Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21504). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p033 LEFT — 35 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	48	page_number via heuristic_pagenum
3	सम्भाविता, चतुष्कलेन दक्षिणेन पृथुला<sup>१४२</sup>। वीररौद्राद्धता रसा:। प्रथमप्रेक्षणके नैष्क्रामिकी-	main via surya_layout
4	धूवागाने विनियोगः<sup>१४३</sup>।	main via surya_layout
5	(वं ? वा)	main via surya_layout
6	[३. धैवती]	section_header via surya_layout
7	[अनु॰ १५०]	section_header via surya_layout
8	<sup>१४४</sup>धैवत्या धैवतर्षभौ ग्रहावंशौ च ।शुद्धावस्थायां<sup>१४५</sup> धैवत एवापन्यास:, विकृतावस्थायां	main via surya_layout
9	धैव(न्या ? त्या) धैवतं महौ ग्रहौ अंशौ	main via surya_layout
10	धैवत्येव न्यासः	annotation_inline parent ligne 9 via heuristic_height
11	च धैवतर्षभमध्यमा अपन्यासाः। धैवतो न्यासः। पञ्चमहीनं षाडवं<sup>१४६</sup>पञ्चमषड्जहीनमौडुवित्ं	main via surya_layout
12	तावेव षड्जपञ्चमस्वरौ<sup>१४७</sup>दुर्बलौ कर्तव्यौ क्वचिल्लङ्घनीयौ । पञ्चस्वरपरस्तार: । न्यासपरस्तत्परो	main via surya_layout
13	(व्य ? व्यौ)	annotation_inline parent ligne 12 via heuristic_short
14	तु क	main via surya_layout
15	वा मन्द्र:१४८।	main via surya_layout
16	[अनु॰ १५१]	section_header via surya_layout
17	सप्तविधत्वमस्या: । सप्तांशका: - शुद्धो, विकृतपूर्णो [द्वौ द्वौ षाडवौडुवितौ च ।]	editorial_bracket parent ligne 16 via heuristic_brackets
18	<i>विविध</i>॰	annotation_inline parent ligne 16 via heuristic_markers
19	्ण	annotation_inline parent ligne 16 via heuristic_height
20	ऋषभादिमूर्छना। ताल: पञ्चपाणि:, एककलश्चित्रो मार्ग:, मागधी गीति:। द्विकलो <sup>१४९</sup>वार्तिक:.	main via surya_layout
21	(वा)र्तिक:	annotation_inline parent ligne 20 via heuristic_short
22	सम्भाविता । चतुष्कलो दक्षिण:, पृथुला । कलाश्चित्रे द्वादश, वार्तिके चतुर्विशतिर्दक्षिणे-	main via surya_layout
23	कला (धतर ?) दक्षिणे . कला: द्वादश वार्तिके कला	main via surya_layout
24	ऽष्टचत्वारिंशच्च । रसा वीरबीभत्सभयानकाः । ध्रुवागाने प्रथमे प्रेक्षणके विनियोगः ।	main via surya_layout
25	अष्टचत्वारिशद् ।	main via surya_layout
26	[४. नैषादी]	section_header via surya_layout
27	[अनु॰ १५२]	section_header via surya_layout
28	निषादवत्या निषादर्षभगान्धारा ग्रहा अंशाश्च। अपन्यासाश्च निषादगान्धारर्षभा:। निषाद एव	main via surya_layout
29	(शा)	annotation_inline parent ligne 28 via heuristic_height
30	न्हाः	annotation_inline parent ligne 28 via heuristic_height
31	को	annotation_inline parent ligne 28 via heuristic_height
32	न्यासः। पञ्चमहीनं षाडवं, पञ्चमषड्जहीनमौडुवितम्। पूर्णावस्थायां १५०षड्जमध्यमपञ्चमधैवता-	main via surya_layout
33	<i>ान्धारमध्यमपञ्चमा</i>-	annotation_inline parent ligne 32 via heuristic_height
34	नामल्पत्वम् । १५१ [षाडवे षङ्जमध्यमधैवतानामल्पत्वम् ।] औडुविते मध्यमधैवतयोरल्पत्वम् ।	editorial_bracket parent ligne 32 via heuristic_brackets
35	नामः	annotation_inline parent ligne 32 via heuristic_height

