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19 64. 'Chāyā 'does not fit the context; our reconstruction as prāyā would main
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20 mean 'where kākalī is frequent'. Other texts, however, do not mention main
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21 kākalī in this bhāṣā. Our reconstruction is in close proximity with p.t. main
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22 65. cf. annotation_inline
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23 पङ्जग्रामसमुद्भतककुभे जनिता यथा। main
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24 धैवतांशग्रहन्यासा धापन्यासा धमन्द्रगा ॥ main
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25 माध्यमैरार्पभैस्तानै: पाञ्चमैधैवतैर्पि । main
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26 संयुक्तोन्झितगान्धारा भाषेयं भित्रपञ्चमी ॥ main
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27 विप्रलम्भे नियोक्तव्या ..... main
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28 S Rāj II.2.1.671,672 c. main
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29 Our reconstruction of the first foot of verse 80 is based on the above and main
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30 on the illustration which begins and ends with dhaivata. main
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31 66. (i) P.t. puts this line after the illustrative notation. main
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32 (ii) cf. हिन्दोलभाषा सान्तांशा वेसरी रिधदुर्बला । main
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33 सङ्गता समयो रिन्यो: प्रेक्षणे विनियुज्यते ॥ main
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34 Kalā (appendix) on SR II, p. 137. main
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35 67. SRāj II. 2.1.947 creads 'madhyamāmśagrahā', describing 'madhyama' as list_item
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36 the aniśa and graha. list_item
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37 68. Other texts read the name as cūtamañjarī; e.g. SR II.1.31 cd, Kalā list_item
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38 (appendix) on SR II, p. 137and S Rāj II.2.1.947b. 'Prathamamañjarī 'is read list_item
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39 as a 'bhāṣāṅga 'derived of kakubha, in SR II.2.115d. list_item
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40 69. SR II.2.146 a describes it as being devoid of 'rṣabha'as 'rihīnā'. list_item
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41 70. cf. list_item
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42 बहु (मन्द्र) पङ्जग्रहांशान्ता ऋपभेण विवर्जिता । list_item
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43 धैवतस्वरभृयिष्ठा[ऽ]पन्यासान्यितगस्यरा ॥ list_item
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1 33 page_number
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2 <b>TRANSLATION</b> page_header
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3 (Anu. 18) annotation_inline
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4 But why are (vowels) beginning with ākāra 21 accepted out of fourteen 22 main
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5 svaras? Truly has this been said. These have been accepted because of their main
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6 uncommonness. Their uncommonness is because of their movement in upward main
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7 sound.23 Or, the svaratva of vyanjanas beginning with şadja has been spoken of. main
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8 But .... this is said to be only a sign 24 (by convention), that is to say, (the names main
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9 of svaras) are the paribhāṣā 25 (list of abbreviations or signs) used by ācāryas main
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10 (teachers). annotation_inline
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11 [The fourfold-ness of svaras according to kinds beginning with vadin ] editorial_bracket
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12 (Anu. 19) section_header
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13 Now I show the fourfold-ness of svaras, that befits the occasion or context. main
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14 That is thus - annotation_inline
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15 Vādin 26 is so because of vadana 27 (speaking), like the master. The main
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16 saṃvādin<sup>28</sup> is so because of saṃvadana<sup>29</sup> (supportive speaking), like the minister. main
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17 The anuvādin<sup>50</sup> is so because of anuvadana<sup>51</sup> (following or obedient speaking) main
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18 like the attendants. Vivādin 52 is so because of vivadana 53 (opposite speaking), main
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19 like the enemy. annotation_inline
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20 (Anu. 20) section_header
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21 But vadana and the like are the nature (dharma) of living beings, how are they main
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22 possible in insentient svaras? Truly has this been said. Vadana is here intended to main
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23 mean the exposition of raga 34 (melody-matrix), not talking. What does it (vadana main
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24 and the like) expound? It produces the ragatva 35 of raga.36 Those vadin svaras main
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25 are only seven. That vādin should be understood as tenfold like the amśa.57 The main
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26 vādi-maņdala (cycle of vādins) is thus - sa, ri, ga, ma, pa, dha, ni. main
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27 (Anu. 21) section_header
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28 The samvadins should again be understood according to the interval of main
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29 thirteen and nine śrutis, when there is sama-śrutikatva 38 (equal interval of the main
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30 two svaras concerned, in terms of number of śrutis). What indeed is that main
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31 samuāditua? The carrying forward or accomplishment<sup>59</sup> of the rāgatua of rāga main
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32 1 page_number
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33 produced by the vādi-svara is indeed samvāditva (the nature of samvādin). The main