vol_II_p168 RIGHT — 42 lignes

L#	Texte OCR	Role auto
1	VIMARŠA	page_header via surya_layout
2	319	page_number via heuristic_pagenum
3	57. Ratigana is fourfold and is composed of two syllables each – SS, IS,	list_item via surya_layout
4	SI, II.	list_item via surya_layout
5	58, 59. Dhātu-mātu stand for tonal-cum-rhythmic and verbal structure	list_item via surya_layout
6	of a composition respectively.	list_item via surya_layout
7	60. Twice Rudra would mean <math>11 \times 2 = 22</math>.	list_item via surya_layout
8	61. Bāṇagaṇa is of 16 kinds, each one composed of four syllables.	list_item via surya_layout
9	62. Here only the number of syllables is regulated and not their long	list_item via surya_layout
10	and short order.	list_item via surya_layout
11	63. Alaghu - that which is not laghu or short.	list_item via surya_layout
12	64. No regulation of the order of long and short syllables is	list_item via surya_layout
13	prescribed.	list_item via surya_layout
14	65. See notes 46, 52.	list_item via surya_layout
15	66. 'Yati' is a word that stands for splitting or pause in metre. In tāla,	list_item via surya_layout
16	yati means the order or sequence of layas. Here the first meaning seems to	list_item via surya_layout
17	be relevant.	list_item via surya_layout
18	67. This is again a reference to Matanga within the text. See note 3.	list_item via surya_layout
19	68. Samā yati is that where one and the same laya is sustained from	list_item via surya_layout
20	the beginning to the end.	list_item via surya_layout
21	69. Şaţpadī means 'one having six feet '. Śaṅkarācārya's şaţpadī	list_item via surya_layout
22	beginning with 'avinayamapanaya viṣṇo' is well - known.	list_item via surya_layout
23	70. Srotogatā yati is that where there is slow laya in the beginning	list_item via surya_layout
24	followed by fast, like the source of a river that gradually gains speed in its	list_item via surya_layout
25	current. Samā has been explained in note 68.	list_item via surya_layout
26	71. Gopucchā yati is the opposite of srotogatā; it is fast in the	list_item via surya_layout
27	beginning and gradually becomes slow, like the end of the cow's tail which	list_item via surya_layout
28	is first thin and then ends up with a thick bunch of hair.	list_item via surya_layout
29	72. See note 46.	list_item via surya_layout
30	73. 'Varṇadhvani' would literally mean 'the sound of syllables';	list_item via surya_layout
31	perhaps the contrast of a cluster of syllables in song, followed by a text-free	list_item via surya_layout
32	tonal rendering is implied.	list_item via surya_layout
33	74. Mūrchanā is not known as a kind of gamaka. The combination of	list_item via surya_layout
34	'mūrchanā' with gamaka requires further investigation.	list_item via surya_layout
35	75- 79. Lāţa (approximately present Gujarat), Karṇāta (roughly	list_item via surya_layout
36	present Karnataka), Gauda (roughly present Bengal), Andhra (roughly	list_item via surya_layout
37	present Andhra Pradesh) and Dravida (roughly present Tamilnadu) are the	list_item via surya_layout
38	regions selected for description of types of elā prabandha. Important	list_item via surya_layout
39	omissions are <i>Pāṇcāla, Avantī</i> or <i>Mālavā, Vidarbha</i> etc. SR also mentions only	list_item via surya_layout
40	the above five regions in this context.	list_item via surya_layout
41	80,81. The description of the regional specialities in the use of rhyme	list_item via surya_layout
42	and alliteration is interesting indeed.	list_item via surya_layout

vol_II_p122 RIGHT — 28 lignes

L#	Texte OCR	Role auto
1	227	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	[General Prescription]	section_header via surya_layout
4	The name pāda (foot) is given to a group of three padas (textual-cum-melodic units) which is brimming with mūrchanā bind	main via surya_layout
5	should be made sthita<sup>53</sup> (slow?); this is the prescription in respect of elās.	main via surya_layout
6	(439)	annotation_inline parent ligne 5 via heuristic_short
7	Then one should properly put in the name of the one being described. It	main via surya_layout
8	(elā) is lalitā (beautiful) (and) full of rasa; the name of self (composer)	main via surya_layout
9	comes after this.	annotation_inline parent ligne 8 via heuristic_short
10	(440)	main via surya_layout
11	Thus ends the fourfold ganaila.	main via surya_layout
12	[5. Saṅkarailā]	section_header via surya_layout
13	If the fourth foot 'grows' (gets elaborated) like the third foot, then the elā	main via surya_layout
14	spoken of by Matanga Muni becomes sankara (mixed). Here the fifth elā is	main via surya_layout
15	said to be named sankara.	main via surya_layout
16	(441)	annotation_inline parent ligne 15 via heuristic_short
17	[Thus ends gaņailā.]	editorial_bracket parent ligne 15 via heuristic_brackets
18	[B. The varieties of Mātrailā]	section_header via surya_layout
19	Ratilekhā, kāmalekhā, bāṇalekha and similarly candralekhā are (the varieties	main via surya_layout
20	of) mātrailā spoken of by Vallabha.54	main via surya_layout
21	(442)	main via surya_layout
22	[1. Raulekhā]	section_header via surya_layout
23	Where there are rudra 55 numbered (eleven) mātrās in (each of the first)	main via surya_layout
24	two feet and ten (rudrahasta?)56 mātrās measured according to the gaņa	main via surya_layout
25	named rati<sup>57</sup> (and) endowed with dhātu<sup>58</sup> (tonal-cum-rhymthic structure)	main via surya_layout
26	(and) mātu<sup>59</sup> (text), on account of this (ratigaņa) (this elā) is given the name	main via surya_layout
27	ratilekhā by the experts in the science of music (gītaśāstra).	main via surya_layout
28	<math>(443-444)</math>	main via surya_layout

vol_I_p066 RIGHT — 49 lignes

L#	Texte OCR	Role auto
1	115	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	Giti (musical rendering) without alankāra is like a night without the moon,	main via surya_layout
4	a river without water, a creeper without flowers (and) a woman without	main via surya_layout
5	(168)	annotation_inline parent ligne 4 via heuristic_short
6	ornaments.119	main via surya_layout
7	Thus have been described these thirty-three alankāras by me. Those that	main via surya_layout
8	have not been indicated here, they should also be understood.	main via surya_layout
9	(169)	annotation_inline parent ligne 8 via heuristic_short
10	(Anu. 103)	main via surya_layout
11	Thus are the prastaras (notational representations) in (svaras) beginning	main via surya_layout
12	with şadja.120	main via surya_layout
13	(1)	table via surya_layout
14	sarigamapadhanisa,121 prasannādi	table via surya_layout
15	(2)	table via surya_layout
16	sanidhapamagarisa, 122 prasannānta	table via surya_layout
17	(3)	table via surya_layout
18	sarigamapadhanisa 123 nidhapamagarisa, prasannādyanta	table via surya_layout
19	<b>(4)</b>	table via surya_layout
20	sanidhapamagarisa 124 sarigamapadhanisa, prasannamadhyama	table via surya_layout
21	<b>(5)</b>	table via surya_layout
22	sā rī gā mā pā dhā nī sā,125 sama	table via surya_layout
23	(6)	table via surya_layout
24	sā sā 126 sā, bindu	table via surya_layout
25	<b>(7)</b>	table via surya_layout
26	sā sā sā, 127 nivītta pravītta	table via surya_layout
27	(8)	table via surya_layout
28	sarigamapadhaninidhapamagarisa, veņu	table via surya_layout
29	(9)	table via surya_layout
30	sarigamapadhanisa.<sup>128</sup> kampita	table via surya_layout
31	(10)	table via surya_layout
32	sarigamapadhanisa,129 kuharita	table via surya_layout
33	(11)	table via surya_layout
34	sarigamapadhanisa,150 recita	table via surya_layout
35	sarīrisā rigagarī gamāmagā mapāpamā padhādhapā, dhanīnidhā 151 nisāsani,	table via surya_layout
36	(12)	table via surya_layout
37	prenkholita	unknown via fallback
38	mapadhanisama,	main via surya_layout
39	gamapadhaniga	annotation_inline parent ligne 38 via heuristic_short
40	rigamapadhari	main via surya_layout
41	sarigamapasa	annotation_inline parent ligne 40 via heuristic_short
42	(13)	main via surya_layout
43	tāramandraprasanna	annotation_inline parent ligne 42 via heuristic_short
44	masanidhapama, 132	main via surya_layout
45	ganidhapamaga	annotation_inline parent ligne 44 via heuristic_short
46	ridhapamagari	main via surya_layout
47	sapamagarisa	annotation_inline parent ligne 46 via heuristic_short
48	(14)	main via surya_layout
49	mandratāraprasanna	main via surya_layout