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34 samvādi-mandala is thus — main
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1 BRHADDEŚĪ page_header
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2 106 page_number
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3 [अनु॰ १८८] editorial_bracket
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4 अस्यार्थ: - गौडकैशिको रागो मध्यमग्रामसम्बन्ध: कैशिकोषड्जमध्यमाभ्यां जात: main
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5 रा(मो?गो) annotation_inline
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6 षड्जोऽस्य ग्रहोंऽशश्च। पञ्चमो न्यास:। निषादोऽत्र काकली। पूर्णश्चायम्। तथा प्रयोगोऽस्ति<sup>६४</sup>। main
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7 त्रिश्रुतिकत्वात् पञ्चमस्य,चतुःश्रुतिकत्वाद् धैवतस्य, मध्यमग्रामसम्बन्ध एवासौ रागः । यद्यपि main
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8 ग्रामद्वयजातौ जात:, तथापि मध्यमोऽस्य ग्राम:, न षड्ज:<sup>६५</sup> । तथा दर्शनात् । करुणे चास्य main
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9 पद्जी annotation_inline
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10 मध्यम: annotation_inline
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11 विनियोगः । वीरादिको रसः। षड्जादिमूर्छना। आरोही वर्णः। प्रसन्नादिरलङ्कारः। दक्षिणे कला, main
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12 वार्तिके कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । main
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13 [३.गौडकैशिकमध्यम:] section_header
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14 <sup>६६</sup>षड्जांशो मध्यमन्यास: षड्जमध्यमया कृत: । main
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15 ॰मध्यम(वा?या) annotation_inline
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16 परिपूर्णस्वर: प्रोक्तो गौडकैशिकमध्यम: ॥ ३१८॥ main
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17 [अन्॰ १८९] section_header
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18 अस्यार्थ: - गौडकैशिकमध्यम: षड्जग्रामसम्बन्ध: षड्जमध्यमाजातेर्जातत्वात् । षड्जोऽस्य main
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19 प(इज)मध्यमाजाते(त?)र्जातत्वात् main
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20 ग्रहोंऽशश्च । मध्यमो न्यास: । निषादोऽत्र काकली । पूर्णश्चायम् । भयानके चास्य विनियोग: । main
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21 वीरादिको रस:। षड्जादिमूर्छना। आरोही वर्ण:। प्रसन्नमध्योऽलङ्कार:। दक्षिणे कला, वार्तिके main
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22 कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । unknown
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23 [गौडरागाणां ग्रामविभाग:] section_header
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24 इदानीं गौडानां ग्रामविभागमाह - main
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25 गौडपञ्चमक: षड्जे गौडकैशिकमध्यम:। main
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26 ॰पञ्चं(ग?क): annotation_inline
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27 गौडकैशिकरागस्तु मध्यमग्रामसंश्रय:॥ main
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28 त्रयो गौडा: समाख्याता रागान् वक्ष्याम्यत: परम् ॥ ३१९॥ main
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29 (vide) annotation_inline
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1 #1 unknown
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2 60 page_number
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3 BRHADDEŚĪ page_header
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4 गा गम पा पध मा धनि पा पा table
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5 (৩) table
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6 री गा सा सध नी नी धा धा table
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7 (८) table
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8 गा रिंग सा सनि गा रिंग सा सा table
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9 (9) table
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10 सा सा सा मा मिन धिन नी नी table
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11 (१०) table
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12 मां मां मां परिंग गो गो सो सो table
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13 (११) table
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14 गों सी गों सी मी पी मी पेरिने table
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15 (१२) table
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16 गा गा गा गा गा सा सा table
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17 (१३) table
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18 नी नी पो धो नी गो गो गो table
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19 (१४) table
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20 नी नी धा पा धा पा मा पा table
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21 (१५) table
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22 धा पा मा मा मा मा मा मा table
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23 (१६) table
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24 ॥ [इति] गान्धारोदीच्यवती ॥ editorial_bracket
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25 । मा annotation_inline
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26 [३.रक्तगान्धारी] section_header
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27 अंशा: स्यू रक्तगान्धार्या पञ्च धर्षभवर्जिता:। main
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28 (म ?घ)पंभ(पूजि ? वर्जि)ताः main
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29 रिमतिक्रम्य सगयो: कार्ये सित्रिधिमेलने ॥ ७॥ main
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30 री(रि) annotation_inline
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31 रिलोपरिधलोपाभ्यां षाडवौडुविमष्यते । main
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32 बहुत्वं निधयोरंश: पञ्चमो द्वेष्टि षाडवम् ॥ ८॥ main
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33 द्विषन्त्यौडुवितं षड्जनिमपा: सङ्गतौ सगौ। main
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34 द्विप(जो ? नयौ) द्ववितं main
via surya_layout
35 पञ्चपाण्यादि षाङ्जीवद् ऋषभादिस्तु मूर्छना ॥ ९॥ main
via surya_layout
36 तृतीयप्रेक्षणगतं ध्रुवायां विनियोजनम् ॥१०॥ main
via surya_layout
37 <sup>१७१</sup>ंगतघुवायां main
via surya_layout
38 <sup>१७२</sup>अस्यां गान्धारो न्यास:, मध्यमोऽपन्यास:। <sup>१७३</sup>प्रस्तार: - main
via surya_layout
39 (तस्या ?)तस्या annotation_inline
parent ligne 38
via heuristic_short
40 (न्यास:, मध्यमोऽ) main
via surya_layout
41 पा नी सा सा गा सा पा नी main
via surya_layout
42 (१) annotation_inline
parent ligne 41
via heuristic_short
43 सां सां पा पा मा मा गा गा main
via surya_layout
44 (२) annotation_inline
parent ligne 43
via heuristic_short
45 मा पा धा पा मा पा धप मग main
via surya_layout
46 (3) unknown
via fallback
204 lignes a valider — change uniquement les roles incorrects.