vol_I_p035 LEFT — 29 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚI	page_header via surya_layout
2	52	page_number via heuristic_pagenum
3	एतदुक्तं भवति—	main via surya_layout
4	"द्वौ ग्रामौ विश्रुतौ लोके षड्जमध्यमसंज्ञितौ।"	main via surya_layout
5	•जकी?	annotation_inline parent ligne 4 via heuristic_height
6	[ अनु. ३३ ]	editorial_bracket parent ligne 4 via heuristic_brackets
7	ननु कथं द्वावेव ग्रामौ ? उच्यते— इह हि द्विस्वरप्रयोगमूलप्रयोगवशाद्	main via surya_layout
8	द्वौ ग्रामावुपन्यस्तौ।	main via surya_layout
9	गण्णातिभः श्रुतिभिष्टचैव स्वरा ग्रामत्वमागताः”।	main via surya_layout
10	[ अनु. ३४ ]	editorial_bracket parent ligne 9 via heuristic_brackets
11	तत्र जातिभिः शुद्धाभिर्विकृताभिष्टच श्रुतिभिष्टच। तस्मात् शुद्धासु जातिषु	main via surya_layout
12	<b>ंभिः श्रुतिभिष्टच</b> नातिकाभिः	main via surya_layout
13	विकृतासु च ये स्वराः सन्ति तेषां स्वराणां श्रुतिवैकल्यात् किञ्च-	main via surya_layout
14	怀	annotation_inline parent ligne 13 via heuristic_height
15	स्या	annotation_inline parent ligne 13 via heuristic_height
16	दुत्कर्षापकर्षाभ्यां संकीर्णत्वेन च स्वरा ग्रामत्वमागताः। तत्र शुद्धाभिः।।	main via surya_layout
17	षड्जो विकृताभिर्मध्यम इति द्वाभ्यां च संकीर्णा जाताः ताभ्यो रागसम्भव	main via surya_layout
18	इति। ग्रामान्यत्वाज्जातिरागान्यत्वम्।	main via surya_layout
19	[ इति ग्रामनिरूपणम् ]	editorial_bracket parent ligne 18 via heuristic_brackets
20	[ मूर्छना-निरूपणम् ]	section_header via surya_layout
21	[ अनु. ३५ ]	editorial_bracket parent ligne 20 via heuristic_brackets
22	इदानीमवसरप्राप्ता मूर्छनाः कथ्यन्ते। ननु मूर्छनाशब्दस्य व्युत्पत्ति [ : ]	editorial_bracket parent ligne 20 via heuristic_brackets
23	ंमिव स्वराः	annotation_inline parent ligne 20 via heuristic_height
24	कीदृशी ? लक्षणं च कीदृशं तस्य ? उच्यते — मूर्छनाव्युत्पत्तिः मूर्छ्	main via surya_layout
25	मूर्खा	annotation_inline parent ligne 24 via heuristic_short
26	मोहसमुच्छ्राययोः।12	main via surya_layout
27	मूर्छ्यते येन रागो हि मूर्छनेत्यभिसंज्ञिता।।९०॥	main via surya_layout
28	र्घ (?)	annotation_inline parent ligne 27 via heuristic_height
29	(vide)	unknown via fallback

183 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p033 LEFT — 35 lignes

vol_II_p168 RIGHT — 42 lignes

vol_II_p122 RIGHT — 28 lignes

vol_I_p066 RIGHT — 49 lignes

vol_I_p035 LEFT — 29 lignes